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Best of LGBT LA 2019

Your picks for the city’s best in nightlife, food, activism and more

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Readers of the Los Angeles Blade began nominating their picks for our 2nd annual Best Of LGBT LA awards in early fall. And after more than 15,000 votes over 40 categories, we can finally reveal the winners, some incredible choices and very special people among them.  

The Los Angeles Blade is pleased to salute them and wants to give special thanks for Sean Loeffel of Spoonfed LA and Bar Joe for hosting our winners and helping make our Best Of LGBT LA Awards truly a magnificent honor.

BEST DRAG QUEEN

Shangela (Courtesy of Shangela)

Winner: Shangela

The only contestant to compete on three separate seasons of “RuPaul’s Drag Race,” Los Angeles Blade fan favorite Shangela is eternally enshrined in global pop culture amber, as creator of the versatile interjection, “Halleloo.” In music video and solo stage performance, Shangela continues to impress, and is still earning new fans, for her work alongside Lady Gaga, in “A Star Is Born.” Although her name was unjustly absent from the Best Supporting Actress nods during this week’s Academy Award nominations, it’s comforting to note that Shangela has further cemented her status as an eternal All-Star, by slaying her peers and emerging as the winner in this fiercely competitive category.

Jackie Beat (Photo courtesy of Jackie Beat)

Runner-Up: Jackie Beat

Being the target of an acidic quip from Jackie Beat is like getting a hickey from Kenickie — it leaves a shameful mark, but can also be worn as a badge of honor. Tell that to our Best Drag Queen winner, Shangela, of whom Beat remarked, “The only thing better than actually winning this award is being named Runner-Up to someone half my age, who is most famous for popping out of a box and yelling, ‘Halleloo!’ What a fucking honor. Just kidding! I love you, Shangela… CONDRAGULATIONS!” When not insulting winners, Beat can be found on stage, in “Golden Girlz Live!” and touring with Sherry Vine, in their “Battle of the Bitches” show.

BEST REAL ESTATE FIRM (Tie)

(Photo courtesy of The Collective Realty)

Winner: The Collective Realty

This hip, 100 percent LGBT-owned boutique real estate firm hosts charity events through the year, whose past beneficiaries have included The Trevor Project. At their West Hollywood and Silver Lake/Echo park offices, buyer and seller expectations are exceeded by a team of fierce negotiators, representing everything from estates to condos. Owner Anthony Vulin assures that all of his mortgage brokers and appraisers are vetted as LGBT friendly, so you can invite them into your home with confidence. The Collective Realty also advocates for LGBT home ownership and nondiscrimination, by lobbying statewide, and in D.C.

(Photo courtesy of Berkshire Hathaway HomeServices California Properties)

Winner: Berkshire Hathaway HomeServices California Properties

Taking you through the home buying or selling experience, and being by your side during life’s greatest moments: That’s the mission and the reward, of those who work at Berkshire Hathaway HomeServices California Properties. “As Realtors, we have the obligation to be culturally competent, to understand the needs of our clients, and to guide them toward wise decisions in their real estate choices,” says president and CEO Mary Lee Blaylock, who also notes, “Working with the LGBT community is a privilege. Our sales associates take pride in their ability to represent the interests of their clients, and to help them navigate the diverse array of communities throughout the Southern California area. We are grateful to have earned your readers’ trust and it is our pleasure to continue to serve all.”

BEST MUSEUM OR ART GALLERY

Modern design, beautiful gardens, open spaces, and spectacular views of Los Angeles make Getty Museum a cherished institution. (Image from Getty Museum website)

Winner: The J. Paul Getty Museum

Cultivating a curiosity about, and enjoyment and understanding of, the visual arts is the J. Paul Getty Museum’s mission, one achieved by collecting, conserving, exhibiting, and interpreting works of outstanding quality and historical importance. The Museum is also continually producing exhibitions, publications, scholarly research, public education, and programming in the visual arts. These elements are enhanced by the uniquely evocative architectural and garden settings at the Getty Villa in Malibu, and the Getty Center in Los Angeles, which houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts and photography.

Runner-Up: LACMA

Since 1965, the Los Angeles County Museum of Art has been devoted to collecting works of art that span both history and geography, mirroring Los Angeles’s rich cultural heritage and uniquely diverse population. Today, LACMA is the largest art museum in the western United States, with a collection of more than 135,000 objects that illuminate 6,000 years of art history, from new and unexpected points of view.

BEST FITNESS OR WORKOUT SPOT

(Photo courtesy of Equinox West Hollywood)

Winner: Equinox West Hollywood

With a design reminiscent of classic local nightclubs of the 1950s and ’60s, high energy meets high drama, at this 35,000-square-foot fitness club. Offering a full complement of classes, trainers, equipment, and amenities that facilitate high-performance living, the iconic West Hollywood location features one of the largest and most luxurious spas Equinox has to offer, along with a Kids’ Club, and rooftop sundeck. “If it’s not fitness,” they say, “It’s not life.”

(Photo courtesy of Barry’s Bootcamp)

Runner-Up: Barry’s Bootcamp

Known for a workout that’s military-level tough, but administered by instructors more likely to inspire cries of victory than tears of regret, Barry’s is a true local success story. Founded in West Hollywood in 1998, its strength and cardio interval fitness experience provides an immersive, high-intensity, one-hour workout that’s fun and effective.

BEST GROCERY STORE

Trader Joe’s (Photo courtesy of Trader Joe’s)

Winner: Trader Joe’s

Fast service and friendly faces at the checkout make those long lines at Trader Joe’s well worth the wait — but it’s the tempting free samples and addictive signature products that explain the chain’s loyal following. As for their win in this category, certain elements of the Los Angeles Blade staff wholeheartedly agree with our readers, having succumbed on many occasions to the sweet siren call of those Milk Chocolate Macadamia Nut Laceys Cookies. Not a cookie person? They’ve got a cake or a pie for that.

(Photo courtesty of Gelson’s Market)

Runner-Up: Gelson’s Market

Our readers’ love for Gelson’s is real, although it’s worth noting that Martin Sheen, as fictional character Robert, gives a shout out to the superiority of their rotisserie chicken, in the latest season of “Grace and Frankie.” Granted, he shops in San Diego — but whether it’s the meat, seafood, wine, or deli selections, consistency is a hallmark of this national chain. So, Los Angeles, the compliment applies.

BEST LGBT SPORTS LEAGUE

(Photo courtesy of Gay Varsity League)

Winner: Gay Varsity League

California’s largest LGBT Recreational Sports league welcomes and unites all, regardless of sexuality, gender identity or athletic ability. There are no try-outs, and attendance at practices, although certainly encouraged, is not mandatory. Even the dress code is casual. Yes, you’ll look good in VGL Apparel, but rocking your favorite comfortable clothes is not a scandal. Just dress to express, park your offensive language on the sidelines, and leave the nudity where it belongs: at home, or in the lobby of your very liberal workplace. Finally, a sports league that not only gets you moving, it totally gets you!

Members of WeHo Dodgeball. (Photo courtesy of WeHo Dodgeball)

Runner-Up: WeHo Dodgeball

Take your gym class trauma and consign it to history. From prom queens to drag queens, you never know who will be on the business end of those soft rubber “no sting” balls that are the humane hallmark of WeHo Dodgeball. Their membership, which numbers in the thousands, is united by a desire to make elimination-based competition fun, party down at GYM Sportsbar after each match-up, and participate in fundraising efforts that benefit local charities.

MOST LGBT-FRIENDLY WORKPLACE

Winner: AIDS Healthcare Foundation

AIDS Healthcare Foundation was started 31 years ago by a handful of friends, who sought to provide AIDS hospice care to predominantly gay men who were being shunned by their employers, landlords, and families. Today, AHF is a $1.5 billion organization serving more than 1 million, 60 thousand patients in 43 countries. “A respect for diversity has been embedded in our DNA since our inception,” says Senior Director of Communications Ged Kenslea, “and that’s reflective in the number of affinity groups we work with, including Impulse United, LOUD, BLACC, FLUX, In The Meantime Men’s Group, and SPARK. In our overseas clinics, we do not import doctors or staff from the U.S. We hire local professionals to manage our sites and facilities, and to treat our patients. So both inside AHF and in our external relations, we listen to, and participate in, the diversity of conversations and life experiences.”

(Photo courtesy of City of West Hollywood)

Runner-Up: City of West Hollywood

BEST HAIR SALON

(Photo courtesy of Shorty’s Barber Shop)

Winner: Shorty’s Barber Shop

Founded by Chris Bair in 1999, with only four chairs, Shorty’s Barber Shop now boasts 26, along with a staff whose diversity mirrors that of the community they love. “When you walk in,” Bair notes, “there’s always somebody you can connect with, who will make you feel comfortable.” And when you walk out with some merch (the styling putty and soy paste are customer favorites), you can feel good about that, too. All of their products are ethically created, and never tested on animals. Besides the perfect cut, Shorty’s also puts a premium on giving back, by working with the likes of Concrete Hero, AIDS Project Los Angeles, and the Los Angeles LGBT Center.

(Photo courtesy of Chaz Dean Studio)

Runner-Up: Chaz Dean Studio

Chaz Dean Studio prides itself on capturing the essence of its clients, by helping them create a look that feels authentic, yet also reveals a side of them that they have never seen. The stylists, all experts at cut and color, are able to achieve your goal without heat or chemical damage. Best of all, the look you walk out the door with will be easily maintained at home.

BEST DANCE PARTY

Winner: Salvation Saturdays at The Abbey

Whether you’re at The Abbey for a liquid pick-me-up, going there to pick somebody up, or just getting picked up (it’s a massively popular Uber and Lyft drop-off/pick-up point), Salvation Saturdays is a must, for anyone cruising their way through Boystown. Dance floor bottle service, go-go dancers who identify as male, female, or somewhere in-between, and beat-keepers hand-picked by resident DJ Dawna Montell whip the welcoming crowd into a fabulous frenzy. A team dedicated to maintaining the multimillion-dollar lighting and sound system make sure the gyrating guest next to you isn’t the only source of quality stimulation.

(Photo courtesy of DTLA Proud)

Runner–Up: DTLA Proud

DTLA Proud’s mission is to strengthen and empower the local LGBTQ and ally community in Downtown Los Angeles through visibility, volunteerism, partnerships and events — and what better way to be visible than by getting your groove on, at the festival’s popular pop-up water park? Nightlife promoters were part of the team that founded DTLA Proud, and have worked hard to ensure their DJs are drawn from a diverse lineup of musical styles and identity spectrums.

BEST BARTENDER

Tyler Booth (Photo courtesy of Booth)

Winner: Tyler Booth

There’s nothing down low about the moves Tyler Booth busts, when he two-steps from behind the bar to entertain the crowd, in full-on “do-si-do” mode. Self-described, and confirmed by our voters, as “an awesome dude,” Booth is an actor whose charm and skills are definitely not the stuff of some fictional role. Buoyed by Flaming Saddles owners Chris Barnes and Jacqui Squatriglia to up country western’s queer quotient, this buff bartender is a tall drink of water, who knows how to authoritatively snap the cap off a brewsky, or mix a cocktail with tender loving care.

Kimber Bering (Photo courtesy of Bering)

Runner-Up: Kimber Bering

Known for spiking the drinks she serves at The Abbey with words of encouragement that deliver a sense of intoxication all their own, Kimber Bering created some of the menu’s signature cocktails — including, as a tribute to Prince, The Paisley Peach. As local winner of the Stoli Key West Cocktail Classic, she represented LA in 2016, and has gone on to judge that competition. Bering performs around town, and can be found on Spotify, as “Kimber Chronic.”

BEST STRAIGHT ALLY

Ariadne Getty (Photo courtesy of Getty)

Winner: Ariadne Getty

Ariadne Getty has described herself as an “introvert” — but her public work paints a different picture, one of a determined, tireless, and engaged activist working to make a better world for her two gay adult children and LGBTQ youth all over the globe. As President and Executive Director of the Ariadne Getty Foundation, last year she pledged $15 million to launch the GLAAD Media Institute, which brings advocacy trainings to national and international LGBTQ organizations. She also pledged $2 million to help build the LA LGBT Center’s Anita May Rosenstein Campus, which will host more than 100 new beds and apartments for LGBTQ youth and seniors. Earlier this week, she made sure LGBTQ issues were center stage, during the World Economic Forum in Davos, Switzerland, an annual meeting of world leaders. The Ariadne Getty Foundation hosted LGBTQ-focused events showcasing global CEOs and LGBTQ activists calling for positive change. She also appeared on several panels, speaking about the urgent need for LGBTQ acceptance. She is a recent addition to the Gay Men’s Chorus of LA board of directors, the recipient of the Los Angeles LGBT Center Vanguard Award, and the namesake of GLAAD’s newly launched Ariadne Getty Ally Award. Getty’s recognition by the Los Angeles Blade as “Best Straight Ally” is proof our readers are anything but reserved, in their appreciation of this introvert’s empowering words and deeds.

Joely Fisher (Photo courtesy of Fisher)

Runner-Up: Joely Fisher

With great comedic timing and a glint in her eye that makes even the most lavender-leaning guy think fondly of the road not taken, LGBTQs, and anyone high up on the human decency spectrum, admire this awesome ally’s longtime labors on behalf of the community, whether through public declarations of support, personal friendships, or the roles she chooses to accept.

BEST NEIGHBORHOOD BAR

(Photo courtesy of Revolver Video Bar)

Winner: Revolver Video Bar

Gay-owned and operated, Revolver Video Bar has been a West Hollywood staple worth stampeding to for more than 30 years — and not just because of the buzz created by their $2 tequila and vodka drinks, 3-9 p.m., on Saturdays and Sundays, respectively. Karaoke and drag shows cast their spell on customers, while live DJs and go-go dancers turn up the heat on already smoking-hot cruisers and boozers.

(Photo courtesy of Hamburger Mary’s)

Runner-Up: Hamburger Mary’s

There’s no beef to be had with Hamburger Mary’s WeHo, whose generous menu of drag entertainment makes everything between the buns all more fun to gobble up. And you can feel good about losing your shirt at Drag Queen Bingo: Besides basking in the glory of rotating hosts Roxy Wood, Willam, and Calpernia Addams, all proceeds go to charity.

BEST NON-PROFIT

(Photo courtesy of Project Angel Food)

Winner: Project Angel Food

Man cannot live by bread alone — but for those impacted by life-threatening illnesses, the more than 11,000 free meals cooked and delivered every week by Project Angel Food feeds their nutritional needs, while bringing comfort and hope into their homes. In addition to this service, Project Angel Food provides nutritional counseling, to ensure those in Los Angeles County struggling with illness will not be burdened by hunger and malnutrition. “A world where every sick person is fed, nourished, and loved” is their vision, backed by the core values of empathy, integrity, inclusiveness, and joy.

(Photo courtesy of Los Angeles LGBT Center)

Runner-Up: The Los Angeles LGBT Center

Every year, more than half a million people representing the full diversity of the community access their free or low-cost programs, in the areas of Health, Social Services and Housing, Culture and Education, and Leadership and Advocacy. Looking fit and feeling fierce at age 50, the Center is steadfast in its mission to fight against bigotry, while building a better world, and is always ready to welcome new guests and volunteers — or have you help spread their message of love, by scoring some sweet swag from their online store.

BEST DJ

DJ Morningstar (Photo courtesy of DJ Morningstar)

Winner: DJ Morningstar

You get back what you give, as demonstrated by the winner in our Best DJ category. Describing the vibe at the LGBT clubs he plays as consistently “fun, freeing, energetic, friendly, and loving,” DJ Morningstar (Kian Amiri) says the gay community “essentially saved my life,” by making him feel valued, and supporting the liberal ideology he embraces. Pride events are among DJ Morningstar’s favorite gigs, and a chance to deliver what the people want: “A big, booming, female voice; powerful soul on top of an energetic dance beat.” The gay community, “is always on the right side of history, no matter the cause,” he says, which allows him to be “unapologetically outspoken” without “worrying about repercussions, as you would at straight, corporate clubs.”

DJ Asha (Photo courtesy of DJ Asha)

Runner-Up: DJ Asha

“I think these are very special places to DJ,” says DJ Asha, of her work at LGBT venues, including Micky’s and Beaches. “People need a safe space, a place,” she noted, “where they can be free to express themselves, make friends, look for love, hook up, or whatever.” The open-format DJ, who hosted LA Pride six times, is not locked down to a specific genre — so you’ll always hear a variety of sounds, within one set, no matter what crowd she’s playing to.

BEST LGBT RED CARPET EVENT

Winner: GLAAD

The world’s largest LGBTQ media advocacy organization, every year at the Beverly Hilton Hotel in Los Angeles holds a dynamic red carpet that draws some of Hollywood’s most iconic celebrities in support of equality. One reader posted, “it rivals the Golden Globes and it’s held in the same room.” J- Lo, Leo, Taylor, Mary J., Britney, Cher, Madonna, just to drop a few names, have posed and mingled with our community, joining with GLAAD to protect all that has been accomplished and to creates a world where everyone can live the life they love.

(Photo courtesy of OUTFEST)

Runner-Up: OUTFEST

Over the past three decades, OUTFEST has showcased thousands of films from around the world, educated and mentored hundreds of emerging filmmakers and protected more than 20,000 LGBTQ films and videos. The red carpet rocks with glam poses, celebs and future celebs. OUTFEST has become one of Hollywood’s most important film marketplaces.

BEST ALTERNATIVE TRANSPORTATION

(Logo courtesy of Lyft)

Winner: LYFT

We all love a good pick-up app. How about a Lyft? The more politically correct of the two major ride-sharing services, Lyft has 100 percent, 24-hour coverage of Los Angeles and you can be on your way to anywhere in just a few minutes. Just open the app and you’re almost there, whether you need a luxury ride or one to carry the whole gang. Lyft is rated 4.8 out of 5 stars but Los Angeles Blade readers give it 5 stars.

(Logo courtesy of Uber)

Runner-Up:  UBER
Uber is everywhere too and when it was first launched it had the feel of a truly luxurious chauffeur service. The shine is still there and many people still prefer it.

BEST PET BUSINESS OR VET

(Photo courtesy of West Hollywood Animal Hospital)

Winner: West Hollywood Animal Hospital
The go-to vet practice of many people in West Hollywood because it offers modern full-service Veterinary services every day.  It has a hometown feel; it’s founder Dr. Monica Revel, DVM, was born and raised within one mile of its location and it shows. Pet lovers come from around SOCAL like a return home: “I wouldn’t take Max anywhere else unless it’s an emergency and we live in Laguna where we relocated 4 years ago from Beverly Hills. (
9000 N Santa Monica Blvd, West Hollywood, CA 90069)

(Photo courtesy of VCA-Miller-Robertson Animal Hospital
)

Runner-Up:  VCA-Miller-Robertson Animal Hospital
Home to Dr. Mark Nunez, last year’s winner in this category. Full disclosure: Dr. Nunez is the primary care doctor for our publisher’s senior dog, Lilly. “Mark is always fully engaged and he listens without judgment and corrects without scorn,” said one commenter. (
8807 Melrose Ave, Los Angeles, CA 90069)

BEST LGBT SOCIAL GROUP (TIE)

Winner: PRIDE RECOVERY LA
Provides addiction treatment for the LGBT community, through LGBT-affirmative therapy, group and individual therapy, and psychiatric care, but it’s their after care and support program that one reader cited as the reason they are a winner: “They are my family,” the reader posted, “I can always go home and know I will be OK.” (
8300 Melrose Ave, West Hollywood, CA 90048)

(Photo courtesy of Los Angeles Gay and Lesbian Chamber of Commerce)

Winner: Los Angeles Gay and Lesbian Chamber of Commerce
LAGLCC describes itself as “the premier advocate of the Los Angeles Lesbian, Gay, Bisexual and Transgender business community, representing hundreds of businesses, advancing common business interests, economic growth, and equality in the workplace and society for its LGBTQ members, businesses, and allies by providing educational, networking, and community building opportunities.” The group’s monthly mixer functions are must-attend features of the local social scene.

(Photo courtesy of AIDS Lifecycle)

Runner-Up: AIDS LIFECYCLE
For many people the fundraising marketing that precedes the 545-mile San Francisco to Los Angeles bike ride is about much more than AIDS; it’s about family and community at its very best. Not only do you get to pedal forward in life, you get to ask people to pay it forward. AIDS Life Cycle represents our community at its very best.

BEST PLACE TO LIVE

Winner: West Hollywood

There’s just no place like it. What can we say? A lot, actually. The little town of 39,000 residents remains Los Angeles’ hottest destination for the entertainment industry with its boutique hotels, celebrity-owned restaurants, unparalleled nightlife and shopping and world-renowned events like the HBO Emmy Party, Sir Elton John’s Annual Oscar Party, LA PRIDE and the West Hollywood Halloween Carnaval, the largest Halloween street party in the world. West Hollywood continues to set the standard for progressive, creative individuals on the cutting edge of trends and new ideas, working together as a community in one of the most exciting destinations in the country. And it is home to one of the largest concentrations of LGBT people in the world.

Runner-Up: Beverly Hills

At the other end of the rainbow is Beverly Hills, pot of gold included. It’s an aspirational town for sure and there are more Mazarattis, Rolls Royces and Bentleys sold here than anywhere in the world. It’s quiet, sequestered, manicured and intensely beautiful and the perfect place for wealthy LGBT families. And there are many. It’s where West Hollywood gets its water supply as they are always reminding.

BEST HOTEL

(Photo courtesy of W Hollywood)

Winner: W Hollywood
It seems Los Angeles Blade readers know a thing or two when it comes to family and friends from out of town: they all want to experience Hollywood. It’s perfectly located, giving easy access to Universal, DTLA, Pasadena, all points west. And while you’re family is visiting, you and your friends can visit one of the best pools in town as a bonus. (
6250 Hollywood Blvd, Hollywood, CA 90028)

(Photo courtesy of Kimpton La Peer)

Runner-Up: Kimpton La Peer
“Imagine a space where art, music, fashion, poetry, film and architecture intertwine to a cacophony of spatial harmony,” says Icelandic-born, Los Angeles-based cutting edge designer Gulla Jónsdóttir, of the new Kimpton La Peer. Consider it for a weekend staycation for you and your honey. (
627 N La Peer Dr, West Hollywood, CA 90069)

BEST DOCTOR/MEDICAL PROVIDER

(Photo courtesy of Cedars Sinai)

Winner: Cedars Sinai Urgent Care
One of the world’s best hospitals, not surprisingly, also runs the best Urgent Care locations in the nation. Cedars-Sinai’s urgent care facility in Beverly Hills keeps extended hours seven days a week, providing immediate healthcare needs that are not life-threatening. You’ll walk in and find expedited service from some of the world’s best doctors. (
8501 Wilshire Blvd #150, Beverly Hills, CA 90211)

Dr. David Alajajian. (Photo courtesy of Pacific Oaks Medical Group)

Runner-Up: Pacific Oaks Medical Group
One of the earliest responders during the AIDS crisis, Pacific Oaks Medical Group is a leading community provider of medical care to our diverse community. And the group’s recent addition of Dr. David Alajajian is apparently a big hit with our readers. (
150 N Robertson Blvd #300, Beverly Hills, CA 90211)

BEST CAR DEALERSHIP

(Photo courtesy of Beverly Hills BMW)

Winner: Beverly Hills BMW
This dealership is located on Wilshire just east of La Brea, displaced from Beverly Hills during construction of the Purple line, but it remains the go-to BMW dealership for many of West Hollywood and Beverly Hills’ BMW owners. The immaculate shop runs like clockwork and there’s never a wait. Last year at SUR, they delivered $200,000 worth of cars and leather jackets to our Best Of awards. Our readers apparently have not forgotten. (
5070 Wilshire Blvd, Los Angeles, CA 90036)

Runner-Up: Mercedes Beverly Hills
Mercedes is the most popular luxury brand in the several zip codes surrounding West Hollywood and 9 out of 10 local owners work with Mercedes of Beverly Hills to keep their cars current and in top condition. (
9250 Beverly Blvd, Beverly Hills, CA 90210)

BEST PRO LOCAL ATHLETE

LeBron James. (Photo courtesy of James)

Winner: LeBron James
LeBron and the Lakers are both reader favorites. Our readers were over the moon about his decision to join the ranks of prominent Angeleno sports stars when he moved west from Cleveland. One reader wrote: “LeBron is almost as magic as Magic and I admire him for taking a pioneering stand for people of color and justice.” His solidarity with Colin Kaepernick resonated with our readers as a fitting addition to the ever progressive Lakers, just after the team’s first ever LGBT night.

Gus Kenworthy. (Photo courtesy of Kenworthy)

Runner-Up:  Gus Kenworthy
Since the Seoul winter games everyone has been in love with Gus and his sexy Instagram and love of dogs. Who wouldn’t want to be loved by Gus? Sorry Adam, we love you too but, hey.

BEST PUBLIC OFFICIAL

Adam Schiff (Photo courtesy of Schiff)

Winner: Adam Schiff
No congressman has been more consistent in his criticism of Donald Trump than congressman Adam Schiff, the U.S. Representative for California’s 28th congressional district since 2013. With the Dems now in majority control of the House, Shiff wields significant power over the fate of Trump as House Intelligence Committee chairman. On LGBT issues he bats 1,000 and in our estimation he’s a smart man, an avid reader of the Los Angeles Blade’s Karen Ocamb.

(Photo courtesy of West Hollywood City Council)

Runner-Up: West Hollywood City Council
A uniformly progressive city council comprised of longtime gay rights activists, advocates and allies of the LGBT community. Mayor John Duran, Mayor Pro Tempore John D’Amico and Council members Lindsey Horvath, Lauren Meister and John Heilman are known for fast-acting government responsiveness and well attended, well-run meetings. The city ranks among the best-run local governments in America.

BEST HOUSE OF WORSHIP

(Photo by Annie Wells/Los Angeles Times via Getty Images. Courtesy of Kol Ami)

Winner: Congregation Kol Ami
Since its founding in 1992, Kol Ami has become an important leader in the Jewish, LGBTQ and West Hollywood communities. Kol Ami’s commitment to progressive spirituality, diversity, inclusion and social justice is celebrated nationwide. It is known for being innovative while remaining rooted in Jewish tradition and practice. Rabi Denise L. Egers broke barriers to create a more inclusive Reform movement that has resulted in more LGBTQ inclusion at Synagogues worldwide. (
1200 N La Brea Ave, West Hollywood, CA 90038)

(Photo courtesy of InVision Church)

Runner-Up: InVision Church
Since MCC left West Hollywood about a decade ago, there has been no LGBT specific Christian Church service in the area but that changed when pastor Josh Johnson brought his spirited Invision Church to WeHo. In services held every Sunday at the Sunset Strip’s famed Viper Room, Invision gives the LGBTQ community its own down home, rollicking and near evangelical place of worship. (
8852 Sunset Blvd, West Hollywood, CA 90069)

BEST LGBT BUSINESS

(Photo courtesy of My 12 Step Store)

Winner: My 12 Step Store
RJ is widely considered to be one of the hardest working people in the sobriety community, not above working the register, helping customers select gifts for their loved ones, or packing items he ships out to customers around the world. My 12 Step Store is an exceptional and rare model of service to the LGBTQ community, part community center and part business, selling inspirational and motivational sobriety themed gifts. My 12 Step Stores sober mixers are one of the most popular events on the mix and mingle calendar. (
8730 Santa Monica Blvd B, West Hollywood, CA 90069)

(Photo courtesy of Chi Chi LaRue’s)

Runner-Up: Chi Chi LaRue’s

From the bright pink exterior to the exclusive state-of-the-art merchandise and apparel inside, Chi Chi LaRue’s stands out, loud and proud, as West Hollywood’s only gay-owned and operated adult boutique. (8861 Santa Monica Blvd, West Hollywood, CA 90069)

BEST COFFEE SHOP

(Photo courtesy of Alfred’s Coffee Melrose Place)

Winner: Alfred’s Coffee Melrose Place
It’s like a very intentional selfie. It’s a little embarrassing how indulgent and fun it is, this coffee shop where everyone is drop dead gorgeous but somehow it’s still all about the coffee. You’ll find it in the heart of LA’s trendiest retail destination, proudly brewing Stumptown Coffee Roasters. (
8428 Melrose Place, Los Angeles, CA 90069)

(Photo courtesy of Blue Bottle Coffee)

Runner-Up: Blue Bottle Coffee
They seem to be popping up everywhere, this one part Oakland, one part LA coffee house is not cheap but it is certainly delicious. (
8301 Beverly Blvd, Los Angeles, CA 90048)

BEST LOCAL BREWERY

(Photo courtesy of Arts District Brewing Company)

Winner: Arts District Brewing Company
One of Los Angeles’ few craft brewpubs, opened December 2015 in Downtown LA’s historic Arts District. With an on-site, 15-barrel brewhouse capable of producing 3,300 barrels of beer each year, Arts District Brewing Company debuted with nine original beers and now offers 30+ all brewed on-site. Enjoy an entertainment area with a photo booth and multiple classic bar games available, including pinball and Skeeball machines. (
828 Traction Ave, Los Angeles, CA 90013)

Runner-Up: Santa Monica Brew Works
Just a group of guys who share a mad love for great beer and the City Of Santa Monica. The brewery’s “Beach Brewed” philosophy is said to embody “the spirit of the world-renowned Santa Monica lifestyle. (1920 Colorado Ave C, Santa Monica, CA 90404)

BEST RESTAURANT

(Photo courtesy of Tortilla Republic)

Winner: Tortilla Republic
It’s Viva Mexico at its very finest. Every bite will have you saying “F*uck Trump and his crazy wall” because the best food in the world comes from our neighbor to the south. It’s a Los Angeles Blade favorite. (616 N Robertson Blvd, West Hollywood, CA 90069)

(Photo courtesy of Bottega Louie)

Runner-Up: Bottega Louie
Get ready WeHo! The
Gourmet Market, Patisserie & Café located in downtown Los Angeles will soon open on Santa Monica Boulevard and life will never be the same. (700 S Grand Ave, Los Angeles, CA 90017)

BEST CHEF

Susan Feniger (Photo courtesy of Feniger)

Winner: Susan Feniger, Border Grill
Iconic culinarian, author, and entrepreneur Feniger has been helping to define the culinary landscape of Los Angeles since 1981. She’s opened a host of successful restaurants, but Border Grill remains her crowning achievement. Opened with co-chef and business partner Mary Sue Milliken in 1985, its modern, street-food-inspired Mexican cuisine has been defining the city’s culinary landscape ever since. As if having an iconic LA eatery and being a celebrity chef weren’t enough to make us love her, Susan is also an out and proud member of the community, currently sitting on the board of the Los Angeles LGBT Center.

Jon Rollo (Photo courtesy of Rollo)

Runner-up: Jon Rollo, Greenleaf Gourmet Chopshop
Revolutionizing the gourmet fast-casual dining experience the “Commander-in-Leaf” of Greenleaf has always had an appetite for fresh ingredients and living a healthy life – something he embodies with the farm-to-face concept of his restaurant, where he uses local, fresh, natural, organic ingredients to create dishes that are both delicious and wholesome. In his free time, you can find Jon working out at Barry’s Bootcamp, training for a triathlon, and raising his daughter and son with husband, Joey Gonzalez.

BEST LOCAL TV PERSONALITY

James Corden. (Photo courtesy of Corden)

Winner: James Corden
This Tony-winning actor may be from the other side of the Atlantic, but as the host of “The Late, Late Show,” he’s been regularly taking over the streets of Hollywood to film celebrity flash mobs, musical numbers, and the spectacularly popular “Carpool Karaoke” since 2015 – and that makes him as much an Angeleno as anyone. It’s no wonder we’re proud to lay claim to him; smart, funny, and talented, he’s got a pure love of “show business” that makes his late-night talk show a must-see event for millions.  He’s also a strong LGBT ally who uses his public platform to promote LGBT equality – for instance, by performing a song in protest of Trump’s intended trans military ban in 2017.

Alexander Rodriguez. (Photo courtesy of Rodriquez)

Runner-up: Alexander Rodriguez
The iHeart radio personality is one-third of the all-gay Latinx panel on “Glitterbomb,” LATV’s explosive pop-culture talk show that offers a queer Latinx perspective on entertainment news. Along with fellow hosts (actor Enrique Sapene and EW senior editor Patrick Gomez), he brings wit, humor, and first-hand experience into the show’s look at Hollywood A-lister life.

BEST MARIJUANA DISPENSARY

(Logo courtesy of MedMen)

Winner: MedMen
Founded in 2010 by Adam Bierman and Andrew Modlin (who are also CEO and president, respectively), this Culver City-based company has grown up to be one of the leaders in the burgeoning legal cannabis industry, dedicated to “writing the book on the modern cannabis industry, from how facilities are designed and constructed to setting the bar on quality and excellence.” They’re also the single largest financial supporter of progressive marijuana laws at local, state, and federal levels. But what’s probably most important to the many satisfied consumers at their elegant boutiques in West Hollywood and Beverly Hills (as well as four other locations in the Los Angeles area) is their philosophy that standards, practices and reputation matter – and the high quality of the product that results from it.

(Photo courtesy of Zen Healing West Hollywood)

Runner-up: Zen Healing West Hollywood
With two locations, this longtime (since 2003) local-fave dispensary scores high Yelp ratings for its outstanding customer service and wide selection. As they say on their website, “Whether you vape, rollup, or use a piece, Zen Healing has a strain for you.”

MOST COMMITTED ACTIVIST

Madonna Cacciatore. (Photo courtesy of Cacciatore)

Winner: Madonna Cacciatore
She moved to LA as an actress, after a regular role on a short-lived TV reboot of “The Fugitive” gave her a taste of Hollywood; but it’s her dedication to another calling that has brought her true prominence in our local community. A longtime LGBT activist, she made a splash in the headlines when the LA Times featured a photo of her holding hands with then-partner (now wife) Robin McWilliams in their cover story on June 26, 2015, when the Obergefell victory made marriage equality the law of the land – but she had already been building her leadership role in the community for years as the director of special events at the Los Angeles LGBT Center. In 2018, she was chosen as the new executive director of Christopher Street West – giving her the opportunity to bring her years of experience to the table as she shepherds the non-profit, which has faced challenges in the last few years, toward the 50
th anniversary of LA Pride in 2020.

Ari Gutiérrez Arambula. (Photo courtesy of Arambula)

Runner-up: Ari Gutiérrez Arambula
A tireless community leader, Ari is dedicated to increasing support and quality of life for the LGBTQ and gender non-conforming members of the Latinx community and their families – a community for which she has been an advocate for 30 years. She is the founding Advisory Board President of the Latino Equality Alliance, and the co-founder of HONOR PAC, a non-profit organization providing advocacy, leadership development and public education that honors cultural traditions and is accessible to youth and their parents.

BEST LOCAL PRO SPORTS TEAM

Winner: Los Angeles Dodgers
They may have lost the 2018 World Series to the Boston Red Sox, but LA’s “Boys In Blue” will never lose the hearts of the city they’ve called home since 1958. Part of the reason is the team’s determination to connect with the community by embracing diversity. In the words of Erik Braverman, the Dodgers’ vice president for marketing, communications and broadcasting who spoke to the Los Angeles Blade for a 2017 article, “LGBT people are as important to the organization as any other community.” For six consecutive years, the Dodgers have hosted an official LGBT night, and for the past two have made it an official kickoff party for LA Pride.

(Photo courtesy of the Los Angeles Lakers)

Runner-up: Los Angeles Lakers
Just as it is with the Dodgers, love for the Lakers is part of our city’s DNA. In 2018, the basketball organization hosted its own first-ever LGBTQ Pride night, honoring first active openly gay NBA player Jason Collins with the Laces of Unity Award (recognizing individuals in sports who have significantly contributed to the LGBTQ community) and featuring Amanda Palmer, the first female and first openly lesbian referee in NBA history, as the night’s honorary team captain.

BEST HOME FURNISHINGS

(Photo courtesy of Mitchell Gold + Bob Williams)

Winner: Mitchell Gold + Bob Williams
Started in North Carolina back in 1989, this elegant furniture company began with the simple idea of providing “comfort for all,” and nearly 30 years later, its signature store in Beverly Hills is a must-visit for any Angeleno with an eye toward decorating their home with stylish and modern home furnishings. In addition, its founders are activists and advocates for the LGBT community – Gold is co-founder of Faith in America, a nonprofit that educates people about the harm religious bigotry causes LGBT Americans that recently merged with the Tyler Clementi Foundation, and has served on the board of HRC for the past seven years, and Williams is known for his philanthropic work for equal rights; together, the men received a Groundbreakers Award from NYC’s Housing Works, dedicated to ending AIDS and homelessness.

(Photo courtesy of Josh Johnson Home)

Runner-up: Josh Johnson Home
A Tennessee native who became known as “Sparkle Josh” during his stint in HGTV’s “Design Stars,” this flamboyant celebrity interior designer has a design philosophy of “Livable Luxe,” which he describes as the pairing of affordable elegance with functional practicality, and his status as a celebrity designer has made him a designer to celebrities — or anyone who wants to live like one.

BEST PERFORMING ARTS VENUE

Winner: Walt Disney Concert Hall
This downtown landmark, designed by world-renowned architect Frank Gehry and opened in 2003, is not just part of the Los Angeles Music Center – with its sleek, shining, non-linear design, it’s an icon of urban architecture and a signature LA building, and with its hear-a-pin-drop acoustics, it’s a world-class performance hall. Intended as a gift to the people of Los Angeles by Lillian Disney (widow of Walt), who in 1987 donated $50 million to fund a venue that could serve as a tribute to her late husband’s devotion to the arts and to the city, today it fulfills that purpose by providing a home to the Los Angeles Philharmonic Orchestra and the Los Angeles Master Chorale, as well as by hosting variety of artists and events from around the world.

(Photo courtesy of Geffen Playhouse)

Runner-up: Geffen Playhouse
Founded by Gilbert Cates in 1995, and named for its donor, music executive David Geffen, this not-for-profit theater company is housed within a historic 1929 building – one of the first 12 structures built in Westwood Village – that was once the Masonic Affiliates’ Club for students and alumni of UCLA. In its two venues there, the Geffen mounts eight top-quality theatrical productions per season, showcasing both new works and time-honored classics, often performed by familiar actors from film and television – one of the definite perks of living in a movie town.

BEST DAY TRIP

(Photo courtesy of Palm Springs)

Winner: Palm Springs

Los Angeles’ relationship with its neighbor in the desert goes back to the 1920s, when the town’s growing status as a getaway spot made it appealing to Hollywood’s rich and famous as a quick and easy escape from the rigors of their glamorous everyday lives.  It serves much the same purpose today, but it’s grown into an internationally recognized resort destination – which means world-class entertainment, luxurious hotels, and glittering casinos await any Angeleno ready to make the 90-minute drive (OK, only if there’s no traffic) to get there. It’s not just about pampering yourself, though that’s part of the allure; there is also a thriving cultural scene, lots of nightlife, magnificent restaurants, a weekly street festival, and an annual week-long celebration of the Modernist architecture long embraced as a definitive part of the city’s identity. Of course, Palm Springs is something of an LGBT Mecca, too – but odds are good that, if you’re reading this, you already knew that.

(Photo courtesy of Avalon, Catalina Island)

Runner-up: Avalon, Catalina Island
Located on the southeast end of Santa Catalina Island, Avalon has been a popular destination for visitors since the early 1900s. Like Palm Springs, it has always attracted the glitterati crowd, from film stars to presidents, and is known today for its resorts and casinos – along with the numerous other attractions offered by a picturesque seaside community. Only a short ferry ride away, it’s one of the best opportunities for Angelenos to have a sun-soaked mini-vacation and still be home in time to feed the pets before bedtime.

BEST MOVIE THEATER

Winner: Arclight Hollywood
In a city built by the movies (and those who love them) it’s no surprise that the favorite pick is this landmark multiplex on Sunset, which is home to 15 screens (including the historic Cinerama Dome) that feature state-of-the-art projection and sound technology, and amenities like a gourmet snack bar, no commercials before the show, and – a favorite flourish for convenience-hungry Angelenos – reserved seating that eliminates the need for standing in a long line. On top of all that, Arclight offers an impressive selection of movie offerings, from the biggest entertainment blockbusters to the edgiest indie art films, all in the name of catering to the sophisticated interests of its cinema-loving clientele. As a bonus, moviegoers stand a good chance of seeing some of their favorite stars off the screen as well as on – it’s a popular location for the people who make movies to go and sit in the audience for a change.

(Photo courtesy of Pacific Theaters at the Grove)

Runner-up: Pacific Theaters at the Grove
Offering its own kind of Hollywood appeal, this elegantly designed multiplex in the heart of one of the city’s most popular malls (adjacent to the historic Farmer’s Market). It’s a haven for film lovers, with its own state-of-the-art auditoriums that feature large screens, surround sound, and luxury stadium seating – and if you want to pair your moviegoing experience with a meal, the Grove location ensures a wide selection of nearby eateries that will be perfect for discussing what you’ve just seen over lunch or dinner.

BEST LIVE MUSIC

(Photo courtesy of Hollywood Bowl)

Winner: The Hollywood Bowl

Steeped in history — it’s seen the likes of everyone from Billie Holiday to Billy Joel — the Hollywood Bowl reigns, as Southern California’s premier destination for live music. Its iconic concentric-arched band shell is recognized the world over, just as sure as the venue itself is recognized by our readers as the best of the best.

(Photo courtesy of The Greek Theatre)

Runner-Up: The Greek Theatre

Located within Griffith Park, the historic Greek Theatre stands as one of the nation’s most beloved and recognized outdoor entertainment destinations. This iconic venue has also served as a site for numerous high school graduations, community events, and backdrops for television shows and motion pictures.

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Bars & Parties

Lez Brunch will offer a safe haven for LGBTQ+ protestors on No Kings Day

We spoke with Lez Brunch organizer Jessica Wagstaff about tomorrow’s queer daytime party and building trans-inclusive queer sanctuaries

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Lez Brunch creator Jessica Wagstaff, third from left, poses with friends. (photo courtesy of Jessica Wagstaff)

“Wholesome” isn’t the first word that comes to mind when I think about queer parties, but it’s what LGBTQ+ event planner and DJ Jessica Wagstaff embraces for Lez Brunch. This queer daytime party is the rebirth of a previous event Wagstaff had organized for two years, and she hopes this iteration of the lesbian-centered brunch party prioritizes queer safety, joy, and inclusion more than ever before. 

At 43, Wagstaff is warm and self-assured. She’s been a staple of local queer party spaces for over two decades, a journey that began with increasingly constant treks over from south Orange County as a young adult. Wagstaff grew up in Aliso Viejo and felt like a “token lesbian” for most of her adolescence there. While she saw her classmates in high school begin to date and explore romantic relationships, she remained in the closet for fear of being shunned by her family. “Everyone knew I was gay, but it was something I battled until I was at least 30 years old,” Wagstaff told the Blade. “I always knew I was different and very isolated. I never felt like I belonged, ever. So, thinking I was gay was a whole other ball game, like: Oh, now I have this, and now I have to figure out whose life I want to live: me or the world?” 

As a teenager, her main channel into queer representation and self-expression was through the music, art, and activism of the Riot grrrl movement, a 1990s feminist punk subculture that was brash and defiant: an unruly flame that burned bright and fast. “I loved bands like Sleater-Kinney and Bikini Kill, because that was how I channeled my sexuality,  my rebellious streak and my political activism,” said Wagstaff. 

After graduating from high school, Wagstaff began driving all over Los Angeles to seek out queer sanctuaries: places where she didn’t have to hide or repress herself anymore. Now, she has built her own type of sanctuary: a sapphic-centered brunch party that is open to everyone in the queer community, especially trans and nonbinary people. 

In this conversation, we talk about Wagstaff’s earlier years in L.A.’s queer scene, and how that led her to form Lez Brunch. 

What were your queer sanctuaries growing up?

The very first place that I used to go to was a place called Club MILK, and it was at a venue called the Fais Do-Do. It was so punk and queer, and it was one of the very first places where I could be around gay people, because in Orange County, there was nothing. 

How did you find out about Club MILK in the first place?

I think I saw a post on Chainsaw Records or something. As soon as I got a car, I used to drive all the way to Los Angeles from South Orange County. That was one of my first queer lesbian sanctuaries. There was [also] a coffee shop off of Broadway called The Library, and every Wednesday, they had a lesbian night where they would have artists and we would be crowding the sidewalk. And, West Hollywood in general: we had Truck Stop and parties like BOOBY TRAP!, PYT. Those were more from 2007 forward [and] a lot of [those] parties aren’t going on anymore. 

The parties of today, like Hot Flash, Hotter Flash and Futch…there are so many diverse parties that represent our community as a whole. But, it took the lesbian community to forge that, to make it socially acceptable to be able to cater to everyone: the girls, gays, and theys.

What was it like first entering those party spaces?

I couldn’t get up to LA fast enough on those nights. Just being lost and trying to reshape your world view on what it meant to be gay in a world that wasn’t accepting of that — it was a lot of fun. The word that I keep coming back to is “liberating,” and I could just be unapologetically and authentically myself in those spaces.

When did Lez Brunch form and how did it come to be? 

Lez Brunch used to be called “Lez Do Brunch.” We started in 2017 [and ended in] 2019. It was very successful. We started at a club called Bar10 in West Hollywood. So my business partner at the time, we came together, and that venue had offered the opportunity to throw a daytime party. [After] we split, I still wanted to have some of that branding, so I took the word “Do” out. So it’s just Lez Brunch, and it’s just me running the show. 

After COVID, and right after the inauguration of our current occupant of the White House, there were a lot of changes that were affecting our trans community and our LGBTQ+ community as a whole. The fact that they’re trying to erase trans people — it lit a fire under me. I couldn’t sit around any longer and not have an impact or try to bring people together during really tough times. Having a safe space, having visibility, and owning our identities unapologetically [under] this current administration and political climate was my main motivation. Joy is a form of resistance. So I was like: I have to throw my brunch again and bring it back, and everything that it meant for me — especially highlighting nonprofit organizations [and] shining a light on them.

These people are the backbone of our communities. They’re the ones that are providing resources. Usually, a portion of the proceeds gets donated to a nonprofit or mutual aid organization. My party is a party with purpose. [We’re] bringing the community together, but we’re also highlighting these organizations that work tirelessly and are massively underfunded. They’re investing in us, and this is our opportunity to invest back. 

How do you feel about sapphic and queer spaces in LA? You were saying previously that some parties felt a bit exclusive. Is this still generally the case? 

Where it is today versus where it was 10 years ago [has been] a huge evolution. I feel spaces today demand inclusivity. It is now a standard where, if you’re not concerned about safety and representation, then go. It’s very wonderful to see how things have grown from being more exclusive to now having parties that represent everybody more as a whole. We have more venues than ever. We have more events than ever. Lesbians have always been at the forefront of joy as activism. So, these are sapphic-centered, but they’re catered to really everyone in our community. It’s the lesbians that are bringing out everybody else, if that makes sense. It’s nice to see lesbian events becoming more inclusive. 

What can people expect at Saturday’s brunch, especially those who are trying to find queer community and those who will be participating in the nationwide No Kings actions?

Our timeframe, 12 p.m. to 4 p.m., is directly in the midst of the No Kings protests. We welcome people to come, and if they are protesting out on the streets, come and re-energize. Have brunch and bottomless mimosas and feel joy, too. This administration wants us to be scared and afraid and erased, and this is an opportunity to go out and fight, but also be happy. Be with your community and dance. Again, I think the two most important words for me are “unapologetic” and “authentic.” 

At Lez Brunch, we aim to build a safe and inclusive environment where everyone feels welcome and can be free to be who they are, be accepted, and be seen. It’s all about helping people feel queer joy and safety. We’ll have games, darts, pool, and live music. Just expect bottomless fun and joy.

The next Lez Brunch takes place tomorrow, on Saturday Oct. 18th at Blue Birdy’s pub in West Hollywood. More information can be found here.

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Movies

Breakthrough queer performance makes for a memorable ‘Kiss’

Tonatiuh brings a sensitivity that illuminates other elements around him

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Jennifer Lopez delivers the ‘Kiss of the Spider Woman.’ (Photo courtesy of Lionsgate)

When queer Argentine author and activist Manuel Puig published his novel “El beso de la mujer araña” in 1976, it’s doubtful he could have dreamed it would one day be turned into a musical. With most of the action taking place between two characters in a cramped prison cell, and a bleak political context casting dark shadows across even its brightest moments, it didn’t exactly seem a good fit for that kind of treatment. And besides, thanks to its open depiction of queer sexuality and the overtly revolutionary tone of its political messaging, he could barely even get it published.

A decade later, it had become a major Hollywood movie, winning an Academy Award for William Hurt; it had also caught the attention of John Kander and Fred Ebb, the composing team responsible for (among other hit musicals) “Cabaret” and “Chicago,” who joined with playwright Terrence McNally to craft an adaptation for the Broadway stage. The resulting show would debut there in 1993, winning seven Tonys and a host of other awards; Puig, sadly, did not live to see it, dying in 1990 of complications from surgery after a life lived mostly in exile over his queer activism and outspoken political beliefs.

Now, the musical incarnation of “Kiss of the Spider Woman” has finally made its way to the screen, courtesy of veteran filmmaker Bill Condon – who, besides his screen adaptations of “Dreamgirls” and “Chicago,” is also responsible for “Gods and Monsters” and the “Twilight” movie franchise – and starring Latina diva Jennifer Lopez in the title role.

For those unfamiliar with the piece, whether in its musical form or any of its earlier iterations, the story centers on the relationship between two cellmates in an Argentine prison – Valentin (Diego Luna), a revolutionary being held as a political prisoner, and Molina (Tonatiuh), a queer window dresser imprisoned for “public indecency” – with very little in common and even less to talk about. Nevertheless, a connection begins to form between them when Molina decides to pass the time between them by narrating the story of his favorite movie – a glossy old Hollywood musical romance starring his most beloved Golden Age star, Ingrid Luna (Lopez) – and Valentin is drawn in despite his disdain for Molina’s trivial interests and seeming lack of political conscience. As the days pass and Molina continues his narrative in installments, their forced cohabitation begins to deepen into an unlikely friendship – and maybe more.

Of course, there are dark secrets in play, too, hidden agendas and undisclosed truths that strain their trust between each other; nevertheless, as they continue to bond, through both the escapist fantasy of Molina’s ongoing cinematic “recap” and the harsh brutalities of their shared reality, they find an intimacy that helps them transcend their perceived differences in a place designed to crush both their humanity and their hope.

In Condon’s adaptation, the stage musical is reworked to bring it closer in tone, perhaps, to Puig’s original novel, emphasizing the contrast between the grim and colorless prison cell with the spectacular glitz and larger-than-life glamor that saturate the imagined world of Molina’s recounted movie – and it’s quite a contrast. In these sequences, “Kiss of the Spider Woman” opens up its claustrophobic setting into an elaborate recreation of glossy Hollywood escapism at its Technicolor peak, full of exquisitely staged scenes of romance, action, and Golden Age MGM-level musical choreography, which also permits the film’s two male stars to spread their creative wings even further, by casting them alongside Lopez as parallel characters in the “metafilm” fantasy where so much of the story’s emotional resonance occurs – and where many of the plot details begin to reflect their “real world” circumstances as it goes along. It’s all carried off with excellence, professionalism, and technical wizardry, and the result could easily be described as cinematic “eye candy” that’s sure to please fans of the musical genre.

Yet there’s something vaguely disappointing in the choice to differentiate the two worlds of “Spider Woman” so distinctly and completely. It creates a sense of watching two separate movies that have been spliced together, one a gritty story of oppression and survival and the other the other a wild and campy exercise in nostalgic Hollywood gloss. It’s an effective enough tactic, but what it misses is the blending that happens between the two worlds in the stage production, where fantasy and reality overlap and intertwine, and we can’t help wishing that Condon had taken a more imaginative approach, one that might have translated that magical theatricality to the screen in a uniquely cinematic way.

Still, the message comes across. The story’s deeper explorations – of facing reality without sentiment or escaping it through fantasy, of bridging differences of attitude and perspective through human connection at its most basic level, and perhaps most crucially, of seeing beyond a limited understanding of sexuality and gender.

For that last point, there is no more direct reason for it than the performance of Tonatiuh. Seeing Molina embodied by a queer actor brings a level of sensitivity and truth to the mix that illuminates every other element around him. It’s a breathtaking leap toward stardom from a previously (mostly) unfamiliar performer, equally adept in the musical sequences as with the strictly dramatic material, and it elevates “Spider Woman” simply by being there.

His co-star is equally superb. Luna brings his own brand of sensitivity – and vulnerability – to Valentin; he’s also up to the demands of the musical scenes, going toe to toe with Lopez and a whole crew of dancers and seeming to enjoy every minute of it. Most important, he strikes a chemistry with Tonatiuh that makes their blossoming tenderness toward each other into the true saving grace in their character’s lives – the real world magic for which movie fantasies are only a metaphor – and lingers fondly in our memory long after the film is done.

As for Lopez, she claims the screen when she’s on it, bringing a commanding presence and a hard-working pro’s intensity to her multiple roles as Molina’s beloved actress, her character, and the sinister alter ego of the title. No, she’s not Chita Rivera (but then, who could ever be?), but she’s more than up to the challenge of bringing her own distinct energy to make the part her own.

We can’t deny that “Spider Woman,” which began its theatrical release on Oct. 10, faces an obstacle as the screen adaptation of a popular piece of musical theater; fans of the original will doubtless have expectations going in, and opinions coming out, and there’s nothing to be done about that. While it might have benefitted from a more out-of-the-box handling of the show’s dual reality, what’s important is the purity and resonance of the queer voice that comes shining through it, not just in Tonatiuh’s soulful performance but in the movie’s essential core, and that’s worth more than enough to counter any nit-picky quibbles about its overall approach.

It may not please everyone, but thanks to its remarkable lead performances and the authenticity that illuminates both its drama and its fantasy, it’s got the kind of soft power that can stay with you forever.

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a&e features

Bangers and beats and bears, oh my! Tom Goss dishes on his music and the queer community

As anti-LBGTQ+ rhetoric grows louder, Tom Goss is turning up the volume on queer joy and visibility through his music and live shows

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Tom Goss

Tom Goss is making space, making an impact, and making fantastic queer-centric music as always. Through his music and his career, Goss firmly and fiercely lifts up queer joy, the more tender side of masculinity. With his genre-fluid sound that reverberates from folk to hip-hop to unquestionably and unabashedly queer pop, Goss has become a pioneer of the perfectly performed unconventional.

Most recently, he performed at LA’s iconic Hotel Café, where he shared the stage with fellow queer music icons Rachael Sage and Kristen Ford. We had the opportunity to catch up with Tom to discuss the evolution of his music, the importance of representation, and why being “very, very gay” is a radical act in and of itself.

You’ve made for yourself quite the reputation as an unabashed narrator with your music. Could you describe the evolution of your sound over the years?

For me, the story is always at the forefront of my music. Each story demands a different treatment. Folk, Pop, Dance, Hip-Hop, Rock, nothing is off the table. Whatever is best for the story is the direction that I take. 

I find it a little odd that we demand our artists find their voice, but we also demand that they never change their voice. My first record came out in 2006, which was almost 20 years ago. My tastes, interests, relationships, and experiences have changed drastically over those 20 years. It makes sense that the music I make would change along with it.

Ultimately, I try to craft memorable music that is uplifting and positive. Whether that’s Gay Stuff (my July release, a gay pop summertime bop), Bear Soup (my May release, a hip-hop bear twerk anthem), or my upcoming record, which is queer Americana. It’s all a part of the journey and I hope you have as much fun as me! 

Your music has graced many film soundtracks (including the full score for 2017’s Hooked), performed internationally, and has made gorgeously gay music videos. How do you approach film projects vs. live performances?

Film has pushed my idea of what style of music elevates a scene. It forces you to write differently, play instruments differently, and produce differently. As people, we tend to find the lane in which we are most comfortable, and put life on cruise control. As an artist, that is the worst possible thing. Scoring films, or making videos, forces you to work with other people, understand other perspectives and ideas, and grow as a result.

My music video “Son of a Preacher Man” was probably the first time I wrote something with the video in mind first. My director and longtime collaborator, Michael Serrato, had an idea for the “Son of a Preacher Man” music video. I thought it was awesome and went to work arranging the song in a way that would support the visuals, rather than the other way around. It was very powerful. Now I write songs with video concepts first all the time, it’s such a fun way to work!

You’re quite the celebrity in the bear community. That said, what does this recognition mean to you and how, if so, does it influence or fuel your creative process?

I feel honored to be a part of the bear community. It’s full of the most beautiful, creative, smart, and sensitive people I have ever met. Anytime I speak of love or attraction, it’s about bears. I do not understand how to love without bears. Without them, the world is black and white. With them, it is overflowing with color and joy.  Love fuels everything in my life. There is no Tom Goss without bears.

Do you think labels like “bear musician” are empowering, limiting, or something else entirely?

It is not my job to label myself. I make music, I tell stories, I love those around me, and I create art as a result of that which I love. I really try to focus on those things rather than anything else.

Your music can challenge traditional (or, arguably, outdated) concepts of masculinity. Was this intentional or, rather, something that emerged over time?

It’s very intentional. I have, from the very beginning, worked to have a diverse cast of characters in my projects. I believe the way we see beauty is learned. The reason we are judgmental towards people of size, or color, or expression, is because we were taught to. That’s easy to understand.

The flipside is, the way we change the way we see beauty, is by showing other forms of beauty. That is my job. I want to take the things the world says aren’t beautiful, and capture them in a way that utilizes the same tools we use to make traditionally beautiful people appear beautiful. 

I can’t tell you how many messages I’ve gotten over the years that say: 

“oh, I didn’t know that I liked [insert marginally racist, sizeist, transphobic name here] but that person in your video is HOT!”

And OF COURSE THEY ARE! Stop trying to find the things you don’t like about someone and find what makes them beautiful. 

Gaga has her monsters and Beyonce has her Hive. What name, either collective or plural, would you give to your devoted fanbase (assuming that one does not yet exist)?

Friends. The idea of artist idolatry makes me uncomfortable.

Can you share with us some ways that you prepare yourself for a live show? Any pre-show rituals – Pagan, Wiccan, or otherwise?

Ha! Not really. Usually I’m running around and laughing with folks until I look at my clock and realize that I need to stop and perform. 

Can you share with us one lyric that you’ve written that sent chills running down your own spine?

Joan of Arc was trans as fuck. 

He cut his hair and picked up arms.

Walked across an empire, fulfilled his destiny.

I play it alongside Joe Stevens, an iconic trans singer, songwriter, and multi-instrumentalist who has long been a hero of mine. Look him up. Support him.

You use your voice and your platform not just to make fantastically fabulous music but to hold a mic to queer voices and their stories. How do your roles of artist and advocate intersect and amplify each other?

I want to tell stories that other people are afraid to tell. I want to tell stories that speak to my experience and impact the way that I see the world. Over the course of my career, that has meant queer stories. 

Frankly, there is no community that is more vibrant, diverse, creative, resilient, and dynamic than the queer community. It’s really that simple.

With anti-LBGTQI+ rhetoric spreading like the flames of a wildfire, do you feel a sense of urgency to advocate through your music?

My goal over the next couple of years is to be very, very gay, very, very queer, and very, very honest about the things that make me happy in that identity. We have to provide hope to people in a time when things feel so hopeless. We also have to protect our trans community. They are very much under attack. 

If there is one thing that you’d wish for the younger generation of our queer community to take away from your shows, your music, and your career, what would it be?

Be yourself, no matter how hard it seems. Don’t let anyone take you away from you. It’s ok to play. Find that which brings you joy and explore it to the fullest. 

You are beautiful and valuable. I’m so happy to be in this world with you.

And lastly, how will you be celebrating Halloween month this year?

I’ll be touring in California (LA, San Diego, San Francisco) and then heading to Florida for Cannonball. It’s going to be a fun, bear-filled month!

Follow everything Tom Goss

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Books

New book a fun travelogue, memoir focused on cemeteries

‘Somebody is Walking on Your Grave’ takes readers around the world

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(Book cover image courtesy Hogarth)

‘Somebody is Walking on Your Grave: My Cemetery Journeys’
By Mariana Enriquez, translated by Megan McDowell
c.2025, Hogarth
$30/336 pages

The knee bone’s connected to the shin bone.

You can go up from there, or down your body’s scaffolding. The backbone’s connected to the rib bone. The hip bone to the leg bone, the wrist bone to the finger bones, and in the new book “Somebody is Walking on Your Grave” by Mariana Enriquez, translated by Megan McDowell, there’ll come a day when you won’t need any of them.

She always had an appreciation for cemeteries.

Still, they weren’t an obsession until Mariana Enriquez fell head bone over heel bones in love with a street musician while on a vacation in Italy with her mother. He took Enriquez through a cemetery on their whirlwind romance, which sealed her love for graveyards.

She never seems to miss a chance to tour them, to marvel at the beauty of statuary atop marble resting places, to see tombstones listing sideways, or to note the names and tragedies of the dead. This includes the graves of non-humans, like a horse that helped its owner escape an Argentinian uprising in 1885; and a Scottish dog who guarded his owner’s grave for more than a decade.

Enriquez visited San Sebastián, Spain, and was almost jailed for it; and she was lectured about Aboriginal graves by a white man on Rottnest Island, off the Australian coast. There was a magical sense at Sara Braun Municipal Cemetery in Chile, and an absurd couple of mysteries in Argentina. She visited just some of the 42 cemeteries in New Orleans including, of course, crypts and the grave of Marie Laveau. She spent Dios de Muertos in Mexico, and was surprised that you can live near a funeral home in Savannah and not have ghosts. She visited the catacombs in France, and argued with guides and guards in several different places, noting that people are a lot nicer when they’re dead.

In a very big way, “Somebody is Walking on Your Grave” is a fun travelogue that’s also part memoir, and taphophiles will love it. But readers who specifically add a cemetery tour to their vacation itinerary, or who obsessively scour guidebooks for graveyards to visit will enjoy author Mariana Enriquez’s observations; they’re humorous and not stuffy, lightly acknowledging the bit of the macabre that’s here. She includes history behind the cities she visits, as well as for the cemeteries, and that can be a bit longish sometimes. You may not mind, though, because her descriptions enhance any trip you might make, serving as exactly what you’d want from a real live tour guide.

But toward the end of this otherwise-delightful book, Enriquez unabashedly admits to doing something atrociously unsettling, to which she says she feels no remorse – which may be a hard forgive for readers who wouldn’t ever dream of emulating it.

This book is a fun read, up to that point, so just beware. Most of “Somebody is Walking On Your Grave” is truly interesting, but that one chapter inside here may not fully allow you to wrap your head bone around it.

The Blade may receive commissions from qualifying purchases made via this post.

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Out & About

Murphy’s ‘Monster’ returns for a flawed but fascinating third round

Hunnam’s Ed Gein inspired ‘Psycho,’ ‘Silence of the Lambs’

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Charlie Hunnam</strong. stars in ‘Monster.’ (Photo courtesy of Netflix)

Just when you thought there were already more than enough real-life monsters on your TV screen, Ryan Murphy has served up another one.

Fortunately, unlike most of the others, this one is no longer a threat – but that doesn’t mean he’s stopped terrifying us. For the third installment of his “Monster” anthology series, Murphy profiles notorious murderer and bodysnatcher Ed Gein, whose crimes in a rural Wisconsin town during 1940s and ‘50s became legendary in the annals of serial killer lore – though, with only two confirmed murder victims, his body count barely qualifies him as one. Nevertheless, his notoriety has spread into popular culture through the inspiration they provided for some of the most iconic fictional serial killers in our popular imagination.on.

In fact, it’s the reach his heinous acts has extended through the many screen and literary villains that have been based upon him – first and most famously Norman Bates, the deranged cross-dressing killer at the center of both Robert Bloch’s novel and Alfred Hitchcock movie version of “Psycho” – which seems to be most of interest in “Monster: The Ed Gein Story,” which uses the fictionalized narrative of its titular anti-hero’s life as a springboard to explore the reflection of his crimes through the stories and the characters that would come to be based on him, as well as their impact on some of the people who created them. That’s a perfect angle for a Murphy series – in this case written by Ian Brennan and (mostly) directed by Max Winkler – because it allows plentiful opportunities to indulge the queer entertainment mogul’s penchant for campy re-enactments of true (and not-so-true) Hollywood.

In the first of its eight episodes, we meet Gein (Charlie Hunnam) in the early 1940s, living on the family farm he shares with his mother (Laurie Metcalf) and brother (Hudson Oz). As it plays out its version of the events that would shape his future madness – particularly the tyrannical ravings of his puritanically religious mother, and her efforts to instill her vitriolic hatred of sinful impulses (especially involving sex) into her sons – it also offers “fast-forward” glimpses of what’s to come for Ed, whose quiet and seemingly timid demeanor masks an inner life that includes a fascination with shrunken heads, cannibalism, and the gruesome atrocities of the Nazi Holocaust.

It’s a gripping introduction, invoking the elements of Gein’s story that would become serial killer “tropes” – the abusive upbringing, the dissociation, the gruesome “souvenirs” and skin suits intended to feed a fantasy of transformation – and lays the land ahead with the stylistic choice to blur the lines between reality, delusion, and mythology. At the same time, it quickly establishes a precedent of veering into speculation, depicting certain events – killings to which he never admitted and were never proven, a fabricated romance with a young neighbor (Suzanna Son), and other departures from the territory of “docudrama” into that of “sensationalized fantasy” – in a manner that makes it hard to separate truth from fiction.

That, of course, is the point. Most of Murphy’s crime and horror shows, in some way or another, explore that same nebulous line, whether “based on a true story” or not. The “Monster” series is an ideal vehicle for exploring the boundaries between perception and reality, offering characters and situations so distorted beyond everyday experience that even documented truths feel like part of an absurdist play. In the season’s second episode, the scope expands with the inclusion of another plotline, a few years beyond Gein’s eventual capture and imprisonment, which takes place during the filming of “Psycho,” which frames both director Alfred Hitchcock (Tom Hollander) and star Anthony Perkins (Joey Pollari) into an equally speculative exploration of the way these famous collaborators may have been affected by the artistic process of delving into Gein’s monstrous head.

We won’t go further into the events that follow during the rest of the series, except to say that it goes on to follow Gein’s presence in pop culture through his cinematic reincarnations in “The Texas Chainsaw Massacre” and “Silence of the Lambs,” and that, as with most Murphy shows, there’s a kind of lurid gloss which envelops the entire thing, a self-consciously elevated style that magnifies half-truths and popular mythology alongside the tragedies that sparked them.

That, historically speaking, has always been the controversy around Murphy’s “Monster” shows, sparking debate about exploiting the memory of victims for the glamorization of their killers. It’s also the same controversy that has surrounded all such stories in popular entertainment culture, whether partially true or entirely fabricated. Indeed, Hitchcock faced similar criticism with “Psycho” all those years ago, yet he also made a fortune and cemented an already-impressive legacy with a movie that redefined not just the horror genre, but the boundaries of popular cinema itself; and though (as the series suggests) he may have come to regret opening a “Pandora’s Box” of previously unseen violence and depravity that would saturate the big screen forever after, he would, no doubt, have appreciated the irony of seeing himself portrayed here as a creature driven perhaps by some of the same twisted desires as Gein – simply because he understood, as a master manipulator of audiences, that the most effective use of filmed storytelling is achieved by showing us the darker corners of our own inner landscapes that we would otherwise prefer to ignore.

In terms of presentation and performance, “The Ed Gein Story” successfully inhabits a gritty noir-ish space that evokes both the pulpy true crime stories of Gein’s day and the “slasher movie” aesthetic of our own; the violence is no-holds-barred, and therefore difficult to watch, which in itself will likely be enough to ensure that it’s not a show for every taste. Though Hunnam is disappointing as Gein (his affected, one-note take on the character is a far cry from Perkins’ endearingly awkward boyishness as the real-life killer’s fictional stand-in in “Psycho”), but many of the other cast members deliver outstanding turns – most notably the gifted Metcalf, who makes Gein’s mother arguably more monstrous than her notorious offspring.

Ultimately, appreciation for Murphy’s newest foray into true crime myth-making will come down to, as with any of the others, a matter of taste. Those who approach it with an eye toward its canny examination of popular media’s obsession with crime, violence, and unspeakable horror might have a better time with it than those hoping for a more objective, centered, and fact-based document of Gein’s notorious history.

In any case, its entertainment appeal is – perhaps ironically – undeniable; after all, serial killers provide an almost ironclad guarantee of public interest, carrying the ever-mysterious key to what makes a person “evil” and the chance to examine our own relationship with the deadly impulses behind their crimes. Whether or not you appreciate the show’s deliberately exploitative tone, or the sometimes over-the-top camp of its lurid presentation, or even the seemingly gratuitous nudity and violence that serves to uncomfortably titillate us throughout, you’re bound to be drawn in.

In other words, you might not like it, but you won’t be able to look away.

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a&e features

Jennifer Lopez talks ‘Kiss of the Spider Woman,’ queer representation

Latest version of iconic story ‘a love letter to humanity’

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(Movie poster image via IMDB)

With its riveting storyline and gorgeous dance scenes, it’s no wonder that one of the standout films this awards season is “Kiss of the Spider Woman.” Originally a bold novel published by Argentine writer Manuel Puig in 1976, it was adapted into a play and then a screenplay. In 1985, the film earned four Academy Award nominations, with William Hurt winning Best Actor — the first ever awarded for a portrayal of an openly queer character.

Ten years later, in 1993, the story was turned into a Broadway musical starring the iconic Chita Rivera, and won several Tony Awards. Fast forward to 2025: for this new version, Jennifer Lopez and Diego Luna both play dual roles in the film, which also stars newcomer, Tonatiuh. 

The film takes place in 1983, during Argentina’s troubled times; two prisoners are forced to share a confined cell in Buenos Aires. Valentín (Luna), a Marxist revolutionary, is committed to his political idealology, despite being tortured and deprived by the guards. Molina (Tonatiuh), a gay window dresser who is in jail because of his sexual orientation, survives the insanity by fantasizing about his favorite movie, telling Valentin all the details. While their connection begins as a way for them to emotionally escape, it grows deeper, in the most profound way.

Through stories, confessions, and sacrifice, the duo discover unexpected tenderness and the possibility of love in a place designed to annihilate the human spirit.

“These two men who could not be different in every single way, everything is stripped away from them in their lives, the politics, class, education, all this stuff goes away, and they start to see themselves as individuals,” said Bill Condon, the Academy Award-winning writer-director known for such films as “Gods and Monsters,” “Chicago,” “Dreamgirls” and “Beauty and the Beast,” who was deeply moved as he wrote the script.

Producing the updated version of the film was vital to Lopez, who is also an executive producer. “I think it’s more relevant than ever,” she said at a recent Golden Globes press event.

“The idea of a trans or gay character in this movie…the kind of divisiveness that we’ve experienced in the world in the past few years. A story about two people who are thrown together, who are so opposite, who are so different from each other. And find the humanity and fall in love with each other. Who would never probably even find themselves in the same circles. That’s really important to have queer representation in movies. In my own family, I know how important that is for people to see that.”

Tonatiuh, who steals every scene he is in, lost 45 pounds for the role.

“I think there’s a certain moment that’s happening right now that we need to remind ourselves that dignity and humanity and love transcend gender,” he said. “They transcend sexual orientation. They transcend all of those things. And so, yes, we deal with queer themes in our film, but I do think that it is a love letter to diversity. It is a love letter to humanity as a whole.”

Condon loved every version of “Kiss of the Spider Woman,” each of them was “revolutionary” for its time.

“But when you read that novel, it’s taken us this long to really catch up to what it was saying. And specifically, this was well before the election season and well before we knew what was going to happen. But it was clear that trans people were going to be demonized, that they were going to be a part of the conversation…it did feel that this was something that was bubbling up and happening. So that’s what made it feel very urgent.”

Lopez added: “The revolution that you’re saying that we need right now is exactly the reason why I think the movie is so important right now for people to see. Because it reminds you that it’s really, at the end of the day, about two people getting along and falling in love, when you really forget about all of the other things, that we’re all just human. And it is about humanity.”

Tonatiuh hopes that the film inspires people to step up.

“We constantly see the news, we see everything that’s going around and we wonder, ‘What is it that I can do? I’m just one person.’ But this isolationist mentality is the thing that gets us here. Every one of us has little actions to take and little moments to do. And especially in a moment where Latinos in general in this country are experiencing massive negative public relations, just attack after attack after attack, it’s really wonderful to showcase what Latino dignity is and reminding people of, like the talent, the joy that our culture adds to the United States and the world.”

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Events

“Butterflies are free. Humans deserve to be free too.” Queerceañera honors local queer Latine community

The L.A. LGBT Center’s annual event centered queer Latine art, resources and resilience

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Drag queen Lushious Massacr performed at this year’s Queerceañera, “Butterflies without Borders” (Blade photo by Kristie Song)

On Friday night, rainbow-dyed cloth, butterflies, balloons, and flowers surrounded drag queen Lushious Massacr as she fluttered across a stage, her bedazzled, princess-like dress cascading behind her in hot-pink waves. The crowd stood enchanted as she lip-synched along to her baile de sorpresa: a surprise dance performed by a young girl for loved ones attending her 15th birthday celebration.

It is Lushious’s birthday — but she is turning 37. Nearly two decades later, she is celebrating the quinceañera she never got to have. “When I was a little boy, I never could have imagined a world where I would be allowed to celebrate my quinceañera. The majority of people were still very allergic to queerness,” Lushious told the crowd. “Tonight, we will celebrate the little girl inside of us. She wasn’t allowed, and she wasn’t given permission. The little girl will be given permission tonight.” 

This reclamation and queering of tradition was a recurring theme at the Los Angeles LGBT Center’s annual Queerceañera, also known as Queerce. The event provides a space for queer Latine community members to dance, be connected to resources and support, and embrace themselves in the company of loved ones, chosen family, friends, and fellow queer strangers alike. This year’s Queerce, themed “Mariposas Sin Fronteras,” or Butterflies without Borders, forged a cocoon that allowed guests to steep in the comfort of acceptance and liberation. This respite, though lasting only a few hours, is for many queer people a necessary safe haven in an increasingly tumultuous political and social landscape.

“This year has been so heavily marked by attacks on immigrant communities, attacks on the Latine community, specifically in Los Angeles,” Los Angeles LGBT Center Chief Equity Officer Giovanna Fischer told the Blade. “Our work’s directly impacted by that, because we serve a lot of the Latine community in Los Angeles…We’re seeing an uptick in people accessing our immigration and legal services. So, how do we take this event that is celebratory and will remain celebratory in nature, to still be responsive to what our community is going through?”

Resource tables dotted the courtyard at the center’s plaza, where Queerce took place, and offered various bilingual pamphlets on sexual health, legal advocacy, Know Your Rights resources, as well as connections to Mi Centro: a Boyle Heights community center formed in collaboration with the Latino Equality Alliance that provides HIV testing, a food pantry, outreach events, mental health support, legal services and other programs.

Fischer also discussed that the Center’s staff members have been trained on how to respond to United States Immigration and Customs Enforcement (ICE) officers as raids and operations continue to take place across Los Angeles. This training is part of organizational efforts to increase community safety as spaces — especially LGBTQ+ Latine ones — come under close political scrutiny and threat. 

One of Queerce’s honorees, Oliver Alpuche, stressed the importance of preserving these spaces. A decade ago, he founded the non-profit DTLA Proud to organize festivals, block parties, and marketplaces that uplift queer identity and celebration. In a tearful speech, Alpuche stated that queer spaces are in “trouble.” They are places “where we gather, we plan, we protest, [and] we celebrate,” Alpuche said on Friday night. “We need to keep them alive. And my commitment going forward is to create a Rainbow District in Downtown where we are all accepted, where our culture could meet our queerness and thrive in a space where representation matters.”

Guests danced and mingled throughout the night at Queerceañera on Oct. 3rd (Blade photo by Kristie Song)

Queer Latine representation shone brightly at the event, with electric reggaeton remixes spun by DJ Bella Spreads and a tender art show by multimedia installation artist Yulissa Mendoza. The show was comprised of two works: “¿Eres de la ciudad o del rancho?” and “Siéntate, Mi Amor,” the latter of which was displayed at the Cheech Marin Center for Chicano Arts and Culture in 2024. A tangible, interactive piece, “Siéntate, Mi Amor,” features a table modeled after the one at Mendoza’s grandmother’s home. Covered with a delicate crochet tablecloth, it was adorned with keepsakes, like a lightly crumpled sleeve of Marie biscuits, a note with a gas bill neatly scribed on it, and another that said: “Love you.”

“It’s almost a universal table of sorts,” Mendoza said, recounting to the Blade about how, as a child, sitting at a communal table felt endless and boring. It wasn’t until they had developed close queer friendships and a deeper understanding of their own identity in adulthood — much of which happened around a table — that they began to rethink what this early experience meant to them. “I think it was really my chosen family that allowed me to see the spaces that I grew up in as formative and important…My art now is me honing in on those cultural traditions and practices, [and to] showcase them in a way that is not only archiving them, but making them something of my own.”

Artist Yulissa Mendoza sits in front of their Queerceañera installation (photo courtesy of Perry Picasshoe)

Their work speaks to the practice of art as transformation — how historical and familial ties can be strengthened through a different kind of perspective: one that holds a deep kind of self-knowledge. Here, art is time travel. Art allowed Mendoza to form new branches from early, misunderstood roots. Deeply informed by their relationships to their queerness and their Latine heritage, Mendoza has created a new kind of space that is both familiar and totally new. They are creating a different pathway and gathering ground illuminated by queer imagination, and the melding of both past and future.

As community members gathered for Queerce, a question lingered in the air: what does an expansive and safe future look like? While there may not be a clear, definitive answer, events like these highlight the efforts, resilience and solidarity that power marginalized, queer communities. “You think butterflies listen to anyone who tries to tell them when they can or cannot fly? Butterflies are free. Humans deserve to be free too!” Lushious Massacr said. “In a world that demands that queer people hide, we refuse. In a country that demands that immigrants run and hide in fear, we refuse. We will not be afraid, and we will not ask for permission to live our lives.” 

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Celebrity News

Lesbian comedian who performed in Saudi Arabia apologizes

Jessica Kirson invited to participate in Riyadh Comedy Festival

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Jessica Kirson (Screen capture via Jessica Kirson/YouTube)

A lesbian comedian who performed at a comedy festival in Saudi Arabia has apologized.

Jessica Kirson joined Dave Chappelle, Pete Davidson, and dozens of other comedians who participated in the Riyadh Comedy Festival that began in the Saudi capital on Sept. 26 and is scheduled to end on Thursday.

Kirson performed on Sept. 29.

Saudi Arabia is among the countries in which consensual same-sex sexual relations remain punishable by death.

A U.S. intelligence report concluded Saudi Crown Prince Mohammed bin Salman “likely approved” the murder of Jamal Khashoggi, a Washington Post columnist, inside the Saudi Consulate in Istanbul in 2018. The Saudi government has also faced criticism over the treatment of women, migrant workers, and other groups in the country.

“On Sept. 29, I performed at the Riyadh Comedy Festival. This decision has weighed heavily on my heart ever since,” said Kirson in an exclusive statement to The Hollywood Reporter. “I like to express my sincere regret for having performed under a government that continues to violate fundamental human rights.”

She said she was “surprised” as “an openly gay person” to receive an invitation to perform at the comedy festival.

“I requested a guarantee that I could be openly out as a lesbian on stage and perform gay material. I hoped that this could help LGBTQ+ people in Saudi Arabia feel seen and valued,” said Kirson. “I am grateful that I was able to do precisely that — to my knowledge, I am the first openly gay comic to talk about it on stage in Saudi Arabia. I received messages from attendees sharing how much it meant to them to participate in a gay-affirming event. At the same time, I deeply regret participating under the auspices of the Saudi government.”

Kirson in her statement to THR said she “donated the entirety of what I was paid to perform there to a human rights organization.”

She did not say how much the comedy festivals paid her, or the group to which she donated her fee.

“I made this decision because I want that money to go to an organization that can help combat these severe issues,” said Kirson.

THR notes Marc Maron, David Cross, and Atsuko Okatsuka are among the comedians who criticized the festival. Kirson in her statement said she respects her “fellow comics who have spoken out against” it.

“I recognize the concerns and criticism this has raised. I hope that this moment sparks dialogue about how we can use our platforms for good — to support people without a voice and to find ways to be less divided,” she said. “In the past, I’ve faced criticism for choices I’ve made, both on and off stage, and I rarely responded. This time, I felt I needed to speak up. I could not remain silent.”

Kirson ended her statement with an apology to her fans and others she has “hurt or disappointed.”

“I have a special relationship with my fans because of the vulnerable nature of my comedy and the trust they place in me as part of the queer community,” she said. “To my fans: I see you. I hear you. Your voice matters to me. I love you all, and I am genuinely sorry for making a poor decision that had repercussions I didn’t fully consider. I will take full responsibility for my actions and dedicate myself to making amends, so that my words and choices reflect the respect and care you deserve.”

The 2034 World Cup will take place in Saudi Arabia.

Qatar, which borders Saudi Arabia, hosted the 2022 World Cup. Consensual same-sex sexual relations remain punishable by death in the Middle East country.

President Donald Trump in May visited Qatar, Saudi Arabia, and the United Arab Emirates.

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Events

The Los Angeles Blade Partners with AJSOCAL to host gala uplifting AAPI joy and resistance

AJSOCAL is hosting its annual gala at the Westin Bonaventure Hotel on Thursday, October 16th; Los Angeles Blade serves as Gala Media Partner.

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Asian Americans Advancing Justice Gala 2025

This year, Asian Americans Advancing Justice Southern California (AJSOCAL), a leading legal and civil rights organization that fights for policies defending Asian American and Pacific Islander community members, is hosting its annual gala at the Westin Bonaventure Hotel on Thursday, October 16th. The Los Angeles Blade serves as the organization’s 2025 Gala Media Partner, spotlighting feature issues on two LGBTQ+ policy advocates who have spearheaded the organization’s AAPI Queer Joy coalition as well as one of the event’s honorees, first-time Los Angeles City councilmember Ysabel Jurado.

A special edition run of these features, as well as other Los Angeles Blade stories, will be available at the gala. Other honorees and special guests at this year’s event include Bird Marella’s managing partner, Paul Chan, Pasadena Fire Department fire engineer Chien Yu, former Biden cabinet secretary Julie Su, and others. The gala will be hosted by anchor and broadcast journalist David Ono and will feature a performance by local band Kokoro.

L.A. City Councilmember Ysabel Jurado will be presented with the 2025 Trailblazer in Justice Award, celebrating those who break barriers, open doors, and pave new paths, by the Los Angeles Blade and AJSOCAL.

More information can be found here.

WHERE: The Westin Bonaventure Hotel – Downtown LA

404 S Figueroa Street
Los Angeles, CA 90071


WHEN: Thursday, October 16
4:30 pm Media Check-in
5:15 pm Red Carpet Opens
6:30 pm Event Begins
6:45-9:00 pm Program and Dancing

Asian Americans Advancing Justice Southern California (AJSOCAL) is the nation’s largest legal and civil rights organization for Asian Americans and Pacific Islanders (AAPIs). Founded in 1983, AJSOCAL supports over 15,000 individuals and organizations annually. By offering free legal help, engaging in impact litigation, conducting crucial research, and advocating for policy change, AJSOCAL prioritizes the most vulnerable members of AAPI communities while fostering a robust advocacy for civil rights and social justice. Offices are in downtown Los Angeles and Orange County, with satellite offices in Sacramento, ensuring accessibility for
all.

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Events

“We are glimmers of hope”: LGBTQ+ advocates deliver powerful speeches defending queer rights at Equality Awards

The 2025 Equality Awards honorees were Fran Drescher and the Coalition for Humane Immigrant Rights

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Fran Drescher was awarded the National Labor Leader award at Saturday's Equality Awards. (Photo courtesy of Maya Spach/Getty Images)

On Saturday evening, nearly 700 people packed the lower-level ballroom of the lavish Fairmont Century Plaza hotel for LGBTQ+ civil rights organization Equality California’s annual awards ceremony. Throughout the night, several speakers took passionate stands on the urgent and unequivocal need, now more than ever, to support queer communities and the organizations working to protect their rights and liberties. Senator Lena Gonzalez and Assemblymember Mark Gonzalez, two of the event’s co-chairs, encouraged attendees to create a direct impact by making donations. The goal for the evening was $125,000. 

As soft pink light and the clinking of cutlery at dinnertime enveloped the room, host Bob the Drag Queen wove lightness and humor in between speeches with his signature biting humor and commanding stage presence. “I do a lot of galas, so sometimes they kind of bleed together,” he told the Blade. “But it’s never lost to me: the work that is being done at these things and the people whose lives are being helped. Sometimes it’s easy to get lost in the rigmarole of, ‘Oh, another gala. More rich people giving money.’ But then that money does end up going somewhere and doing something really substantial.”

Around half an hour into the program, Equality California’s executive director, Tony Hoang, delivered, without hesitation, a promise that the organization is dedicated to resisting and unraveling the harm of the administration’s threats to policies and programs that support queer and trans youth, immigrants, and other community members. “The courts will not save us. Congress will not save us. What will save us is sustained organizing, day in and day out,” Hoang said. “While they’re trying to silence us, this is the moment to double down, to share your story, to invest your time, to invest your resources.”

Comedian and radio host Jesse Thorn also took the stage to speak candidly about raising trans kids and how exhausting this last year has been. When his first child came out as trans almost ten years ago, he feared for her safety, but was introduced to various resources, support groups, and care options that gave him hope as a parent. “It felt like we were on a steady path to safety,” he said. “I only wish that I still had that safe, optimistic feeling. Right now, I just feel sick to my stomach.” 

Thorn recounted trying to shield one of his children from a transphobic commercial that came on during a 49ers game he’d been watching, and how, more recently, he was told that the clinic that provided gender-affirming care to his children was shuttering. “Do we fight? Do we run away and hide? Are we traumatizing our kids if they know the stakes?” he said. “If we reply to someone’s post on Facebook with the name of our new doctor, will someone turn them into the feds?”

While it feels like he and his wife have had to make a new call every day to recalculate next steps for their family, he finds comfort in thinking about queer and trans family members, friends, and elders who resisted systemic violence and fought for their right to stability, equality, and happiness. “[I] think of all these people that gave so much of themselves to live a joyful life,” Thorn told the Blade. “It’s the readiness, the lack of hesitance that I have felt from not just the queer community more broadly, but particularly those earlier generations. They see the analogy is direct, and they’re fighting.” 

Other notable speeches of the night included one of the evening’s two honorees: actress, former SAG-AFTRA union president, and 90’s sitcom icon Fran Drescher. As she shimmied onto the stage with a wide smile to accept the National Labor Leader Award, she cracked jokes before honing in on the importance of defending the lives of marginalized people. She spoke about the successful strikes she led at SAG-AFTRA, which led to historic negotiation deals in favor of the union’s workers, as well as her own battles with misogyny as she took on leadership roles later in her career. “I can lead with intellect and empathy and wisdom — and I can still rock a red lip!” she declared. 

“As members of a labor union or citizens of a nation, it behooves us all to resist these manipulations, to make kindness and compassion our compass, to remain stalwart in our unity above all else,” Drescher concluded. “I’ll just close by saying this: love is love. Thank you.” 

The other honoree of the evening was the Coalition of Humane Immigrant Rights (CHIRLA), an organization that has been paving the way in developing programs, initiatives, and rallies to advance civil rights for immigrant communities. CHIRLA’s executive director, Angelica Salas, who has led the group for over 20 years, accepted the ceremony’s Community Leadership Award and addressed the crowd with empowering remarks. 

CHIRLA’s executive director, Angelica Salas, accepted the Community Leadership award on behalf of the organization on Oct. 4th. (Photo courtesy of Maya Spach/Getty Images)

Off the heels of a march protesting the administration’s executive orders, which have authorized unjust arrests and detainments of immigrants, Salas was clear in her criticisms and calls to action. “We want ICE out of our schools. [We want] ICE out of our clinics and hospitals,” Salas said. “Like it or not, our LGBTQ+ Americans and immigrants make this country more beautiful, more powerful, and more united…We are rainbows, we are color, we are glimmers of hope…Equality California, we got your back, and I know you got our back. So, let’s fight together.”

As the night wound to an end, several items were fought over during an energetic live auction, including vacation getaways to Paris and Puerto Vallarta, a Sabrina Carpenter concert experience, and memorabilia associated with late activist Marsha P. Johnson. By 9:30 p.m., the $125,000 donation goal was achieved and even surpassed by over $5,000.

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