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Tony Awards 2019: ‘Boys in the Band,’ ‘The Cher Show’ pick up wins

‘Hadestown’ leads with triumphs for eight categories

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The cast of ‘The Boys in the Band’ at the 2019 Tony Awards. (Screenshot via YouTube)

“The Boys in the Band” received the award for Best Revival of a Play at the 73rd Annual Tony Awards at Radio City Music Hall on Sunday making 83-year-old playwright Mart Crowley the oldest playwright to win the award.

The play tells the story of a group of gay friends who gather together to celebrate a friend’s birthday in pre-Stonewall New York City. It opened off-Broadway in 1968. For the play’s 50th anniversary, the production was revived in 2018 with co-producer Ryan Murphy and director Joe Mantello.

The openly gay revival cast included Matt Bomer, Jim Parsons, Zachary Quinto, Andrew Rannells, Charlie Carver, Robin de Jesús, Brian Hutchison, Tuc Watkins and Michael Benjamin Washington.

Murphy is also planning a film adaptation for Netflix featuring the Broadway cast.

Crowley dedicated the award to the original cast in his acceptance speech.

“I’d like to dedicate the award to the original cast of nine brave men, who did not listen to their agents when they were told that their careers would be finished if they did this play,” Crowley said. “They did it, and here I am.”

“Hadestown” was the big winner of the evening, which was hosted by James Corden, coming in with eight wins.

Bisexual actress Ali Stoker, also known for her work on “The Glee Project,” won Best Featured Actress in a Musical for portraying Ado Annie in the “Oklahoma!” revival.

Stephanie J. Block won Best Actress in a Musical for playing Cher in “The Cher Show.” Legendary costume designer Bob Mackie and longtime Cher collaborator also won Best Costume Design in a Musical for “The Cher Show.” Cher celebrated the multiple wins with an emotional tweet.

Gay winners continued to dominate the night with Robert Horn winning Best Book of a Musical for “Tootsie,” Sergio Trujillo winning Best Choreography for The Temptations musical “Ain’t Too Proud” and André DeShields winning Best Featured Actor in a Musical for Broadway hit “Hadestown.”

The Tonys included some starring looks including Billy Porter who rocked the rainbow-backdropped red carpet, which honored World Pride, with a Celestino Couture created from the velvet curtains of “Kinky Boots.” Porter won a Tony Award for starring in the musical in 2013. The outfit is reportedly meant to resemble women’s reproductive organs in a stand for abortion rights.

“The Prom” cast also performed and included the kiss that made history at the Macy’s Thanksgiving Day Parade for being the first same-sex kiss to air on the televised parade.

Check out the list of winners below.

Best Play “Choir Boy” “Gary: A Sequel to Titus Andronicus” “Ink” “The Ferryman” “What the Constitution Means to Me”

Best Musical “Ain’t Too Proud” “Beetlejuice” “Hadestown” “The Prom” “Tootsie”

Best Revival of a Play “All My Sons” “Burn This” “The Boys in the Band” “The Waverly Gallery” “Torch Song”

Best Revival of a Musical Kiss Me, Kate “Oklahoma!”

Best Book of a Musical “Ain’t Too Proud” by Dominique Morisseau “Beetlejuice” by Scott Brown and Anthony King “Hadestown” by Anaïs Mitchell “The Prom” by Bob Martin and Chad Beguelin “Tootsie” by Robert Horn

Best Original Score (Music and/or Lyrics) Written for the Theatre “Be More Chill” by Joe Iconis “Beetlejuice” by Eddie Perfect “Hadestown” by Anaïs Mitchell “The Prom” by Matthew Sklar and Chad Beguelin “To Kill a Mockingbird” by Adam Guettel “Tootsie” by David Yazbek

Best Performance by an Actor in a Leading Role in a Play Paddy Considine, “The Ferryman” Bryan Cranston, “Network” Jeff Daniels, “To Kill a Mockingbird” Adam Driver, “Burn This” Jeremy Pope, “Choir Boy”

Best Performance by an Actress in a Leading Role in a Play Annette Bening, “All My Sons” Laura Donnelly, “The Ferryman” Elaine May, “The Waverly Gallery” Laurie Metcalf, “Hillary and Clinton” Janet McTeer, “Bernhardt/Hamlet” Heidi Schreck, “What the Constitution Means to Me”

Best Performance by an Actor in a Leading Role in a Musical Brooks Ashmanskas, “The Prom” Derrick Baskin, “Ain’t Too Proud” Alex Brightman, “Beetlejuice” Damon Daunno, “Oklahoma!” Santino Fontana, “Tootsie”

Best Performance by an Actress in a Leading Role in a Musical Stephanie J. Block, “The Cher Show” Caitlin Kinnunen, “The Prom” Beth Leavel, “The Prom” Eva Noblezada, “Hadestown” Kelli O’Hara, “Kiss Me, Kate”

Best Performance by an Actor in a Featured Role in a Play Bertie Carvel, “Ink” Robin De Jesús, “The Boys in the Band” Gideon Glick, “To Kill a Mockingbird” Brandon Uranowitz, “Burn This” Benjamin Walker, “All My Sons”

Best Performance by an Actress in a Featured Role in a Play Fionnula Flanagan, “The Ferryman” Celia Keenan-Bolger, “To Kill a Mockingbird” Kristine Nielsen, “Gary: A Sequel to Titus Andronicus” Julie White, “Gary: A Sequel to Titus Andronicus” Ruth Wilson, “King Lear”

Best Performance by an Actor in a Featured Role in a Musical André De Shields, “Hadestown” Andy Grotelueschen, “Tootsie” Patrick Page, “Hadestown” Jeremy Pope, “Ain’t Too Proud” Ephraim Sykes, “Ain’t Too Proud”

Best Performance by an Actress in a Featured Role in a Musical Lilli Cooper, “Tootsie” Amber Gray, “Hadestown” Sarah Stiles, “Tootsie” Ali Stroker, “Oklahoma!” Mary Testa, “Oklahoma!”

Best Scenic Design of a Play Miriam Buether, “To Kill a Mockingbird” Bunny Christie, “Ink” Rob Howell, “The Ferryman” Santo Loquasto, “Gary: A Sequel to Titus Andronicus” Jan Versweyveld, “Network”

Best Scenic Design of a Musical Robert Brill and Peter Nigrini, “Ain’t Too Proud” Peter England, “King Kong” Rachel Hauck, “Hadestown” Laura Jellinek, “Oklahoma!” David Korins, “Beetlejuice”

Best Costume Design of a Play Rob Howell, “The Ferryman” Toni-Leslie James, “Bernhardt/Hamlet” Clint Ramos, “Torch Song” Ann Roth, “Gary: A Sequel to Titus Andronicus” Ann Roth, “To Kill a Mockingbird”

Best Costume Design of a Musical Michael Krass, “Hadestown” William Ivey Long, “Beetlejuice” William Ivey Long, “Tootsie” Bob Mackie, “The Cher Show” Paul Tazewell, “Ain’t Too Proud”

Best Lighting Design of a Play Neil Austin, “Ink” Jules Fisher + Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus” Peter Mumford, “The Ferryman” Jennifer Tipton, “To Kill a Mockingbird” Jan Versweyveld and Tal Yarden, “Network”

Best Lighting Design of a Musical Kevin Adams, “The Cher Show” Howell Binkley, “Ain’t Too Proud” Bradley King, “Hadestown” Peter Mumford, “King Kong” Kenneth Posner and Peter Nigrini, “Beetlejuice”

Best Sound Design of a Play Adam Cork, “Ink” Scott Lehrer, “To Kill a Mockingbird” Fitz Patton, “Choir Boy” Nick Powell, “The Ferryman” Eric Sleichim, “Network”

Best Sound Design of a Musical Peter Hylenski, “Beetlejuice” Peter Hylenski, “King Kong” Steve Canyon Kennedy, “Ain’t Too Proud” Drew Levy, “Oklahoma!” Nevin Steinberg and Jessica Paz, “Hadestown”

Best Direction of a Play Rupert Goold, “Ink” Sam Mendes, “The Ferryman” Bartlett Sher, “To Kill a Mockingbird” Ivo van Hove, “Network” George C. Wolfe, “Gary: A Sequel to Titus Andronicus”

Best Direction of a Musical Rachel Chavkin, “Hadestown” Scott Ellis, “Tootsie” Daniel Fish, “Oklahoma!” Des McAnuff, “Ain’t Too Proud” Casey Nicholaw, “The Prom”

Best Choreography Camille A. Brown, “Choir Boy” Warren Carlyle, “Kiss Me, Kate” Denis Jones, “Tootsie” David Neumann, “Hadestown” Sergio Trujillo, “Ain’t Too Proud”

Best Orchestrations Michael Chorney and Todd Sickafoose, “Hadestown” Simon Hale, “Tootsie” Larry Hochman, “Kiss Me, Kate” Daniel Kluger, “Oklahoma!” Harold Wheeler, “Ain’t Too Proud”

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Bette Midler’s July 4 tweet on women’s rights interpreted as ‘transphobic’

The immediate response chided the Grammy winner for her use of language that is the consistent transphobic message by right-wing groups

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Bette Midler at the HRC National Dinner in Washington D.C., October 2010. (Blade file photo by Michael Key)

LOS ANGELES – A July 4 tweet by gay icon Bette Midler to her 2.1 million followers has LGBTQ+ advocacy groups and activists labeling the language transphobic. The 76-year-old award-winning actress and singer was responding to the ongoing aftershocks of the U.S. Supreme Court ruling last month that overturned Roe v. Wade.

Midler has been a consistent supporter of LGBTQ+ people including presenting awards at both GLAAD and Human Rights Campaign events. Because of this stance previously, many in the LGBTQ+ community are dismayed at the language chosen in her tweet.

Midler wrote: “WOMEN OF THE WORLD! We are being stripped of our rights over our bodies, our lives and even of our name!

“They don’t call us ‘women’ anymore; they call us ‘birthing people’ or ‘menstruators’, and even ‘people with vaginas’! Don’t let them erase you! Every human on earth owes you!”

The immediate response chided the Grammy winner for her use of language that has been part of the consistent transphobic messaging by right-wing conservative groups and other celebrities such ‘Harry Potter’ author JK Rowling who has gained a reputation for being a TERF (The acronym for trans-exclusionary radical feminist), also referred to as ‘Gender Critical.’

Evan Urquhart, a senior community manager for Slate magazine expressed his disappointment in Midler, as a fan, and as a trans male.

Freelance MSNBC contributor, journalist and columnist Katelyn Burns was blunt in her response to Midler’s statement:

Increasingly anti-transgender activists, particularly anti-trans extremists in both the United States and the UK have slammed healthcare officials for encouraging staff to use phrases such as “birthing people” alongside women or co-parent when treating LGBTQ+ patients, among other inclusive terms. Often claiming that using gender-neutral terms all but “erases” women when it isn’t actually the case PinkNewsUK noted.

Sarah Kate Ellis, GLAAD President & CEO reacted on Twitter writing:

“From Pamela Paul in the opinion pages of The New York Times to right-wing activists including Jordan Peterson to notables like Bette Midler and Macy Gray, the recent anti-transgender rhetoric in the media and online is contributing to the dangerous and completely inaccurate narrative that trans people are somehow threatening the overall rights of cisgender women. Women and trans people are in a common fight for bodily autonomy and the right to privacy. Cisgender women, trans people, and nonbinary people must stand together against those who seek to divide us. As a feminist and a cisgender woman, I will never stop fighting for my trans and nonbinary friends, family, and colleagues.”

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Outfest

Outfest LA LGBTQ+ Film Festival celebrates its 40th birthday

Outfest celebrates with a huge lineup of more than 200 LGBTQ+ films & will run from July 14 to 24 at venues across Los Angeles

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Los Angeles Blade graphic

LOS ANGELES – As it celebrates four full decades of bringing the best in global queer cinema to Los Angeles, Outfest’s 2022 edition will present a huge and wildly diverse lineup of more than 200 queer films from 29 countries, including an impressive 42 world premieres, all spread over an exciting 11 days this month.

Anything’s Possible (Courtesy of Outfest LA LGBTQ+ Film Festival)

Kicking things off on July 14 will be the Opening Night Gala and Billy Porter’s directorial debut Anything’s Possible, the sweet coming-of-age romance between trans girl Kelsa and her handsome classmate Khal during their senior year of high school. The world premiere screening will mark Outfest’s return to its longtime Opening Night venue, the Orpheum Theatre in DTLA, after a three-year hiatus wrought by the pandemic. 

Stay on Board: The Leo Baker Story (Courtesy of Outfest LA LGBTQ+ Film Festival)

More world premieres at this year’s Outfest will include the documentary Stay on Board: The Leo Baker Story, which follows competitive skateboarder Leo Baker as he balances the gendered world of sports, transition, society and skate culture in the leadup to the 2020 Olympics; the UK feature Phea, a modern and politically resonant lesbian spin on the Orpheus myth, starring singer/songwriter Sherika Sherard; Art and Pep, which follows the true story of life and business partners Art Johnston and Pepe Peña, creators of the iconic Chicago gay club Sidetrack (which is also celebrating its 40th birthday this year); and comedian/musician Scout Durwood’s feature directorial debut Youtopia, in which Durwood accidentally becomes the leader of a hipster millennial cult after a bad breakup.

God Save the Queens (Courtesy of Outfest LA LGBTQ+ Film Festival)

Outfest 2022 also returns to Hollywood’s Ford Theater for one of the festival’s most popular components, Outfest Under the Stars, this year combining screenings with live performances over three nights. First up on July 21 will be a sneak peek work-in-progress showing of Unconventional, the latest series from Emmy-winner and Outfest favorite Kit Williamson (EastSiders), about eccentric, queer Palm Springs siblings who attempt to create a new kind of family, with cameos from the likes of Kathy Griffin, Willam Belli, Laith Ashley and Beau Bridges. Next at the Ford on July 22 comes the dragstravaganza God Save the Queens, a feature comedy starring RuPaul’s Drag Race superstars Alaska Thunderfuck, Laganja Estranja and Kelly Mantle (who’ll also perform live before the screening) as struggling Los Angeles queens in crisis who find themselves together at a group therapy retreat. The film boasts appearances by a cavalcade of queer faves like Drew Droege, Honey Davenport, Michelle Visage, and Manila Luzon. Capping things off at the Ford on July 23 will be I Have to Laugh: Comedy Night at the Ford, a live stand-up showcase featuring the cast of Outfest 2022 selection Queer Riot, including Margaret Cho, River Butcher, Brad Loekle, Akeem Woods, and Daniel Webb, all followed by an assortment of gut-busting short films.

Framing Agnes (Courtesy of Outfest LA LGBTQ+ Film Festival)

As usual, Outfest’s hallmark will be its presentation of some of the most award-winning and well-received LGBTQ+ selections from the world’s top film festivals this year, many in their first public screenings in Los Angeles. From Sundance will come the Finnish female coming-of-age story (and Sundance Audience Award winner) Girl Picture; the Lebanese female thrash metal band documentary Sirens; the Brazilian family drama and female love story Mars One (Marte Um); and the innovative Chase Joynt doc Framing Agnes, which tells the true story of a Los Angeles trans woman who in 1958 boldly took part in a UCLA sexuality study. From the Berlin International Film Festival will come the Teddy Award-winning Brazilian film Three Tidy Tigers Tied a Tie Tighter, about a trio of young queer friends in the working-class suburbs of São Paulo; gay film fest favorite François Ozon’s latest, Peter von Kant, a remaking of Rainer Werner Fassbinder’s 1972 classic The Bitter Tears of Petra von Kant, featuring cinema icons Isabelle Adjani and Hanna Schygulla; and the stylized gender-norm-busting 1950s fantasy Please Baby Please, featuring cameos by Demi Moore and Mary Lynn Rajskub.

And from Tribeca will come the much-anticipated documentary All Man: The International Male Story, which tells the story of the revolutionary gay menswear mail-order catalog International Male; the Danish thriller Attachment, in which Maja and Leah’s love story takes a dark turn rooted in Jewish folklore; and the Austrian sports drama Breaking the Ice, in which ice hockey team captain Mira’s uptight life gets shaken up by freewheeling new team member Theresa.

A League of Their Own (Courtesy of Outfest LA LGBTQ+ Film Festival)

Among the many other Outfest 2022 highlights will be its Legacy Centerpiece, a 20th anniversary screening of Todd Haynes’ Far from Heaven with live appearances by Haynes, star Julianne Moore, and producer Christine Vachon. Outfest’s Episodics section will include an advanced look at Shudder’s forthcoming queer horror history docuseries Queer for Fear; a free sneak peak of the upcoming Prime Video series A League of Their Own; and the first episode of writer/producer Des Moran’s new series halfsies, about six Black half-siblings who re-enter each other’s lives after a death in the family. Outfest’s always intrepid Platinum section will this year include award presentations to Clive Barker and Big Freedia, as well as a host of cutting-edge screenings and the Platinum Alchemy Party at Catch One. The ever-popular roster of Outfest shorts programs will this year include a whopping 15 different categories, including the perennial festival favorite Boys Shorts. And the Trans, Nonbinary & Intersex Summit on July 23 will feature three back-to-back programs and a keynote by writer and activist Raquel Willis.

They/Them (Courtesy of Outfest LA LGBTQ+ Film Festival)

Capping off this year’s Outfest will be the Closing Night Gala at The Theatre at Ace Hotel, showcasing the world premiere of the queer and trans teen horror film , in which a masked intruder lurks in the shadows of an already scary conversion therapy camp. The film features Academy Award-nominated writer John Logan in his directorial debut.

Outfest 2022 will run from July 14 to 24 at venues across Los Angeles including the DGA Theater Complex, Harmony Gold and REDCAT. For the full lineup and tickets, visit outfestla.org.

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Movies

Dorian Awards cast a queer eye on television

Netflix favorite ‘Heartstopper’ nabs three nominations

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Kit Conner and Joe Locke in ‘Heartstopper.’ (Photo courtesy Netflix)

As Hollywood gears up for the year’s second “Awards Season” ahead of July 12’s scheduled announcement of the 2022 Emmy nominations, it seems only fitting for us to bring some attention to another awards organization that has already dropped its picks for the year’s best in TV content. We’re referring, of course, to the Dorian Awards, which have been bestowed by the Society of LGBTQ Entertainment Critics since 2009. 

If you’ve never heard of the Dorians, that’s not surprising. In keeping with the entertainment industry’s frustratingly persistent skittishness when it comes to All Things Queer, the Dorians haven’t gotten much attention in the mainstream press – though with a 385-member voting body and a scandal-free history, they are arguably more reputable than the Golden Globes. Named in honor of iconic queer writer Oscar Wilde (as a reference to his novel “The Picture of Dorian Gray”), they are admittedly low profile when it comes to glitz and glamour, handing out their prizes at an annual “Winner’s Toast” day party instead of a formal evening affair. Nevertheless, they’ve gained traction as Hollywood’s attitudes toward LGBTQ inclusion and representation have shifted, and each of their two annual ceremonies – one for TV, one for film, held about six months apart – draw an increasing number of A-listers to participate, both as nominees and presenters; and while the Dorians may not hold the level of prestige enjoyed by some of the industry’s other awards, at least we can be sure their voting membership won’t overlook queer shows and talent as often as their counterparts at the Motion Picture and Television Academies.

That doesn’t mean the Dorians are exclusively focused on LGBTQ content. The Society of LGBTQ Entertainment Critics – formerly known as the Gay and Lesbian Entertainment Critics Association, or GALECA – explicitly states that its awards are to honor “the best in film and TV, mainstream to queer+”, while calling attention to the importance of queer contribution and sensibility within the wider culture and reminding “bullies, bigots, and our own at-risk youth that the world loves the sly Q eye on entertainment.” With some state governments and the SCOTUS itself dedicating themselves an all-out assault on the LGBTQ community and its hard-won rights, that last point seems particularly resonant; with so much homo- and transphobic hate pouring its efforts into erasing us, our visibility is more crucial than ever.

Fortunately, as the slate of Dorian nominees announced by GALECA on June 22 reveals, the queer presence on television is strong. No longer segregated to a “niche” genre, the LGBTQ community has finally begun to appear on our screens as it does in life – blended, alongside everyone else, into a world that has room for us all. That’s what ideal inclusion looks like, and it’s heartening – especially now – to see that it has become the norm in so much of the industry’s best offerings.

This year, HBO leads the pack in terms of nods. Two of its heavily queer-inclusive shows, “Hacks” and “Somebody Somewhere,” received five nominations each, while “Euphoria” and “The White Lotus” snagged 4 and 3, respectively. In total, the cable-and-streaming giant got 24, with an additional 13 for programming exclusively on HBO Max, bringing the total to 37.

Coming in second with less than half that number is Netflix. Among its 15 nominations are three nods for “Heartstopper,” the runaway queer fan favorite based on a sweet UK webcomic about two schoolboys in love, and two each for Natasha Lyonne’s brain-twisting time travel dramedy “Russian Doll” and the already-award-winning Korean thriller “Squid Game.”

New series scored high among Dorian voters this year. Besides “Heartstopper” and “Somebody Somewhere,” ABC’s “Abbott Elementary,” Showtime’s “Yellow Jackets,” and Apple TV+’s “Severance” each received multiple nominations, with many other freshman titles picking up individual nods.

As for the awards themselves, the Dorians feature fewer overall categories – instead of being split into “gendered” divisions, actors of all genders compete for a single award in each category – and set themselves apart by striking a mildly tongue-in-cheek pose in the presentation of its “special” accolades. In presenting awards like Campiest TV Show or the brand new “You Deserve an Award” award, the Dorians give a tip of the lavender hat to the tradition of Wildean wit at their back – but they also assert the importance of queer perspective when it comes to taste-making and the aesthetic arts.

Nominees for the 14th Annual Dorian TV Awards (honoring shows which debuted June 1, 2021-May 31, 2022) are listed below. Winners will be revealed on Wednesday, Aug. 12.

BEST TV DRAMA: “Better Call Saul”; “Heartstopper”; “Yellowjackets”; “Severance”; “Succession”

BEST TV COMEDY: “Abbott Elementary”; “Barry”; “Hacks”; “The Other Two”; “Our Flag Means Death”

BEST LGBTQ SHOW: “Hacks”; “Heartstopper”; “The Other Two”; “Our Flag Means Death”; “Somebody Somewhere”; “RuPaul’s Drag Race”

BEST TV MOVIE OR MINISERIES: “Dopesick”; “The Dropout”; “Midnight Mass”; “Station Eleven”; “The White Lotus”

BEST NON-ENGLISH LANGUAGE TV SHOW: “Elite”; “Lupin”; “My Brilliant Friend”; “Pachinko”; “Squid Game”

BEST UNSUNG SHOW: “Better Things”; “The Other Two”; “Our Flag Means Death”; “Russian Doll”; “Somebody Somewhere”; “We Are Lady Parts”

BEST TV PERFORMANCE: Quinta Brunson (“Abbott Elementary”); Kit Connor (“Heartstopper”); Bridget Everett (“Somebody Somewhere”); Bill Hader (“Barry”); Lily James (“Pam & Tommy”); Natasha Lyonne (“Russian Doll”); Melanie Lynskey (“Yellowjackets”); Amanda Seyfried (“The Dropout”); Jean Smart (“Hacks”); Zendaya (“Euphoria”)

BEST SUPPORTING TV PERFORMANCE: Murray Bartlett (“The White Lotus”); Anthony Carrigan (“Barry”); Jennifer Coolidge (“The White Lotus”); Hannah Einbinder (“Hacks”); Jeff Hiller (“Somebody Somewhere”); Janelle James (“Abbott Elementary”); Matthew Macfadyen (“Succession”); Christina Ricci (“Yellowjackets”); Rhea Seehorn (“Better Call Saul”); Sydney Sweeney (“Euphoria”)

BEST TV MUSICAL PERFORMANCE: Beyonce, “HYPERLINK “https://www.youtube.com/watch?v=4aeDlZOD-B0″Be Alive” (94th Academy Awards); Kristin Chenoweth and cast, “HYPERLINK “https://www.youtube.com/watch?v=_PmS5JIfSkk”Tribulation” (“Schmigadoon!”); Bridget Everett and Jeff Hiller, “HYPERLINK “https://www.youtube.com/watch?v=As-a_bzFrl0″Don’t Give Up” (“Somebody Somewhere”); Jean Smart, “You Make Me Feel Like a Natural Woman” (“Hacks”); Cecily Strong and cast, “HYPERLINK “https://www.youtube.com/watch?v=Dj5mJGyoYIM”Corn Puddin’” (“Schmigadoon!”); Hannah Waddingham and cast, “HYPERLINK “https://www.youtube.com/watch?v=4B0HktX4xqQ”Never Gonna Give You Up” (“Ted Lasso”)

BEST TV DOCUMENTARY OR DOCUMENTARY SERIES: “The Andy Warhol Diaries”; “The Beatles: Get Back”; “How to with John Wilson”; “Spring Awakening: Those You’ve Known”; “We Need to Talk About Cosby”

BEST CURRENT AFFAIRS PROGRAM: “The Amber Ruffin Show”; “The Daily Show with Trevor Noah”; “Full Frontal with Samantha Bee”; “Last Week Tonight with John Oliver”; “The Late Show with Stephen Colbert”; “The Rachel Maddow Show”; “ZIWE” (Showtime)

BEST ANIMATED SHOW: “Arcane”; “Big Mouth”; “Bob’s Burgers”; “Q Force”; “Tuca & Bertie”; “What If…?”

BEST REALITY SHOW: “Legendary”; “The Real World Homecoming: New Orleans”; “RuPaul’s Drag Race”; “Survivor”; “Top Chef: Houston”; “We’re Here”

MOST VISUALLY STRIKING SHOW: “Euphoria”; “The Gilded Age”; “Loki”; “Severance”: “Squid Game”

CAMPIEST TV SHOW: “Diana: The Musical”; “Euphoria”; “Girls5Eva”; “Nine Perfect Strangers”; “Schmigadoon!”

WILDE WIT AWARD (to a performer, writer or commentator whose observations both challenge and amuse): Joel Kim Booster; Quinta Brunson; Jerrod Carmichael; Jennifer Coolidge; Bowen Yang

THE “YOU DESERVE AN AWARD!” AWARD (to a uniquely talented TV icon we adore): Gillian Anderson; Christine Baranski; Lynda Carter; Kim Cattrall; Cassandra Peterson

GALECA LGBTQIA+ TV TRAILBLAZER (for creating art that inspires empathy, truth and equity): Jerrod Carmichael; Margaret Cho; Russell T. Davies; Kate McKinnon; Bowen Yang

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