No. 10 — Highly gay Broadway year
Broadway, of course, is always gay to some extent but 2018 seemed gayer than ever with revivals of landmark gay-themed works such as Mart Crowley’s “The Boys in the Band,” Tony Kushner’s “Angels in America” and Harvey Fierstein’s “Torch Song Trilogy.”
“Boys,” which debuted 50 years ago, made its Broadway debut at the Booth Theatre in late April and ran until early August with an all-gay cast including Matt Bomer, Jim Parsons and Zachary Quinto. It got mixed reviews. “I wish I could report that …. I shuddered and sobbed in sympahy but even trimmed from two acts to an intermission-free 110 minutes, the show left me largely impatient and unmoved,” a New York Times critic wrote.
In February, the Royal National Theatre production of “Angels in America,” Kushner’s landmark, two-part AIDS-themed masterpiece, transferred to Broadway for an 18-week engagement at the Neil Simon Theatre with Andrew Garfield and Nathan Lane in the cast. The 25th-anniversary revival won three Tonys out of a record 11 nominations. The Times said the play “courses into your system like a transfusion of new blood … when you hit the streets afterward, every one of your senses is singing.”
Less overall successful was a slimmed-down revival of Harvey Fierstein’s 1980s piece “Torch Song Triology,” a classic about a drag performer looking for love and family. The revival, starring Michael Urie and Mercedes Ruehl got strong reviews but may have been a victim of gay Broadway fatigue after “Boys” and “Angels.” It closes Jan. 6 after weeks of weak ticket sales, the New York Times reports.
Oh, and Bette Midler returned to her Tony-winning role in “Hello Dolly!” at the Shubert Theatre July 17-Aug. 25. (JD)
No. 9 — Breakout year for Troye Sivan
Former YouTube star Troye Sivan solidified his status as an A-list “legit” pop star this year with the release of his sophomore album “Bloom,” which peaked at no. four on the Billboard 200 sales chart. Lead single “My My My!” became Sivan’s second no. 1 Billboard dance hit, though it only made it to no. 80 on the Hot 100.
Sivan performed on “Saturday Night Live” and made several other high-profile media appearances. He toured the “Bloom” record (he played D.C.’s The Anthem in October) and shot an iconic, gender-bending video for the song “Bloom.”
The 23-year-old South Africa native (raised in Australia) headlined at Capital Pride in June and co-starred in the acclaimed conversion therapy drama “Boy Erased.”
“A Troye Sivan concert leaves one with two major impressions,” the Blade wrote of his fall tour. “One, it’s amazing the magic he can weave using so little and two, the juxtaposition of his sonic/video/TV show performances — where he comes off as an androgynous, gay sex-starved coquette gyrating lasciviously — dovetails quite nicely with his stage/interview persona where he’s self deprecating, down to earth, sweet seeming, even anodyne.”
Sivan tours Europe and Asia through winter and spring, 2019. (JD)
No. 8 — Celebs come out in droves
Once upon a time coming out was considered a move that could ruin a celebrity’s career. Times have changed and 2018 was the year many celebrities announced their gender identities and sexualities with empowerment.
Actress and singer Janelle Monáe told Rolling Stone she identifies as pansexual. Actress Tessa Thompson, who has been rumored to be in a relationship with Monáe, revealed this year that she is bisexual.
During a Q&A, a fan asked Paris Jackson if she is bi. “That’s what you guys call it, so I guess, but who needs labels?” Jackson said. This was her first time publicly addressing her sexuality but she says she’s been out since she was 14.
Singer Jason Mraz subtly came out in a poem for Billboard’s “Love Letter to the LGBTQ Community” writing, “We still have a long way to go. But know. I am bi your side. All ways.” He told Billboard he’s had sexual experiences with men and considers his sexuality “two spirit.”
Former Disney star Garrett Clayton came out as gay on Instagram after reflecting on filming his upcoming movie “Reach,” which tells the story of a teenager who contemplates suicide as a result of bullying. Clayton opened up that he and his boyfriend have had similar bullying experiences.
Panic! at the Disco frontman Brendon Urie shared with Paper that “you could qualify me as pansexual” and said that he is simply attracted to people. Actor Amandla Stenberg, who came out as non-binary and bisexual in 2016, announced they are gay and have “a romantic love for women” in a profile for Wonderland. Rebecca Sugar, “Steven Universe” creator and Silver Spring, Md., native, came out as non-binary. Pop star Rita Ora received backlash for her song “Girls,” which critics argued exploited bisexual and lesbian relationships. Ora revealed that the song mirrored her own experiences and that she has had romantic relationships with women.
“Glee” star Kevin Michael McHale came out as gay with the help of Ariana Grande tweeting, “#NoTearsLeftToCry is gayer than me and I ACCEPT. Ty @ArianaGrande.”
Actor Lee Pace confirmed his sexual orientation by revealing he has dated both men and women.
Journalist Ronan Farrow publicly declared he is “part of the LGBT community” while being honored with the Point Courage award for his work covering the #MeToo movement and transgender issues. He stated: ”being a part of the LGBT community — which recognized that reporting I was doing early on and elevated it, and has been such a stalwart source of support through the sexual assault reporting I did involving survivors who felt equally invisible. That has been an incredible source of strength for me.”
Other celebrities who came out this year include “Broad City” star Abbi Jacobson (bisexual), actress/singer Alyson Stoner (bisexual), “Gotham” actor Cory Michael Smith (queer) and singer Daya (bisexual). (MC)
No. 7 — ‘A Star is Born’
“A Star is Born” is a quintessential tragic love story and rags-to-riches film trope that has become one of Hollywood’s favorite movies to crank out to the masses. The 2018 version follows the classic plot of country music superstar Jackson Maine (Bradley Cooper) who helps rookie singer/songwriter Ally (Lady Gaga) kickstart her career.
Along the way, the pair fall in love while struggling with addiction and navigating fame. The film gave the co-leads monumental firsts in their careers. For Gaga, it’s her first lead role in a major motion picture. Meanwhile, Cooper made his directorial debut.
Lady Gaga also became an unexpected meme for repeating a variation of the quote “There can be 100 people in a room and 99 of them don’t believe in you, but all it takes is one and it just changes your whole life,” in reference to Cooper, numerous times during the film’s press run.
Despite it being the fourth remake following the original 1937 version, the 1954 musical starring Judy Garland, the 1976 rock musical led by Barbra Streisand and a 2013 Bollywood version, audiences and critics alike proved they were far from tired of the tale.“A Star is Born,” Lady Gaga, Cooper and Sam Elliot have all earned nominations ranging from the Golden Globes to the SAG Awards. The film’s soundtrack is also nominated for a Grammy Award. It’s unclear if the movie will snatch any trophies but “A Star is Born” is already a winner for capturing attention yet again. (MC)
No. 6 — ‘Pose’ dramatizes late ‘80s ball culture
“Pose,” Ryan Murphy’s latest television project, was co-created with Brad Falchuk and Steven Canals and made history with the largest cast of transgender characters in a fictional TV show.
The groundbreaking series focuses on the black and Latinx ball culture and the luxury yuppie Trump era in New York City in the late ‘80s. Blanca Rodriguez-Evangelista (Mj Rodriguez) decides to leave the House of Abundance and become the founder and mother of the House of Evangelista. Blanca gathers together her makeshift group to try to compete with the legendary House of Abundance. However, balls aren’t their only worry as their family confronts the looming AIDS epidemic, finds and loses love and faces the everyday struggles of being transgender or gay.
Out actor Billy Porter portrays Pray Tell, the ball emcee and Blanca’s best friend. His role earned him a Golden Globe nomination for Best Actor/Television Series Drama.
The series also was praised for adding transgender talent behind the camera. Transgender activist Janet Mock penned scripts, along with transgender writer Our Lady J, for a few episodes and served as director. Silas Howard, a transgender activist, writer and director, also directed an episode. “Pose” will continue into 2019 as the show was green-lit for a second season. (MC)
No. 5 — Big year for gay movies
Gay-themed movies are released every year but they’re getting a little bit more mainstream with increasingly A-list budgets. This year was especially strong.
“Love, Simon,” a teen dramedy, opened in March and told of Simon Spier, a closeted gay high school student forced to balance friends, family and a blackmailer threatening to out him. It made back more than three times what it cost to make with worldwide grosses totaling about $66 million. It has a 92 percent fresh rating on Rotten Tomatoes.
“The Miseducation of Cameron Post” opened in the U.S. in August and told of the title character caught in a same-sex “encounter,” who gets shipped off to “conversion” therapy camp where she discovers solidarity with her fellow enrollees. It stands at 86 percent fresh on Rotten Tomatoes and tells its story with “wit, compassion and an affecting overall generosity of spirit,” according to an aggregate review.
“Boy Erased” took a more serious glimpse at “conversion” therapy with a biographical adaptation of Garrard Conley’s 2016 memoir of the same name. Starring Lucas Hedges, Nicole Kidman and Russell Crowe, it opened in the U.S. in November to strong reviews and is up for two Golden Globe Awards. A Blade review praised the strong cast for carrying the film. It’s 80 percent fresh on Rotten Tomatoes.
And “Bohemian Rhapsody” depicts British rock band Queen with its late flamboyant lead singer Freddie Mercury who was gay (or perhaps bi; Mercury never officially came out). Long delayed, it finally debuted in the U.S. in November and has grossed nearly $600 million worldwide. At about $50 million, it had the highest budget of any of the aforementioned movies. A Blade review called it “full of exuberant energy and good-natured high spirits” and said it’s “an impossible film not to get caught up in.” (JD)
No. 4 — “A Fantastic Woman” wins Oscar
“A Fantastic Woman,” a 2017 Chilean drama, tells of Marina (Daniela Vega), a young trans woman in Santiago, Chile who experiences abuse and harrassment following the sudden death of her boyfriend Orlando, an older man who had recently moved in with her.
This Sony Pictures Classics release could have been one of the 2017 year in review stories — it won two major awards at the Berlin International Film Festival — but it went on to even greater acclaim this year winning the Academy Award for Best Foreign Language Film, the first Chilean film to win this category. Openly trans star Daniela Vega became the first trans person to present at the Oscars at the Academy’s 90th annual ceremony on March 4.
It holds at 94 percent approval rating on Rotten Tomatoes. An aggregate review said it handles “its timely, sensitive subject matter with care.” (JD)
No. 3 — Biggest year in “RuPaul’s Drag Race” herstory
“RuPaul’s Drag Race” is a veteran in reality TV. The show premiered in 2009, but the drag competition show has only recently gained mainstream attention with its switch from airing on Logo to VH1.
“RuPaul’s Drag Race All Stars 3” brought back seasoned queens from seasons past including Trixie Mattel (season seven), Shangela (season two and three), BenDeLaCreme (season six), Kennedy Davenport (season seven), among others. DeLa appeared to be the girl to beat as she won challenge after challenge.
For “All Stars,” Ru required the lip-sync winner to send one of their own home. As DeLa kept slaying the competition, she eventually eliminated herself because she couldn’t take the pressure of sending her sisters home. After her departure, Shangela became a fan favorite with many viewers believing she would win. However, Trixie won the title causing an uproar on social media from Shangela fans who wanted their fave to say “Halleloo” to the crown.
Season 10 ushered in 13 new queens and one returning queen. Eureka was welcomed back to compete after being removed from the show in season nine due to an injury. The final four came down to Aquaria, Eureka, Kameron Michaels and Asia O’Hara. The final lip-sync featured a poorly constructed butterfly release from O’Hara that earned her the boot.
Aquaria, the self-proclaimed “bitch from New York City,” was crowned the winner after being a consistent judge favorite “turning looks” for the mini, maxi and runway challenges. Her win didn’t come as too much of a surprise but it was herstory-making. Aquaria became the youngest queen to ever win the competition at 21 years old. The fierce competition made season 10 the most viewed season in the show’s history.
The show won five Emmys this year out of 12 nominations. A “Holi-slay Spectacular” aired Dec. 7 to mixed reviews. “All Stars” season four began Dec. 14 and will continue into the new year. Season 11 has been announced but no premiere date is set. (MC)
No. 2 — The gayest Emmys ever
The 2018 Emmy Awards may have been the gayest Emmys in the history of the award show.
The ceremony opened with a dance number featuring out “Saturday Night Live” cast member Kate McKinnon, “Unbreakable Kimmy Schmidt” star Tituss Burgess and RuPaul. The rest of the night was filled with LGBT wins and appearances.
Ryan Murphy’s “The Assassination of Gianni Versace” won Outstanding Directing for a Limited Series, Movie or Dramatic Special and Darren Criss’ portrayal of spree killer Andrew Cunanan earned him a win for Outstanding Lead Actor in a Limited Series or a Movie.
Australian comedian Hannah Gadbys, who received critical acclaim for her Netflix special “Nanette,” made an appearance to present the award Outstanding Directing for a Drama Series. “RuPaul’s Drag Race” secured its fifth Emmy win this year with Outstanding Reality Competition Series. RuPaul, Michelle Visage, Ross Matthews and Carson Kressley all accepted the award on stage where Ru delivered his signature phrase, “If you can’t love yourself, how in the hell are you gonna love somebody else? Can I get an amen up in here? Now let the music play” to the star-studded Emmys crowd.
The “Queer Eye” cast continued its pop culture reign with Bobby Berk, Karamo Brown, Tan France, Antoni Porowski and Jonathan Van Ness all appearing as presenters. The Fab Five has been traveling around the Atlanta area to upgrade the lives of men and women on everything from grooming and fashion to personal development. The series released two seasons in just six months but already won the Emmy’s top reality show honor, and the show’s first Emmy, for Best Structured Reality Program. (MC)
No. 1 — Adam Rippon, America’s sweetheart
Figure skating is, of course, Adam Rippon’s initial claim to fame but in 2018, he became much more than that.
Rippon’s skating career was highly uneven. He was the 2016 U.S. national champion but until this year, had never previously qualified for the Olympics and never placed higher than sixth at the World Championships.
It was controversial that he even made the Olympic team after coming in fourth at nationals. But skating officials decided Rippon was a stronger candidate for the team than Ross Miner who came in second at nationals. Rippon, Vincent Zhou and Nathan Chen went on to compete in Peyongchang, South Korea coming in 10th, sixth and fifth respectively. Chen and Rippon took home bronze medals (along with several other U.S. skaters) in the team event which incorporates all skating disciplines. That made Rippon the first openly gay Olympic athlete to win a medal at the Winter Olympics.
He and freestyle skier Gus Kenworthy were the gay toast of the Olympics. Rippon especially stayed in the headlines for refusing to meet with Vice President Mike Pence because of his anti-gay views and his spacey, ditzy on-camera interviews with NBC’s Andrea Joyce, the best straightwoman to Rippon’s antics as one could have imagined.
That cemented Rippon’s status as the gay celebrity du jour and he went on to several high profile media appearances, magazine covers and a win on season 26 of “Dancing With the Stars.” Oh, and yeah, there was that harness he wore to the Oscars and the nude photo spread in ESPN Magazine.
Rippon, now retired from competitive skating at 29, is a judge on “Dancing with the Stars: Juniors” and guest on the “Will & Grace” reboot.
Rippon has been praised for being “unabashedly nelly, effeminate, bawdy and obviously gay in a way we’ve been asked to cover up,” as writer Alxander Chee wrote. (JD)
HONORABLE MENTION — Kathy Griffin makes lemonade
Kathy Griffin attends White House Correspondents’ Association dinner as guest of the Blade. In April, the Washington Blade invited Griffin to its table to thank her for her LGBT advocacy work over the years. At the dinner, Griffin had a run-in with Deputy White House Press Secretary Hogan Gidley in which she told him, “Suck my dick.” The exchange garnered international media attention and Griffin landed on multiple talk shows after the dinner.
Hollywood’s Peter Kallinteris Agency launching LGBTQ dreams
“It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader”
HOLLYWOOD – Whether they’d admit to it or not the aspiration for most actors is to be sitting in the Dolby Theatre at some point in their careers, dressed in their finest fashion ensemble at the most prestigious event of the year and hear, “and the Oscar goes to [insert their name].” Conversely also true for the Emmy awards or the Tony awards, yet for many LGBTQ artists the path to that goal is fraught with obstacles and difficulties.
In 2018, a young Black actor from Atlanta, Georgia, was given a supporting role as Ethan in the surprise hit film Love Simon. That actor, Clark Moore, in interviews with host Rob Watson, journalists Dawn Ennis and Brody Levesque on RATED LGBTQ RADIO and separately with Teen Vogue’s Shammara Lawerence spoke of the difficulty landing roles like that of Ethan, but also the conflict inherent with how the film and television industry has seen LGBTQ actors.
Answering a question by Teen Vogue’s Lawerence centered on that conflict, Moore bluntly assessed the landscape telling her; “Historically, I think the reason why there haven’t been more gay roles or more gay actors playing roles that have lots of layers to them and lots of depths to them is because for whatever reason, people think that the story is done. We’ve seen the gay character. We know what he says. We know what he thinks. We don’t need to tell that story anymore, but if you think about it, we’ve had a full canon of stories about straight white men that stretch back millennia, and so we’re only scratching the surface,” Moore pointed out.
“If we can have stories about people all the way back thousands of years ago and we can still be telling the same story now about straight white men and their journey to self-discovery or redemption, there’s plenty of stories to tell of people of color and LGBTQ people and anybody who falls in the intersection of those two identities,” he added.
Yet in the age of digital moving beyond the traditional film and television as more and more content is streamed online- and there’s insatiable need by casting agencies for a wider diverse spectrum of actors, there are still obstacles in the path for LGBTQ actors, especially trans and disabled LGBTQ actors.
Enter Peter Kallinteris, who with his broad based knowledge and understanding of the critical needs of the LGBTQ actor community decided that the time has arrived to have specialized representation for that community.
“Looking to the past, Hollywood hasn’t been very kind to the Queer community. Throughout the history of cinema gay men were either played as effeminate, weak, airheads, and lesbians as tough softball or gym coaches, who are often played by straight people,” Kallinteris said. “Within the the broader culture, there are subcultures, just as within any community. They are nuances within each that will never find its way between the pages of a table read.”
“To create an authentic moment the space has to be made for those who’ve lived that life every day. Gay, Black, White or Straight ect, our experiences of the world are different depending on how we show up. In many cases that will determine our outcomes,” he noted. “Specialized representation is so important because without the lingering trauma, and continued hatred & fear toward our community the Queer division of PKA wouldn’t exist, we’d just be accepted. We have important stories to tell and will continue to be telling them. PKA is just the begging for all to feel safe and thrive.”
In a statement issued from his offices at the Sunset-Gower Studios, the former historic home of pioneering Columbia Pictures founded in 1918, Kallinteris reflected, “When I was a young Actor being gay was career ending.”
“Today it’s celebrated. It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader because I can.”
To accomplish this he launched the Queer Division of his PKA agency. “The Queer Division of PKA was inevitable, a natural outgrowth of my own personal evolution first by coming out as gay man, from Artist to Agent. The timing was right to make an impact with talent,” he said.
“As my Agency grew I was able to gleam that there was a space beginning to open up by which I could represent the full spectrum of Queer humanity & sexuality within the arts. Not as one dimensional static caricatures, but as beings who’s emotions run the full gamut of the human experience. This was very exciting to me, I have a opportunity to effect change. I wanted to be apart of history Pioneering a movement,” he added.
He said that his message to LGBTQ artists is simple. “I want talent to know they will be given the opportunity to be who they are, live their truth and work for who they are without rejection, humiliation, fear, or hopelessness. People perform at their best, live at their best. And do their best when they are happiest. PKA is not just a brand, we are the LGBTQIA community. If life imitates art, then let’s represent it boldly!”
His expectations of the film and television industry’s reaction? “My inspiration to launch the Q.D. is truthfully representing talent that reflects the current needs for the industry, and to remain a permanent fixture within the industry that continues to grow stronger. I want the industry to understand I’ve created this environment specifically for the Queer community. I’m happy & honored to be the first Agency that represents this community in this way,” Kallinteris said.
Last week, PKA, whose clients include, Justin Jedlica (TV personality), Steven James Tingus (President George W. Bush’s lead for disability research and policy for eight years), Kate Linder (The Young and the Restless), Albert Lawrence (IMDB Host), Deric Battiste aka DJ D-Wrek (MTV’s Wild ‘N Out), and Leslie Stratton (The Swing of Things, Truth or Dare), announced the launch of the Queer Division in a video.
Julia Scotti, the movie, is just Funny That Way
Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point
WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut. Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.
With Julia Scotti, the surprises never end.
Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way. It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.
Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans folk is still at 41%.”
Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti. Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.
Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film. “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times. It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.
Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed. “The impetus behind this film was falling in love with Julia, her, then and now. If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”
Susan took five years to research, document and interact with Julia’s past. She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.
Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma. A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away. Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way. Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”
Dan and Emma were onboard, however. Also on board, albeit only by phone, was Kate. Kate was Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process. One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship. Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.
Susan captured many live moments of Julia’s evolving life. She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced. Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines. One such performance takes Julia by surprise—it was a routine that she had not remembered ever doing. It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms. Julia sat shocked.
“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end. Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”
“I knew it was me. I knew I was there. But I don’t feel a connection with that person. That is the truth.”
The film does not dwell long on the past shames and regrets. It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.
Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy. Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.
The film will make you laugh, and cry, and laugh again. New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.
The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty. But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.” But, life is funny that way—not working out quite the way we thought it would. And that is ultimately the point.
Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.
Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.
Here’s the full list of where you can find it.
Vimeo On Demand
CABLE / SATELLITE
iN Demand Movies
Greyson Chance: A Butterfly’s Journey from Holy to Hell and Back
A decade ago there was a boy made famous by a pop song and a viral video. Today, there is an artistic, powerful singer song writer
HOLLYWOOD – Many want to saddle singer Greyson Chance with the label “comeback” or having a “return from retirement.” It is an understandable mistake as the “fame to disaster” narrative IS there. The real story is about one of the most exciting new artists of today. One that speaks to not only the LGBTQ youth of today, but of their entire generation.
Over a decade ago, there was a boy. The boy was very gifted at the piano, and at singing. He entered a talent contest and belted out a well known pop song by one of the trendiest artists of the day. Of course, there was a video. Social media was itself an infant, and as such, started launching like videos into the stratosphere. His video was one of the first to be seen gazillion of millions of times. Then there was the Ellen show, then the record contracts and a music video where he was Ariana Grande’s love interest.
Life would never be the same again. It would not be the same as Greyson Chance would be forever entwined with Lady Gaga and Paparazzi. It would not be the same as when his voice changed and it all came crashing down. “The second that the momentum stopped, you know, I truly was just sort of thrown to the curb when I was 15. I, all in the same day, got dropped by my record label, my management, my publicist, and my agent. It was the ultimate for me, as a child musician.” Greyson told me.
The real story however, is of a fantastic singer/songwriter who hit the industry in a big way with a debut album of his own work in 2019. He emerged then as a honed artist who had already been educated on the workings of the industry, and as a professional who knew how to walk in with his own vision and make it happen.
“It is a machine and, when I when I came on the scene originally, I had this huge viral video and with that, a lot of money coming around, and big players kind of involved in the industry,” he says. He made music their way. He did the songs they wrote, and played the part of the person they wanted him to be.
He learned how to be the kind of artist he did not want to be. The young artist went back to Oklahoma and enveloped himself in the cocoon of normalcy. He incubated there, fell in love, and had his heart broken by someone he thought he was going to hold onto forever. At that point, he emerged from the cocoon, with a full self-written album in hand, a musical butterfly spreading his wings.
“I’m 23 years old right now. And I started off with my first record deal when I was 12 years old. There was so much of my adolescence, in my childhood in music, where I wasn’t given the chance to not only make music that I really wanted to do, but also to be writing. I was being forced to do records, I didn’t have a huge artistic involvement in anything I was doing. So when I came back into music, I really wanted to finally show the world that I was a songwriter, that I had a unique voice. That I had some unique things to say. I really emphasize authenticity. These are stories that are coming from the heart. These are things that are coming from my own life. It’s not even really a choice that I have anymore. It is honest, from a place that’s true and genuine,” Greyson states.
Greyson represented not only with a new thematic “voice”, but an actual new physical voice as well. “It was interesting, what I went through, they always tell you that when your voice changes, it’s going to be sort of a tough go and that is such an understatement. It was so hard for me for a few years to really kind of find comfortability in my physical voice again. I mean, I really struggled through my voice change. But ultimately, I learned as a kid when I was on the road that in a way, when you’re a touring musician, you’re sort of like an athlete. My muscle is, is my voice.” Greyson’s new voice is far superior to his belting-out-broadway boy voice. He has a harmonic high register, and a sultry deep one. It copies no one else’s, this voice is uniquely his own.
In 2019, Greyson came out with his launch album “Portraits”. The stories of the album gave vision to the various personas he saw of himself as he navigated an ill fated romance. One week, he was looking at engagement rings, the next week, out of the blue, “the man of his dreams” left him without explanation. Greyson works each personal portrait into the prism of a beautiful, musically shiny diamond. “Portraits for me was truly my reinvention piece. And what I mean by that is, at the time before I put out that album, you know, I couldn’t even get a meeting in LA with anybody. You know, no one wanted to touch me, no one wanted to be involved in in my project and involved in my music. So I told myself, You know what, I’m going to write a record, and I’m going to write a full album. I’m going to give this one last shot, and see, see what happens. And, fortunately, it went over very, very well.”
In 2019 he filled 109 venues performing the songs from Portraits. He publicly came out as gay in response to a fan during a conversation about living authentically. He has also been transparent about his personal challenges, including his on-going battle with anorexia. “It was truly very, very difficult to diagnose it. I had come off of this really bad breakup that I wrote my album Portraits about, and I was developing habits of not eating and not taking care of myself. I blamed it on the sadness I was feeling at the time. Then, as things became a little more normal, and I became a bit more stable, I noticed that I still had had this issue and things that were going on. For me, I had to work through a lot of therapy, to get a grasp on it. I brought it public because it was so stigmatized, and still is. I like to think that I have my life together. But here’s the deep issue that I struggle with, and I go through. I’m on a road to recovery, it’s never ending when you are battling with an eating disorder, but I’m doing very, very well right now. I’m staying on top of it. Through my disclosure, there was such an amazing and beautiful dialogue that keeps happening, people reaching out to me and sort of sharing their own struggles and battles with it as well. I’m working on trying to be the best version of myself that I can be.”
After a forced lockdown during the pandemic of 2020, Greyson is ready to move into the next phase of his butterfly trajectory. He has released two singles off his next EP, Trophies, and he is in love again. The songs on the EP will be in a thematic composition. The two first released create a spiritual arc from the heavenly rich ballad-like Holy Feeling to the high-pop danceable hedonistic Hell Boy.
He says of the new material, “My boyfriend and I just celebrated our one year anniversary yesterday. Trophies, is really expressing the fear of now losing love, and sort of that fear that was created in the old relationships that I’ve had. It is the desire for my fans and queer people around the world to know what truly being in love is. We’re constantly told as, as queer people that, our relationships are always going to be rocky, they’re never going to be sort of American Dream type relationships. Because we’re different, these relationships are going to be different, because we’re inherently different. That is just absolutely BS. Regardless of how you identify who you love, you can totally have all of this stereotypical white picket fence, you know, dog in the backyard green grass type of thing. It is so within your wheelhouse. It’s not out of reach. This record is emotionally going through all those those things, and talking about them in the music.”
A decade ago there was a boy made famous by a pop song and a viral video. Today, there is an artistic, powerful singer song writer who sings the authenticity of his generation. The rush you feel is the wind from rainbow colored butterfly wings taking flight, and the knowledge that the most famous Greyson Chance is the one yet to come.
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