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Television’s is still an LGBT frontier with an array of new offerings

Los Angeles Blade spoke to a few prominent LGBT critics

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At the recent television critics press tour, there were many new gay friendly television shows intriguing critics. Los Angeles Blade’s Susan Hornik talked with LGBT journalists about their take on the new shows.

Trish Bendix. (Photo courtesy INTO)

Trish Bendix, Managing editor at INTO
Most excited about “VIDA,” from queer Latinx playwright-turned-TV writer Tanya Saracho. Not only does the show have an all Latinx writers room and Latinx actors, but the plotline and several major characters are LGBTQ. Rarely do we see Latinx leads on TV, and this is a Starz show which means it will be gritty, sexy, and boundary-pushing.

Also, Alan Cumming-starrer “Instinct” will also be of interest, though I’m concerned with CBS’s not-so-great track record on LGBTQ inclusion. Still, having an out bisexual man playing a gay lead on a primetime network show is pretty exciting.

Jim Colucci. (Photo courtesy Colucci)

Jim Colucci, author of the 2016 NYT best-seller “Golden Girls Forever”
The depictions of LGBT characters are more plentiful and more well-rounded than the days of “The Golden Girls,” which was a LGBT favorite at that time. Back then, the occasional guest character would be gay or lesbian, or there would be a gay-themed joke — and certainly there was a gay sensibility about any show that starred a Broadway legend like Bea Arthur.

FX’s’ “Pose,” a recreation of the late ’80s Harlem drag ball era from the prolific gay TV mogul, Ryan Murphy. Trans portrayals are stll in short supply on TV, but “Pose” brings us a wide variety of queer characters — and it’s both fun and fearless.

Even on network TV, the most mainstream you can get in America’s entertainment universe, gay characters are now not just being accepted, but are featured as lead characters. I’m particularly looking forward to seeing more of NBC’s “Champions,” about the philandering owner of a Brooklyn gym who is suddenly presented with the son — half Indian-American and all fabulously gay — he never knew he had.

Other shows have featured gay teens before — memorably, “Glee,” again from Ryan Murphy — but I love how “Champions” capitalizes on the fabulousness of its funny and appealing teen actor, J.J. Totah. NBC’s drama “Rise,” set in the drama department of a working-class Pennsylvania high school, is worth checking out.  Although in adapting their source material, the book, “Drama High” by Michael Sokolove, “Rise”‘s producers changed Josh Radnor’s lead character of drama teacher Lou to be straight rather than gay, the series does feature several students facing issues with being trans and coming

Even though I’m still wary of the change– I realize this series, set in the gayest-friendly of places a high school can offer — its drama department — has the chance to say something really interesting, meaningful, and ultimately, entertaining.

 

 

John Griffiths. (Photo courtesy Griffiths)

John Griffiths, executive director, GALECA: The Society of LGBTQ Entertainment Critics
“Instinct,” with Alan Cumming as network TV’s first gay character to top an hour drama, should be a kick, given the star’s unique charms (and he was more than good on “The Good Wife”). Should be a cheeky kick — he tracks serial killers, teaches at a university and writes books (Whoopi Goldberg plays his editor!). He also rides a motorcycle. How butch!

Curious to see how the new Paramount Network’s reboot of the Winona Ryder/Christian Slater cult classic, “Heathers” turns out. In this series version of the teen-horror comedy, one of the three titular cliquish high school meanies happens to be gay. The snark is played by out newcomer Brendan Scannell, who, judging by the witty banter he tossed at the show’s TCA panel, has a serious future in comedy. Another potential standout here: Lilli Birdsell, hilarious in clips as the super-pert white mom to a black Heather (Jasmine Mathews).

It’s not rife with LGBTQ characters, but “American Woman” (also on Paramount, formerly Spike TV) with Alicia Silverstone has lots of allure. Silverstone was adorable in “Clueless,” sure, but also terrifically weird in the recent Colin Farrell/Nicole Kidman thriller, “The Killing of a Sacred Deer.”

And her role here — a dutiful wife and mom who ditches her cad of a husband to belatedly join the feminist movement in the early ‘70s — is irresistible. Gay heartthrob Cheyenne Jackson (“30 Rock”) co-stars as the love interest of Silverstone’s BFF, played by Mena Suvari. The show comes with an authentic vibe and cinematic look, surprising considering it’s created by “Real Housewives” fixture, Kyle Richards (it’s based, in fact, on her mom’s own life trajectory).

Steve Gidlow. (Photo courtesy Media Village)

Steve Gidlow, TV, MediaVillage
In an age where all that is old is new again, it’s refreshing to see the upcoming new installments of ABCs “Roseanne” tackling a sensitive issue like gender fluidity. With Darlene back at home caring for Dan and Roseanne, her parents are faced with Darlene’s young son Mark ( Ames McNamara) who his experimenting with his fashion style and outward appearance — all much to grandpa Dan’s chagrin.

Even in its heyday, “Roseanne” was never a show that shied away from big social issues so it’s refreshing this reboot is tackling the issue of letting a young person explore what makes them happy head on, even though it might make those closest to them less than comfortable. #beyourself

Malcolm Venable. (Photo courtesy Venable, via Facebook)

Malcolm Venable, TVGuide.com, Senior Editor, West Coast
“Pose”—Only Ryan Murphy could sell a network on a story that juxtaposes the NYC 80s ballroom scene with the Uptown upper crust elite of the Reagan era, while hiring a record number of trans talent in front of and behind the camera! It looks gorgeous and the first footage we saw at TCA included scenes that looked like note-for-note recreations of moments from “Paris Is Burning,” which – no joke – made my heart flutter.

“9-1-1”—Angela Bassett’s husband comes out to her as gay (in the first episode!) and the high camp that Murphy’s team, Brad Falcuck, Tim Minear and the uber fierce Alexis Martin Woodhall (seriously Google her) put together is fun. That translates to seeing the emergency response team, which includes Peter Krause, Aisha Hinds and Kenneth Choi, in insane situations that are hard to turn away from.

“Versace”—Essential television. Lush, vivid, intensely terrifying and relevant for its messages. Great performances from Judith Light, Penelope Cruz and Edgar Ramirez but Darren Criss is life-changing. And, surprise: don’t expect much Versace. It’s about Andrew Cunanan.
“2 Dope Queens”— Jessica Williams and Phoebe Robinson take their podcast to the stage for a limited-episode run on HBO. They’re authentic and revelatory to their experience as black women, but as the packed multi-cultural NYC audiences show, their stories are universal covering nerd life, boy troubles and of course Beyonce. It’s hilarious and they represent hard for their LGBTQ fam.

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Movies

Dorian Awards cast a queer eye on television

Netflix favorite ‘Heartstopper’ nabs three nominations

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Kit Conner and Joe Locke in ‘Heartstopper.’ (Photo courtesy Netflix)

As Hollywood gears up for the year’s second “Awards Season” ahead of July 12’s scheduled announcement of the 2022 Emmy nominations, it seems only fitting for us to bring some attention to another awards organization that has already dropped its picks for the year’s best in TV content. We’re referring, of course, to the Dorian Awards, which have been bestowed by the Society of LGBTQ Entertainment Critics since 2009. 

If you’ve never heard of the Dorians, that’s not surprising. In keeping with the entertainment industry’s frustratingly persistent skittishness when it comes to All Things Queer, the Dorians haven’t gotten much attention in the mainstream press – though with a 385-member voting body and a scandal-free history, they are arguably more reputable than the Golden Globes. Named in honor of iconic queer writer Oscar Wilde (as a reference to his novel “The Picture of Dorian Gray”), they are admittedly low profile when it comes to glitz and glamour, handing out their prizes at an annual “Winner’s Toast” day party instead of a formal evening affair. Nevertheless, they’ve gained traction as Hollywood’s attitudes toward LGBTQ inclusion and representation have shifted, and each of their two annual ceremonies – one for TV, one for film, held about six months apart – draw an increasing number of A-listers to participate, both as nominees and presenters; and while the Dorians may not hold the level of prestige enjoyed by some of the industry’s other awards, at least we can be sure their voting membership won’t overlook queer shows and talent as often as their counterparts at the Motion Picture and Television Academies.

That doesn’t mean the Dorians are exclusively focused on LGBTQ content. The Society of LGBTQ Entertainment Critics – formerly known as the Gay and Lesbian Entertainment Critics Association, or GALECA – explicitly states that its awards are to honor “the best in film and TV, mainstream to queer+”, while calling attention to the importance of queer contribution and sensibility within the wider culture and reminding “bullies, bigots, and our own at-risk youth that the world loves the sly Q eye on entertainment.” With some state governments and the SCOTUS itself dedicating themselves an all-out assault on the LGBTQ community and its hard-won rights, that last point seems particularly resonant; with so much homo- and transphobic hate pouring its efforts into erasing us, our visibility is more crucial than ever.

Fortunately, as the slate of Dorian nominees announced by GALECA on June 22 reveals, the queer presence on television is strong. No longer segregated to a “niche” genre, the LGBTQ community has finally begun to appear on our screens as it does in life – blended, alongside everyone else, into a world that has room for us all. That’s what ideal inclusion looks like, and it’s heartening – especially now – to see that it has become the norm in so much of the industry’s best offerings.

This year, HBO leads the pack in terms of nods. Two of its heavily queer-inclusive shows, “Hacks” and “Somebody Somewhere,” received five nominations each, while “Euphoria” and “The White Lotus” snagged 4 and 3, respectively. In total, the cable-and-streaming giant got 24, with an additional 13 for programming exclusively on HBO Max, bringing the total to 37.

Coming in second with less than half that number is Netflix. Among its 15 nominations are three nods for “Heartstopper,” the runaway queer fan favorite based on a sweet UK webcomic about two schoolboys in love, and two each for Natasha Lyonne’s brain-twisting time travel dramedy “Russian Doll” and the already-award-winning Korean thriller “Squid Game.”

New series scored high among Dorian voters this year. Besides “Heartstopper” and “Somebody Somewhere,” ABC’s “Abbott Elementary,” Showtime’s “Yellow Jackets,” and Apple TV+’s “Severance” each received multiple nominations, with many other freshman titles picking up individual nods.

As for the awards themselves, the Dorians feature fewer overall categories – instead of being split into “gendered” divisions, actors of all genders compete for a single award in each category – and set themselves apart by striking a mildly tongue-in-cheek pose in the presentation of its “special” accolades. In presenting awards like Campiest TV Show or the brand new “You Deserve an Award” award, the Dorians give a tip of the lavender hat to the tradition of Wildean wit at their back – but they also assert the importance of queer perspective when it comes to taste-making and the aesthetic arts.

Nominees for the 14th Annual Dorian TV Awards (honoring shows which debuted June 1, 2021-May 31, 2022) are listed below. Winners will be revealed on Wednesday, Aug. 12.

BEST TV DRAMA: “Better Call Saul”; “Heartstopper”; “Yellowjackets”; “Severance”; “Succession”

BEST TV COMEDY: “Abbott Elementary”; “Barry”; “Hacks”; “The Other Two”; “Our Flag Means Death”

BEST LGBTQ SHOW: “Hacks”; “Heartstopper”; “The Other Two”; “Our Flag Means Death”; “Somebody Somewhere”; “RuPaul’s Drag Race”

BEST TV MOVIE OR MINISERIES: “Dopesick”; “The Dropout”; “Midnight Mass”; “Station Eleven”; “The White Lotus”

BEST NON-ENGLISH LANGUAGE TV SHOW: “Elite”; “Lupin”; “My Brilliant Friend”; “Pachinko”; “Squid Game”

BEST UNSUNG SHOW: “Better Things”; “The Other Two”; “Our Flag Means Death”; “Russian Doll”; “Somebody Somewhere”; “We Are Lady Parts”

BEST TV PERFORMANCE: Quinta Brunson (“Abbott Elementary”); Kit Connor (“Heartstopper”); Bridget Everett (“Somebody Somewhere”); Bill Hader (“Barry”); Lily James (“Pam & Tommy”); Natasha Lyonne (“Russian Doll”); Melanie Lynskey (“Yellowjackets”); Amanda Seyfried (“The Dropout”); Jean Smart (“Hacks”); Zendaya (“Euphoria”)

BEST SUPPORTING TV PERFORMANCE: Murray Bartlett (“The White Lotus”); Anthony Carrigan (“Barry”); Jennifer Coolidge (“The White Lotus”); Hannah Einbinder (“Hacks”); Jeff Hiller (“Somebody Somewhere”); Janelle James (“Abbott Elementary”); Matthew Macfadyen (“Succession”); Christina Ricci (“Yellowjackets”); Rhea Seehorn (“Better Call Saul”); Sydney Sweeney (“Euphoria”)

BEST TV MUSICAL PERFORMANCE: Beyonce, “HYPERLINK “https://www.youtube.com/watch?v=4aeDlZOD-B0″Be Alive” (94th Academy Awards); Kristin Chenoweth and cast, “HYPERLINK “https://www.youtube.com/watch?v=_PmS5JIfSkk”Tribulation” (“Schmigadoon!”); Bridget Everett and Jeff Hiller, “HYPERLINK “https://www.youtube.com/watch?v=As-a_bzFrl0″Don’t Give Up” (“Somebody Somewhere”); Jean Smart, “You Make Me Feel Like a Natural Woman” (“Hacks”); Cecily Strong and cast, “HYPERLINK “https://www.youtube.com/watch?v=Dj5mJGyoYIM”Corn Puddin’” (“Schmigadoon!”); Hannah Waddingham and cast, “HYPERLINK “https://www.youtube.com/watch?v=4B0HktX4xqQ”Never Gonna Give You Up” (“Ted Lasso”)

BEST TV DOCUMENTARY OR DOCUMENTARY SERIES: “The Andy Warhol Diaries”; “The Beatles: Get Back”; “How to with John Wilson”; “Spring Awakening: Those You’ve Known”; “We Need to Talk About Cosby”

BEST CURRENT AFFAIRS PROGRAM: “The Amber Ruffin Show”; “The Daily Show with Trevor Noah”; “Full Frontal with Samantha Bee”; “Last Week Tonight with John Oliver”; “The Late Show with Stephen Colbert”; “The Rachel Maddow Show”; “ZIWE” (Showtime)

BEST ANIMATED SHOW: “Arcane”; “Big Mouth”; “Bob’s Burgers”; “Q Force”; “Tuca & Bertie”; “What If…?”

BEST REALITY SHOW: “Legendary”; “The Real World Homecoming: New Orleans”; “RuPaul’s Drag Race”; “Survivor”; “Top Chef: Houston”; “We’re Here”

MOST VISUALLY STRIKING SHOW: “Euphoria”; “The Gilded Age”; “Loki”; “Severance”: “Squid Game”

CAMPIEST TV SHOW: “Diana: The Musical”; “Euphoria”; “Girls5Eva”; “Nine Perfect Strangers”; “Schmigadoon!”

WILDE WIT AWARD (to a performer, writer or commentator whose observations both challenge and amuse): Joel Kim Booster; Quinta Brunson; Jerrod Carmichael; Jennifer Coolidge; Bowen Yang

THE “YOU DESERVE AN AWARD!” AWARD (to a uniquely talented TV icon we adore): Gillian Anderson; Christine Baranski; Lynda Carter; Kim Cattrall; Cassandra Peterson

GALECA LGBTQIA+ TV TRAILBLAZER (for creating art that inspires empathy, truth and equity): Jerrod Carmichael; Margaret Cho; Russell T. Davies; Kate McKinnon; Bowen Yang

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Books

‘Jackie & Me’ puts a refreshing spin on Camelot

Jack’s gay pal narrates fictional take on iconic love affair

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(Book cover image courtesy of Algonquin)

‘Jackie & Me: A Novel’
By Louis Bayard
c.2022, Algonquin
$28/352 pages

It is a truth that is universally acknowledged: A love story will be not only entertaining, but a moving, thought-provoking page-turner, if it has a gay best friend.

“Jackie & Me” by Louis Bayard, the acclaimed gay novelist, isn’t a Jane Austen tale. But Austen would have appreciated Bayard’s witty, poignant, new novel.

Unless you’ve lived under a rock, whether you’re Gen Z or a Boomer, you know about Jack and Jackie Kennedy and Camelot.

Yet, Bayard, in his tenth novel “Jackie & Me,” puts a refreshing spin on this story.

The novel is narrated by Kirk LeMoyne (a.k.a. “Lem”) Billings, Jack’s best friend. Lem has been JFK’s pal since they were students at Choate. Though Lem never says “I’m out and I’m proud,” it’s clear that he’s gay.

Lem is JFK’s fixer and court jester. He pays for Jack’s lunch. If Jack’s in the mood, Lem drinks with him. When Jack needs advice on love affairs, Lem’s on it.  

“Jackie & Me” brings us JFK and Jackie before they were iconic.

The novel takes place in 1952. Jackie, 22, then Jacqueline Lee Bouvier, is the “inquiring photographer” for the Washington Times Herald. Jack, 35, is a Massachusetts congressman. They don’t know each other until they meet up at a party in D.C.

What makes “Jackie & Me” so enjoyable is that Lem is our fly on the wall. He takes us along as the couple date, meet the parents, and wed.

Jack is from a wealthy, Irish, Catholic political family. The Kennedys know everyone from Harry and Bess Truman to Henry and Clare Luce to Joe McCarthy.

Jackie’s father, known as “Black Jack,” was a Wall Street stockbroker. Her mother Janet Auchincloss was a socialite. Her stepfather Hugh Auchincloss was a Standard Oil heir. Unlike many women at the time, Jackie is well educated (with a degree in French literature from Washington University and classes at the Sorbonne in Paris). 

Jack loves sleeping with women, but has no love for marriage. Yet he must marry because “my father says I can’t get elected [president] if I’m not married,” he tells Lem.

Knowing that matrimony is in his future whether he likes it or not, Jack thinks Jackie might be the right woman to marry. But he wants to be sure she’s not involved with other men and that, if they wed, she’ll tolerate his extramarital liaisons. He turns to his dependable buddy Lem and asks him to pal around with Jackie – to spy on her.

Lem isn’t thrilled by this. “Who would I be working for,” he says to Jack, “you? Your father ‘the bossman’?”

While Jack’s been busy in Congress and womanizing, he’s been escorting Jackie about town. They’ve gone to the Smithsonian, laughed at bad Loretta Young movies and gone to an amusement park. They’ve become close friends.

If something happens and Jack doesn’t work out, “would you be my back-up husband,” Jackie, who’s caught on to Jack’s foibles, jokes to Lem.

Billings, who lived from 1916 to 1981, maintained ties with the Kennedy family after Jack’s death.

But “Jackie & Me” is, without apology, a fictional work and “an exercise in alternative history,” Bayard writes in the acknowledgments.

Though a work of fiction, “Jackie & Me” feels true. In the novel, Jackie and Lem are outsiders. Jackie isn’t of the Kennedy family and doesn’t, as many women did then, aspire to be a homemaker. Lem was a closeted gay man when homophobia was socially acceptable.

Lem recalls how at Choate, boys who wanted sex or tenderness from other boys, would write notes on toilet paper. “I’m not that kind of boy,” responds Jack on receiving a note on toilet tissue from Lem.

“Jackie & Me” is intriguing because it’s not, at heart, about the romance of a glittering young couple. It’s an Austenesque triangle: the tale of the twists, turns, love and friendship of three compadres.

It’s a charming, elegant summer read.

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Travel

July 4 travel woes in flight cancellations, record number Americans driving

A record number of Americans are expected to travel by car this upcoming July 4th holiday weekend, per the Triple A auto club

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Photo Credit: County of Los Angeles

LOS ANGELES – As the 4th of July weekend approaches, Americans getting underway to travel are facing heavy delays and cancellations amid staffing strains, weather, among other issues with U.S. air carriers.

On Friday according to tracking website FlightAware.com as of 7PM Pacific there were 27,544 total delays, domestic flight cancellations were 2,975 and international flight cancellations within, into, or out of the United States were 571.

(See the MiseryMap for a live visualization of flight delays.)

CNBC reported that consumer complaints are piling up. In April, the latest available data, the Transportation Department received 3,105 from travelers about U.S. airlines, up nearly 300% from April 2021, and at nearly double the rate during the same period last year.

The unprecedented number of airline cancelations and delays is causing travelers to choose to drive and fly. Delta, American Airlines and United are all trimming their schedules even further to accommodate staffing shortages, despite passenger levels hitting post-pandemic highs.

Airlines and the Federal Aviation Administration have sparred over who’s to blame. Airlines chalk up the disruptions to bad weather, their staffing shortages and staffing problems at the government’s air traffic control.

Yesterday, the FAA’s acting Administrator Billy Nolen and other top agency officials held a call with airline executives to discuss weekend planning, including the agency’s use of overtime to staff its facilities, traffic and routing plans, according to a person familiar with the meeting. The call was in addition to regular planning meetings with airlines.

U. S. Transportation Secretary Pete Buttigieg speaks with reporters on Zoom call about flight cancellations and expected delays this July 4th holiday weekend.

U. S. Transportation Secretary Pete Buttigieg: “It is time for the airline industry to deliver.”

Transportation Secretary Pete Buttigieg told reporters Friday that, “passengers have high expectations from an industry that we have supported with tens of billions of dollars in taxpayer funding through the pandemic to keep it up and running so that it can serve passengers. Now we need them to deliver.”

Concerned about flight cancellation trends, Buttigieg said he has spoken directly with airlines.

“Something I’ve asked them to do so that if you’re selling a ticket, you know you can back that up, that you have the staffing to do it,” he added.

A record number of Americans are expected to travel by car this upcoming July 4th holiday weekend, per a new report from the Triple A auto club.

Screenshot/NBC News

Just in time for that Fourth of July travel, gas prices are continuing to drop from their record high points of two weeks ago as the Energy Information Administration reports that gasoline stockpiles across the country have increased, according to the Auto Club’s Weekend Gas Watch.

Since Monday, the national average for a gallon of regular gasoline has decreased by four cents to $4.85.

Despite the highest 4th of July gas prices on record, 42 million Americans are driving this holiday.

Travelers Driving This 4th of July Weekend To Avoid Airport Chaos:

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