“The Boys in the Band” received the award for Best Revival of a Play at the 73rd Annual Tony Awards at Radio City Music Hall on Sunday making 83-year-old playwright Mart Crowley the oldest playwright to win the award.
The play tells the story of a group of gay friends who gather together to celebrate a friend’s birthday in pre-Stonewall New York City. It opened off-Broadway in 1968. For the play’s 50th anniversary, the production was revived in 2018 with co-producer Ryan Murphy and director Joe Mantello.
The openly gay revival cast included Matt Bomer, Jim Parsons, Zachary Quinto, Andrew Rannells, Charlie Carver, Robin de Jesús, Brian Hutchison, Tuc Watkins and Michael Benjamin Washington.
Murphy is also planning a film adaptation for Netflix featuring the Broadway cast.
Crowley dedicated the award to the original cast in his acceptance speech.
“I’d like to dedicate the award to the original cast of nine brave men, who did not listen to their agents when they were told that their careers would be finished if they did this play,” Crowley said. “They did it, and here I am.”
“Hadestown” was the big winner of the evening, which was hosted by James Corden, coming in with eight wins.
Bisexual actress Ali Stoker, also known for her work on “The Glee Project,” won Best Featured Actress in a Musical for portraying Ado Annie in the “Oklahoma!” revival.
Stephanie J. Block won Best Actress in a Musical for playing Cher in “The Cher Show.” Legendary costume designer Bob Mackie and longtime Cher collaborator also won Best Costume Design in a Musical for “The Cher Show.” Cher celebrated the multiple wins with an emotional tweet.
I CANNOT STOP JUMPING, CRYING,LAUGHING,….I FEEL LIKE I WON AN AWARD‼️ NOT EVEN SURE IF I CAN USE EMOJIS. STEPHANIE,BESIDES ME…YOU ARE THE“ BEST ME”? BOB I LOVED YOU THE MOMENT I SAW YOU❤️ BEST ACTRESS IN MUSICAL = STEPHANIE J BLOCK BEST COSTUME DESIGN BOB MACKIE pic.twitter.com/Lsha8FhKQX— Cher (@cher) June 10, 2019
Gay winners continued to dominate the night with Robert Horn winning Best Book of a Musical for “Tootsie,” Sergio Trujillo winning Best Choreography for The Temptations musical “Ain’t Too Proud” and André DeShields winning Best Featured Actor in a Musical for Broadway hit “Hadestown.”
The Tonys included some starring looks including Billy Porter who rocked the rainbow-backdropped red carpet, which honored World Pride, with a Celestino Couture created from the velvet curtains of “Kinky Boots.” Porter won a Tony Award for starring in the musical in 2013. The outfit is reportedly meant to resemble women’s reproductive organs in a stand for abortion rights.
View this post on InstagramHunties, the Tony Awards just got gayer! ?️? Thank you to @kinkybootsbway and @scenerybags for hooking me up with this curtain. #pride #broadway. ⠀ ⠀ Style: @sammyratelle for @rrrcreative Agency Styling Assistants: @ashleymarienyc & @theetanishawilliams ⠀ Grooming: @lasonyagunter⠀ Manicurist: @courtneyfosterbeauty⠀ Custom Dress: @celestinocouture ⠀ Fine Jewelry: @oscarheyman ⠀ Custom Shoes: @orelbrodtdesigns⠀ Custom Bag: @emmkuony Custom Eyewear: @mercuranyc A post shared by Billy Porter (@theebillyporter) on
“The Prom” cast also performed and included the kiss that made history at the Macy’s Thanksgiving Day Parade for being the first same-sex kiss to air on the televised parade.
Check out the list of winners below.
Best Play “Choir Boy” “Gary: A Sequel to Titus Andronicus” “Ink” “The Ferryman” “What the Constitution Means to Me”
Best Musical “Ain’t Too Proud” “Beetlejuice” “Hadestown” “The Prom” “Tootsie”
Best Revival of a Play “All My Sons” “Burn This” “The Boys in the Band” “The Waverly Gallery” “Torch Song”
Best Revival of a Musical Kiss Me, Kate “Oklahoma!”
Best Book of a Musical “Ain’t Too Proud” by Dominique Morisseau “Beetlejuice” by Scott Brown and Anthony King “Hadestown” by Anaïs Mitchell “The Prom” by Bob Martin and Chad Beguelin “Tootsie” by Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre “Be More Chill” by Joe Iconis “Beetlejuice” by Eddie Perfect “Hadestown” by Anaïs Mitchell “The Prom” by Matthew Sklar and Chad Beguelin “To Kill a Mockingbird” by Adam Guettel “Tootsie” by David Yazbek
Best Performance by an Actor in a Leading Role in a Play Paddy Considine, “The Ferryman” Bryan Cranston, “Network” Jeff Daniels, “To Kill a Mockingbird” Adam Driver, “Burn This” Jeremy Pope, “Choir Boy”
Best Performance by an Actress in a Leading Role in a Play Annette Bening, “All My Sons” Laura Donnelly, “The Ferryman” Elaine May, “The Waverly Gallery” Laurie Metcalf, “Hillary and Clinton” Janet McTeer, “Bernhardt/Hamlet” Heidi Schreck, “What the Constitution Means to Me”
Best Performance by an Actor in a Leading Role in a Musical Brooks Ashmanskas, “The Prom” Derrick Baskin, “Ain’t Too Proud” Alex Brightman, “Beetlejuice” Damon Daunno, “Oklahoma!” Santino Fontana, “Tootsie”
Best Performance by an Actress in a Leading Role in a Musical Stephanie J. Block, “The Cher Show” Caitlin Kinnunen, “The Prom” Beth Leavel, “The Prom” Eva Noblezada, “Hadestown” Kelli O’Hara, “Kiss Me, Kate”
Best Performance by an Actor in a Featured Role in a Play Bertie Carvel, “Ink” Robin De Jesús, “The Boys in the Band” Gideon Glick, “To Kill a Mockingbird” Brandon Uranowitz, “Burn This” Benjamin Walker, “All My Sons”
Best Performance by an Actress in a Featured Role in a Play Fionnula Flanagan, “The Ferryman” Celia Keenan-Bolger, “To Kill a Mockingbird” Kristine Nielsen, “Gary: A Sequel to Titus Andronicus” Julie White, “Gary: A Sequel to Titus Andronicus” Ruth Wilson, “King Lear”
Best Performance by an Actor in a Featured Role in a Musical André De Shields, “Hadestown” Andy Grotelueschen, “Tootsie” Patrick Page, “Hadestown” Jeremy Pope, “Ain’t Too Proud” Ephraim Sykes, “Ain’t Too Proud”
Best Performance by an Actress in a Featured Role in a Musical Lilli Cooper, “Tootsie” Amber Gray, “Hadestown” Sarah Stiles, “Tootsie” Ali Stroker, “Oklahoma!” Mary Testa, “Oklahoma!”
Best Scenic Design of a Play Miriam Buether, “To Kill a Mockingbird” Bunny Christie, “Ink” Rob Howell, “The Ferryman” Santo Loquasto, “Gary: A Sequel to Titus Andronicus” Jan Versweyveld, “Network”
Best Scenic Design of a Musical Robert Brill and Peter Nigrini, “Ain’t Too Proud” Peter England, “King Kong” Rachel Hauck, “Hadestown” Laura Jellinek, “Oklahoma!” David Korins, “Beetlejuice”
Best Costume Design of a Play Rob Howell, “The Ferryman” Toni-Leslie James, “Bernhardt/Hamlet” Clint Ramos, “Torch Song” Ann Roth, “Gary: A Sequel to Titus Andronicus” Ann Roth, “To Kill a Mockingbird”
Best Costume Design of a Musical Michael Krass, “Hadestown” William Ivey Long, “Beetlejuice” William Ivey Long, “Tootsie” Bob Mackie, “The Cher Show” Paul Tazewell, “Ain’t Too Proud”
Best Lighting Design of a Play Neil Austin, “Ink” Jules Fisher + Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus” Peter Mumford, “The Ferryman” Jennifer Tipton, “To Kill a Mockingbird” Jan Versweyveld and Tal Yarden, “Network”
Best Lighting Design of a Musical Kevin Adams, “The Cher Show” Howell Binkley, “Ain’t Too Proud” Bradley King, “Hadestown” Peter Mumford, “King Kong” Kenneth Posner and Peter Nigrini, “Beetlejuice”
Best Sound Design of a Play Adam Cork, “Ink” Scott Lehrer, “To Kill a Mockingbird” Fitz Patton, “Choir Boy” Nick Powell, “The Ferryman” Eric Sleichim, “Network”
Best Sound Design of a Musical Peter Hylenski, “Beetlejuice” Peter Hylenski, “King Kong” Steve Canyon Kennedy, “Ain’t Too Proud” Drew Levy, “Oklahoma!” Nevin Steinberg and Jessica Paz, “Hadestown”
Best Direction of a Play Rupert Goold, “Ink” Sam Mendes, “The Ferryman” Bartlett Sher, “To Kill a Mockingbird” Ivo van Hove, “Network” George C. Wolfe, “Gary: A Sequel to Titus Andronicus”
Best Direction of a Musical Rachel Chavkin, “Hadestown” Scott Ellis, “Tootsie” Daniel Fish, “Oklahoma!” Des McAnuff, “Ain’t Too Proud” Casey Nicholaw, “The Prom”
Best Choreography Camille A. Brown, “Choir Boy” Warren Carlyle, “Kiss Me, Kate” Denis Jones, “Tootsie” David Neumann, “Hadestown” Sergio Trujillo, “Ain’t Too Proud”
Best Orchestrations Michael Chorney and Todd Sickafoose, “Hadestown” Simon Hale, “Tootsie” Larry Hochman, “Kiss Me, Kate” Daniel Kluger, “Oklahoma!” Harold Wheeler, “Ain’t Too Proud”
Best of LGBTQ+ LA 2022
Our fifth annual special issue celebrates your favorites in nightlife, dining, activism, and more
Welcome to the fifth annual special issue of the Best of LGBTQ LA.
The Los Angeles Blade is thrilled to celebrate the best of our community and all of the accomplishments that have been made throughout this past year. It was the year things were supposed to get back to “normal,” but really didn’t. During a year that started with an insurrection and ended with a new pandemic surge, here are some highlights of Los Angeles living, from drag to streaming services, that demonstrate the best of LA’s LGBTQ community.
Los Angeles Blade readers nominated finalists; the top five vote getters in each category were then added to the final ballot. Thousands of Blade readers then voted and the winners are presented here. The Blade staff congratulates each of this year’s winners and finalists.
Best Drag Queen: Rhea Litré
Rhea Litré describes herself as drag’s “Baddest Bitch.” It is not because she is “a bitch” but because she is bad at being one. LA Blade readers agree and have named her “Best Drag Queen” for a second year in a row. Last year, Litré decided to set up a live virtual drag show. According to Litré, “On March 16, 8 p.m. Pacific Time, we gave birth to the first digital drag show of its kind.” Litre went on to say, “There has been drag online for a long time, but as far as a conceptualized, produced show, that had never been done before.” You can find more information on Litré’s Instagram – quarantinequeendragshow
Editor’s choice: Jasmine Masters
Best LA-Based Drag Race Contestant (so far): Gottmik
Gottmik (Kade Gottlieb) was the first-ever transgender man to compete on RuPaul’s Drag Race and was a finalist in the show’s 13th season. Challenging the definition of modern drag and shaking up the “cis-tem” is intrinsic to Gottmik’s image and power. Gottmik’s work is a testament to the fluidity of the individual. Their career has taken them to the height of celebritydom as a makeup artist for some of Hollywood and New York’s biggest marquis names. Vogue called their look and style a kind of “show-stopping” glam. Los Angeles is lucky to be home to this revolutionary whirling dervish of talent.
Editor’s choice: Shangela
Best Drag King: Prinze Valentino
Prinze Valentino is a genderqueer performing artist who came to Los Angeles from Detroit. Each time Prinze steps foot on the stage he puts his passion into each movement with purpose and enthusiasm. He strives to be an empowering queer role model for the LGBTQ+ community. LA Blade readers think he hit that goal and voted him the best.
Editor’s choice: Landon Cider
Best Drag Show: ELOTERIA at Redline
Located in the heart of Downtown Los Angeles, Redline is one of the newer gay bars to hit the scene, and LA Blade readers love ELOTERIA, the Redline Saturday night drag show.
Editor’s choice: Makeout Mondayz at Rocco’s
Best Happy Hour: Rocco’s Tavern WeHo
Rocco’s Happy Hour is set in a sexy cocktail lounge. Rocco’s provides West Hollywood with a mix of weekly events featuring an open floor plan with lots of outdoor space. Friendliness is a brand trademark, and LA Blade readers seem to agree (especially those who like to start dinking early.)
Editor’s choice: Beaches
Best Neighborhood Bar: Abbey and Chapel
“The bartenders are amazing, very friendly and conversational!” The Chapel is the gay dance club in the heart of WeHo, the sister venue of The Abbey. LA Blade readers have declared it the best of Los Angeles’ most popular gay nightclubs. Go and enjoy the amazing DJs. Owner David Cooley has been an enormous supporter of the community with numerous fundraisers, the founding of the Gay & Lesbian Elder Housing project and supporting numerous LGBTQ organizations.
Editor’s choice: Hamburger Mary’s
Best Outdoor Dining/Drinking: Rocco’s
Launched in May 2019, Rocco’s is known as a popular LGBTQ bar, winning the LA Blade Best Happy Hour for 2022. Two years ago, Rocco’s won the Best Neighborhood Bar award and this year and last, Rocco’s has won for Best Outdoor Dining. Rocco’s is an inclusive space with LGBTQ décor that celebrates LGBTQ pride and history. The LA Blade’s readers chose Rocco’s as having the best outdoor dining due to its continued agility throughout the ongoing COVID-19 pandemic.
Editor’s choice: La Boheme
Best Brunch: Santolina
At Santolina, each dish on the menu tells a different story. The cuisine is a unique fusion of Tel Aviv meets California. Chefs Michael Teich and Burt Bakman infuse vibrant herbs into a health conscious offering that LA Blade readers definitely have eaten up and named as Best Brunch 2022.
Editor’s choice: Hamburger Mary’s
Best Bartender: Cesar Morales at Beaches
Beaches has become a gathering place for the social media creator and influencer community that has endorsed Cesar as a “super sweet and friendly” bartender who provides the very best in the hospitality Beaches has become known for. Cesar exemplifies The Beaches motto: ‘Be wild and free and look good doing it.’
Located in the heart of West Hollywood, Beaches is a strong, conceptually driven and fashionable LGBTQ+ focused hybrid restaurant and lounge.
The two-story space offers two full bars and VIP seating areas where guests can take a breather, have a cocktail or enjoy our one-of-a-kind California Cuban Cuisine. Enthusiastic patrons won’t be able to resist the pull of the energy on the main room equipped with a first-class lighting and sound system; the venue houses a DJ booth with the latest DJ equipment.
Editor’s choice: Eric Lutz at Rocco’s
Best DJ: Kimber Chronic
Kimber Chronic is an American DJ pop singer, songwriter, and music producer. She is known for working closely with the LGBTQIA+ community through her transgender activism. Named a “Hero of Diversity” by Stoli Vodka for her inspiring journey that began in the gritty heart of Detroit, Kimber is hands on in bringing her vision to life “of creating an arsenal of music that is married with visual themes of addiction, lust, and ferocity.”
Editor’s choice: DJ Morningstar
Best Restaurant: Bottega Louie
Bottega Louie adds this year’s LA Blade Best Restaurant 2022 to their long list of awards. The restaurant, which seemed to tease us mid-construction for centuries, boasts sweet and savory gourmet dishes, and valet parking. “They make ordinary items not so ordinary,” effuses one happy patron. LA Blade readers agree. It’s very likely the best place in Los Angeles to see and be seen. Hit the patio after you faint over the desserts.
Editor’s choice: Night+Market
Best Coffee Shop: Alfred Coffee Melrose Place
Stylish yet whimsical coffee shop serving coffee and juice, plus salads, sandwiches, and pastries.
Editor’s choice: Starbucks
Best Radio or TV Station: KTLA
This year, KTLA partnered with the Los Angeles LGBT Center and aired the “Love in Action” telethon hosted by Cher Calvin and Jai Rodriguez. The telethon supported the LGBTQ community during the COVID-19 pandemic. The telethon has raised several million dollars and featured a host of LGBTQ celebrities and allies. LA Blade readers sent back the appreciation to KTLA by naming them the best station in LA.
Editor’s choice: KCET PBS
Best Cannabis Business: Med Men
A recent review says, “Great experience there – my first time – and was greeted with a smile and good energy at the front door. Customer service was excellent – they asked what I liked, then swiftly showed me options and pricing and I was out the door in less than 4 minutes – literally. Plenty of easy parking too and five minutes from home – I think I found my new dispensary. Thanks MedMen.” LA Blade readers obviously agree.
Editor’s choice: Cannabis Café
Best LGBTQ-Owned Business: Out of the Closet Thrift Store
When you shop at Out of the Closet, 96 cents of every dollar goes back into HIV care and services. The chain is owned and operated by the AIDS Healthcare Foundation, a Los Angeles-based charity that provides medical, preventive, and educational resources for patients. “All of the proceeds go toward AIDS research. Love the cause and the workers were great,” observes one patron. LA Blade readers see it similarly.
Editor’s choice: The Abbey
Best LGBTQ Social Group: Impulse Group LA
Winning this category for the second year in a row, Impulse Group LA was founded in 2009 by Jose Ramos. It is a nonprofit organization dedicated to building a stronger and healthier community for gay men. Hosting more than 400 events annually in 25 cities across the globe, Impulse seeks to create a brave space to engage, support, and connect our community.
Editor’s choice: AIDS LifeCycle
Best House of Worship: Kol Ami
In 2019 and 2021, Congregation Kol Ami won the award for Best House of Worship. In 2020 it won Editor’s Choice, and now wins the award again for the Best House of Worship this year. Kol Ami is an important leader in the Jewish, LGBTQ, and West Hollywood communities since its founding in 1992. Rabbi Denise L. Egers broke barriers to create a more inclusive Reform movement that has resulted in more LGBTQ inclusion at synagogues worldwide. (1200 N La Brea Ave, West Hollywood)
Editor’s choice: Metropolitan Community Church, InVision Church (tie)
Most Committed Activist: Jose Ramos
Jose has been described as “a fierce LGBTQ/HIV activist, leader, founder and president of Impulse Group, AFH Director of Western Sales, triathlete and former General Manager at Target North Hollywood.” An activist since he was 14 years old, Jose launched Impulse from his kitchen table in 2009. Of the name for the group, Jose explained to WEHO Times, “The name came because we felt that there was this very short time when we are about to have sex, that we may have the impulse to use protection or not; to ask questions about sexual health or not. It’s a split second when you make a decision about your health. Knowing that there is that urge, that impulse to act on your desires, we thought that the name “Impulse” fit really well with how we could help with moment of instinct–that split second. We wanted to empower gay men to make the best decision.” LA Blade readers salute his commitment to our community.
Editor’s choice: Queen Victoria Ortega
Favorite Public Official: Robert Garcia
Garcia celebrated his 44th birthday on Dec. 2 and is a gay Latino originally from Peru. First elected to the city council in April 2009 to much fanfare as the Council’s youngest, first Latino male, and first gay person of color. He became Long Beach’s first gay mayor in 2014 with 52.1% of the vote
Garcia has deep ties to the Democratic Party’s leadership. In the 2020 campaign he was a prominent surrogate for Kamala Harris’s presidential campaign, later becoming a strong supporter of President Joe Biden. During the course of the ongoing coronavirus pandemic the mayor has acted in concert with California Gov. Gavin Newsom’s measures including masking mandates and the push to get Californians vaccinated.
The pandemic tragically impacted Garcia directly when in summer of 2020, he lost his mother, Gaby O’Donnell, and stepfather, Greg O’Donnell, to COVID. His mother was a medical assistant who immigrated from Peru when the mayor was five years old.
Editor’s choice: Lindsey Horvath
Most LGBTQ-Friendly City: West Hollywood
For the third year in a row, West Hollywood has won the award for the Most LGBTQ-Friendly City. As noted previously, West Hollywood has its “boutique hotels, celebrity-owned restaurants, unparalleled nightlife and shopping, and world-renowned events.” The inclusive city, one of America’s best run cities according to some, has multiple LGBTQ bars, restaurants, and nightlife and it’s no surprise that the LA Blade readers continue to choose West Hollywood as the Most LGBT-Friendly City.
Editor’s choice: Palm Springs
Best Local Pro Sports Team: The Dodgers
The Los Angeles Dodgers franchise wins for a second year in a row. With six World Series championships and 23 National League pennants since its beginnings in Brooklyn in 1890, The Dodgers are committed to a tradition of pride and excellence. The Dodgers are dedicated to supporting a culture of winning baseball, providing a first-class, fan-friendly experience at Dodger Stadium, and building a strong partnership with the community. With the highest cumulative fan attendance in Major League Baseball history and a record of breaking barriers, the Dodgers are one of the most cherished sports franchises in the world.
Editor’s choice: The Lakers
Best Real Estate Firm: Oppenheim Group
Made famous by the reality show, Selling Sunset, the award-winning Oppenheim Group is a professional real estate brokerage serving buyers and sellers of luxury property in Los Angeles and Orange County. The brokerage is comprised of a close group of talented Realtors, led by the firm’s president and founder, Jason Oppenheim. A recent client exclaimed, “I would not have known about Oppenheim Group if it was not for the show. Oppenheim Group is all about professional upmarket real estate, which you effectively deliver. You showed us such lovely and beautiful homes. I liked the fact that the agents research the history of the properties, have knowledge on the area of the property/rooms and work hard to sell a property. Now looking forward to the next season where we can see more beautiful homes. Well done Brett, Jason and team!”
Editor’s choice: Compass
Best Ally: Debbie Allen
Debbie Allen received one of the 2021 Kennedy Center Honors and is receiving the 2021 Governor’s Award at the Emmys. She can now add LA Blade’s Best Ally 2022 to her award shelf. Allen was the producer of a landmark “A Different World” episode addressing AIDS and the Black community, and told AFROPUNK, “I’m happy to be here for World AIDS Day and to be working with AIDS Healthcare Foundation, it’s really just to highlight this war, this global war that we’re still in.”
Editor’s choice: Congressman Adam Schiff
Best Salon Spa: Shorty’s Barbershop
It is no contest. Shorty’s Barber Shop has won the Best Salon/Spa Award for the fourth year in a row. With amazing products and great haircuts, Shorty’s is a local favorite. In terms of its high quality products, all of them are ethically created and never tested on animals.
LA Blade readers continue to sing Shorty’s praises, “When you walk out with some merch (the styling putty and soy paste are customer favorites), you can feel good about that, too. Besides the perfect cut, Shorty’s also puts a premium on giving back, by working with the likes of Concrete Hero, AIDS Project Los Angeles, and the Los Angeles LGBT Center.”
Editor’s choice: Ole Henriksen Face/Body Spa:
Best Car Dealership: Honda of Hollywood
Honda of Hollywood exudes excitement to help its Los Angeles clients. “We take the time to explore the features that are important to you and our knowledgeable staff is here to answer all of your questions. But what would buying a new car be without a test drive first? Visit Honda Of Hollywood where we’ll get you out on the road to find a Honda vehicle perfectly suited to your needs,” they state. “Super easy, great service,” confirms one happy reviewer. LA Blade readers have test driven them into being the Best Car Dealership of 2022.
Editor’s choice: Mercedes Beverly Hills
Best Doctor/Medical Provider: AIDS Healthcare Foundation Clinics
An Editor’s Choice winner two years ago for Most LGBT-Friendly Workplace, AIDS Healthcare Foundation Clinics has won Best Doctor/Medical Provider for the second year in a row. They represent the consistently excellent work of doctors, physician’s assistants, nurse practitioners, med techs, benefits counselors, and support staff at 14 AHF Healthcare Centers and satellite clinics throughout Southern California. In its quest to rid the world of AIDS, this nonprofit organization provides cutting-edge medicine and advocacy in 43 countries. Locally, says AHF Senior Director of Communications Ged Kenslea, “Our ‘circle of care’ concept starts with free and accessible HIV testing. When called for, AHF then provides swift linkage to care and follow-up treatment. We try as best we can to keep the focus on the patient by serving as their partner in care, in order to make it easier for them to adhere to their medication and care regimens to help them achieve their best selves, health and wellness-wise.”
Editor’s Choice: Los Angeles LGBT Center
Best Fitness or Workout Spot: LA Fitness
One happy reviewer reports, “So happy to be back. Great gym. Can’t wait to use a locker again but I’m grateful they are being careful of covid. Clean, well-organized, and courteous staff for a much better price than the social club gym.” LA Blade voters agree.
Editor’s choice: Equinox
Best Home Furnishings: Living Spaces
Since December 2016, Living Spaces has brought a pressure-free furniture shopping experience to Los Angeles. Its two-story showroom boasts a variety of styles for every room in the house. Living spaces also carries hundreds of customizable styles in a special-order program. Living Spaces is so committed to offering their clients superior products at the best price, they will match a competitor’s price and take off an extra 10%. For that, and many other reasons, LA readers consider them the year’s best.
Editor’s choice: Restoration Hardware
Most LGBT-Friendly Workplace: City of West Hollywood
The City of West Hollywood regularly makes history. It was the first city in the nation to have a majority-LGBTQ governing body with its inaugural City Council when the city was incorporated in 1984. Today, the City Council is majority-LGBTQ and majority female. Starting in the darkest days of the AIDS crisis, West Hollywood became a beacon of hope in proving social services and support to LGBTQ community members and it has led the way in advocating for full LGBTQ equality. LGBTQ history-making extends to the city’s deep commitment to building an affirming work environment for LGBTQ employees. It’s no wonder the City of West Hollywood receives high marks from the community as the most friendly workplace for LGBTQ people.
Editor’s choice: Most LGBT-Friendly Workplace: Los Angeles LGBT Center
Best Non-Profit: Ariadne Getty Foundation
Founded in 2004, The Ariadne Getty Foundation works with partners worldwide to improve the lives of individuals and communities through financial investments and social activism. AGF is proud of its achievements and continues to ensure positive social and political change to further improve lives worldwide. Its namesake, Ariadne Getty, was voted 2020’s Best Ally by readers and presented the 2021 Hero of the Year Award by Los Angeles Blade publisher, Troy Masters.
In addition to her key support of LGBTQ journalism, major donations to GLAAD and others, this year saw the opening of The Ariadne Getty Foundation Senior Housing, a cutting-edge 70,000-square-foot building in Hollywood with 98 affordable housing units for seniors ages 62 and above, LA Blade readers certainly noticed.
In the last decade Ariadne has become an increasingly visible LGBTQ philanthropist, encouraging other people of means to back Queer causes. As the mother of two, Nats and August, she has embraced gender fluidity and also championed trans rights. Getty has also been the recipient of the Los Angeles LGBT Center’s Vanguard award (2018) as well as receiving award-winning magazine, Variety’s Philanthropist of the Year award in 2019.
Editor’s choice: Project Angel Food, Equality California (tie)
Best Pet Business or Vet: Laurel Pet Hospital
Located in the heart of West Hollywood, Laurel Pet Hospital has “general practice veterinarians and specialists in internal medicine, surgery, and dentistry, we provide high-quality medical care at a reasonable price. Our facility includes a well-stocked pharmacy, in-hospital surgery suite, digital X-ray equipment, dental radiography, endoscopy, ultrasound, CO2 laser capabilities, and a closely supervised hospitalization area.” Compassionate advice and optimal care are key values.
Editor’s choice: Wag
Best Grocery/Supermarket: Trader Joe’s
Trader Joe’s returns to the top of the heap having been named LA Blade’s Best Grocery for 2019 and 2018. In June 2021, Trader Joe’s gave all its stores nicely cut and potted rainbow roses in celebration of Pride month. Heidi Leindecker, an assistant manager for Trader Joe’s told mycustomer.com, “Trader Joe’s is a role model for hiring diversity and practicing inclusion. The company cultivates a positive image when it comes to inclusion and its brand amongst employees and consumers. Trader Joe’s puts the employee first and makes sure that everyone is treated with integrity and respect. Employees are treated equally in the same manner as customers are treated equally. As employees are treated well, the feeling naturally overflows to the customers’ positive shopping experience.” LA Blade readers feel the love.
Editor’s choice: Pavillions
Best Museum or Art Gallery: Getty Center
Editor’s choice: Los Angeles County Museum of Art (LACMA)
Best A&E Venue: Hollywood Bowl
Last year the Hollywood Bowl won for Best Virtual A&E Events. This year it is the Best A&E Venue, which demonstrates that live or virtual, in the eyes of LA Blade readers, it is the best. Since its opening in 1922, the Hollywood Bowl has been the premier destination for live music, hosting everyone from Billie Holiday to The Beatles to Yo-Yo Ma under the iconic silhouette of its concentric-arched band shell.
Editor’s choice: Greek Theater
Best Outside LA Getaway: Palm Springs
Palm Springs is so interested in attracting the LGBTQ community that its Visiting Greater Palm Springs website calls out the community specifically. “Ready to take a hiatus from virtual events and Zoom meetings? We don’t blame you. The desert has long been a soothing oasis for the LGBTQ community with its poolside siestas, innovative cuisine, trendy shops and outdoor activities, but now, more than ever, those things have become more than luxuries. They are necessities for self-care and rejuvenation. Consider the following list of hot spots and activities and make a splash—literally—with your best LGBTQ getaway yet,” states author Greg Archer. LA Blade readers apparently are ready to pack their bags and happily head to the desert.
Editor’s choice: Las Vegas
Best Hotel: Le Parc
The Le Parc Suite Hotel is a groundbreaking boutique hotel in West Hollywood featuring sophisticated suites and a sky deck overlooking Los Angeles.
Le Parc Suite Hotel’s extraordinary renovation embraces the local arts community and memorializes the city of West Hollywood’s diversity. Already a well-known retreat for rising stars and trendsetting celebrities, Le Parc combines the city’s design-forward aesthetic with residential-style suites. Its new LOVE mural, designed by large-format fine artist Scott Hile, of Free Spirit Fine Art, embodies the spirit of Le Parc Suites.
Editor’s choice: Sofitel Beverly Hills
Best LGBTQ Event: OutFest
Each year since 1979, OutFest has been a staple film festival in Los Angeles, held during LA’s Pride season and growing in importance to become the world’s largest such festival.
Today, it is one of Los Angeles’ most anticipated such events, even hosting events across the country. It has garnered the attention of the Academy of Motion Pictures and Sciences and even helped open the new Academy Awards Museum, hosting the billion dollar facility’s first live and in person event, Outfest Legacy Awards Gala in November. Outfest also hosts year-round programming that gives artists, filmmakers and entertainment professionals the opportunity to discover their voice, provide the pathways to the visibility of their work by all members of the public, and assure that their legacy will live on for generations to come.
Outfest strives to increase LGBTQIA+ visibility, strengthen understanding and create meaningful change by building empathy for our cause among the general public and the LGBTQ community by honoring excellence in telling the stories of our community.
Editor’s choice: DTLA ProudOutFest
Best Streaming Program Performance: Ben Aldridge
Out British actor Ben Aldridge had two prominent roles streamed by LA Blade readers this year. He is well regarded for his role in “Pennyworth” as Bruce Wayne’s father, Thomas, the action-packed prequel story that was picked up by HBO Max this year. It was likely Aldridge’s other critically acclaimed role seen on Brit Box that thrilled Blade audiences. In “The Long Call,” he plays a gay man returning to an evangelical community that had rejected him years earlier. He is now a detective being asked to solve the mystery of a body found on the beach. Aldridge has had a great year, also being nominated for a GLAAD Award.
Editor’s choice: Ewan McGregor- Halston (Netflix)
Best Streaming Service: Amazon
Amazon Prime has so many LGBTQ-themed movies that it has constructed a top 20 list. The movie “Rocket Man” from 2019 tops the list. The list includes 2019’s “Halston,” 2020’s “Shubh Mangal Zyada Saavdhan,” and “Lez Bomb” and “Believer,” from 2018.
Best Indie Streaming Service: Brit Box
Turn on your TV and head to the UK! No travel, no stress – just the best and biggest collection of British television in the U.S. and Canada on the digital video subscription service, BritBox. The streamer was created by two British content powerhouses—BBC Studios and ITV, the UK’s biggest broadcaster. BritBox features exclusive premieres, celebrated lifestyle and current series and iconic favorites, along with daytime dramas — most available within 24 hours after their UK premiere. BritBox also offers excellent curation, live programming and a user-friendly experience.
Editor’s Choice: Revry
LGBTQ+ groups fight over Trans Athletes competing is losing ground
Public opinion overwhelmingly supportive of the Equality Act is clearly skeptical of a one size fits all of all sports everywhere
WASHINGTON – In the wake of the NCAA changing its policies regarding transgender athletes and state legislatures advancing new legislation against trans inclusion in school sports, LGBTQ advocates continue the fight to ensure athletes can compete consistent with their gender identity, although they may be losing the battle.
As public polling has demonstrated, transgender athletes competing in sports — especially trans women in women’s sports — remains unpopular even among pro-transgender people. Key figures have emerged in recent days opposing transgender inclusion amid the focus on Lia Thomas, a recently transitioned swimmer at the University of Pennsylvania who has been smashing records in women’s aquatics.
Nonetheless, LGBTQ advocates charged with fighting for transgender rights are continuing the efforts. After a coalition of LGBTQ advocates sent a letter to the NCAA urging the organization to include a non-discrimination provision in its updated constitution, the Human Rights Campaign condemned the organization for refusing to keep the language, which appears to have the effect of allowing the sports division to decline to allow transgender athletes to compete consistent with their gender identity, and sent an action alert to supporters.
Joni Madison, interim president of the Human Rights Campaign, said in a statement the NCAA “needs to show us their playbook for protecting LGBTQ+ and specifically transgender athletes from discrimination” as state legislatures advance legislation against transgender kids in sports.
“The NCAA has so far proven to be an unreliable ally to LGBTQ+ athletes across the country who depend upon the organization to protect them from discrimination and now they owe these athletes answers,” Madison said.
Instead of reaffirming non-discrimination protections, the NCAA announced a change in policy that goes in different directions but appears aimed at limiting participation of transgender women without taking full responsibility for it. On one hand, the NCAA delegates to the bodies governing individual sports the policies for transgender participation, but on the other hand requires transgender women to document having limited testosterone levels over a certain period of time.
The fight now continues in state legislatures as sports bills are among the latest crop of measures seeking to limit access for transgender people. After South Dakota Gov. Kristi Noem made a push for legislation against transgender kids in sports at the start of the year, the state legislature responded by advancing such a measure. On Wednesday, a South Dakota House committee favorably reported out legislation already approved by wide margins in the Senate that would make biological sex the standard for sports in an attempt to limit transgender participation.
Sam Ames, director of advocacy and government affairs at The Trevor Project, said in a statement upon the committee vote the legislation “has nothing to do with fairness — and everything to do with South Dakota politicians using transgender youth as pawns on a political chessboard.
“Proponents of this blanket ban are hard-pressed to find examples of transgender students making South Dakota sports less fair or safe,” Ames said. “Research from The Trevor Project makes clear that many already opt out of sports due to fear of bullying and discrimination.”
Although the issue of transgender women in sports has emerged in recent years as conservative activists found a way to challenge LGBTQ rights in a way that was palatable to the public, the fervor peaked as Thomas made headlines for breaking records in the pool.
After having previously competed in men’s aquatics, Thomas — after she transitioned — began competing in women’s events and was beating her competitors by wide margins. In one event in December, Thomas came in first in the 1,650-yard freestyle and 38 seconds ahead of her closest competitor. The NCAA rules would appear to have the effect of barring Thomas from further competition.
Public polling, which has shown strong support for LGBTQ rights in general, continues to show the sentiment is against transgender women competing in sports, although the outcome of the poll can change considerably depending on the wording of the question. One Gallup poll last year found only 34 percent of those surveyed supported transgender athletes participating on teams consistent with their gender identity, while 62 percent said transgender people should have to compete with other athletes of their gender designated at birth.
One LGBTQ strategist, who agreed to speak on condition of anonymity, said the time may have come for LGBTQ advocates to admit a fait accompli if they want to seek broader civil rights protections in employment, housing and public accommodations with the Equality Act or other federal legislation.
“Advocates should just admit this is a very different issue than a trans person applying for a job or finding an apartment,” the strategist said. “Equality principles differ by situation — that’s why we have separate men’s and women’s sports in the first place. The same public opinion overwhelmingly supportive of the Equality Act is also clearly skeptical of a one size fits all federalization of all sports everywhere.”
Adding fuel to the fire are recent comments from key figures in athletics.
Caitlyn Jenner, who before she transitioned was an Olympic champion in the 1970s, has been among the more prominent voices to speak out against transgender women in sports and said on a recent appearance on Fox News it represents “a woke world gone wild.”
Jenner, who came out against transgender participation in sports during her unsuccessful gubernatorial campaign last year in the California recall election, said the NCAA “just kicked the can down the road” on the transgender sports issue and had choice words for Thomas.
“When you do transition and you do go through this, you have to take responsibility and you have to have integrity,” Jenner said. “I don’t know why she’s doing this.”
Michael Phelps, the decorated Olympic swimmer, also declined to support transgender athletes fully when asked about the issue during an interview on CNN, bringing up doping in sports in comparison.
“I don’t know what it looks like in the future,” Phelps said. “It’s hard. It’s very complicated and this is my sport, this has been my sport my whole entire career, and honestly the one thing I would love is everybody being able to compete on an even playing field.”
“I’m deeply troubled by what appears to be a devolving level of active, effective, committed, and equitable support for gender diverse student-athletes within the NCAA’s leadership”
To be sure, advocates for allowing transgender people to compete in sports consistent with their gender identity also have their supporters in the sports world, including tennis legend Billie Jean King. On Monday, Dorian Rhea Debussy, who’s non-binary and one of 54 facilitators in the NCAA Division III LGBTQ OneTeam program, resigned in protest over recent NCAA actions.
“I’m deeply troubled by what appears to be a devolving level of active, effective, committed, and equitable support for gender diverse student-athletes within the NCAA’s leadership,” Debussy said. “As a non-binary, trans-feminine person, I can no longer, in good conscience, maintain my affiliation with the NCAA.”
Arguably, schools complying with the new NCAA policy and states enacting anti-transgender laws would be violating Title IX of the Education Amendment of 1972, which prohibits discrimination on the basis of sex in education, especially after the U.S. Supreme Court’s ruling in Bostock v. Clayton County finding anti-transgender discrimination is a form of sex discrimination.
One federal court last year blocked a West Virginia state law against transgender participation in sports on that legal basis. No litigation, however, appears to be in the works at this time challenging colleges or the NCAA policy.
‘Jamie’ comes to America in triumphant Ahmanson premiere
A time when being gay is okay, where drag is fun for everybody, and there’s room for everybody but the bigots at the party
LOS ANGELES – The tag line for “Everybody’s Talking About Jamie,” the London West End musical making its North American debut at the Ahmanson this month, tells us that it is “the hit musical for today.”
That is an entirely accurate statement.
With a book and lyrics by Tom MacRae and music by Dan Gillespie Sells, it’s a show that was inspired by the real-life story of a 16-year-old British schoolboy who bucked bigotry and overcame bullying to become a drag queen – or more precisely, it was inspired by the 2011 documentary “Jamie: Drag Queen at 16,” which told his story.
Premiering in 2017, the musical opened in the Yorkshire town of Sheffield, where it is set, before moving to the West End for a successful run that earned the show several nominations at the Olivier Awards. A Broadway production was planned, but tabled (thanks to Covid), and a film adaptation was made which, after several delays (again, thanks to Covid), was released by Amazon in 2021.
Now, in lieu of Broadway, it’s receiving its first incarnation on the American stage in Los Angeles – which seems entirely appropriate, somehow, given the show’s young-and-hip appeal. Renamed as Jamie New, its proudly gay protagonist is already very much out to his family and to fellow students at his Sheffield school, but has kept hidden his secret dream to become a drag queen.
Encouraged by his friend Pritti, and with the blessing of his concerned-but-supportive mother Margaret, he resolves to emerge from a second closet by attending the prom in drag. He finds an unexpected mentor in Hugo, the owner of a shop for drag attire (himself a former drag legend named Loco Chanelle), and as his confidence grows, so does his boldness; but as word begins to spread of his planned “coming out” he faces resistance, bullying, and worse from the community around him – including a homophobic schoolmate, a conservative teacher, and the estranged father whose long-withheld acceptance is something for which he keenly longs.
Can he overcome these repressive obstacles to claim his true identity as a fabulous queen and perform for his adoring fans? If you have any experience at all with musical theatre, chances are that you already know the answer is [SPOILER ALERT] yes.
From its first few minutes, the show lets you know without a doubt that it plans not just to entertain, but to dazzle. Loaded with infectious, pop-flavored songs and providing ample opportunity for a young and limber cast of triple-threat performers to wow us with their physical prowess and their talent, it leans hard into the optimism that drives most of its characters – the select few who embrace a more cynical worldview are, not coincidentally, largely antagonists – and makes sure to keep the tone from becoming too dark for too long, even when the story gives us glimpses of a harsher side of life as a drag queen.
It seamlessly blends diverse elements of stagecraft into its visual design, taking place on a streamlined, mod, efficiently configurable set that captures both the flashy electronic milieu of the Instagram era inhabited by its youthful hero and the rough-around-the-edges vibe of the working class neighborhood in which he actually lives. And if all of that isn’t enough, it has drag.
It’s not necessarily about drag, however. In fact, while drag is very much the passion that Jamie follows on his personal journey, it’s not the destination. Nor is his story really about acceptance, either from himself, his oppressors at school, or his absent and small-minded father; it’s clear from the beginning that he’s already pretty sure of himself, and there’s never any real doubt that things are going to turn out just fine for him, in the end.
The transformation Jamie is required to make involves not so much how he sees himself, in fact, but how he sees the people around him. It’s a refreshing shift, in many ways, from the frequent drag narrative in which the end goal is self-acceptance, in that it goes on to show how self-acceptance can also lead to greater acceptance not just from others, but for others, as well.
In that spirit, “Everybody’s Talking About Jamie” treats all its characters with empathy, even the school bully – though it pointedly turns a cold shoulder to Jamie’s dad, whose unrelenting homophobia seemingly makes his character undeserving of even being given a name. Still, even a show with as positive an attitude as this one needs a reminder that there are still those among us who haven’t been won over – at least, not yet – and in the end it’s unequivocally easy to stand in enthusiastic solidarity as the whole happy cast comes out to take their bows.
As to that cast, Layton Williams (reprising his role as Jamie from both the UK tour and remounted West End production of the show) is every bit worthy of our full attention and adulation as he struts his stuff (and his impossibly long legs, even in expert-level heels) as Jamie.
Melissa Jacques is warm, grounded, and compelling as his mother, and she makes her second act song soliloquy, “He’s My Boy,” into a showstopper. Hiba Elchikhe embodies the spirit of girl power as Pritti, whose embrace of her Muslim identity doesn’t stop her from giving Jamie a run for his money in making a splash, and Gillian Ford makes her role as stodgy Careers teacher Miss Hodge into an audience favorite.
Shobna Gulati brings a tough-as-nails protective presence as Mom’s loyal friend Ray, and George Sampson makes sure school bully Dean is awkward and endearing enough for us to cheer for his redemption. Finally, Roy Haylock – who is better known as Bianca Del Rio and brings a level of serious queer star power to the production – proves himself to be as much of an energetic, gifted comedic performer when he’s out of drag as he is when he is in it. That doesn’t mean, however, that Bianca doesn’t make an appearance herself, when Hugo [another probably unnecessary SPOILER ALERT] brings Loco Chenelle out of retirement to cheer Jamie on.
With a uniformly talented cast, brisk direction from Jonathan Butterell, and high-energy choreography by Kate Prince, this production of “Jamie” is well-worthy of being the show’s North American debut.
It entertains, with seeming effortlessness despite the whirlwind energy on which it rides, and it reinforces our best hopes and beliefs about ourselves and the world we live in along the way. If its conflicts resolve a little too easily, and its obstacles melt a little too conveniently, we can forgive that as a tip of the hat to artistic license and theatrical convention. It’s may be as ephemeral as a photo on Instagram, unapologetically designed to be feel-good fluff – but if there was ever a time when the world needed feel-good fluff, this is it.
It is, after all, a “hit musical for today,” intended to capture and celebrate the cultural moment of the here and now – a time when being gay is okay, drag is fun for everyone, and there’s room at the party for everybody but the bigots.
And they can come too, if they’re willing to stop being bullies and start being friends instead.
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