Photographer, multimedia artist and creative director, Emily Eizen gracefully photographed the fashionably-dressed attendees of our 8th annual Best of LGBTQ LA Awards. She brought the glitz and the glamour, just as much as those who attended.

Here are a few of her best shots.

(All photos credit and courtesy of Emily Eizen)

LA Blade Publisher, Alexander Rodriguez poses next to LA Blade Editor, Gisselle Palomera.

Attendees mix and mingle, some eagerly awaiting to see if they won a Best of LGBTQ LA award and others casually hanging out in support of the nominees.

Mayor of West Hollywood Chelsea Lee Byers poses next to Tristan Schukraft, owner of The Abbey. Schukraft flew in for the awards show along with his crew.

Victoria “DJ Vic Jagger” Valenzuela and Francisco “DJ Frandisco” Aviles-Pino pose together for a photo. DJ Vic Jagger was a finalist for the Best of LGBTQ LA Award for Best DJ.

Everyone was feeling the vibes here, from the fashion fits, to the fire moves.

Famous influencer, comedian and Kamala Harris impersonator, performed at the show, bringing her dyke vibes to the function. Journalist, Joel Medina assisted us with interviews of some of the nominees and performers.

Pickle the Drag Queen received recognition from the office of Assemblymember Rick Chavez Zbur.

Read more about the nominees and the awards in an article written by Rob Solerno.

Healing and uplifting communities through music and unity is the foundation of this event space created by Zacil “DJ Sizzle Fantastic” Pech and Norma “Normz La Oaxaqueña” Fajardo. 

For nearly a decade DJ Sizzle has built a reputation in the queer POC and Spanish-speaking undocumented communities for making the space for them to come together to celebrate their culture and partake in the ultimate act of resistance — joy. 

Couples, companions, comadres all dance together on the dancefloor at Cumbiatón. (Photo courtesy of Cumbiatón).

Cumbiatón was created during the first Trump administration as a direct response to the erasure, racism, homophobia and xenophobia that was engrained into the administration’s mission for those first four years. Now that the second Trump administration is upon us, the racism, homophobia, transphobia and xenophobia are tenfold.

This event space is a ‘party for the hood, by the hood.’ It is led by women, queer and trans people of color in every aspect of the production process.

The recent fires that burned through Altadena and Pacific Palisades made DJ Sizzle decide to step back from marketing the event in Los Angeles, an area where people had just lost their businesses, homes and where their lives were completely thrown for a loop. 

Now they’re back, doubling-down on their mission to bring cumbias, corridos and all the music many of us grew up listening to, to places that are accessible and safe for our communities. 

“I started Cumbiatón back in 2016, right after the election — which was weirdly similar because we’re going through it again. And a lot of us come from the Deferred Action for Childhood Arrivals (DACA) movement. We were the ones to really push for that to happen along with the DREAM Act.”

DJ Sizzle says that she wanted to create a space out on the streets to celebrate life and come together, because of how mentally and physically taxing it is to be a part of the marginalized communities that were and still are, a major target for ongoing political attacks.

Edwin Soto and Julio Salgado pose for a photo at a Cumbiaton event in 2024. (Photo courtesy of Cumbiatón).

“We need these spaces so that we can kind of refuel and rejoice in each other’s existence,” said DJ Sizzle. “Because we saw each other out on the street a lot, but never did we really have time to sit down, have a drink, talk, laugh. So I found that music was the way to bring people together and that’s how Cumbiatón got started. It was honestly like a movement of political resistance through music.”

DJ Sizzle is an undocumented community organizer who aims to not only bring awareness to the issues that her communities face, but also to make space to celebrate the wins and bond over the music that brings people in Latin America, East L.A., Boyle Heights and the Bay area together.  

Julio Salgado, a queer, visionary artist and migrant rights activist from Ensenada, Baja California with roots in Long Beach and the Bay Area, connected with DJ Sizzle over their shared passion in advocating for immigrant rights. 

“Cumbiatón was created during the first [Trump] administration, where you know, a lot of people were really bummed out and so what Sizzle wanted to create was a place where people could come together and celebrate ourselves,” said Salgado. “Fast-forward to the second [Trump] administration and we’re here and feel a little bit more like: ‘oh shit, things are bad again.’ But, things have always been bad.”

Salgado is involved with Cumbiatón through his art. He is a mixed-media artist who creates cartoons using his lived experience with his sobriety journey, undocumented status and queer identity.

With a background in journalism from California State University, Long Beach, Salgado documents what activists do in the undocumented spaces he has been a part of throughout his life. 

In 2017, Salgado moved back to Long Beach from the Bay Area, and at the time he started doing political artwork and posters for protests against the first Trump administration, but because the nature of that work can be very tiring, he says that he turned to a more uplifting version of his art where he also draws the joy and unity in his communities. 

When he and Sizzle linked up to collaborate during that time, he thought he could use his skills to help uplift this brand and bring it to the forefront of the many events that saturate the party landscape. 

DJ Sizzle doing her thing on stage, giving the crowd the music they went looking for. (Photo courtesy of Cumbiatón).

“We are familiar with using the dance floor as a way to kind of put the trauma a little bit away just for one night, get together and completely forget,” said Salgado. 

Coming from an undocumented background, Salgado and Sizzle say that their experience with their legal status has made them very aware of how to go about the ID-check process at the door for their events. 

“When you’re undocumented, you have something called a [High Security Consular Registration (HSCR)] and it’s kind of like your ID and many of these heterosexual clubs would see that and say it was fake,” said Salgado. “But at the gay club, they didn’t care.” 

Just being conscious of what that form of ID looks like and knowing that it’s not fake, helps many of the hundreds of people who come through for Cumbiatón, feel just slightly more at ease. 

Edwin Soto, who is another community activist and leader in the undocu-queer community, is also involved in the planning and organizing of the event. 

In the long journey of making Cumbiatón what it is now, they say that they have all been very intentional about who they bring in, making sure that whoever they are, they also understand the experience of being undocumented and accepted anyway. 

“Something that Sizzle and the team have been very intentional about is making sure that [the security at the door] knows that someone might be using their consulate card,” said Soto. 

Bringing together this event space is no easy task, considering the fact that their events are deeply thought out, intentional and inclusive of not just people of color, but also people with differing abilities and people who do not reflect the norm in West Hollywood clubs. 

“We created the space that we were longing for that we did not see in West Hollywood,” he said. “[Cumbiatón] is what life could really be like. Where women are not harassed by men. Where people are not body-shamed for what they’re wearing.” 

When it comes to their lives outside of Cumbiatón and partying, Sizzle says that it does get exhausting and planning the event gets overwhelming. 

“It is really difficult, I’m not going to lie,” said DJ Sizzle. “We are at a disadvantage being queer and being undocumented because this administration triggers us to a point that, anyone who is not a part of those identities or marginalized communities would ever be able to understand,” said Sizzle. “There are times where I’m just like: ‘I’m going to cocoon for a little bit’ and then that affects the marketing and the communication.” 

Usually, the events bring in hundreds of people who are looking for community, safety and inclusion. (Photo courtesy of Cumbiatón).

That’s a little bit about what goes on behind the scenes — which really shouldn’t come as a surprise for anyone who is out there fighting for basic human rights, while also making the space to party and enjoy themselves.

“I’m really trying to find balance and honestly my life raft are my friends and my community,” she said. “Like, being able to share, being able to have this plática, and be like ‘bitch, I see you and I know its fucked up, but we got each other.’”

Cumbiatón was made with the purpose of making space to include and invite the many different people in these communities who are otherwise sidelined in broader conversations and in party scenes where they are not as inclusive or thoughtful about their attendees. 

“How beautiful is it to be queer and listen to rancheras and to norteñas and cumbia, and to just own it,” said Soto. 

To join Cumbiatón at their next party, visit their Instagram page.

On May 10th, West Hollywood will witness a wedding unlike any other — one that’s equal parts celebration and cultural statement. The Scarlet Vows is a fiery fusion of love, Black queer joy, and unapologetic nightlife, wrapped in a bold, red bow.

Celebrating the union of David Brandyn and Matthew Brinkley, Ph.D., this wedding transcends tradition, turning a day of commitment into a night of unforgettable energy, connection, and liberation. Picture a nightclub alive with lights, music, and bold red gowns swirling on the dance floor. Laughter fills the air, and joy radiates through every glittering detail. This isn’t just a wedding, it’s a love story turned party, turned cultural statement.

“We hate tradition,” said Brandyn, one half of the couple, co-producer of the event, writer and sexual health educator. “We wanted to celebrate in a place that actually feels like us — and that’s the club,” .

Together, he and Brinkley — a relationship therapist and dating coach — have built their careers around supporting Black queer communities. 

“We’re not just partners in love — we’re partners in purpose,” explained Brandyn. “This celebration is a tribute to the spaces and people that raised us, healed us, and reminded us we were never alone.” 

Their story began, like many queer romances today, with a match on Jack’d. 

“But I avoided meeting up,” said Brandyn while laughing. “I knew if we met in person, I’d fall in love — and I wasn’t ready yet.” Brinkley, determined, found another way — showing up at David’s job picnic. As a QTBIPOC couple, the meaning behind this union goes far beyond the personal. “We are what we didn’t see growing up,” said Brandyn. “We’re living proof that Black queer love exists and deserves to be celebrated loudly.” 

And that’s exactly what Scarlet Vows is: loud, proud, and deeply intentional. With every detail, the couple is reclaiming what weddings can look like for those of us who’ve been told we’re “too much, too queer, too different.” “We didn’t want perfection or tradition — we wanted sweat, sparkle, laughter, and love,” shared Brandyn. “So we created something that combines a ball, a house party, a love story, and a family reunion.” 

The name Scarlet Vows is more than aesthetic. “Scarlet is bold, sexy [and] powerful. Vows are sacred. Together, it’s a declaration: this isn’t love whispered in secret. This is love out loud, in full color, surrounded by chosen family.” 

From the moment guests walk in, they’ll be immersed in a world where Black queer joy is not only centered but celebrated. And when they walk out? 

“We hope they feel more alive, more hopeful, and more connected to what’s possible,” said Brandyn. 

Hosted at Beaches Tropicana, The Scarlet Vows promises an unforgettable night filled with live performances, giveaways, and vendors. The vibe? Elevated, emotional, and full of bold fashion. The dress code is red — think high glam, full drama, and statement-making looks. 

But beneath the sequins and spotlight is something even deeper: purpose. 

This celebration comes at a time when QTBIPOC communities are facing escalating attacks — politically, socially, and economically. The couple has weathered hardships planning this event too, including being robbed and experiencing sudden venue cancellations. Yet, they’ve persisted — reaching out to community members and aligned brands to co-create something powerful. “Nightlife saved us,” David reflects.

“It gave us safety, friendship, release. This is us giving back. This is joy without apology.” That joy is contagious. Whether you’re a longtime friend or a first-time guest, Scarlet Vows invites everyone to come as they are — whether in a gown, a jockstrap, or both. “Think warmth meets wild,” David smiles. “We want people to cry during the vows and then immediately turn up on the dance floor.” 

What happens after the last dance? “Maybe this turns into something bigger,” he muses. “A recurring event, a documentary, a community tradition. Either way, the impact is already bigger than just one night.” 

And if you’re still on the fence about attending? “You’ll miss the wedding of the year. A celebration of love, culture, and freedom. A ball, a rave, a healing circle, and a Black queer love story all in one,” said Brandyn. “If you’ve never seen what it looks like when we build something just for us — this is your chance.”

Local actor Mike Bowers is no stranger to Live Spot at Musical Mondays at The Abbey. He has been a part of the MuMo family for quite a while now, returning to the live performance spotlight several times a year. This Monday, Bowers will take the stage again for the themed night, “Aspects of Love.”

Bowers is a true man of the theatre. He has produced a number of musicals, cabarets, and plays in Los Angeles, after moving here over a decade ago. Bowers received his theatre degree from Florida State University and moved to Seattle to pursue a career in stage management. But the stage continued to call and pivoted back to his love of acting and directing.

He came to Los Angeles with no theatre contacts, working at a retail job. Fueled by his passion, he infiltrated the theatre community and hasn’t looked back since. He is the founder of Southern Bard, a theatre company that does readings of Shakespeare with Southern accents at The Roguelike Tavern in Burbank.

We caught up with Bowers as he prepares for his return to MuMo.

What first inspired you to fall in love with the stage? 

I’ve enjoyed performing ever since I was little, but it was in high school that I really started singing, and it’s been my favorite thing in the world ever since. 

You came to LA without any industry contacts, working retail. How did you become such an integral part of the LA theatre community? 

I really owe it to my friends Madelyn Hayman and Becker Grumet, who cast me in my first stage musical in LA in 2016. I found my theatre community with them, and it only grew from there. 

What do you bring to the theatre community that is unique? 

I feel like I have a really innate sense of what works and what doesn’t, and I’m not overly precious about ideas. 

You produce, act, and direct – what aspect do you enjoy doing the most? 

Nothing brings me greater joy than singing, but I think if I had to pick a forever career, it would be directing. 

What has been a favorite LA theatre project you’ve worked on so far? 

I’m really proud of the work I did with Conundrum Theatre Company while I was there, and in 2022 I directed a production of Cabaret that I wish could have run for years. 

What was your first exposure to Musical Mondays? 

Gosh, it’s been so long! I think it was through my friend Mandie Hittleman, who invited me to one when it was still at Rage (RIP).

What do you love most about performing at the Live Spot at Musical Mondays? 

It’s a great, supportive, low-pressure way to explore music and push myself vocally in a welcoming, safe space. 

What can we expect from this upcoming Musical Monday Live Spot? 

Great vocals!

What do you love most about Musical Monday audiences? 

Just how supportive they are of the entire theatre community. 

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You are also the mastermind behind Southern Bard. Shakespeare with Southern accents? What inspired you to put the company together and was in the connection between the Bard and the South? 

There was a trend on social media of people doing Shakespeare monologues in Southern accents and I was surprised at how well the language fit in that dialect. Taking it further, many researchers believe that the Southern accent is closer to what the British accent was in Elizabethan times. We’ve found that the accent can make the language more accessible to audiences, and it’s been fun to explore that with different plays and through a queer lens.

What is your message to MuMo fans? 

Thank you for always being there! 

Los Angeles theatre audiences will next see Bowers in a unique adaptation of the classic novel, The Time Machine, at this year’s Hollywood Fringe Festival in June.

Entrepreneur and co-founder of Gray Jones Media, Richard Jones is the mastermind behind Bear World Magazine. Together with his editor, Robin Gray, they understand that their publication is needed now more than ever.

In 1979, George Mazzei wrote an article for The Advocate characterizing gay men by certain animals titled, “Who’s Who in the Zoo?” It was that article that gave voice to the chubbier, hairier, gay man — the almighty ‘bear.’

The term took wing and by the mid-1980s, gay men, who identified as ‘bears’ would gather in social and sexual settings. Feeling ousted because of body type and hairy body parts, these bear groups would congregate separate from the gay community at large, feeling safe and accepted in their own circle.

Presently, the bear community is a thriving, worldwide community with a variety of events and social groups, and the members of that sector have grown to include all shapes and sizes. Over the last decade, the bear community has gained a bigger presence in mainstream gay culture and one can spot a number of twinks at bear pool parties as well as a large contingent of bears showing off on Pride main stages. As the celebration of body types gains traction and the pressures of peak physique diminish, the segregation of the bear community and the rest of gay culture has faded.

Keeping the bear voice very much alive is Bear World Magazine, which is ready to celebrate 13 years in media. Celebrating the bear culture and all of its varying members, is at the forefront of Bear World, without diminishing the queer community that exists beyond the ‘zoo.’

Despite the challenges that chubbier men face because of societal norms and despite the challenges that queer media has faced in recent political climates — they continue to fight the fight via their online publication, podcasts, awards, nationwide events and video content.

The bear’s roar continues to represent.

We chatted with Jones as we compared notes on queer media, building a legacy and what the future of queer representation might look like.

What was the inspiration for starting Bear World?

It was all an accident. I was a member of a bear online group that is no longer around and for the life of me cannot remember the name. They asked the 30,000 members for help with ideas to save the site. Server costs were crippling, etc. I pitched them an idea to create their own magazine. I would own it but license their name and split the ad money with them. They liked the idea and asked me to pitch it more formally. I started to prepare that and then never heard from them again. I think our idea was great but wasn’t going to make enough money for them quick enough. In the end, I realized I could do it anyway and changed the name to Bear World Mag and here we are almost 13 years later.

Bear World Mag’s first cover, featuring the cast of “Where The Bears Are,” in August 2012. Photo courtesy of BWM.

What was your first exposure to the bear world as a queer man?

Funnily enough, it was a visit to Ty’s in NYC — before I really knew what Bears were. I remember seeing ‘BEAR’ as a specific chat room in Gaydar (that’s an old reference) too — but had no idea. It wasn’t until I started going to Be Your Be Yourself (BUBU), which was started by the amazing Paul Bloomer in Belfast Northern Ireland over ten years ago now, and then a bear group there that I really understood how broad the community could be and how I could fit into it.

What are some of the biggest challenges in keeping BWM thriving?

I think trying to keep it fresh, keeping it looking forward as well. The community is ever-evolving and we try to showcase that. We miss things as we are a small team, so we are always encouraging people to tell us about their events, their groups and we try to showcase as much of the global bear community as we can. We have just started to cover the Australian bear community more deeply, with a new dedicated deputy editor Luka Musicki, who is on the ground talking to the groups and helping us find local advertisers! 

What are some of the biggest challenges that queer media faces in general?

I hate talking about this but at the moment it’s the hesitation of advertisers to spend with us. The recent political upheaval has meant that the big advertisers are pulling away and the small advertisers might be more hesitant to advertise because of fear of the economy. We have seen media decline since the pandemic and those of us left are finding it harder to survive.

The appetite to pay for media just isn’t there. It means we have to be leaner and adaptable. It’s why we are starting our Bear World TV content, short videos from key bear voices, showcasing different elements of the bear community. All of us are used to consuming more short-form videos, the bears too. We are very excited about its impact and how it will help stabilize Bear World Mag.

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What do you hear most from your readers?

They love the hairy content! I’m serious. I think the way we present a bigger different body —although never nude — is inspiring to them. Our bears of the week who are our readers basically from all over the world, are a key part of showing the community from 21-99 in all body shapes and sizes, we are so very diverse even in this niche community. 

What are some of your biggest achievements with the magazine?

Well being here almost 13 years later is the biggest achievement. It was a quick idea that has lasted through greater content, great editors and writers and just never trying to tell the community what they should be but more mirroring them, where they are at all times. I’m proud of some key interviews including Armistead Maupin.

It was a big thrill to meet him and chat with him. He gives good hugs. I’m proud of our female and trans bears that have been cover stars, I’m proud of the young bears that have found us and have said how we helped them be confident in themselves. They always came at my most difficult times and helped me to keep moving forward. 

Cover of Bear World Mag featuring Armistead Maupin in 2014. Photo courtesy of BWM.

The bear community has been getting a much bigger voice and more representation in the queer world, why is that?

I think the biggest reason is that the queer community as a whole is getting more representation on mainstream TV, and the mainstream media. The dad bod and body positivity have helped our bodies be seen as attractive. It’s been great to see bears become character choices over the years across many different TV and films. I had the opportunity to interview the very bear-y straight actor Patrick Cox, who played John on “Two Broke Girls.”

I think [he is] a very ordinary representation of a bear and he was not there to be the butt of fat jokes. The “Will & Grace” reboot had Jack partnered with a bear cub. We have seen bears referenced on “30 Rock,” and even the reboot of the “Muppets” had Fozzy Bear talk about gay bears briefly. Just recently on “The Connors” the greatest Bear Icon of all time, Dan, (some would say) referenced the bear community which in a weird way was beautiful to see.

So it all comes back to representation matters. Writers and show-runners are plugged into the community and are now likely to be queer themselves. A key writer on “Saturday Night Live” is queer, so we’ve seen a lot more queer references on that show in recent times. We, of course, are thrilled to see it. 

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You also do events around the nation. What do you love most about the fellowship of the bear community at these events?

We do a couple of events, Key West Bear Weekend and now WOOF week also in Key West, in partnership with Island House Resort. [That’s our] cheeky plug, thanks!

I think the fellowship is the strength and growth of Bear Weeks and Bear Weekends around the country and the world. To be together and feel safe and attractive is what the queer community finds in any gay or queer bar — and us bears probably never had that. We were always the fat one or the hairy one. To head to a bear weekend and know that you will feel safe just for wearing a tank that shows off your furry shoulders is a tonic to us all.

Add in that we might actually feel attractive and flirted with, and you can see why bears flock to these events. So the fellowship follows, lifelong friends are made and it’s why these events are now starting to hit 20 or 30-year anniversaries. It’s like coming home. Walking down the street in P-town during Bear Week holding your husband’s hand without a worry is magical. 

How has the bear community changed the most over the years?

I like to think it’s queerer. Bears can be masculine still, but also a little queer, maybe embrace not feeling that we have to wear plaid, but maybe a crop top and wear pink. And of course that we are more and more making space for our female sisters and trans brothers has been wonderful to see.  

How can the general queer community best support the bear community? 

That’s a great question. I think as long as we have space to be recognized, in any way at all and never marginalized — that’s all we ask. I think the bear community in turn should show up to support the fuller queer community too. Which I think we are.  We always have more work to do, but I think the recent uproar about a bear campsite not welcoming trans bears and then the wider bear community rejecting that and then boycotting that camp, showed who we are at heart. It makes me very proud.

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There is much division in the nation right now, also within the queer community. Why is it so important to celebrate the “bear” label and all that subcategories it comes with?

I think this is a time the queer community is able to and should come together, we realize collectively what we have been fighting for these last 50 or more years since Stonewall. We are used to being bullied, so I think on the whole we have thick skin. In celebrating the ‘bear’ label, I like to think we are encouraging of any group to celebrate who they are. Many more subgroups under the queer umbrella are much more visible now, look at how the rainbow flag has evolved, we will continue to as well. Our collective strength is not diminished if we are different from each other in some way, basically, that’s the human race. We need to fully embrace it and make room for all.

What have you learned most about yourself from being the Publisher of Bear World?

Oh gosh, that you can’t stand still. That media is ever evolving as much as we are as people. You have to be resilient and prepared to change because the world both in humanity and in commerce, will change and evolve and you cannot stand still or it will pass you by. 

What can we look forward to this year from Bear World? 

Well, we are about to start planning for the Bear World Magazine Awards Year three which will be in N.Y.C and part of the Urban Bear Weekend, and the red carpet celebration will be at ReBar. We are really excited about our new video content — which we think will be transformative for us and for the community. More Great covers, so much more content about the Australian bear community too — that’s truly exciting to dive into. 

What is your message to the queer community?

Stay strong, find and support the community you are in or want to be part of and live with as much joy as you can because that pisses the haters off way more than our anger. But keep the anger too. We need that as well to fuel our never-ending fight. 

Follow everything at Bear World Magazine.

COVID-19 hit the queer bar and club life hard and since then, has struggled to regain its footing. There have been location makeovers, new Happy Hour menus and a bevy of new owners sprouting up on the scene to entice new and returning customers.

Rocco’s, one of West Hollywood’s most visible casual eateries and nightclubs is one the latest venues to gain new ownership. Previously owned by an investment group that included Lance Bass, Rocco’s now claims hospitality aficionado Matthew Ross as its new mastermind.

Who better to take over the vibrant spot than Ross? Ross has over 30 years of food and hospitality experience since working at Sizzler when he was just 16. From there, he has worked his way up from bartender, to Director of Food, Beverage and Nightlife, to now being the owner of Rocco’s.

Ross is a California native who grew up in Agoura Hills. His first foray into West Hollywood’s nightlife came by chance when a friend invited him to “18+ Night” at Micky’s.

“We didn’t know anything about gay bars. We had no idea what to do. We had no idea there were these many gay people in the world, we were shellshocked. That’s kind of where it started.”

Ross ended up going to the Fashion Institute of Design and Merchandising in Downtown, Los Angeles, to study interior design. While he was in school, he worked at some of the bars in West Hollywood and at Micky’s sister bar, Apache, in Studio City. He also got his real estate license, which he still has today, while keeping up his bar jobs. As life would have it, his hospitality career would take over and he found himself in hotels as Director of Food and Beverage. He would also return to Micky’s as a consultant, building the foundation that would make him a miracle worker for locations in need.

“I was a store fixer in a corporate world. I was someone who went to restaurants and bars and had to get them moving back to where the company wanted. So, I’m kind of a pro at going in and fixing things and making them better,” he said.

When the Rocco’s opportunity came about, Ross snatched it up. As someone who understands West Hollywood from an earlier generation, and with his finger on the pulse of what club go-ers want today, he is in a prime place to make some moves in the community.

“I really think it’s time to get back to original, fun West Hollywood because that’s been missing for many years, as far as I’m concerned. I love how free everybody is. We’re all very hard on ourselves and we’re hard on each other. But when we’re in WeHo, we’re in a safe space. That’s what we need in these trying, political times. We need a place where we are safe, and I’m going to make sure that everybody is safe and we’re going to be aligned.”

For Ross, taking over Rocco’s isn’t just about making the club successful. It is also about bringing the nightlife community together as a whole, hearkening back to a time when bars supported other bars because they were so different from each other.

“All the West Hollywood bars need an alliance where we’re all together and we’re protecting our own. But that also includes anyone who wants to join us. We’re not singling out any groups, but we are first and foremost LGBTQ, and that’s where our attention goes. We’re going to take care of our own.”

Ross’s previous experience also helps him not just on the client side of the experience, but on the business side. As a manager to thousands of employees and hundreds of managers, he knows about dealing with employee issues and California labor issues on many different levels. He understands budgets of all sizes, and he understands the steps it takes to create revenue.

To secure Rocco’s future, Ross is looking to elements of the past that made West Hollywood great. They are going to keep the name for now, are planning to remodel, and will keep sports event viewing as part of the lineup. But entertainment and themed events-wise, you may see a change.

“It’s time to get a lot of my old contacts together. I know a lot of DJs, I know a lot of promoters, not just the typical WeHo ones, but the whole L.A. experience.”

He promises busier nights that include live music, a rarity in West Hollywood and even bringing back an 18+ night, much like the beloved Tiger Heat. The 18+ themed night is what brought Ross to West Hollywood in the first place.

“We need to have somewhere for the young ones to go…a safe place, I’ll say that over and over. I just want to make sure everyone knows that we are back to the old, where we take care of our own. It’s not about money, it’s not about cover charge. It’s about – are you having fun and do you feel safe? And that’s what we’re doing.”

Among West Hollywood nightlife chatter, there is the sentiment that our younger, queer generation is not going out to bars and that the future of club-going might look bleak. Ross does not believe that.

“I have been a manager of Gen Z and Millennials now for 20 years. I’m very well versed in their habits and behaviors, and what I’m seeing, with even Gen Z, is that they want to get out into the world now. They are tired of being online. They’re tired of dating apps that go nowhere. They feel very singular, they’re by themselves even though they have hundreds of friends that they talk to online. They really need to be around other people and see what that’s about and have conversations. It’s not about liquor, it’s not about that; it’s about having a place to go where you actually meet people and you’re not on your phone all night.”

Another throwback to the past that Ross is bringing back is good old-fashioned bar service. There was a time that any Happy Hour in West Hollywood looked like a scene from “Cheers,” where everyone knew your name. Ross knows that power in that.

“Customer service needs to come back. When I walked into the bar, in the old days, my drink was on the bar. When my patrons came into Apache or to Rage or to any of the ones I worked at, the drink was on the bar ready to go. Lately, I have probably spent a zillion dollars at other bars and never was recognized.

We’ve had good bartenders over the years, but a lot of that has gone away. That is coming back to this bar. I’ve talked to my friends who own GymBar and some other locations around town and we’re all going to be on the same page, it is time. This is not just a bar, it’s a business with guests who want to be appreciated for spending their money. And the way money is now with everybody, they’re spending their last dollars to go out and have fun and it better be a good time.”

And Ross’s message to the community?

“Everybody, let’s come together. Let’s just cut out all the crap. It’s time. We’re all sisters, brothers, lesbians, trans, everything. We have to have each other’s back right now. We have a little part of the world, which is really a big part of the world because we know what West Hollywood brings to the LA area. We’re one of the biggest gay areas there is, period. We need to start coming together and giving all our brothers and sisters our business, there’s lots of small businesses around here other than bars that need our help.”

Bring it to Brunch, helmed by local drag maven Cake Moss, will make its return to West Hollywood at Rocco’s on April 19 at noon. The show has become a mainstay in the local queer community, starting at Flaming Saddles, then moving to Micky’s.

The show focuses on putting the spotlight on local talent and audiences continue to return as each show is filled with laughs and ‘lewks.’

Hailing from Cleveland, Moss has been serving it up with the drag community for over 14 years. She is a consummate performer and has hosted her own show on Outat.TV, released some sassy bops and performed around the nation.

Los Angeles Blade is a proud media sponsor of the show’s big return. See you there!

We chatted with Moss about her WeHo legacy, the return of Bring It To Brunch, queer nightlife and more!

How would you describe your drag?

I always have a hard time describing my drag. You’ll see through a show of mine. I always start out in a gown and huge hair, and the end of the show we are all shakin’ ass!

What do you love most about the queer club scene in West Hollywood?

What I love most about the queer scene in WeHo is just that—we have a whole neighborhood of queer spaces, for queer people of all walks of like! You can go watch sports, go to a dive bar, go to a big club, go be ‘bougie,’ or just live your best fantasy.

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What sets Bring it to Brunch apart from other drag shows?

What I personally think sets my show apart is the casting process I have in place and the fact that I have a different cast every week!

Bring It To Brunch is getting a reboot at Rocco’s! What can audiences look forward to in the new venue?

I’m so excited and honored to get to my baby back at Rocco’s. The new owners and management are so supportive and excited it makes me even more lit to start! We are gonna have new drink options.

I changed the format a little bit, but it will still be doing what we usually did! Prize giveaways, sponsors and special celebrity guests! It’s always a gag at brunch!

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What is most important to you in putting together each week’s cast?

Diversity! There are sooo many drag entertainers here in SoCal (I also book people from all around the world), so it’s important for me to give a stage to people that normally don’t have the chance to show their art off in West Hollywood.

Who is kicking off your first show at Rocco’s and what do you love most about this cast?

My [drag] sister Melissa BeFierce. She is always supportive of me and looking out for each other she’s been one of my longest friendships here in L.A! My [drag] daughter Jenna Talls is beautiful and also very supportive of me and our community. I have my [drag] sister Kyra Jete, she is the weekly host of Fierce Fridays at Rocco’s and is also one of the Rocc-ettes! So I thought, ‘why not show the crowd some house talent to show what Rocco’s has to offer entertainment-wise?’

And rounding off the cast is Thierry Miesel! She’s a very talented gem. We go way back and she is coming out of her hiatus. I wanted to show her that WeHo is still kickin’!

What are the biggest challenges facing local drag queens in this political and social climate?

I’d say forms here in Los Angeles we are very privileged to be in a place so open and accepting? I’d say that we need to use our voices to help support our fellow sisters in places where legislation is attacking them personally. All of our voices count and never forget that they can always be heard!

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How can we best support our drag community?

Support is very easy. If you can come to the show and support, cheer and love—those are free. If you can’t come to the show, that’s OK. Share the flier in your story for a friend or tell a friend who also enjoys drag. Also free! But if you can, make it rain on a b-tch and buy some drinks.

What is your message to the Los Angeles LGBTQ community?

QUIT TEARING EACH OTHER DOWN.

We have to stick together more than ever now and it’s insane the little things people will fight and be hateful about. Save that energy for the administration. Being cordial is free.

Bring it to Brunch kicks off every Saturday, starting on April 19 at Rocco’s in West Hollywood. Doors open at 12:30 p.m.

As part of Los Angeles Blade’s mission to get to know our community, we continue to do a deep dive into personalities who represent the queer culture of entertainment, nightlife, activism and politics.

In this “Meet Your Local” column, we celebrate club culture.

For those of us who frequent the queer nightlife, we have come to know dancer Jake Mathews, SoCal’s go-to go-go boy. Jake’s dance card is full as you can find him at any of the popular nightclubs throughout the week, sometimes dancing in multiple locations in one day.

He’s keeping busy, raising money to continue his education. He has been instrumental in adding some positive energy to the nightlife space and his personality makes any patron feel welcomed and comfortable. His trademark dance moves reflect his extensive training in dancing with the pole, it is an art form unto itself.

We sat down with Jake in between his dance sets to get to know the person beyond the persona.

Hometown: Morgan City, Louisiana 

How did you get into go-go dancing?

I got into go-go dancing at 19 on the reboot of the show Queer as Folk. Since then, I haven’t turned back and have danced in numerous cities and bars!

What do you love most about dancing in the queer LA nightlife?

I love the community that I’ve found. When people make an effort to come support me it means a lot. 

What do you love most about life in LA?

The resources that are available for our community. 

What are some of the misconceptions people have about a go-go dancer in LA?

They often sexualize us and believe they have easy access to us. Some of us live a completely different life outside of dancing and put on a persona while on stage. 

You are also a pole artist. How does that differ from your go-go dancing?

Pole dancing feels more like an art, rather than entertaining a crowd on energy. 

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How does being queer add to your dance artistry?

I like to freely express myself while dancing and am not limited to any societal standards. 

How do you balance your personal life with the nightlife?

I don’t get much sleep. Go-Go dancing allows me to live my daytime life, which consists of being busy. I’m starting my master’s program this summer thanks to Go-Go dancing! 

What is your biggest pet peeve while go-go dancing?

I don’t like when people touch my private areas. As I previously said, the audience does not have that access or permission to do so. 

What are some of your favorite venues to dance at and why?

I love dancing at the Abbey because of the co-workers! It feels like I’m part of something greater than me – especially with Chappell’s “Pink Pony Club.”

What do you want most out of your career?

I want to inspire others to give it a try. 

Any advice to give a new Go-Go dancer?

Don’t worry too much about those negative thoughts in your head. In other words, if you’re thinking about how the crowd is perceiving you, find a way to redirect that thinking. People love you for you! You shouldn’t be like everyone else. 

Favorite hobbies when you aren’t dancing:

I like to read & write, travel and listen to live music. 

Is dating hard while being such a big part of the nightlife?

No. Nightlife is just another job! A partner should be able to accept the work one enjoys. Scheduling together time may be difficult, but this is common with many careers.

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What is your signature dance move?

It used to be shoulder stands until I damaged my ear. I usually just freestyle and hope for the best!

Favorite song to dance to:

I like to dance to EDM because I feel so free!! 

And your message to the queer community?

We need everyone in our community to come together and support each other in the daytime and the nighttime. This means coming out to nightlife, supporting queer artists, volunteering for our community, and acting as a safe space for each other.  

Follow Jake on IG: @jakemtws

Last weekend Los Angeles Blade was on the scene and one of the guest judges alongside Los Angeles personalities from the adult and nightlife world including Meatball, Dean Michaelz, Adam Keith, Mr. Sister Leather 2024, Colin MacDougall and Mr. Precinct Leather 2024 to crown the first ever Mr. BarBareians at Precinct DTLA.

The Mr. BarBareians is a nod to the male beauty pageant, just a bit edgier and dare we say, sexier? Four contestants competed against each other in a series of categories that included talent, walk, pose, looks and Q&A.

The pageant’s debut contestants consisted of popular nightlife dancers Judas King, Han Cross, Ace Newbury, and De Hanno. The evening was emceed by Leatherman Moshiel. Playing on the barbarian theme, Precinct’s staff and a number of the patrons were dressed accordingly, adding some skin and muscle to the evening.

The show was well-produced and the contestants certainly gave it their all. There was not a weak contestant among them and the scoring was very tight. As our bold emcee remarked, these contestants are more known for their bodies than for their prose, so a few faltered during the Q&A.

As a fun bonus, illustrator and performance artist Jonathan Kidder was on hand, doing his famous quick sketches. Miraculously, he is able to capture the essence of a person in a matter of a few strokes of the pen. He was able to do a portrait of the entire cast in 60 seconds.

Work by Illustrator JW Kidder

LA-based veteran nightlife photographer Dusti Cunningham was feeling the spirits as he roamed around and captured the evening in his signature style, catching the crowd and the cast in their finest and sexiest.

After a short tally of the scores, De Hanno was crowned Mr. BarBareians 2025.

His winning personality and consistent talent across the categories, together with his winning assets, set him apart from his fellow contestants. In the end, everyone was a winner because the cast clearly had a good time and supported each other during the show.

De Hanno named Mr. BarBareian 2025 / Photo by LA Blade

Precinct couldn’t have been a better venue to hold the event. Not only does it have ample space to accommodate the large crowd, but it has a great staff, stiff drinks, and stellar stage and lighting. We also love the sense of community here. Everyone is welcome under the club’s roof. Gay, straight, queer, trans, bears, twinks, leather lovers, and everything else under the sun. No one feels like an outcast or a stranger and it has become the ultimate safe space for the queer community in Los Angeles. This is how we should be congregating in fellowship, especially during these trying times. Precinct offers a great atmosphere for those who are looking to expand their experience past the Weho crowd (not that there is anything wrong with Weho, we are there all the time as well).

Mr. BarBareians and the BarBareians parties are produced by Hump Events, also responsible for Los Angeles’ Turbo for the dance crowd, Hump night celebrating the Middle Eastern community, and Steam for the cruisers. Like Precinct, they believe in representing the community and everyone is welcome.

Hats off to the first Mr. BarBareians, we will be waiting with our scorecard for next year!

Luke Nero is a party monster with class. He has dominated the nightclub scene on both the East and West coasts and this week, one of his most infamous parties returns to Los Angeles for one magical night. Bringing in all feelings of nostalgia, Mr. Black, co-presented with nightlife impresario Andres Rigal comes to Bardot in Hollywood on Saturday, Mar. 1^st.

As they put it–it is a hedonistic cathedral for the fabulous, the freakish and the fashionably unhinged.

Elevating the nightclub scene is in Luke’s blood. In New York, he moved from coat check hottie to manager, where he learned all the ins and outs of the party scene. After moving to L.A, he and Andres dominated the club scene for almost 10 years with parties like Mr. Black LA, Rasputin, Evita, Summertramp and Plastic Fantastic. For many of us, his parties were not just an elevated nightlife experience, they were a safe space for us to explore and express ourselves. The celebrity world loves him, as he’s thrown parties for Katy Perry, Angelina Jolie, and Cher just had to stop by Rasputin to check it out.

After a decade running the party scene, he decided it was time to open his own club. He took some time to design and put together not only one of the best clubs in Orange County but one of the last-standing queer spaces for the community. Strut and its lounge Birdcage, have become the hot spot for OC and from the moment you walk in, you know it’s a Luke Nero experience. From the space age-lighted corridor, to the fashionably nude mannequins, to the mirrored room just made for selfies, to walls of playfully sensual art, to a lighting system and stage made for Vegas–it has Luke’s signature touch on every aspect. Strut made the news when they put up a huge Dolly Parton mural–a wall that has become a queer influencer hot spot for photo op’s.

We chatted with Luke as he was knee-deep in putting in the final touches (and some surprises) for this week’s Mr. Black nightlife reunion:

What can we expect from this week’s Mr. Black?

It’s going to be nostalgia on steroids. Same historic venue, same old Hollywood vibe— it will be a reunion with major flashbacks, the famous assless cocktail waiters. Think of it like stepping into a time machine, the young club kids who owned the dance floor, now own industries. So I’m excited.

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You have witnessed the evolutions of the LA queer club scene. In your opinion, how has it changed the most?

The queer scene used to be its own world, a core part of queer social life. Now, while queer culture is everywhere, actual queer venues are disappearing fast. The challenge isn’t just keeping the industry alive—it’s ensuring these spaces stay relevant. They’re more than nightclubs; they’re places for expression, connection, and community. Yet, the word “nightclub” doesn’t capture all they do, and the urgency to protect them often gets overlooked.

Why is it so important to keep the party going in today’s social and political times?

Because queer joy is resistance. In a world that still tries to police who we are and who we love, our spaces are more than just dance floors—they’re sanctuaries, proving that we exist, we thrive, and we refuse to be erased.

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You have created one of the only places for the queer community to celebrate with the creation of Strut/Birdcage Lounge. What are the biggest challenges you have in keeping that space thriving?

Queer nightlife has always had to fight for survival—whether it’s gentrification, post-pandemic shifts, or just keeping people off their couches and onto the dance floor. The biggest challenge? Making sure the space isn’t just a bar but a cultural hub where people feel seen, safe, and celebrated.

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What is one of your craziest club stories?

There are too many that can’t be printed without legal repercussions. And a gentleman never kisses and tells.

What has been one of your biggest achievements in the club scene?

My biggest achievement is that people still take the time to get dressed, put on a look, and drive to a space I’ve created—where every detail, from the lighting to the sound to the cocktails, has been carefully curated. For most, it’s a night out. For me, it’s watching people step inside an immersive experience that I’ve designed from the ground up. It’s my art, and the real reward is seeing people lose themselves in it without even realizing.

You have grown up in the nightclub world. How have you changed personally the most over your years in the biz, and how does that affect the club scenes you now create?

I started out just wanting to create incredible nights—now, I understand every layer of what makes a nightlife space truly work. Owning a club has given me the skill set to not only design immersive experiences but also run the entire operation, from security to bartenders to management. It’s rare to have both the creative vision and the operational expertise, but that balance is what makes a space thrive. Nightlife isn’t just about going out—it’s about creating culture.

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What kind of legacy do you want to create with your club spaces and events?

I want people to look back and say, “That was an era.” That I helped shape moments in queer nightlife that were vibrant, glamorous, and necessary. A place where people felt free, seen, and maybe just a little bit famous for the night.

What is your message to the queer nightclub world for 2025?

Go bigger. Take risks. Be intentional. Queer nightlife has always been at the forefront of culture—let’s keep pushing it forward and remind the world why we’ve always been the blueprint.

See you at Mr. Black!