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June Jambalaya, lightly seasoned newcomer thickens mix of RPDR14

Jambalaya’s drag name came about when a dance instructor asked for her birth month and the last thing she ate

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“Some are born into drag greatness, some achieve drag greatness, and some have drag greatness thrust upon ‘em.”

LOS ANGELES – That iconic line, from the 1602 Shakespeare play “RuPaul’s Twelfth Night,” is as true today as when it was first spoken on the stage of London’s Globe Theatre. Back then, the female roles were played by men.

Times may have changed, but the song remains the same: Those with male plumbing who plumb the depths of what it takes to play a woman find themselves doing so through dynasty, scrappy determination, destiny, or a road they have to hoe on their own.

Season 14 “RuPaul’s Drag Race” contestant June Jambalaya found herself in the iconic workroom and runway in a very roundabout way, indeed.

“I have been in the performing arts my entire life, going to performing arts school, and I moved out to LA to get my degree in fine arts” said the 29-year-old Jacksonville, Florida native, who spoke with the Blade just prior to the Season 14 premiere episode, in which she’s introduced alongside half of the cast.

Jambalaya, whose drag name came about when a dance instructor asked for her birth month and the last thing she ate, stayed in LA after graduation but found things, “didn’t go as planned, you know, just auditioning but still working my job. I worked as a visual manager for a luxury department store, so it [drag] gravitated to me because actually, I was choreographing for a co-worker. It gave me an opportunity to use my degree and use my talents—because I felt kind of frustrated with auditioning and the world of performing. I didn’t fit the stereotypical body that a male backup dancer or performer should have and so it drew me to drag because this was an art form where you got to make your own rules and really pick your narrative, which made me even more intrigued to do it for myself.”

While doing choreography for local LA drag queens Jambalaya noted, “They encouraged me to try it [drag], and I entered a nightly competition at Revolver and won and then I did a 10-week competition at Revolver and won. So all the stars just kind of aligned. It just felt like I was doing something right with all of the talents and gifts I felt like I had.”

BLADE: What sort of style were you drawing from in those early performances?  

JUNE JAMBALAYA: When I first started drag, my references were from the Latrice Royales and the Roxy Andrews. I looked at the queens before me that really put on high-energy, like high old school drag numbers and performances. But the more I got to experience who June was, her brand and you know my own artistry I started to really pull from my love for the modern woman and thinking about like, my mom and my sister and my aunts and how I was always inspired by women, especially minority women, because they were the strongest, most fearless, most stylish women that I got to encounter so I really drew a lot of those references into my drag. And then I also, you know, I call myself The Real Housewife of Drag because of my love for the franchise and how real women just sit there fully dressed and living their fantasy on television. That’s sort of what this is for me.

BLADE: You’re serious about the way you use fashion. Does that clash with camp elements of drag? 

JUNE: Yes I’m funny, but I don’t consider myself a comedy queen. I think it’s performance with looks, um, because I revealed myself in a Christopher John Rogers couture gown and then I added a train and airbrushed my name on there to make it, you know, it was fashion but then I made it camp and, you know, urban by airbrushing it—having my nails, have my name hang off… So I’m wearing these designer pieces that you typically don’t see from someone; I’m a size 14, 16 and you haven’t really seen a big girl pull out these type of designers this way and I think that’s interesting. So my camp comes in my love for the visual… You’ll see me inside a waterfall performing a song for a video. That’s where I think my camp comes through, in my visual artistic side. But with my fashion, I really do try to show that plus-sized women and full-figure people love and respect fashion and there is room for us there, too.

BLADE: What is an LA club experience with you like, as opposed to what we’re going to see on television?

June Jambalaya courtesy of RuPaul’s Drag race

JUNE: I have always picked things that felt good to me, but I’m learning that I still have to pick numbers that people are going to enjoy. But when you come to a June Jambalaya performance, you want high energy. You know I’m gonna have backup dancers. So like me and my girls, we rehearse these numbers for weeks on end before the show. One of my biggest inspirations is Beyoncé. I’ve been to more concerts than I’d like to admit.

BLADE: Oh, there’s no shame in that.

JUNE: (laughs) Seeing those shows, all the way down to the costumes and the choreography, all that time and effort that went into it—so I try my best, with the resources I have, to give people that live tour show experience.

BLADE: Your life will be different from the moment the show starts airing. What is the waiting experience like, and have you been given any helpful advice from other queens?

JUNE: So recently, I posted a Christmas video that took three months to film—and it’s different now, because of the [Season 14] announcement, and people know the show is coming. So I get to hear from people from Brazil and Belize message me and tell me how much they enjoyed my video, and people who don’t even celebrate Christmas, that these visuals and these packages of my art are reaching all over the world—it’s blowing my mind to think about this time last year. I had maybe 2,000 followers and I just had dream and I was making videos and taking photos like crazy, and now it’s [the buzz leading up to the show] unfolding before my eyes.

I’ve been fortunate enough to have conversations with Gigi Goode, Kandy Muse, and LaLa Ri. They have all been so extremely supportive. I think Gigi Goode gave me some of the best advice. She came to my “Showgirls” performance and she was like, “Do everything, every opportunity that comes to you. You’re going to be tired but this is going to be the ride of your life—and everything you’ve dreamt of, you can literally do right now. So whatever is in your head, let it out.”

BLADE: What advice would you give to those who are just starting out with their drag, and is having a formal background like yours helpful?

JUNE: I think it [education] definitely helped me, but I haven’t been doing drag that long. I started April 2019… But I think when you find something you’re passionate about you will do the work to further educate yourself on it, and I really do believe I did that. So my advice to anyone embarking on something or doing something they’re passionate about is, pull from people who are doing it really, really well. I think one of the best things that I did, I watched Roxy Andrews. I studied with Aquaria [as I was preparing my audition tape]. I saw what the best of the best were doing, to prepare myself to meet that level of excellence. When you’re in this high-pressure drag situation, and mind you, this was just a hobby for me. I had a full-time job. So I went from a part-time baby queen to now doing it full-time, 18-hour days. So it showed me there’s still so much to be done, to be in drag all day, to go from doing an acting challenge to getting ready for a runway. It’s so physically demanding, to be a full-time drag queen.

BLADE: So are you in better shape now than you were before?

JUNE: Well, we filmed it a while ago. I was in really good shape. Then I took a break and ate some food, enjoyed the holidays. Now it’s kicking back in. You know, press [to do] and outfits need to fit (laughs).

BLADE: What do you hope to achieve, as a result of being on the show?

JUNE: I’ve never been to Fashion Week. I would love to experience that or walk and be a part of it, or be part of a beauty brand or something of that nature. But when it comes down to artistry, we have a whole Vegas residency with “RuPaul’s Drag Race” now. I would love the opportunity for that—or the Werq the World Tour, to actually; Imagine if I got to take all of my visuals and put it on the stage… that’s an artist’s dream.

Follow June Jambalaya on Instagram/TikTok/Twitter: @junejambalaya.

To stay up-to-date on all things #DragRace Season 14, follow along on Instagram, Twitter, Facebook, YouTube and TikTok at @rupaulsdragrace.

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New trailer gives first glimpse into new ‘Queer as Folk’

The highly-anticipated return looks poised to make some welcome improvements as it reinvents the beloved series for a new era

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Courtesy of PEACOCK

HOLLYWOOD – Depending on who you ask, the soon-to-be-dropped reimagining of “Queer as Folk” could well be the biggest LGBTQ television event – or the biggest mistake – of the year.

The groundbreaking original British version of the series, created and written by Russell T. Davies in 1999 (decades before his recent triumph with “It’s A Sin” introduced him to a new generation of queer viewers), has already had an American adaptation in 2000, and each of these installments has its own legion of fans – many of whom have expressed their qualms (to put it mildly) over the entire idea of a new reboot.

That, however, hasn’t stopped Davies from joining forces with writer/director/creator Stephen Dunn (“Closet Monster”) to executive produce one for Peacock. 

Shade from old-school fans aside, the highly-anticipated return of the franchise looks poised to make some welcome improvements as it reinvents the beloved series for a new era. This time, the story promises to deliver a much more diverse assortment of characters than the group of predominantly white gay men featured by its predecessors, with a story centered on a group of LGBTQ friends in New Orleans as their lives are transformed in the aftermath of a recent tragedy.

The new iteration also scores points by employing queer actors to portray all its queer roles – resulting in an impressive lineup of names on its cast list including Ryan O’Connell (“Special”), Johnny Sibilly (“Pose”), Devin Way (“Grey’s Anatomy’), Jesse James Keitel (“Alex Strangelove”), Fin Argus, Candace Grave, Benito Skinner, and Juliette Lewis, and even Kim Cattrall as a “martini-soaked, high society Southern debutante with trailer park roots.” 

Of his reason for getting on board a new adaptation of his show, Davies says, “I’m very proud of what we achieved in 1999, but in queer years, that was a millennium ago! As a community, we’ve radicalized, explored, opened up, and found new worlds – with new enemies and new allies – and there was so much to be said.

Stephen pitched a brand new version of ‘Queer as Folk’ with so much imagination, insight, and crucially, joy, that I simply couldn’t resist. I thought it was about time the title belonged to a whole new generation. The 2022 show is more diverse, more wild, more free, more angry – everything a queer show should be.”

As for Dunn, he explains, “I wanted to create a new groundbreaking version of this show for this moment. Our new ‘Queer as Folk’ is set in New Orleans — one of the most unique queer communities in North America – and I am immensely proud that the new series is comprised of an electric ensemble of fresh characters that mirror the modern global audience.

If there’s one person who is able to see ‘Queer as Folk’ and feel less alone, or who now feels more supported and seen, our job is done. In the true spirit of the original, our show doesn’t shy away from the harsh realities of our community, but above all else, the series is about people who live vibrant, vital, unapologetically queer lives.” 

Jacklyn Moore, who co-wrote the new series with Dunn and Executive Produced alongside him and Davies, adds, “I believe deeply in the power of storytelling to make people feel seen, but all too often I feel as though queer and trans representation in art is limited to extremes. We are either shown as saintly heroes bravely surviving a bigoted society or two-dimensional queer-coded villains that feel airdropped in from some previous era. With ‘Queer as Folk,’ we aimed to depict queer characters who live in the messy middle. People who are complicated. Who are funny and caring and flawed and sometimes selfish, but still worthy of love. Still worthy of narrative. As a trans woman, I’m excited to take steps to move past telling stories that seem to just be arguing for our basic humanity. My hope is that Queer as Folk is one such step.”

We’re sure we speak for the rest of the eagerly-waiting fans when we say that we all hope that, too. We can all find out together when Peacock begins streaming the new “Queer as Folk” on June 9.

Queer as Folk | Official Trailer | Peacock Original

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Omar, Netflix’s Elite, & Queer Palestinian representation

With valid critiques of Elite aside, the show provides a monumental step forward in combating both racism and homophobia

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Elite (2018)/Netflix

By Sa’ed Atshan | ATLANTA – Elite, the Spanish Netflix original series released in 2018, has now become a worldwide sensation. Created by Carlos Montero and Dario Madrona, Elite follows the lives of teenagers and classmates at Las Encinas, a fictional private school for wealthy children from Spain and other countries.

There are several students from lower socio-economic backgrounds on full scholarships, and the series explores their intersecting experiences in the community. Over the course of the five existing seasons, taboos are boldly displayed on screen: from racy sexuality, to rape, abortion, drugs, alcohol, crime, murder, and corruption.

While this may be too much for many viewers, the provocative themes, attractive actors, love triangles, extensive scenes of partying, compelling cinematography, and the psychological thriller aspects of the series have galvanized fans in Europe and beyond. Merely a month after its release, Netflix revealed that Elite was streamed by over 20 million accounts. It has since secured a 97% rating on Rotten Tomatoes and has become one of the most successful shows globally. 

Alongside the superficial elements of this show lies a thoughtful and nuanced exploration of the central characters’ inner worlds and the profound issues with which they grapple. This includes the salience of class and inequality in society, the power of education for social mobility, immigration, racism, and xenopohobia, the role of law in attaining or evading justice, feminism and the struggle for women’s rights, the prevalence of internalized and external homophobia, the command of technology, social media, and surveillance on our lives, and the effects on young people of having to grow up and mature too quickly. 

I was particularly captivated by the character of Omar, played by a Spanish actor with the same first name: Omar Ayuso. While many of the characters who appear in the earlier seasons do not return, Omar is present for all five seasons thus far, becoming central to the overarching narrative.

His Palestinian background is emphasized in the script and on screen and this is huge for the mainstreaming of Palestinians in Western popular media. Omar’s gayness is also clearly highlighted, bringing queer Palestinian lives to the screen in a formidable manner. 

While Omar Ayuso was not one of the most experienced actors and is not the most talented of the actors in this series, his character undergoes a transformation that is powerful and compels audiences. His dark features are handsome, with a signature unibrow, and his attire becomes more and more colorful and expressive, and his bodily comportment more comfortable, as he grows more secure in his own skin. 

We learn that Omar comes from the Shanaa family and is the son of Palestinian Muslim immigrants to Spain who own a small grocery store outside of Madrid. One of his sisters ran away from home to escape their conservative parents and his other sister, Nadia, is also a central character in Elite.

Omar and Nadia’s father is overbearing. Like their mother, Nadia wears the hijab. The mother is soft-spoken and unassuming in many ways, yet Nadia is a force to be reckoned with who aspires to balance pleasing her family with being true to herself. Nadia is brilliant and academically-driven, earning a scholarship to Las Encinas, even as Omar is distracted initially with drug-dealing and working for his family’s business.

After coming out as gay to himself, his family, and the broader community, he movies out and severs ties with his parents, secures work as a bartender, and receives a scholarship to attend Las Encinas. Omar embraces his sexuality and finds a way to lead a life that feels authentic. 

Elite challenges the Islamophobia of Spanish and Western societies, representing both the homophobia that Omar must endure alongside the racism that he experiences as an Arab in Europe. Spain’s long history with the Moors, the Inquisition, and modern migration from North Africa has made its relationship to the Middle East and Islam quite fraught.

The show does not romanticize Omar’s Palestinian immigrant family and it captures the even more dramatic delinquencies of many Spanish and European families. The audience cannot help but juxtapose how Omar’s parents desperately try to preserve notions of tradition, ethics, and honor from their homeland of Palestine amidst a broader landscape of decadence and moral decay in Western contexts.

Omar disavows elements of both the former and latter, while embracing elements of each, and he emerges as a moral compass in the show. His integrity and compassion are palpable and at one point he articulates an aspiration to become a social worker in the future. 

The love that Omar shares with his serious boyfriend, Ander, is beautifully portrayed as well. Though they certainly grapple with their own set of challenges, the chemistry and soulfuness between them is one of the highlights of the show.

Elite (2018)/Netflix

After Netflix posted a romantic photo of Omar and Ander on their Instagram page, it was met with homophobic comments, and Netflix laudably responded simply with a chain of rainbow emojis. 

With valid critiques of Elite aside, the show provides a monumental step forward in combating both racism and homophobia. Netflix has done the global queer Palestinian community right by developing the character of Omar in this manner. Whether or not he appears in season six is yet to be announced, but even if not, he will have already captured countless hearts and minds.

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Sa’ed Atshan is Associate Professor of Anthropology at Emory University and author of Queer Palestine and the Empire of Critique (Stanford University Press, 2020)

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Television

‘LA: A Queer History’ Celebrating Pride Month

Additional programming honoring the history and impact of LGBTQ+ individuals includes a new film doc and a rebroadcast from AMERICAN MASTERS

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LA: A QUEER HISTORY (Courtesy of KCET)

BURBANK – PBS SoCal and KCET, Southern California’s flagship PBS stations, along with national independent satellite network Link TV, announced as part of Pride Month programming the broadcast world premiere of LA: A QUEER HISTORY. 

The two-part documentary film uncovers the history of how Los Angeles became the forefront of the LGBTQ+ civil rights movement as activists share their groundbreaking stories of resistance in one-on-one interviews and rare archival footage.

From artists who helped shape early Hollywood to gay and lesbian organizing and beginning a national Civil Rights Movement, LGBTQ culture and community begins to take shape in the city of Angels. Part One, titled “Culture & Criminalization,” will immediately be followed by Part Two, “Protests and Parades” when the documentary premieres on Wed., June 15 at 8 p.m. on KCET and Thurs., June 16 at 8 p.m. on PBS SoCal.

Additional programming honoring the history and impact of LGBTQ+ individuals includes one new documentary and a rebroadcast from AMERICAN MASTERS that highlight the legacies of two theater legends: Joe Papp and Terrence McNally.

While Papp worked to expand public access to the arts as the founder of The Public Theater, and Free Shakespeare in the Park, four-time Tony-winning playwright McNally used the power of the arts to transform society both through his productions and his LGBTQ activism. Both programs include never-before-seen interviews.

While Stage and Screen Star Alan Cumming will join beloved British actor and fellow LGBTQ+ advocate Miriam Margolyes to uncover the country of their youth for the new travel series MIRIAM AND ALAN: LOST IN SCOTLAND as they take to the road and return to their Scottish roots and motorhome their way through Scotland’s Highlands and into its wildest places.  

And moving from the theater to the concert hall, PBS programming in June offers up a music special TRUE COLORS: LGBTQ+ OUR STORIES, OUR SONGS spotlighting a lineup of musical performances from LGBTQ+ artists Indigo Girls, Billy Gilman and Morgxn hosted by Harvey Fierstein.

Additional specials bring historical context to events of injustices like THE LAVENDER SCARE which explores the unrelenting campaign carried out by the federal government to remove employees suspected of being homosexual from government and security positions.

While A MURDER IN MONTROSE: THE PAUL BROUSSARD LEGACY follows how LGBTQ+ communities came together following a fatal hate crime, shedding light on civil unrest, legislation for victim’s rights and sparking political activism in the South.

There is also the new LINK VOICES documentary “Born To Be” which follows the work of Dr. Jess Ting whose work is changing the lives of transgender and gender non-binary individuals.

Rounding out the month is HIDING IN PLAIN SIGHT: YOUTH MENTAL ILLNESS, the two-part film executive produced by Ken Burns confronts issues of stigma, discrimination, awareness, and silence, to help shift public perception of mental health and LGBTQ+ issues today.

Select content slated to air on PBS SoCal, KCET and Link TV during the next month is listed as follows (*schedule subject to change):

AMERICAN MASTERS: “Terrence McNally: Every Act of Life” – Wed., June 1 at 9:30 p.m. on KCET

Explore four-time Tony-winning playwright Terrence McNally’s six groundbreaking decades in theater, from Kiss of the Spider WomanThe Full Monty, Love! Valour! Compassion! and Master Class to RagtimeThe Visit and Mothers and Sons. The film also delves into McNally’s pursuit of love and inspiration throughout his career, LGBTQ activism, triumph over addiction and the power of the arts to transform society.

AMERICAN MASTERS: “Joe Papp in Five Acts” – Fri., June 3 at 9 p.m. on PBS SoCal

Joe Papp, founder of The Public Theater, Free Shakespeare in the Park and producer of groundbreaking plays like HairA Chorus Line and for colored girls…, created a “theater of inclusion” based on the belief that great art is for everyone.

TRUE COLORS: LGBTQ+ OUR STORIES, OUR SONGS – Sun., June 5 at 10 p.m. on PBS SoCal

Harvey Fierstein hosts music from LGBTQ+ artists including Indigo GirlsBilly Gilman and Morgxn highlighting real-life stories of hope.

LINK VOICES: “Seahorse: The Dad Who Gave Birth” – Fri., June 10 at 10:30p.m. ET/PT on Link TV

Filmmaker Jeanie Finlay documents a transgender man’s path to parenthood after he decides to carry his child.

LINK VOICES: “Born To Be” – Fri., June 10 at 10:30 p.m. ET/PT on Link TV

Follow the work of Dr. Jess Ting at the groundbreaking Mount Sinai Center for Transgender Medicine and Surgery. There, for the first time ever in New York City, transgender and gender non-binary people have access to quality gender-affirming care. With extraordinary access, this documentary offers an intimate look at how one doctor’s work impacts the lives of his patients as well as how his journey from renowned plastic surgeon to pioneering gender-affirming specialist has led to his own transformation.

INDEPENDENT LENS: “Cured” – Sat., June 11 at 11 p.m. on KCET

When homosexuality was considered a mental illness to be “cured,” renegade LGBTQ+ activists fought a powerful psychiatry establishment that had things dangerously backwards.

THE LAVENDER SCARE – Mon., June 13 at 10 p.m. on PBS SoCal

Narrated by Glenn Close and featuring the voices of Cynthia NixonZachary QuintoT. R. Knight and David Hyde Pierce, the film tells the little-known story of an unrelenting campaign by the federal government to identify and fire employees suspected of being homosexual. Based on the award-winning book by David K. Johnson.

PRIDELAND – Mon., June 13 at 11 p.m. on PBS SoCal

Follow queer actor Dyllón Burnside on a journey to discover how LGBTQ+ Americans are finding ways to live authentically and with pride in the modern-day South.

LA: A QUEER HISTORY: “Culture & Criminalization” – Wed., June 15 at 8 p.m. on KCET and Thurs., June 16 at 8 p.m. on PBS SoCal

From artists who helped shape early Hollywood to the male/female impersonators in the “pansy clubs”, early Hollywood becomes a Queer destination for people wanting a new life. Early LGBTQ culture and community begins to take shape just as the post WW2 era sparks widespread criminalization.

LA: A QUEER HISTORY: “Protests & Parades” – Wed., June 15 at 9 p.m. on KCET and Thurs., June 16 at 9 p.m. on PBS SoCal

Despite adversity, gay and lesbian organizing begins. Publications, protests and uprisings spring up, leading to the country’s first Pride Parade, LGBTQ Social Services, the first “Gay City” and an eventual national Civil Rights Movement.

MIRIAM AND ALAN: LOST IN SCOTLAND: “Episode One” – Thurs., June 16 at 10 p.m. on KCET

Starting in Glasgow, Miriam Margolyes and Alan Cumming visit the street where Miriam’s Jewish family first lived in Scotland, then journey north into the Highlands; Alan learns about his ancestral past at Cawdor Castle.

QUEER SILICON VALLEY – Thurs., June 16 at 10 p.m. on PBS SoCal and Wed., June 29 at 10 p.m. on KCET

Filmmakers Bob Gliner (We’re Still HereSchools That Change CommunitiesWalk the Walk) and Ken Yeager explore the rich history of Silicon Valley and its profound impact on the LGBTQ+ movement in the

United States.

AMERICA REFRAMED: “Broken Heartland” – Fri., June 17 at 9 p.m. ET/PT on Link TV

When a gay teen kills himself, his parents are forced to reconcile their own beliefs.

A MURDER IN MONTROSE: THE PAUL BROUSSARD LEGACY – Mon., June 20 at 11:30 p.m. on PBS SoCal

In 1991, Paul Broussard, a 27-year-old gay man, was murdered on the streets of Houston. Through the documentary exposes the aftermath of this pivotal event – from civil unrest to hate crime legislation; from victim’s rights to political activism, Houston and the nation would never be the same again.

AMERICAN MASTERS: “Ballerina Boys” – Wed., June 22 at 8 p.m. on KCET

Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step, they poke fun at their strictly gendered art form.

MIRIAM AND ALAN: LOST IN SCOTLAND: “Episode Two” – Thurs., June 23 at 10 p.m. on KCET

Miriam Margolyes and Alan Cumming visit Ullapool and Glencoe on their love letter tour of Scotland. They meet a pagan witch, who involves them in an ancient healing ritual and Alan fulfils his dream of writing and performing a song in Gaelic.

AMERICA REFRAMED: “Little Miss Westie” – Fri., June 24 at 9 p.m. ET/PT on Link TV

Two transgender siblings and their parents navigate puberty, school and dating as the children begin living in their authentic genders.

BREAKING BIG: “Lee Daniels” – Sat., June 25 at 6 p.m. on KCET

Trace Lee Daniels’ path from West Philly to the red-hot center of Hollywood. Learn how he conquered both the independent and mainstream sides of Hollywood, directing and producing critical darlings like “The Butler” and “Empire.”

BREAKING BIG: “Christian Siriano” – Sat., June 25 at 6:30 p.m. on KCET

Learn how sartorial savant Siriano parlayed confidence and a singular vision into a Project Runway victory. See how he surmounted rejection from FIT and created one of the most socially conscious and successful fashion lines in the industry.

POV: “Pier Kids” – Sat., June 25 at 11:30 p.m. on KCET

Follow the Black, homeless queer and trans youth who call NY’s Christopher Street Pier their home as they withstand tremendous amounts of homophobia and discrimination while working to carve out autonomy and security in their lives.

HIDING IN PLAIN SIGHT: YOUTH MENTAL ILLNESS: “The Storm” – Mon., June 27 at 9 p.m. and 11 p.m. on PBS SoCal

The first two-hour episode focuses on the lived experience of more than twenty young people with mental health challenges, along with the observations and insights of families, providers, and advocates.

HIDING IN PLAIN SIGHT: YOUTH MENTAL ILLNESS: “Resilience” – Tues., June 28 at 9 p.m. and 11 p.m. on PBS SoCal

In the second episode, our “heroes” speak about finding help, inpatient and outpatient therapy, the added stigma of racial or gender discrimination, the criminalization of mental illness and youth suicide.

GO FIGURE: THE RANDY GARDNER STORY – Wed., June 29 at 8 p.m. on KCET

An intimate documentary on the life and career of two-time Olympian Randy Gardner. Together with his Olympic partner Tai Babilonia, they formed the iconic figure skating pairs team known as “Tai and Randy.” The film shares one man’s quest to finally come to terms with his true identity so that he can be a light to others.

ARTBOUND: “LGBTQ Nightlife (Mustache Mondays)” – Wed., June 29 at 9 p.m. on KCET

For a generation of multicultural Queer artists, gay nightclubs were a haven for seeking communion and solidarity. This film examines the history of these spaces and how they shaped the Queer cultural fabric unique to Southern California. One particular event, “Mustache Mondays” was a weekly destination for over a decade and became a seminal event for the Queer art community in the early 2000s.

MIRIAM AND ALAN: LOST IN SCOTLAND: “Episode Three” – Thurs., June 30 at 10 p.m. on KCET

Miriam Margolyes and Alan Cumming finish their Scottish odyssey driving from Inverness to Edinburgh, and enjoy some vegan white pudding, kosher haggis, ‘Zen golf’ and dressing up along the way.

For a full schedule of Pride Month programming, please visit kcet.org/Pridepbssocal.org/Pride and linktv.org/Pride.

Join the conversation on social media using #KCET, #PBSSoCal and #Pride

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