At the June L. Mazer Lesbian Archives in West Hollywood, Alisha Graefe and Kymn Goldstein are rummaging through a treasure trove of unknown lesbian films. Large, neon orange bins sit at their feet, filled to the brim with VHS tapes donated by queer filmmaker Rosser Goodman, who in the late 90s and early 2000s programmed the underground lesbian screening series “Film Fatale.” 

Her monthly event provided a safe haven and experimental ground for lesbian film in L.A., shining light on new voices, stories, and perspectives that explored the nuances of living life as a queer woman. 

This Saturday, April 25, Graefe and Goldstein are paying homage to Goodman’s legacy with a cinema-centered event of their own: a short film festival that brings together an eclectic, curated mix of archival works and newly submitted pieces from emerging lesbian filmmakers around the world. These works, accompanied by panel discussions, will screen all day in three different blocks at the Pacific Design Center’s Silver Screen Theater.

Like “Film Fatale,” this festival is not just a showcase of resonant, timely art: it’s an opportunity for queer people to intentionally gather, reflect on their history, joy, and resilience, and to soak in spaces that celebrate them.

“The archives are full of history, but every single day we make history,” Goldstein, who is the archive’s executive director, told the Blade. “This festival is an act of creating history. [We’re] bringing people together to celebrate Lesbian Visibility Week and to watch these films. [And] you know what, every week is Lesbian Visibility Week at the archive.” 

When they were first planning out the film festival together, Goldstein and Graefe — who serves as the Mazer’s full-time archivist — sifted through Goodman’s collection, letting the sounds of static, VCR clicking, and tape-scrubbing fill the room. One of the films they watched, and which will screen at Saturday’s festival, is Goodman’s own 14-minute short, “Life’s a Butch!”: a silent comedy about a woman’s antics to impress her new femme crush with clumsy, masc charm.

It was made over 25 years ago, but its tenderness and whimsy are still palpable today. This, and the other films in the festival, speak to both singular and universal emotions and experiences lesbian, queer, and sapphic people have experienced and will continue to experience across time and space. 

This interconnectedness in films, communities, and shared memories between past and present excites Goldstein. “The stories of coming out, of crushes, of losing love…[They] are the same topics and subjects that come up today, especially the political things we’re going through. There’s a continuity across all of it.” 

And where there’s continuity, there are clues and maps that pinpoint paths of resistance, dialogue, and survival. When people see their lives, or the lives of others in their communities, reflected on screen and in narratives they can interact with, they are able to draw upon history to craft their own ways forward. 

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The film festival also offers local community members an entryway into the archive, a longstanding community space that houses journals, photographs, books, films, letters — all tangible materials that people are encouraged to touch and engage with, whether it’s to further their research, spark ideas, or simply be more intimately in conversation with the past. 

“There are tons and tons of stories,” Goldstein said, who is focused on maintaining and growing the archive’s collection of ephemera and other personal materials from the community. “It’s living, breathing history in a variety of forms, all hidden in different-sized boxes that you just have to open to see what’s inside.” 

To support and learn more about the archive’s upcoming film festival, collections, and other events, visit their website.

Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.

On Jan. 12, West Hollywood residents packed the City’s chambers at 6 p.m. to honor the work of outgoing mayor Chelsea Byers and witness councilmembers John Heilman and Danny Hang take their oath of office as they respectively assume their roles as Mayor and Vice Mayor for 2026.

In her last address as Mayor, Byers spoke about the optimism she holds onto in these unsteady times. To her, West Hollywood is a unique City: one that has become a model for what can be possible in an unjust society. “It’s us against the world. It’s West Hollywood on the stage,” Byers said. “It’s our story to tell, and every single person here contributes in such great ways to that.” 

Byers was awarded a plaque on behalf of West Hollywood council members for her outspoken commitment to LGBTQ+ rights, economic justice, housing affordability, and policies that emphasize equity and inclusivity in West Hollywood. 

Her leadership remains a bright, guiding light for Mayor Heilman, who was part of West Hollywood’s first city council after the independent city was incorporated in 1984. The spirit of that initial group remains today: queer, progressive, and led for and by the people. Yesterday’s ceremony marked the beginning of Heilman’s ninth time serving as Mayor, as well as his last year on the city council due to term limits. 

Now, he leads side-by-side with a self-proclaimed “newcomer,” Danny Hang. 

From the 626 to the Westside: Hang’s roots and journey  

Hang was born in Monterey Park, a city in the San Gabriel Valley. The region is known for its diverse communities and AAPI-rich culture and history, and Hang recounted to the Blade the deep sense of belonging and comfort he felt growing up there. “I could go to a restaurant, speak Vietnamese or Chinese,” Hang said. “There are people who look like me out there. It is my home away from home.”

After college, he worked at the Social Security Administration, where he helped retirees, disabled people, and those impacted by loss file for Supplemental Security Income (SSI). The work was fulfilling, and he loved feeling that he had a tangible impact on others’ lives: that he could help residents grappling with difficult bureaucratic processes.

This passion grabbed the attention of L.A. County Supervisor Lindsey Horvath, who tapped Hang into serving on West Hollywood’s Disabilities Advisory Board in 2017. Hang eagerly accepted the role, having always been drawn to the vibrant, queer cultural hub. “WeHo was always the land of the unicorn: the land of magic,’ Hang told the Blade. “[This] was a town where I could be open, by myself, and find other people who were also LGBTQ+.” 

After serving on the City’s Disabilities Advisory Board and, subsequently, the county’s Business License Commission, Hang noticed a lack of AAPI representation in local leadership. “There aren’t many AAPI people at all in West Hollywood. After I was on the commission, [I thought]: Hey, I think I want to run for city council,” Hang told the Blade. 

Creating more inclusive leadership in WeHo

In 2024, Hang was elected to West Hollywood’s city council, becoming the first AAPI councilmember in the City’s 40 year legacy. “I want to see people who look like me in local government, because I want this community to be reflective of the modern-day people who live here. We’re a diverse community, and there’s no reason why we shouldn’t have people of color on the council, as well as more people of color appointed to our boards and commissions.” 

Last night, local officials offered encouragement, support, and affirmation to Hang after he took his oath of office. “You’re already making history and certainly making waves across, not just your home region of the San Gabriel Valley, but certainly in California,” said Monterey Park councilmember Henry Lo. 

Afterwards, Hang addressed the room, thanking residents, fellow council members and his family. “Standing here as the first AAPI elected to the West Hollywood City Council is deeply meaningful, and I couldn’t have done it without my parents. [They’re] right here in the front row,” Hang said. “My dad was a union worker, who showed me why standing up for workers matters. And my mom worked in a small business, owning a little nail salon in South Pasadena. She taught me what it means to care for others and to keep the community going.” 

The year ahead: Heilman calls for residents to unite

Afterwards, Mayor Heilman spoke at length about the upcoming transitional year, the urgency of the current political climate, and ways that community members can step up to support each other. In his last term, he has set his eye on revitalizing the Sunset Strip, stabilizing rent and increasing housing affordability as well as examining the safety of the City’s foundational buildings, including the library and fire station.

He concluded his speech by making an unwavering stance on the “appalling” state of the federal government, stating that every West Hollywood resident must step up together in the face of ongoing federal attacks on the rights of LGBTQ+ people, specifically transgender people, as well as immigrants and other marginalized community members. 

“This is a direct attack on our residents. It’s a direct attack on all of us,” Heilman said. “Now is not the time to hide. We need you…Ask what you can do to help people in the community,” he said, galvanizing residents to volunteer for the City’s various social services, nonprofits like Hollywood Food Coalition and Ascencia. 

This call for unity and communal bravery echoes Byers’ belief in the courage of the people of West Hollywood. “41 years ago, a group of people defined what government could be,” Byers said. “We’re living the wildest dreams of people decades ago…and we get to be a bridge for that hope for the future. In such a critical moment, it’s truly our responsibility.” 

Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.

On Monday, the federal administration did not honor World AIDS Day, for the first time since the international awareness day was created in 1988. In addition to significant funding cuts to organizations focusing on HIV preventative treatment and care, the government’s halting of this commemoration perpetuates a dismissive system of inaction against LGBTQ+ people. 

And yet, over 50 community members filled the empty spaces of West Hollywood’s AIDS monument yesterday evening, waiting in the night chill as city officials delivered impassioned statements and writers from APLA Health read personal pieces that centered a grief and love for those lost to the epidemic.

Before the readings began last night, West Hollywood vice mayor John Heilman asked for residents to join him in a righteous rage against administrative apathy. “I want to ask us all to reflect for just a moment about all of the people we lost…I want us to reflect and get angry,” said Heilman. “We have a fucking president who won’t even recognize World AIDS Day.” 

Irwin Rappaport, board chair for STORIES: the AIDS monument, echoed this immense disappointment. “Many of us here tonight lived through the 1980s, so we know what that’s like,” Rappaport said. “We also know that because of that neglect, because of that lack of caring from the federal government, we have to care for one another — and we know how to do that. When we don’t have recognition from others, we know how important it is to preserve our own history, to tell our own stories.” 

Through heavy silence, five writers from APLA Health’s writers group stood tall before a podium and shared intimate writings they created about the epidemic and its personal impact on them. The collective was established in 1989 to provide an inclusive, expressive space for HIV-positive writers and allies to work on their writing and learn how to share their stories.

Writer Brian Sonia Wallace, who served as West Hollywood’s poet laureate from 2020 to 2023, has been working with the writers group for the last four years to help them hone and refine their narrative voices as they share their heaviest grief and the depths of their love for the people they lost to HIV and AIDS. 

Hank Henderson, one of these writers, read from a diary entry from November 29, 1991. His voice, clear and strong, wavered as he shared about the death of his dear friend Richard. In a piece filled with lush, rich detail, painted clearly with a strong and loving voice, Henderson recounted a memory with Richard during the latter’s last years. 

“The Santa Barbara sky is clear blue forever today…Yesterday came and went like a half-remembered dream between snooze alarms,” Henderson recited. “Last year, we walked to the beach. We spent hours there, played frisbee ourselves, brought the dog. Richard even yelled out 30-minute tanning turnover alarms. Yesterday, he took tiny, labored steps back to the car, used my shoulder to keep himself from falling over. Nobody said anything. We just pretend it’s normal.” 

Another writer, Austin Nation, shared the story of being told he was HIV-positive at 26 years old. As a young nurse, he remembered the shock of seeing “young, beautiful men” arriving at the hospital covered in “purple, blotchy sores.” When he received his own test results, a paralyzing terror washed over his body. An incredulity followed the fear: why was this happening to him? “I got this thing for what?” Nation spoke. ”For having fun? For making love? And now it’s gonna cost me my life?” 

But as he stood before the crowd, now 63 years old, he was met with applause and joy as he stated and repeated: “I’m still here. I’m still here.” The writers, in their grief and loss, have come to a place where they are able to share these stories, empowered and held. “In a world that writes off people with stories like mine,” Nation said. “It’s a hell of a good day to be alive.” 

Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.

Since 1988, LGBTQ+ communities have come together on Dec. 1st to commemorate queer siblings and allies lost to the AIDS epidemic. This year’s World AIDS Day follows the theme “Overcoming disruption, transforming the AIDS response” and highlights the substantial funding cuts to research, health services, and community initiatives that have prioritized the safety of people with HIV and AIDS. The theme challenges people to think about “radical” ways to organize together and ensure that those who are impacted are able to access the care, treatment, and awareness that they need.

Beginning today, the City of West Hollywood is kicking off programming to recognize the historical transformation that local queer communities experienced during the AIDS epidemic. A panel from the AIDS Memorial Quilt will be available for viewing at the City’s Council Chambers at 625 N. San Vicente Boulevard through Monday, Dec. 15th. 

Known as the largest community arts project in history, the Quilt is a powerful memorialization of loved ones who died during the epidemic. Each panel of the Quilt contains a story of remembrance, immortalizing a life cut short during the crisis. The project currently contains over 50,000 panels dedicated to over 110,000 people, all woven together in a 54-ton tapestry piece.

If you’re visiting the panel today, there will be an additional gathering opportunity tonight at the West Hollywood Park for STORIES: the AIDS Monument. From 5:30 to 8:30 p.m., members from the HIV-positive writers collective APLA Health Writers Group will present intimate readings that reflect on their experiences. Community members will be allowed time to wander through the monument and also preview the new Herb Ritts: Allies & Icons exhibition at ONE Gallery after the program. The art show includes striking black and white portraits of activists who stood in alliance with those most impacted during the AIDS epidemic. 

Additionally, fresh flowers will be placed on the bronze plaques that line the City’s AIDS Memorial Walk. During the AIDS epidemic, West Hollywood was at the center of a rampant grief and loss that juxtaposed vibrant programming and efforts that boosted healing and fought against stigma and violence. It continues to be a vibrant space that houses various organizations and memorial spots that continue to uphold the revolutionary history and advocacy work that has continued since the epidemic’s beginnings.

Today, West Hollywood is in the process of executing its HIV Zero Strategic Plan, an initiative that began in 2015. Its goals include: expanding healthcare access for people living with HIV and AIDS, reducing the rate of infections, lessening health disparities and inequities for those impacted, and slowing the disease’s progress from advancing to AIDS.

According to West Hollywood mayor Chelsea Byers at a recent Cityhood event, the initiative carries forth the City’s “bold vision” and commitment to ensuring marginalized community members living with HIV do not face the life-threatening discrimination and health barriers that their elders experienced.

To learn more about the City’s programming, read here.

Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.

On Nov. 29th, 1984, West Hollywood was incorporated as an independent City, making its sovereignty official and solidifying it further as a sanctuary for LGBTQ+ community members, their stories, and their freedoms. Inspired by other prominent gay neighborhoods like New York’s West Village and San Francisco’s Castro District, West Hollywood was established by local queer advocates and residents. Their first city council was made up of a majority gay governing body — the first in the world, according to the West Hollywood History Center.

This political legacy, and the city’s vibrant and proudly queer history, continues to be preserved. On Monday’s celebratory event, West Hollywood mayor Chelsea Byers announced that the City’s current council “continues to be a majority-LGBTQ+ body,” holding tightly onto a “spirit” that reflects, prioritizes, and fights for Los Angeles’ queer community. 

West Hollywood has been through various transformations, cocooning and revitalizing itself through the country’s evolving political and cultural upheavals. It has long been home to a ravishing nightlife that celebrates LGBTQ+ expression, and was a focal point for queer-led liberation and activism in the late 1960s and early 1970s. Trailblazers like Morris Kight led the first gay pride march through West Hollywood’s streets in 1970 and opened the Los Angeles LGBT Center to nourish the City’s robust and blossoming queer communities.

Today, West Hollywood continues to be the place where queer organizers and residents plant roots. Earlier this month, STORIES: the AIDS monument opened up in the City’s park after over a decade of work, shining a light on the legacies of gay activists, artists, historians, and community members who fought to survive as anti-gay stigma led to the erasure of their rights and lives. 

As waves of anti-LGBTQ+ hate and violence continue to surge through the country, West Hollywood elected officials aim to continue doing the critical work that began decades before them: the work that protects the ability of queer residents to advocate for themselves, to live with protections and dignity, and to relish in joy. Mayor Byers is inspired by the resilience of the community members who stood together to establish this independent City in 1984. “The people who lived here…wanted a city with strong protections for renters, with progressive policies, and with a local government that would actually reflect and protect the people who call this place home,” said Byers, at the Nov. 24th celebration.

Over 40 years later, these needs have not changed. The way forward? Remembering and fighting for that initial promise and hope. “We are a chorus. We are a tapestry,” said Byers. “We are the product of thousands of people who, for more than four decades, have dared to say: We can build something better here.”

Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.

Even in today’s political climate, we will not be hidden.

The vibrant stretch on Santa Monica Blvd of over 50 local businesses, representing the full spectrum of LGBTQ+ expression, from N Doheny Dr to N La Cienega, has had the loving nickname of the Rainbow District for decades. Well, now it’s official. From nightlife to restaurants to community organizations, the City of West Hollywood has formally designated the space as such, honoring the neighborhood’s legacy as a safe haven for the queer community and beyond.

In addition to making the name official, the Rainbow District is being launched with a full range of social media, including Instagram, TikTok, and Facebook, keeping the residents and visitors updated on all upcoming events and happenings in the neighborhood. 

Long known as a beacon of acceptance, inclusion, and visibility, where everyone is welcome, this iconic mile-long corridor is now formally recognized for what it has always been: a place where people from every walk of life can come together, be themselves, and celebrate the beauty of diversity.

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City of West Hollywood Mayor Chelsea Lee Byers states, “For generations, the City of West Hollywood’s Rainbow District has been a place where LGBTQ+ people take their first steps into living openly, where the warm embrace of community is found at every turn, and where the joy of living out, loud, and proud fills the streets. The City’s official designation of the Rainbow District honors both the legacy and the future of this vibrant neighborhood, home to beloved entertainment venues, bars, and restaurants that have long served as cornerstones of LGBTQ+ life. Today, the Rainbow District is more alive than ever, and it will always stand as a beacon of hope, pride, and belonging and as a reminder that everyone deserves a place to celebrate joy, to be seen, and to be supported.”

The Rainbow District officially joins a nationwide list of iconic LGBTQ+ landmarks. West Hollywood will not be hidden amid political backlash and will continue to protect queer spaces, uplift queer voices, and foster a safe and joyful environment for all.

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“This designation is not only a celebration, but it also serves as a promise,” said Visit West Hollywood President & CEO Tom Kiely. “A promise to keep LGBTQ+ spaces visible, valued, and vibrant for generations to come. As the Rainbow District continues to evolve, it will remain a place where locals and visitors alike can connect through culture, creativity, and community. The City’s formal designation affirms its significance and highlights The Rainbow District as the ultimate playground for travelers seeking a unique, inclusive, and authentic experience.”

The Rainbow District will be home to upcoming community events that include:

• Winter Market & Ice Skating Rink — December 2025
• Go-Go Dancer Appreciation Day — March 2026
• Harvey Milk Day — May 22, 2026
• WeHo Pride Weekend & the OUTLOUD Music Festival at WeHo Pride — June 5–7, 2026

Follow the Rainbow District on socials to discover local happenings, support small businesses, and be part of a neighborhood that celebrates every person for exactly who they are.

 Instagram: @RainbowDistrictWeHo TikTok: @RainbowDistrictWeHo
 Facebook: facebook.com/rainbowdistrictweho More Info: visitwesthollywood.com/rainbowdistrict

It was 1985, at the height of the AIDS crisis, when Irwin Rappaport came out as gay. As he came to terms with his identity, he witnessed people around him grow weaker: their faces becoming gaunt, painful lesions developing on their bodies. Five years later, he began volunteering as a young lawyer at the Whitman-Walker Clinic, a community health hotspot in Washington, D.C. that created the first AIDS hotline in the city, opened homes for patients with AIDS, and distributed materials that promoted safe sex. 

The work being done at the clinic was instrumental, essential, and deeply painful. “When you see that sickness and experience that death among your friends and people you know, and when you’re writing wills for people who are much too young in ordinary times — it has an impact,” Rappaport told the Blade. “And even though in 1996 we saw life-saving medications come around, you never forget the sense of fear that permeates your life. The sense of loss.”

Determined to honor and share the legacies of people who died from AIDS, Rappaport joined the Foundation for the AIDS Monument (FAM) board to work towards the organization’s goal of creating a physical monument dedicated to memorializing these histories. FAM treasurer Craig Dougherty first conceived of this project in 2010 and, after 15 years, STORIES: The AIDS Monument is now available to the public for viewing.

Created in collaboration with the City of West Hollywood, STORIES: The AIDS Monument is composed of 147 vertical bronze pillars known as “traces.” Designed by artist Daniel Tobin, 30 of these traces are engraved with words like: activism, isolation, compassion, and loss, which correlate to the over 125 audio stories collected and archived on the foundation’s website. This multimodal storytelling allows people who come across the monument to engage more intimately with the people represented by these physical pillars. 

At nighttime, lights transform the monument into a candlelight vigil, providing a warm glow to a wanderer’s journey through the structure.

When people were able to walk around the traces at Sunday’s grand opening ceremony at the Pacific Design Center, the last remnants of the weekend’s rainstorm created a kind of “spiritual” and reverent atmosphere for those gathering, according to Rappaport. “I think there’s a certain peacefulness and serenity about the design, an opportunity for reflection,” he continued. “For some, it may bring back incredibly painful memories. It might bring back wonderful times with friends who are no longer here. It might remind them of their own caregiving or activism, or the sense of community that they felt in striving with others to get more attention to the disease.” 

Now that the monument has been built, FAM has passed the mantle of management and programming to One Institute, a nonprofit that engages community members with queer history through panels, screenings, and other educational initiatives. One Institute plans to host monthly docent tours, art installations, and other special events during various LGBTQ+ national awareness days, including the upcoming World AIDS Day in December. 

Rappaport also hopes to do outreach with local schools, so that young students are able to engage with the monument, learn about the people who were affected by the AIDS crisis, and interact with the ripples of transformation that this time period sparked in politics, research, the arts, and within society. “For younger people, I think [this is] an invitation for them to understand how they can organize about issues that they care about,” Rappaport said. “[So] they can see what the HIV and AIDS community did as a model for what they can do to organize and change the world, change culture, change law, change politics, change whatever they think needs to be changed. Because we had no other choice, right?”

The first-ever Olympic hospitality house began with humble roots in 1992: a tent pitched on the Port of Barcelona for athletes to gather with their families. Since then, they transformed into fixtures of several major sporting events, with hopes of fostering belonging and safety for athletes of various cultural backgrounds.

It wasn’t until 2010 that the first LGBTQ+ hospitality house, the Pride House, appeared during the Winter Olympics in Vancouver. Over the years, its existence and visibility have faced barriers. During the 2014 Sochi Winter Olympic Games in Russia, Pride House International was denied from organizing its safe hub. The rejection was a blow to the visibility and safety that the organization was trying to promote and create for queer athletes. But this didn’t go unnoticed. International fans demonstrated quiet resistance, hosting remote Pride Houses in support of the Olympians who were barred from openly communing and celebrating together.

As Los Angeles prepares to host the Summer Olympics in July 2028, Pride House is coming back stronger than ever. In early October, the West Hollywood city council approved an agreement that would allocate $1 million to sponsor Pride House LA/WeHo as they prepare to build a temporary structure at West Hollywood Park for the 2028 Games. For 17 days, vibrant LGBTQ+ sports programming will fill the park’s grassy knolls. 

Pride House LA/WeHo CEO Michael Ferrera detailed at a Nov. 1st Out Athlete Fund fundraising event that the team plans to build a concert stage to seat over 6,000 people. There will also be a museum that will take viewers through 100 years of queer Olympics history, viewing areas for people to watch the games, and a private athlete village for queer Olympians. “The dream of that is — imagine you’re an athlete from a country where you can’t be out,” said Ferrera. “You come here, and you can be safe and sound.”

As outlined in the city council agreement and stated by Ferrera, most of the programming will be free and open to the public, and in the heart of a neighborhood that many of the county’s queer residents recognize as their safe haven. “We’re centering this important event in West Hollywood Park where our community has come together for decades in celebration, in protest, to support each other and to live our lives,” Pride House LA/WeHo CEO Michael Ferrera wrote to the Blade. “There is no place that is more representative of inclusion and safe spaces.”

The City of West Hollywood is promoting this inclusion further by asking for local community members to voice their perspectives on the formation of Pride House LA/WeHo at West Hollywood Park. On Monday, a community conversation will take place at Plummer Park to encourage residents to help shape the cultural programming that will take place in the summer of 2028. Another conversation will take place on Nov. 21st at the City’s 40th anniversary of Cityhood event. 

“We couldn’t do this without the generosity and partnership of the city of West Hollywood,” Pride House LA/WeHo marketing co-lead Haley Caruso wrote to the Blade. “We are so happy to help bring the Olympic spirit to West Hollywood while also providing the community a safe and entertaining venue to enjoy the Games.” 

Head to PrideHouseLAWeho.org for more information

On Friday night, techno pop remixes surged through a tight block on Santa Monica Boulevard, where hundreds of eager partygoers danced near a pop-up stage. Bass-heavy grooves echoed across neighboring streets as Beetlejuices, angels, and vampires swayed and thumped to the beat.

Oct. 31 marked the arrival of West Hollywood’s annual Halloween Carnaval, one of the county’s citywide celebrations — and one of the most anticipated for queer Angelenos. 

The first Halloween Carnaval was celebrated in 1987, and has since become one of the most awaited nights for local queer celebration. Drag performers donning elaborate costumes and glamorous makeup set the stage ablaze as they strutted, flipped their hair and danced to the cheers of a crowd that grew enormously as the night went on. The energy was infectious, and the Los Angeles Blade was on the scene to photograph some of these moments.

Image captures by Blade reporter Kristie Song.

Early yesterday morning, on National Intersex Awareness Day, West Hollywood mayor Chelsea Byers, Vice Mayor John Heilman, as well as councilmembers Danny Hang and John M. Erickson gathered to install and raise two new intersex pride flags. They fly side by side with the American flag, upholding the City of West Hollywood’s vision of solidarity between national pride and LGBTQ+ visibility. 

“We are facing unprecedented attacks on our community. It is important that we recognize the entirety of the LGBTQI+ community,” Vice Mayor John Heilman wrote to the Blade. “Intersex people have long been ignored and their issues disregarded. Raising the intersex flag also raises awareness about the challenges many intersex people face.” 

Intersex people are born with naturally occurring variations in reproductive and sexual anatomy that don’t fit into binary “male” or “female” categorizations. As Planned Parenthood details, this can look like having both ovarian and testicular tissues or having combinations of chromosomes that aren’t “male” or “female,” just to name a few. According to the Human Rights Campaign Foundation, one of the biggest issues intersex people face is non-consensual surgeries performed when they are children. These operations are considered medically unnecessary and can leave lasting physical and psychological damage on intersex youth. 

The fight for bodily autonomy and intersex visibility was the main reason behind the first action organized by intersex advocates and trans allies on Oct. 26th, 1996. Protestors stood outside the Boston Convention Centre, passed out leaflets, and spoke with clinicians, nurses, and other medical professionals attending the annual American Academy of Pediatrics conference.

One of the main leaders behind this movement was Morgan Holmes, an intersex woman who had experienced a violating medical procedure meant to “correct” her anatomy. In May of 1996, she presented testimony in a room adjacent to a symposium on genital surgery for intersex infants, a conference she and other members of her advocacy group had been rejected from. 

“What I am saying is that my medical ‘care-givers’ failed to respect my autonomy or my intelligence when they assumed that because I was a child, they could do whatever they wanted as long as my father provided his consent,” Holmes said. “And when I began to balk, instead of questioning their own treatment of me, they blamed my body, and they cut it up.” 

Today, intersex people and their stories are more broadly recognized, but still struggle to reach mainstream audiences when it comes to discussions around LGBTQ+ identity. West Hollywood city officials see this addition of intersex pride flags as a step forward. “Updating our city’s flags was my item because visibility matters,” councilmember John M. Erickson wrote to the Blade. “Intersex people have always been part of our story, and it’s time that their history, identity, and pride are recognized in the public spaces that belong to all of us.”