Connect with us

Arts & Entertainment

L.A. legend explores secrets, sex, and love with “Bloodbound”

Published

on

Mike Bash and Gordon Thomson in “Bloodbound.” (Courtesy Highways Performance Space, photo credit: Sonja Brenna)

Michael Kearns – whose newest play, “Bloodbound,” opens January 19th at the Highways Performance Space in Santa Monica – has been a respected luminary of the Los Angeles theatrical scene, as well as a legendary activist-artist, for years.

After making his debut here as a performer in Tom Eyen’s notorious “The Dirtiest Show in Town,” back in 1971, he has continued to contribute edgy and groundbreaking theatre from onstage and off – producing, directing, and writing plays which have broken taboos, pushed boundaries, and opened conversations about queer life, LGBTQ issues, and HIV/AIDS awareness.  He’s written numerous books about the theatre, and contributed to many publications (including a recent article about the Harvey Weinstein scandal for the Los Angeles Blade).

He’s also never been one for keeping his private life a secret.

He first gained notoriety as a young actor in the 1970s – when, despite the widespread homophobia that plagued the film and television industry at the time, he came out as “Hollywood’s first openly gay actor” and still managed to maintain a healthy career in the mainstream while keeping one foot planted in the world of “alternative” art and theatre.  Then, in 1991, he made television history by revealing his HIV-positive status on “Entertainment Tonight,” subsequently portraying a similarly-affected character in a recurring role on “Life Goes On,” as well as making appearances in other shows that tackled the subject of HIV/AIDS.  A few years later, he went on to very publicly become the first HIV-positive, single, gay man to adopt a child (his daughter, he says, is “the most important force” in his life).

It should be no surprise, then, that for his latest theatrical endeavor, Kearns has turned to his own life for material.

“Bloodbound” is the story of two brothers – one a playwright, the other in prison for murder – who, as they enter their declining years, are struggling to make sense of the shared experiences that have led them each down their own divergent paths.  Raised by a mother who – as Kearns puts it – “has no boundaries, none,” their relationship to each other and to the world around them is shaped by a deep and closely held secret.  Now, three decades later, the playwright wants it to come out; his brother is not so sure.

This provocative premise begs the question of just how autobiographical a play Kearns has written.  He’s cagey about the answer.

“I’m not making any secret out of the fact that I have a brother in prison,” he says.  “But whether the play is autobiographical or not, EVERY play I write is autobiographical, every single word I write is autobiographical.”

Pressed for details about the plot, he is even cagier.  He says a few cryptic things about the state of the prison system in 21st-century America, and alludes to subject matter that evokes thoughts of the #MeToo movement, but not much else is forthcoming.

“I’m not being deliberately coy about revealing what it’s about.  But it’s so personal and so painful in so many respects, maybe that’s what’s coming across.”

That may be the case, but the sly twinkle of humor in his voice is an unmistakable sign that, like any good magician, he is determined not to reveal too much about what’s up his sleeve.  Nevertheless, he goes on.

“These two brothers have a very big secret, and it drives the play, and it has driven their love for each other.  And really, the playwright is just as imprisoned as his brother; they’re both imprisoned by the fact that they don’t talk about this incident that has happened.  So what they are really working towards, what they are really fighting for, is the freedom of love.

It’s funny.  You could say this play traverses the themes that I have been writing about for years.  In other words, it’s very sexually charged – but isn’t my stuff really about the freedom to love?  Does it really have anything to do with sex at the end of the day?  I write about sex, but am I not really writing about love?  I thought that was a really interesting thing to come up with at this point in my life.”

When discussing the stylistic form of the piece, he is much more direct.

“The plays that I consider my most solid, exciting pieces are in no way linear, ‘beginning-middle-end’ scripts, and they’re not intended to be.  I didn’t invent this concept, of course.  I think the word these days is ‘mosaic,’ or ‘impressionistic.’ They’re not like the plays we grew up on. This one has a sense of going back and forth through time.  It’s very theatrical, in that my character…”  He chuckles at this slip.  “OOPS, I mean the playwright character… serves as a sort of narrator, and throughout the play he has to conjure their past, to re-enact many of the incidents that have led the two brothers to this moment in time. Two actors play each brother, the younger and older versions, and they can ALL talk to each other.”

So why did Kearns feel the need to write this particular play, at this particular time?

“I think my inspiration for writing any play is that I have some primal, visceral need to figure out who I am.  Yes, I have a big investment in the community, and an investment in trying to make issues around sexuality less frightening for people – but I have to write, whether I’m inspired or not.  Also, I believe that we’re losing the love of language.  My writing is conversational, but then it flies into complicated, romantic, poetic, passionate language.  I think it’s so critical, because where else are we going to get this language, besides in the theatre?  That’s where I learned it, and I think part of what I’m doing is to say not to be afraid of going crazy with language, just a little bit.

Maybe most the most important thing I would like people to get from ‘Bloodbound’ has to do with looking at things that are unconventional or uncomfortable and just giving them a chance.  My characters are not written to be instantly loveable, or instantly relatable – it takes work to love them.  It’s a challenge to the audience.  It’s no different than me, Michael, having to learn to listen to someone who voted for Trump – it’s just painful to me, I don’t want to talk to them.  But at some point, we must learn to listen to other people, and that’s part of what this play is about.  I want the audience to increase their level of empathy.”

All this may seem fairly grim – but anyone familiar with Kearns quirky, outrageous work knows that it is sure to be served up with a healthy dose of humor.

“It certainly doesn’t sound funny, but it is.  It’s deeply funny.”

“Bloodbound” is directed by Mark Bringelson, and stars Golden Globe nominee (for “Dynasty”) Gordon Thomson, Greg Ainsworth, Mike Bash, and Hunter Lee Hughes.

Michael Kearns

“BLOODBOUND” by Michael Kearns

Highways Performance Space, 1651 18th Street, Santa Monica, CA (at the 18th Street Arts Center).

Tickets: ($25 general and $20 members/students/seniors) are available at www.highwaysperformance.org

Performance schedule:

Fridays: January 19 and 26 at 8:30pm

Saturdays: January 20 and 27 at 8:30pm

Sundays: January 28, February 4, 11, 18, 25, and March 4 at 3:30pm

Continue Reading
Advertisement

Notables

Equality Florida’s Nadine Smith named to Time’s Top 100 list for 2022

“In the fight for equality in Florida, there has perhaps been no greater advocate for LGBTQ people than Nadine Smith”

Published

on

Courtesy of Equality Florida

ST. PETERSBURG, FL. – Time magazine released its annual 100 most influential people list and this year one of the honorees was Equality Florida Executive Director Nadine Smith. In the biographical sketch accompanying Smith’s listing, Time writer Kristen Arnett noted “in the fight for equality in Florida, there has perhaps been no greater advocate for LGBTQ people than Nadine Smith.”

“I am deeply honored to be included in the TIME100,” said Smith, a Black, queer woman. “This recognizes decades of work not only by me, but by the dedicated team of volunteers, staff and supporters I’ve had the privilege to work with at Equality Florida.  Our work is far from done as Florida, once again, stands at the center of the fight against extremism and hate.  We are bearing the brunt of a governor willing to sacrifice the safety of children and destroy our most basic liberties in his desperate bid to be President. But this is not simply Florida’s fight. The wave of anti-LGBTQ, racist, freedom-destroying bills sweeping the country calls each of us to fight for our rights and, indeed, our democracy.”

The list, now in its nineteenth year, recognizes the impact, innovation and achievement of the world’s most influential individuals. 

Smith comes from a long line of activists and barrier breakers. Her grandparents helped form the Southern Tenant Farmers Union to fight for the rights of sharecroppers. While in college, Smith co-founded IGLYO, the world’s largest LGBTQ youth and student organization. She co-chaired the 1993 March on Washington that drew a million marchers and she was part of the first Oval Office meeting between a sitting President and LGBTQ leaders. In the aftermath of the Pulse Nightclub shooting, Smith and her team coordinated a national response including raising millions in direct resources for survivors and families of the 49 killed. 

Smith’s recognition comes as Florida has taken center stage in the right wing, anti-freedom agenda aimed at erasing LGBTQ people from classrooms, propagandizing curriculum, censoring history, banning books, and putting politicians in control of personal medical decisions.

“Florida Governor Ron DeSantis’ presidential ambitions have fueled bills like Don’t Say Gay, the Stop WOKE Act, a 15-week abortion ban, and dangerous national rhetoric that seeks to dehumanize LGBTQ people in service to the most extreme segment of his base,” Equality Florida stated in a press release Monday.

The 2022 TIME100, and its annual list of the 100 most influential people in the world, with related tributes appear in the June 6/June 13 double issue of TIME, available on newsstands on Friday, May 27, and online now at time.com/time100.

Continue Reading

Outfest

Blow your mind with today’s hottest Queer TV- 2nd annual OutFronts

Queer television is here, and it is just getting started to shine.  Buckle your rainbow belts, this unicorn is ready to fly

Published

on

WEST HOLLYWOOD – Back in the day, getting a whisp of any queer media, whether it was a short “gay” movie or a quick queer themed storyline, was hard to come by. Sure, there was OutFest started in 1982 by some UCLA students. Roseanne kissing a girl, a lesbian wedding on Friends, and Ellen’s bursting media’s mind before it crashed and burned her.

Not anymore. OutFest has made that clear with its second annual OutFronts, a four-day hybrid festival. Queer television is here, and it is just getting started to shine.  Buckle your rainbow belts, this unicorn is ready to fly.

The festival combines free-to-view virtual panel discussions with ticketed in-person events as part of the Los Angeles area’s Pride season. The festival kicks off on Friday June 3rd and extends through Monday, June 6th. It features episodic premieres, advanced screenings, and both in-person and virtual discussions with the talent from some of the most exciting LGBTQIA+ programs available on television today.    

The in-person festival events include:

  • QUEER AS FOLK presented by Peacock  This is the world premiere screening of the new Peacock series, a vibrant reimagining of the groundbreaking British series exploring a diverse group of friends in New Orleans.  The program includes a panel talkback with cast and creative team.
  • “Love, Victor” presented by HULU and DISNEY+  It is the show’s third and final season, and OutFronts is proud to show the premier episode of the season!  The program includes  “Love, Victor’s” showrunner and young cast present to discuss the impact of the show’s run, what we might expect from season 3, and bid a farewell to the groundbreaking series.  
  • QUEER FIREFIGHTERS ONSCREEN AND IRL Queer firefighters on TV sit down with their real-life counterparts to discuss being queer and saving lives. The in-person discussion will include Ronen Rubenstein (9-1-1: Lone Star), Brian Michael Smith (9-1-1: Lone Star), Traci Thoms (Station 19), others.
  • LEGENDARY   LEGENDARY is the groundbreaking competition series now in season 3 on HBO Max.   The OutFronts program includes LEGENDARY host and MC Dashaun Wesley will conduct a talk-show style look back at some of the most earth-shattering moments from the show’s history, and a candid talk about all the unfolding drama of the current season.

The virtual events include:

Topic panels  

  • Presented as virtual panels, these panels cover hot queer television topics. These include exploring social media influencers who have used their clout to cross over into the acting world – with Gigi Gorgeous, Kalen Allen, and Boman Martinez-Reid. Another panel looks at “TV’s Queer Pioneers”, with actors who were among the first to regularly appear as three-dimensional queer characters on television, including Wilson Cruz, Amber Benson, and Jane Sibbett. A panel looking to create the next icons spotlights actors who have created some of the most impactful queer characters of recent years, including Harvey Guillen (WHAT WE DO IN THE SHADOWS), Javicia Leslie (BATWOMAN), Brandon Scott Jones (GHOSTS), and Vico Ortiz (OUR FLAG MEANS DEATH).

Series panels  

  • Presented as virtual panels, these programs feature discussions of hot shows and their new season offerings:  a talk on SyFy and USA Network’s CHUCKY moderated by Hannibal creator Bryan Fuller, with CHILD’S PLAY franchise creator Don Mancini and cast members Jennifer Tilly, Brad Dourif, Fiona Dourif, Zackary Arthur, and Bjorgvin Anarson; a one-on-one career-spanning conversation with comedy legend Paula Pell upon the release of GIRLS5EVA season two on Peacock; a discussion with the cast and creators of Freeform’s MOTHERLAND: FORT SALEM in advance of the series’ final season; a talk with GENTLEMAN JACK creator Sally Wainwright and actor Lydia Leonard; a focused conversation with the queer talent and characters from Showtime’s smash-hit YELLOWJACKETS; as well as panels featuring talent from HBOMax’s SORT OF and THE SEX LIVES OF COLLEGE GIRLS, VH1’s RuPaul’s DRAG RACE, Prime Video’s HARLEM and THE WILDS, The CW’s TOM SWIFT and THE 4400, and HIGH SCHOOL MUSICAL: THE MUSICAL – THE SERIES from Disney Plus and Disney Branded Television.

The inaugural year of OutFronts saw nearly 70,000 participants from across the globe. This year should see even more. “It’s inspiring to know that one festival couldn’t possibly cover all the wonderful LGBTQIA+ stories being told on television today,” said Outfest’s Director of Festival Programming, Mike Dougherty. “The OutFronts by no means represents an exhaustive account of all that is queer in TV, but they do gather a multitude of brilliantly talented queer artists and allies whose diversity of perspective and experience are on full display in these funny, entertaining, and emotional conversations. I can’t wait to share them with the world.”

It’s time to join the Queer Television Fandom community, whether you want your seat to be in a happening LA theater, or in your own living room, your piece of the rainbow awaits! See you at OutFronts 2022!

All panel discussions will be free of charge to view online and via Outfest’s OutMuseum platform. The OutFronts are presented by IMDb and media sponsors are The Los Angeles Blade, ABC7 Los Angeles, Clear Channel Outdoor, Edge Media, KCET/PBS SoCal, Pride Media, Queerty, Rainbow Media, Autostraddle, and Variety. RSVP and view the full calendar of The OutFronts programming at theoutfronts.com

**********************

Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more. He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine. He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .

Continue Reading

Movies

Join Joel Kim Booster on ‘Fire Island’ this summer

Gay rom com features queer Asian cast

Published

on

Joel Kim Booster stars in ‘Fire Island.’ (Image courtesy of Searchlight Pictures)

It would be an understandable mistake to see Joel Kim Booster on one of the two “Out Traveler” magazine covers he’s gracing this month and assume he was just another sexy fashion model, but the 34-year-old Korean-American comedian is not having a moment in the blazing sun of queer pop culture just because of his undeniable talent for rocking a Speedo. 

He is actually in the middle of the publicity push for the upcoming film “Fire Island,” which he wrote and in which he co-stars with (among others) close friend Bowen Yang and comedy legend Margaret Cho, and which begins screening exclusively on the Hulu streaming service just in time for Pride month.

Directed by Andrew Ahn (“Spa Night”), it’s a movie that’s generating a lot of buzz, partly because it’s the first predominantly queer film to be backed by a major movie studio (Disney, through its Searchlight Pictures division). We’ve been burned too many times not to be skeptical about such a project, but anyone already familiar with Booster’s work will undoubtedly tell you it’s not likely to be another watered-down, safe-for-the-mainstream offering designed to check off boxes on the diversity agenda. Since he first made a splash with an appearance on “Conan” in 2016, he has gained a following among queer and straight audiences alike with his unapologetically gay, unabashedly sex-positive comedy, leading to what some might call a meteoric rise to the brink of superstardom through an acclaimed stand-up career, his roles on TV in shows like the short-lived sitcom “Sunnyside” (on which he was a regular), “Shrill,” and “The Week Of” (as well as his writing for shows like “Billy on the Street” and “The Other Two”), and his popular podcasts (“Urgent Care with Joel Kim Booster + Mitra Jouhari” and “The Joy Fuck Club”).

Now he’s poised to become a movie star with “Fire Island,” a gay romantic comedy set in the titular vacation retreat that dares not only to feature a cast made up entirely of queer characters, but doubles down by putting the focus on queer characters who also happen to be Asian. To top it all off, it gives Booster a chance to show off his literate side with a story – which concerns a group of gay best friends out for sexual adventure, and possibly even romance, on what might be their last trip to the iconic gay getaway – adapted from no less esteemed a literary source than Jane Austen’s “Pride and Prejudice.”

The Blade was fortunate enough to chat with Booster in the middle of this very high-pressure month before his feature film debut, and our conversation was informed by the kind of erudite and compassionate intelligence that has marked the young comedian’s career from the start.

BLADE: In your comedy, you’ve drawn a lot of inspiration from being raised as a Korean adoptee by white American parents in a deeply Christian midwestern community. Does that experience figure into the movie, too?

BOOSTER: Of course! As a transnational adoptee, my entire life I’ve been fighting against this nagging feeling of not quite fitting in – and that’s whether I’m around white people, or Asian people, or even some gay people. It’s tough, and it’s been such a paramount part of my life to find people who make me feel seen and accepted and to keep them close, so it felt really important for the theme of chosen family to stay in the forefront when I was making this movie. As much as it’s a “rom com,” it’s also about friendship – about relationships with people who, like I say in the movie, “fill in the gaps.”

BLADE: How did you hit on using Jane Austen as a source?

BOOSTER: It was really a lucky accident. I brought “Pride and Prejudice” with me on the first trip Bowen and I ever took to Fire Island. I would be lying there on the beach reading it and thinking, “It’s amazing how the things she was writing about are so relevant to what we’re experiencing on this island right now.” It was kinda wild, and it started out as threat, a joke – I would keep saying, ‘I can’t wait to write an all-gay adaptation of ‘Pride and Prejudice’ set on Fire Island,’ and people would boo and throw things at me. But after that I would always bring an Austen book with me to read on the island, because it felt special to me. There was just something so prescient about what she wrote, and about her observations on class, especially reading it in this place where we had sort of created our own class system, as gay men.

BLADE: When did it stop being a joke?

BOOSTER: Actually, my agent suggested that I should write it, because I was in between projects. I just had a pilot that was passed on by Comedy Central, I was depressed, I had nothing to do – so I ended up writing it as a half-hour pilot script. But nobody wanted it until Quibi [the short-form entertainment platform that launched and folded in 2020 after failing to meet projected subscription levels]. Say what you will about them, but they really invested a lot of money and time into new and young voices, and they took a lot of chances. They took a chance on me, and when they folded I had this script that I could point to which I had written and developed with them. This movie was a tough pitch to sell on just a log line, but I had this finished project, this complicated piece of work to show people, that was much more intricate than I think “Gay ‘Pride and Prejudice’” would maybe lead people to believe.

BLADE: Your movie is just one of several big queer titles on deck for 2022, including Billy Eichner’s rom com, “Bros.” How do you feel about that?

BOOSTER: Honestly, it really takes some of the pressure off. When we get, like, one gay movie a year, a lot of attention and scrutiny gets put on that movie and it’s expected to be everything to everyone in our community. And our community is huge, and it’s diverse, and there are so many stories that aren’t being told. I’m so glad Billy’s movie is coming out as well, he was my first comedy boss, and I’m really happy that people in our community are going to have two big gay rom coms to choose from.

BLADE: We haven’t seen “Bros” yet, but we’ve seen “Fire Island.” There’s a review embargo [until May 23], but I think it’s safe to say nobody is going to boo or throw things at you. Do you feel any sense of competition about it?

BOOSTER: My hope is that people love both, but it’s nice that if somebody goes to see my movie and says, ‘That’s not for me, I don’t see myself there,’ then a couple months later they’ll see Billy’s and they’ll have another shot at it. And I hope both of our movies are successful enough that they create a million clones. I hope it’s just the beginning.

“Fire Island,” which also stars Conrad Ricamora (“How to Get Away With Murder”) and a host of other familiar queer performers, premieres on Hulu on June 3. 

Continue Reading
Advertisement
Advertisement

Follow Us @LosAngelesBlade

Sign Up for Blade eBlasts

Popular