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‘Gotham’ renewed for final season

The network will give the ‘Batman’ prequel 13 more episodes

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Robin Lord Taylor as Oswald ‘Penguin’ Cobblepot in ‘Gotham’ (Screenshot via YouTube)

“Gotham” will return for a fifth and final season.

Deadline reports FOX renewed the “Batman” prequel series for a shortened 13-episode season.

Executive producer Danny Cannon told ComicBook.com that the season four finale, which follows the story of “No Man’s Land,” will restructure the direction of the series’ final episodes.

“Our characters have reached a maturity now, our characters are so well defined and that’s why I think as writers, that’s right about the point when you want to change people’s perception of them,” Cannon explained. “The [term] ‘reboot’ means, just when you thought you knew people, something else will happen, and just when you thought your Season 5 would be like Season 4, Season 5 is completely different. New characters and old characters that have changed. It’s a complete [departure], and the city has changed too, new characters on a new landscape.”

The series is no stranger to changing characters and stories. In 2016, the series created a love triangle storyline that featured Penguin having feelings for his friend Ed Nygma a.k.a the Riddler (Cory Michael Smith). Penguin’s change in sexuality caused an upset for some “Batman” fans who didn’t like such a departure from the comic book.

“Gotham” is expected to return in 2019. The season four finale airs on Thursday, May 17 at 8 p.m.

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Online/Digital Streaming Media

‘Making Gay History’: Podcast remembers Stonewall 55 years later 

One New Yorker is making sure that the events leading up to one of the most pivotal points of gay and American history are remembered

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Screenshot/'Making Gay History' website

By Gus Rosendale | NEW YORK, N.Y. (NBC 4 New York) – This month is the 55th Anniversary of the Stonewall uprising and one New Yorker is making sure that the events leading up to one of the most pivotal points of gay and American history are remembered through a podcast called “Making Gay History”. 

Watch:

Editor’s Note: Making Gay History is a 501(c)(3) nonprofit organization that addresses the absence of substantive, in-depth LGBTQ+-inclusive American history from the public discourse and the classroom. To learn more go here: (Link)

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Movies

Gender expression is fluid in captivating ‘Paul & Trisha’ doc

Exploring what’s possible when you allow yourself to become who you truly are

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Paul Whitehead and Trisha van Cleef in ‘Paul & Trisha.’ (Photo courtesy of Gravitas Ventures)

Given the polarizing controversies surrounding the subject of gender in today’s world, it might feel as if challenges to the conventional “norms” around the way we understand it were a product of the modern age. They’re not, of course; artists have been exploring the boundaries of gender  – both its presentation and its perception – since long before the language we use to discuss the topic today was ever developed. After all, gender is a universal experience, and isn’t art, ultimately, meant to be about the sharing of universal experiences in a way that bypasses, or at least overcomes, the limitations of language?

We know, we know; debate about the “purpose” of art is almost as fraught with controversy as the one about gender identity, but it’s still undeniable that art has always been the place to find ideas that contradict or question conventional ways of viewing the world. Thanks to the heavy expectation of conformity to society’s comfortable “norms”  in our relationship with gender, it’s inevitable that artists might chafe at such restrictive assumptions enough to challenge them – and few have committed quite so completely to doing so as Paul Whitehead, the focus of “Paul & Trisha: The Art of Fluidity,” a new documentary from filmmaker Fia Perera which enjoyed a successful run on the festival circuit and is now available for pre-order on iTunes and Apple TV ahead of a VOD/streaming release on July 9.

Whitehead, who first gained attention and found success in London’s fertile art-and-fashion scene of the mid 1960s, might not be a household name, but he has worked closely with many people who are. A job as an in-house illustrator at a record company led to his hiring as the first art director for the UK Magazine Time Out, which opened the door for even more prominent commissions for album art – including a series of iconic covers for Genesis, Van der Graaf, Generator, and Peter Hammill, which helped to shape the visual aesthetic of the Progressive Rock movement with his bold, surrealistic pop aesthetic, and worked as an art director for John Lennon for a time. Moving to Los Angeles in 1973, his continuing work in the music industry expanded to encompass a wide variety of commercial art and landed him in the Guinness Book of World Records as painter of the largest indoor mural in the world inside the now-demolished Vegas World Casino in Las Vegas. As a founder of the Eyes and Ears Foundation, he conceived and organized the “Artboard Festival”, which turned a stretch of L.A. roadway into a “drive-through art gallery” with donated billboards painted by participating artists.

Perera’s film catches up with Whitehead in the relatively low-profile city of Ventura, Calif., where the globally renowned visual artist now operates from a combination studio and gallery in a strip mall storefront. Still prolific and producing striking artworks (many of them influenced and inspired by his self-described “closet Hinduism”), the film reveals a man who, far from coming off as elderly, seems ageless; possessed of a rare mix of spiritual insight and worldly wisdom, he is left by the filmmaker to tell his own story by himself, and he embraces the task with the effortless verve of a seasoned raconteur. For roughly the first half of the film, we are treated to the chronicle of his early career provided straight from the source, without “talking head” commentaries or interview footage culled from entertainment news archives, and laced with anecdotes and observations that reveal a clear-headedness, along with a remarkable sense of self-knowledge and an inspiring freedom of thought, that makes his observations feel like deep wisdom. He’s a fascinating host, taking us on a tour of the life he has lived so far, and it’s like spending time with the most interesting guy at the party.

It’s when “Art of Fluidity” introduces its second subject, however, that things really begin to get interesting, because as Whitehead was pushing boundaries as an in-demand artist, he was also pushing boundaries in other parts of his life. Experimenting with his gender identity through cross-dressing since the 1960s, what began tentatively as an “in the bedroom” fetish became a long-term process of self-discovery that resulted in the emergence of “converged artist” Trisha Van Cleef, a feminine manifestation of Whitehead’s persona who has been creating art of her own since 2004. Neither dissociated “alter ego” nor performative character, Trisha might be a conceptual construct, in some ways, but she’s also a very authentic expression of personal gender perception who exists just as definitively as Paul Whitehead. They are, like the seeming opposites of yin and yang, two sides of the same fundamental and united nature.

Naturally, the bold process of redefining one’s personal relationship with gender is not an easy one, and part of what makes Trisha so compelling is the challenge she represents to Paul – and, by extension, the audience – by co-existing with him in his own life. She pushes him to step beyond his fears – such as his concerns about the hostile attitude of the shopkeeper next door and the danger of bullying, brutality, and worse when Trisha goes out in public – and embrace both sides of his nature instead of trying to force himself to be one or the other alone. And while the film doesn’t shy away from addressing the brutal reality about the risk of violence against non-gender-conforming people in our culture, it also highlights what is possible when you choose to allow yourself to become who you truly are.

As a sort of disclaimer, it must be acknowledged that some viewers may take issue with some of Whitehead’s personal beliefs about gender identity, which might not quite mesh with prevailing ideas and could be perceived as “problematic” within certain perspectives. Similarly, the depth of his engagement with Hindu cosmology might be off-putting to audiences geared toward skepticism around any spiritually inspired outlook on the world. However, it’s clear within the larger context of the documentary that both Paul and Trisha speak only for themselves, expressing a personal truth that does not nullify or deny the personal truth of anyone else. Further, one of the facets that gives “Art of Fluidity” its mesmerizing, upbeat charm is the sense that we are watching an ongoing evolution, a work in progress in which an artist is still discovering the way forward. There’s no insinuation that any aspect of Paul or Trisha’s shared life is definitive, rather we come to see them as a united pair, in constant flux, moving through the world together, as one, and becoming more like themselves every step of the way.

That’s something toward which we all would be wise to aspire; the acceptance of all of our parts and the understanding that we are always in the process of becoming something else would certainly go a long way toward making a happier, friendlier world.

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Books

Film fans will love ‘Hollywood Pride’

A celebration of queer representation in Hollywood

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(Book cover image courtesy of Running Press)

‘Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
By Alonso Duralde
c.2024, Running Press
$40/322 pages

You plan to buy lots of Jujubes.

They’ll stick to your teeth, but whatever, you’ll be too busy watching to care. You like the director, you know most of the actors as first-rate, and word is that the newcomer couldn’t be more right for the role. Yep, you’ve done your homework. You read Rotten Tomatoes, you’ve looked up IMDB, and you bought your ticket online. Now all you need is “Hollywood Pride” by Alonso Duralde, and your movie night is complete.

William Kennedy Laurie Dickson likely had no idea that what he’d done was monumental.

Sometime in the very late 1800s, he set up a film camera and a wax cylinder to record a short dance between two men, hands around one another’s waists, as Dickson played the violin. It “was one of the very first movies ever shot,” and probably the first film to record men dancing rather intimately alone together.

Back then, and until well into the 20th century, there were laws against most homosexual behavior and cross-dressing, and very rigid standards of activity between men and women. This led to many “intense relationships between people of the same gender.” Still, in World War I-era theaters and though LGBTQ representation “was somewhat slower to get rolling” then, audiences saw films that might include drag (often for comedy’s sake), camp, covert affection, and “bad girls of the era.”

Thankfully, things changed because of people like Marlene Dietrich, Ramon Novarro, Claudette Colbert, George Cukor, Alfred Hitchcock, and others through the years, people who ignored social mores and the Hays Code to give audiences what they wanted. Moviegoers could find LGBTQ actors and themes in most genres by the 1940s; despite politics and a “pink scare” in the 1950s, gay actors and drag (still for comedy’s sake) still appeared on-screen; and by the 1960s, the Hays Code had been dismantled. And the Me Decade of the 1970s, says Duralde, “ended with the promise that something new and exciting was about to happen.”

So have you run out of movies on your TBW list? If so, get ready.

You never want to start a movie at the end, but it’s OK if you do that with “Hollywood Pride.” Flip to the end of the book, and look up your favorite stars or directors. Page to the end of each chapter, and you’ll find “artists of note.” Just before that: “films of note.” Page anywhere, in fact, and you’ll like what you see.

In his introduction, author Alonso Duralde apologizes if he didn’t include your favorites but “Hollywood has been a magnet for LGBTQ+ people” for more than a century, making it hard to capture it completely. That said, movie-loving readers will still be content with what’s inside this well-illustrated, well-curated, highly readable historical overview of LGBTQ films and of the people who made them.

Come to this book with a movie-lover’s sensibility and stay for the wealth of photos and side-bars. If you’re up for binge-reading, binge-watching, or Date Night, dig into “Hollywood Pride.” Popcorn not necessary, but welcome.

The Blade may receive commissions from qualifying purchases made via this post.

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Photos

PHOTOS: GLSEN LA Pride Reception Fundraiser

Education organization holds event at The Abbey

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GLSEN Executive Director Melanie Willingham-Jaggers, center, Poses with Disney stars Aly & Aj at the LA Pride Reception Fundraiser (Photo by David Laffe; courtesy GLSEN)

WEST HOLLYWOOD – GLSEN hosted its LA Pride Reception Fundraiser on Wednesday, June 12 at The Chapel at The Abbey in West Hollywood. There were featured performances from Disney stars Aly & AJ, Angeria Paris VanMicheals of “RuPaul’s Drag Race,” as well as Mo Heart. DJ Stacy Christine provided the music.

(Photos by David Laffe; courtesy GLSEN)

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Events

Trans Pride LA celebrating 25 Years with series of events

Trans Pride LA celebrates its 25th anniversary this year, making it one of the oldest, dedicated celebrations of Trans Pride in the country

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Trans Pride Los Angeles/WeHo Times

By Mike Pingel | LOS ANGELES – Trans Pride LA celebrates its 25th anniversary this year, making it one of the oldest, dedicated celebrations of Transgender Pride in the country, lifting trans, non-binary, and gender-expansive folks! Spotlighting the Trans*Lounge program as well as other services provided at the Los Angeles LGBT Center, this all-ages, free event expects 1,400+ attendees over two days.

Friday evening, June 14, will kick off with a vibrant TPLA Welcome Mixer, followed by a line dancing lesson by Stud Country instructors Kira and Abigail, and a viewing of the new gallery exhibition “Ides of Gender” by artist Zach Oren.

Saturday, June 15, the Trans Pride Festival will once again take over The Village and McCadden Pl. with interactive workshops, 40+ market vendors and resource partners, six different food vendors, a portrait studio by photographer Devyn Galindo, and a Trans Pride Talent Showcase featuring the Trans Chorus of Los Angeles, Fei Hernandez, Amilia, Bailey Moses, and more.

This event is entirely free on both days, June 14 · 6 pm – June 15 · 6 pm PT. All events will take place at the Center’s Village at Ed Gould Plaza and Anita May Rosenstein Campus in Hollywood. Admission is completely FREE all weekend. To grab your tickets and see the up-to-date schedule, visit: lalgbtcenter.org/tpla202.

Here is the two-day schedule of events:

Friday, June 14th:

6:00 PM – 8:15 PM – TPLA Welcome Mixer Join us in the Village Courtyard at 1125 North McCadden for a welcome cocktail mixer unveiling this year’s Trans Pride exhibit titled “Ides of Gender” by artist Zach Oren. Non-alcoholic beverage options are available.

8:30 PM – 9:30 PM – Queer Country Line Dancing Performance & Lesson by Stud Country instructors Stud Country’s instructors, Kira Kull & Abi Hamilton, will provide a performance that will make you say “yeehaw.” It will be followed by a queer country line dancing lesson open to all.

8:15 PM – 10:00 PM – Cocktail Mixer & Gallery Viewing Continue exploring Trans Pride’s Gallery Exhibit “Ides of Gender,” grab a bite or simply grab a drink while catching up with (new) friends.

Saturday, June 15th:

12:00 PM – 6:00 PM – Trans Pride Festival We are shutting the street down and spreading Trans Joy everywhere! This event includes a Children & Families Activity Area, Live Performances & Entertainment, Educational Workshops, Market Vendors & Resource Fair, Free Food Vendors, and a Trans Pride Talent Showcase! ASL Interpreters will be available throughout the festival stages & workshops.

Trans Pride Los Angeles is hosted by the Trans* Lounge program, the Los Angeles LGBT Center’s groundbreaking education & empowerment program dedicated to serving Los Angeles’ trans and gender expansive community. ASL and bilingual (Spanish/English) interpretation will be available both days.

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Mike Pingel

Mike Pingel has written six books, Channel Surfing: Charlie’s Angels & Angelic Heaven: A Fan’s Guide to Charlie’s Angels, Channel Surfing: Wonder Woman, The Brady Bunch: Super Groovy after all these years; Works of Pingel and most recently, Betty White: Rules the World. Pingel owns and runs CharliesAngels.com website and was Farrah Fawcett personal assistant. He also works as an actor and as a freelance publicist. His official website is www.mikepingel.com

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The preceding article was previously published by WeHo Times and is republished with permission.

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Sports

‘Deeply disappointing:’ Lia Thomas loses case to compete in Paris

Anti-trans activist Riley Gaines calls it a “victory” and demands NCAA strip trans champion of “every award, title and record”

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Trans All-American swimming champion Lia Thomas will not be allowed to compete at the Olympics in Paris this summer, or any elite women’s competition. (Screenshot/YouTube ESPN)

LAUSANNE, SWITZERLAND — Transgender All-American swimming champion Lia Thomas will not be allowed to compete at the Olympics in Paris this summer, or any elite women’s competition, after a worldwide ban on trans women athletes was upheld by the Court of Arbitration for Sport. And for the first time since granting an interview to ESPN in May 2022, Thomas is speaking out, as is her fiercest critic, Riley Gaines

The University of Pennsylvania graduate commented on this week’s ruling in a statement issued through her attorney, saying that the decision should serve as a “call to action for trans women athletes.”

“The CAS decision is deeply disappointing,” Thomas said. “Blanket bans preventing trans women from competing are discriminatory and deprive us of valuable athletic opportunities that are central to our identities. The CAS decision should be seen as a call to action to all trans women athletes to continue to fight for our dignity and human rights.”

On Wednesday, three CAS judges dismissed the athlete’s request for arbitration with World Aquatics, the governing body for swimming organizations around the world, claiming rules regarding transgender competitors introduced two years ago were discriminatory.

Three months after Thomas became the first out trans Division I NCAA champion in March 2022, World Aquatics voted to prohibit transgender women who had been through male puberty from competing in elite meets for cisgender women. Only trans women who had completed their medical transition by the age of 12 were allowed to compete with cisgender women. The organization introduced an “open category” in its 50-meter and 100-meter races across all strokes, which would allow athletes whose gender identity differs from the sex they were presumed to be at birth to compete with anyone else. But they would no longer be allowed to compete with other women who were not trans. 

In asking CAS to overturn the ruling last year, Thomas argued that the guidelines were discriminatory, “invalid and unlawful,” as the Los Angeles Blade reported. But the judges dismissed her claim, stating she hd no standing and is not eligible to compete in elite competitions through World Aquatics or USA Swimming “for the time being,” so the policy does not apply to her.

“She is currently only entitled to compete in USA Swimming events that do not qualify as ‘Elite Events,'” according to the judges. “The panel concludes that she lacks standing to challenge the policy and the operational requirements in the framework of the present proceeding,” said the court in its ruling.

The judges said USA Swimming had no authority “to modify such scope of application” of the world governing body’s rules.

World Aquatics said it welcomed the CAS decision in a case “we believe is a major step forward in our efforts to protect women’s sport.” 

Even had the court ruled in her favor, Thomas is not named on the preliminary entry list for the U.S. Olympic swimming trials, which begin this weekend in Indianapolis ahead of the start of the 2024 Summer Olympics in Paris next month.

To failed swimmer turned vocal anti-trans inclusion activist and paid shill Riley Gaines, that is “great news.” 

“Great news! Lia Thomas won’t be able to compete in women’s category at the Olympics or any other elite competition. He has just lost his legal battle in Court of Arbitration for Sport ruling,” Gaines posted on her social media Wednesday, misgendering Thomas. “This is a victory for women and girls everywhere.”

But Gaines did not stop there. A few hours later, she shared an article about the ruling from the right-wing tabloid, the New York Post, and threw down a challenge to the NCAA: “Now the @ncaa needs to strip him of every award, title, and record he stole from a deserving female athlete.” 

Other conservative anti-trans media such as The Daily Mail and other outlets also hailed the decision. But above the fray, one voice has consistently stood out in support of Thomas: Her friend, Schuyler Bailar, who became the first trans athlete to compete on a NCAA Division I men’s team when he swam for Harvard. He called the CAS ruling, “devastating.” 

“This is not inclusion. This is textbook discrimination,” Bailar said in a post on Instagram. “And it is a result of the vicious, disgusting, anti-trans and misogynistic rhetoric that has infected this country and the world. Rhetoric that is not based in science but rather in hatred, fueled by power hungry people who do not care truly about women or women’s sports. I’m not sure what is next in this moment — but history will not look back favorably on this decision.” 

The Blade has reached out to Thomas through her representative for comment and did not receive a response as of press time.

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Notables

Pioneering trans computer scientist Lynn Conway dies at 86

If you are reading this on your mobile phone, you owe it to Conway who pioneered the microchip technology that makes it possible

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Lynn Conway, faculty headshot, University of Michigan by Charles Rogers and at Xerox Corp. by Margaret Moulton

By Erin Reed | ANN ARBOR, Mich. – Yesterday, news broke that transgender woman and computer pioneer Lynn Conway passed away at the age of 86. Her story is nothing short of remarkable.

Conway helped pioneer early supercomputers at IBM but was fired after she transitioned. She went “stealth” and had to rebuild her career from the ground up, starting as a contract programmer at Xerox with “no experience.”

Then, she did it all over again, pioneering VLSI—a groundbreaking technology that allowed for microchips to be made small enough to fit in your pocket, paving the way for smartphones and personal computers. In 1999, she broke stealth, becoming an outspoken advocate for transgender people.

Conway first attempted to transition at MIT in 1957 at the age of 19 years old. At the time, the environment was not accepting enough for transgender people to do so. She would have faced enormous barriers to medical transition, as few doctors were knowledgeable enough to prescribe hormone therapy a the time. Like many transgender people seeing enormous barriers to care, she spent the following years closeted.

Eventually, she was hired by IBM where she helped develop the world’s fastest supercomputer at the time on the Advanced Computing System (ACS) project. The computer would become the first to use a “superscalar” design, which made it capable of performing several tasks at once, dramatically improving its performance and making it much faster than previous computers. Despite her pivotal role in the project, she was fired when she informed her employer that she wanted to transition.

What she did next is nothing short of remarkable. Realizing that as an openly transgender woman in 1968, few companies would hire her, she went “stealth” and pretended she had no significant prior experience in computers.

She quickly advanced through the ranks and was hired by Xerox, where she famously developed VLSI, or Very Large Scale Integration. This groundbreaking technology allowed for thousands of transistors to be packed onto a single chip, revolutionizing electronics by making cell phones and modern computers possible through miniaturization and increased processing power.

Conway didn’t stop there. After gaining fame for her computer innovations, she came out in 1999 to advocate for transgender people. She was among the early critics of Dr. Kenneth Zucker, an anti-trans researcher still cited today by those working to ban gender-affirming care.

Conway slammed Zucker for practicing “reparative therapy,” a euphemism for conversion therapy. Notably, Zucker’s research continues to make false claims that “80% of transgender kids desist from being trans,” numbers based on his clinic’s practices, which closely mirrored gay conversion therapy. That clinic has since been shut down over those practices.

Often, those opposed to transgender people paint a picture of gender transition as something new, unique, or unsustainable. Similarly, many who transition are told they cannot be successful as transgender individuals.

Such claims are often weaponized by anti-trans activists like Matt Walsh, who once mockingly asked, “What exactly have ‘transgender Americans’ contributed?” Conway’s life was a resounding rebuke to these attacks. She attempted to transition at a young age in the 1950s, revolutionized computing twice from scratch, and made the cell phone Walsh likely used to post such a question possible.

Perhaps more importantly, Conway’s life gave transgender people another gift: a visible example that we can grow old, and a reminder that we have always been here. In a world where so many of us have had to hide in silence or stealth, where representation has been denied, and where we are told that our lives will be too dangerous to live, Conway proved that one can be trans and live a long, fulfilling, and proud life.

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Erin Reed is a transgender woman (she/her pronouns) and researcher who tracks anti-LGBTQ+ legislation around the world and helps people become better advocates for their queer family, friends, colleagues, and community. Reed also is a social media consultant and public speaker.

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The preceding article was first published at Erin In The Morning and is republished with permission.

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Events

Ricky Martin makes Pride debut at LA Pride in the Park

Martin entertained the crowd with live vocals and hip movements, and he serenaded his hardcore fans with several Spanish songs

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Ricky Martin performs at LA Pride in the Park – Photo by Mike Pingel for WEHO TIMES

By Paulo Murillo | LOS ANGELES – LA Pride kicked off a weekend-long celebration of Pride Month this past Saturday with Ricky Martin shaking his “bom bom” to a sea of fans at Los Angeles State Historic Park.

The event also featured performances by JoJo Siwa, RaiNao, Tokischa, MUNA, and cast members of HBO’s “We’re Here,” including Sasha Velour, Latrice Royale, Jaida Essence Hall, and Priyanka.

The LA Pride in the Park music festival, produced by Christopher Street West (CSW), a 501(c)(3) nonprofit established in 1970, spanned over 20 acres and featured a variety of activities, exhibitor booths, vendors, games, and food and drink options.

Ricky Martin performs at LA Pride in the Park – Photo by Mike Pingel for WEHO TIMES
Ricky Martin performs at LA Pride in the Park – Photo by Mike Pingel for WEHO TIMES
Ricky Martin performs at LA Pride in the Park – Photo by Mike Pingel for WEHO TIMES

Martin entertained the crowd with live vocals and hip movements, and he serenaded his hardcore fans with several Spanish songs, reminding those in attendance that his music career extends beyond “Livin’ La Vida Loca” in the U.S. to other Spanish-speaking countries.

According to reports, this year’s performance marks Martin’s first headlining appearance at any Pride event since he publicly came out as gay via his website in 2010. This year also marks him as the first openly gay Latin artist to perform center stage at LA Pride.

Ricky Martin performs at LA Pride in the Park – Photo by Mike Pingel for WEHO TIMES

Martin had a lot to prove with his LA Pride gig, following in the high-heeled footsteps of LGBTQ+ diva giants Christina Aguilera and Mariah Carey, who graced the LA Pride stage in the past two years.

This year’s theme, “Power in Pride,” celebrates the LGBTQ+ community’s ability to live authentically through strength and resilience.

Ricky Martin performs at LA Pride in the Park – Photo by Paulo Murillo for WEHO TIMES

“His participation in LA Pride in the Park goes beyond mere entertainment. It symbolizes a powerful affirmation of queer Latin identity and a celebration of diversity within the LGBTQ+ community,” said Gerald Garth, president of the Christopher Street West board, in a statement.

@wehotimes @Ricky Martin gave it his all as the headliner of this year’s @LA Pride music festival. Here he gyrates all over the place for Living La Vida Loca. #wehotimes #wehonews #lapride #pride #pridemonth #gaypride #lgbtpride #rickymartin #ricky ♬ original sound – WEHO TIMES

The event also included a “sober space” featuring games and activities, an Erotic City area with displays and appearances catering to the kink community, a sports section, and plenty of giveaways.

The LA Pride celebrations continued on Sunday with the LA Pride Parade through the streets of Hollywood, followed by a daylong street fair.

To learn more about LA Pride, visit: https://lapride.org/

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Paulo Murillo is Editor in Chief and Publisher of WEHO TIMES. He brings over 20 years of experience as a columnist, reporter, and photo journalist. Murillo began his professional writing career as the author of “Love Ya, Mean It,” an irreverent and sometimes controversial West Hollywood lifestyle column for FAB! newspaper. His work has appea

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The preceding article was previously published by WeHo Times and is republished with permission.

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Celebrity News

Christian writer apologizes for attacking LGBTQ+ ally Dolly Parton

Andersen, who self identifies as a Christian mom & Bible study leader, apologized for her attacking the Country Icon

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Country Icon, singer-songwriter and long time LGBTQ+ ally Dolly Parton. (Screenshot/YouTube Dolly Parton)

INDIANAPOLIS, Ind. – Freelance writer Ericka Andersen, who self identifies as a Christian mom and Bible study leader, in an interview with Yahoo Entertainment apologized for her attacking Country Icon, singer-songwriter Dolly Parton over her allyship and advocacy for the LGBTQ+ community.

Indianapolis-based Andersen told Yahoo Entertainment on Saturday that the widespread backlash made her realize she shouldn’t have used Parton to press her argument. “I regret using Dolly as the example for the point I was making in the article,” she said.

“As I wrote in the piece, I love her and think she does some incredible things for the world. We all make poor choices in how to frame things sometimes. This was one of those moments for me! Dolly is one of the few people who is beloved by all and who loves all. The world is lucky to have her.”

In a piece for the far-right extremist magazine The Federalist, Andersen had written:

“In a world where division is the default, she collects fans of every political stripe, refusing to denigrate anyone, and regularly proclaims, “I love everybody,” when asked how she does it. 

This response is usually seen as a nod toward the LGBT alliance during interviews with media folks forever fixated on this particular group.”

Andersen then notes:

“When asked about her diverse community of fans, Parton always mentions Christianity, saying she does her best “not to judge” and only “to love” for that reason. 

Related

But Parton’s version of love, which includes condoning immoral sexual behavior (“be who you are,” she’s said), is unaligned with God’s vision for humanity. Like so many secularized spiritual leaders, Parton equates love with agreement, but the two are not reciprocal. Love doesn’t mean we must accept sinfulness as good to avoid hurting someone’s feelings.”

The Federalist was widely denounced on multiple social media platforms for its attack of the beloved Country Icon.

Paul Richmond, a Monterey, California-based queer artist and art instructor, who is an acquaintance of the singer and has created a couple of artwork pieces for Parton, was asked by the Blade for his reaction to the homophobic parsing of Parton’s character by the Federalist writer.

Richmond said: “There is nothing that exemplifies how desperate for attention and unhinged the far right has become than by this attack on America’s sweetheart. Dolly has always shown kindness and empathy for others, which is what all supposed Christians should be striving for.”

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Events

54th Annual LA PRIDE Parade Today! STEP OFF at 11AM

The LA Pride Parade and Block Party will take over the streets of Hollywood Sunday, continuing a two-day celebration of Pride Month

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LA Pride/Los Angeles Blade graphic

LOS ANGELES – (KABC) – HAPPENING TODAY! Come out to the 54th annual @lapride Parade in Hollywood! The parade’s grand marshals are “Star Trek” legend George Takei, LAFD Chief Kristin Crowley and legendary wrestler Cassandro El Exótico. 🏳️‍🌈Can’t make it? Watch it here at 11am: https://t.co/IlpUMCBBHj — ABC7 Eyewitness News (@ABC7) June 9, 2024

JUNE 9, 2024: STEP OFF at 11AM

The best Parade viewing spots are along the middle of Hollywood Blvd, or on Highland, opposite the ABC7 broadcast area. Step-off is at 11AM sharp, so get there early to get a good spot.

If you can’t be with there in person, be sure to watch the parade live on ABC7, LA Pride’s Official Television & Streaming Partner.

PARADE BLOCK PARTY

June 9, 2024
ADJACENT TO PARADE ROUTE HOLLYWOOD BOULEVARD

We’re keeping the celebration going on Sunday by throwing the ultimate free Block Party adjacent to the Parade, open from mid-day and going into the evening. With a performance stage, large vendor village, food & bevs, pop-up bars, and more, it’s the place to be to after the Parade. Last year, 35,000 people enjoyed this free Parade “after-party,” don’t miss it!

The Block Party vendor booth application deadline has now passed. Stay tuned to learn more about the cool things we have in store!

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