Celebrity News
Peppermint made her mark on ‘Drag Race.’ Now, her advocacy is front and center
LGBTQ+ activist is this year’s NYC Pride grand marshal
Uncloseted Media originally published this article on May 26.
By SPENCER MACNAUGHTON, BELLA SAYEGH, and LAURY PEYSSONNERIE | You may know Peppermint as a runner-up on season 9 of “RuPaul’s Drag Race.” Or for her stint as the first trans competitor on the runaway hit “The Traitors.” Or for her relentless activism at a time when the Trump administration is waging an unprecedented attack on the LGBTQ+ community.
Now, Peppermint is getting set to be one of New York City Pride’s official grand marshals. And she’s doing that while upholding the legacy of the trans women of color who were at the Stonewall Uprising in 1969.
In this episode of “UNCLOSETED, with Spencer Macnaughton,” Spencer sits down with Peppermint to hear about what it means to be a Black trans woman at the forefront of the LGBTQ+ movement during the second Trump administration.
(Uncloseted Media video)
SPENCER MACNAUGHTON: Hi everyone, welcome back to UNCLOSETED with me, Spencer Macnaughton. Today, I have the great pleasure of speaking with Miss Peppermint. She was a runner-up on “RuPaul’s Drag Race,” she was the first trans contestant on the runaway hit, “The Traitors,” and now she is the grand marshal for this year’s New York City Pride. Peppermint, thanks so much for speaking with me and Uncloseted Media today.
PEPPERMINT: Hello, I’m so happy to finally be with you. This is great! Hello, Uncloseted!
SM: Yes, we’ve done many collabs and you’ve definitely amplified our work, and you’re just such a huge advocate in the community so we’re thrilled to connect with you formally in this way. So, you were recently named the grand marshal for New York City Pride. How did that come about and what does that exactly mean? What is your duty if you’re grand marshal?
P: You know, I’m still trying to figure it out, but don’t tell them. Obviously, most parades and marches, and probably all of them traditionally, have a grand marshal who’s somebody that they honor who’s like one of the people at the very front of the parade as it goes through. And so I’ll be joined by some other fabulous grand marshals as well. I’m sharing the spotlight with Dominique Jackson, with Bernie Wagenblast, who New Yorkers will know as one of the voices of the subway system, and also Bowen Yang. And Gays Against Guns was just announced, and I’m so excited to share the spotlight with them.
SM: Yes, and you wrote, or you mentioned in a recent interview that you said, “Being named a grand marshal for New York City Pride is deeply meaningful, not just as an artist, but as a Black trans woman standing in the legacy of those who fought for us to be here.” That’s Marsha P. Johnson, that’s Sylvia Rivera. And through history, those voices, the voices of trans women of color have, for many parts since 1969, been erased from that conversation, right? So how meaningful is that to you as a Black trans woman to be in this space now in 2026, especially given the political climate we’re experiencing?
P: I am continuously dedicated to using whatever platform I have, whether it’s before I was on TV, since I’ve been on TV, still using my platform to advocate for the LGBT community, including, obviously, trans folks. As someone who is trans, it does feel good to know that they are, “they” meaning the New York City Pride, they hold some reverence for the legacy of trans women of color, of trans people in general and their contribution and to the legacy of Pride. The march is a sort of recreation of the very first time that the community marched to commemorate what happened in 1969 at the Stonewall Uprising, where, you know, the police came to raid the bar, Stonewall, the legendary gay bar Stonewall in the Village, and the community fighting back.
But, I think what a lot of people didn’t realize is that, yes, trans people, trans women were there on the forefront, but it wasn’t just an attack on the bar. This was an attack on sex workers, people who were homeless and on the street, many of which were femme presenting people, drag queens, trans women. These were the street kids who were working, who were sometimes cast out of their apartment, or kicked out of their homes from their families, and the only places that they could gather were, besides the bar, were also down at the pier and on the street, wherever, and they were, some of them were engaging in survival sex work. And the police, the NYPD, were attacking, constantly harassing, and throwing in jail, and just like targeting trans sex workers, essentially. These were the people who were, and are often, the most vulnerable when it comes to interactions with the police, and those were the people who said, “We are done, we are tired of it.” That story has been whitewashed over time in many ways. One of the very first movies, one of the mainstream movies about Stonewall that we’ve seen, is a bunch of blonde kids from Iowa as the ones fighting back when we know that it wasn’t. Again, it was the street kids, it was the people who were vulnerable. And so their legacy had been erased. And so while we’re hearing voices like Marsha P. Johnson and Sylvia Rivera being mentioned so much, especially in recent years, is because it hadn’t been included so much in the past. And it had been essentially erased. And It’s been restored, and then since then, this administration has tried to erase trans folks from that legacy, taking down the mention of trans from the official website for the Stonewall National Monument, removing trans women, you know, biology, gender, whatever, all these words from all federal government documents and websites. So, I know that was a long answer, but I think it was important for people to know that that’s why it’s important for me and that’s so important to be included in Pride, because it feels like this year in 2026, the same year that the flag came down and went back up, thank goodness, it feels it’s a good time to remind people that trans folks are a very important part of the community.
SM: A hundred percent. And when I hear you speak all that, you are at the end of the day a very brave person, a very courageous person. You have Trump erasing all references to gender identity from all government documents, taking down the pride flag for what reason? And then his administration unveiled a new counterterrorism strategy that maybe you’ve seen that talks about the biggest concern, which is not at all reflected in the evidence, is left-wing extremists and pro-radical transgender people, whatever that means. I just interviewed two extremism experts for a different episode, who talked about there’s not even one mention of white supremacy, even though all of the evidence points to that being the biggest threat. So I wanna know, you’re an advocate, but you’re also a Black trans woman, triple, quadruple jeopardy as it relates to who this administration’s attacking. How does that make you feel going into this Pride month as grand marshal?
P: It really just kind of solidified what I already knew, the absence of white supremacist groups and organizations, and white supremacy as a notion in terms of being a threat, domestic terrorism threat. It’s like the weakest part of that evidence because the biggest part of it was when they removed the proof that the federal government stated in multiple reports that white supremacy was the largest domestic terrorism threat in the United States since the ‘80s.
SM: And just so the listeners know, the Department of Homeland Security quietly removed that threat from documents so the public would not be privy to it.
P: So the absence is just an echo of that, right? Their action of removing that is what really was like, what? I clutched my pearls. So, this latest sort of act is just sort of confirmation of that, and it is terrifying. I want to leave the country.
SM: You want to leave the country? You do?
P: Yeah, part of me wants — of course. I want to continue to use my platform to advocate for what I feel is right. And part me wants to leave, part of me wants to stay and fight. You know, and I, I think like, what am I, what is this country that I want to fight for? I envision like, am I going to stay and fight and want to risk my life for like a bunch of other people that are just like, “Oh well, that’s what happened to the trans people.” Or are we all going to fight? Like, I can’t just fight by myself. We have to fight for each other. Sometimes when we see not only the government putting out documents, official documents on government letterhead that say, “We’re going to name trans people as terrorists.” But then at the end it’s saying, “We will find you and we will kill you.” That’s the part that’s like, well, do I need to wait for them to kill me?
SM: And just to be clear to the people who haven’t read this document, that is a verbatim quote. They essentially list the terror threats, which include, quote, “pro-transgender radicals,” and then they say, make no mistake, quote, “We will find you and we will kill you.” I mean, that’s insane.
P: That’s in the document.
SM: That’s in the document. You mentioned you can’t do this alone. If people are listening to this and they aren’t trans but are concerned and are seeing the stats, what can they do? What can we do to really be there for our trans siblings?
P: When I say, “I don’t want to do it alone,” it’s not so much, I need you to defend me, which would be nice; it’s more that I need you to defend yourself by defending me, is what I want people to know. Like the cis community, people who are cisgender, people who’re not trans, and also people who are outside of the queer community, need to know that if rights are what we have, if equal rights are what a democracy gives you and what you have, an attack on those and removal of those rights for who someone is, who they love or their political beliefs, then it is an attack on that very democracy and an attack on the people of that democracy and the people who value those rights. And so, going after people for who they are and removing their passports, naming them as terrorists, threatening to kill them, banning them from all types of government buildings and bathrooms and holding a job and da-da-da, and healthcare, all these things. The only way they can do that to me is if they change the rules to make it possible to do. Now we have a government that can remove people from all these things. So now that means all they have to do is include, you know, let’s include Mormons as terrorists. You know what? I mean, it took them how long to put out this document. Vegans, whatever, I don’t know. Like they can target anyone. It sounds absurd and preposterous because it is, but it won’t take long for them to widen that group to who they want to focus on next.
SM: And I know you’ve been outspoken in all different places, including mainstream media. You’ve gone on CNN a few times. I’ve seen you on there. And I worked in mainstream media, “60 Minutes,” the Wall Street Journal. And a big reason I left was because I didn’t feel like the coverage was rigorous enough, was fair enough, was frequent enough. How do you think the mainstream media is doing characterizing the issues plaguing the trans and LGBTQ community right now?
P: What is this question? They get an F, for fuck off. They get a terrible F because —
SM: Tell me why.
P: It’s so wild. Yeah, hello. We know that they’re interested because they talk about it on the daily. Every other day, there is mentions of trans people in some way, shape or form, and queer people in general. And so they’re constantly evoking us, talking about us, blaming us, bringing us up, attaching us, associating us, constantly. It is wild that they have so much to say about us and they don’t want to talk to us in general, the mainstream media. They don’t wanna include us. They don’t wanna hear. And I wonder why that is because with many other situations, they would want to go to, sort of like, the subject and speak with them about what it is, or the people who are involved in the story. You want to get their side of the story, except when it’s a situation like this, when it’s the political scapegoat. When it’s the political scapegoat, it actually is imperative that you don’t hear from them, that you just hear about them, because then you can create who they are for other people to sign off on.
SM: I have a friend, Alaina Kupec, and she’s a trans military veteran and she went on Abby Phillip’s CNN “NewsNight,” the 10 p.m. slot, after Trump passed the trans military ban. She was the only trans person on the panel. Other panelists include Scott Jennings, who is a Trump loyalist who has zero expertise in trans issues, but it created this false equivalency debate between Alaina, who was a military person and is trans, and Scott Jennings, as though both of those opinions should be considered equal from a journalistic perspective. How damaging are those kinds of conversations that are airing on shows like Abby Phillip’s that are, you know, sure we say “Americans don’t talk but they talk here,” but the majority of Americans perceive that as news still.
P: Yeah, it’s not news. It’s obviously just entertainment. And, you know, I really was upset with, I mean, I was really grateful to be on the show and have appeared there with another trans person, particularly, I got a chance to go on there.
SM: On Abby’s show?
P: On Abby’s show, pardon me, yes. But I do think that CNN has always served to launder the reputation, to launder the impact, and soften the perception of the very, very, real impact that sort of centrist politics that CNN holds. It really just exists to protect, sort of like capital and protect big business and sort of corporate, the corporate flow of politics that controls policy. And so I’m not surprised, but I think you’re 100 percent right. There is an epidemic, a habit, a vibe that this country has to just, like, take somebody off the street who has no knowledge about anything at all, other than their own opinion when they hear something, and that opinion when they hear, like, “What do you think of this concept that you’ve never heard of but we’re going to give it you and tell us what you think. And then here’s an expert in that, go!” And suddenly, you know, Scott Jennings gets to have an opinion on what I’m doing with my body or what rights I have and you know that thinks it’s harmful, it’s damaging and harmful.
SM: And I don’t want to single out, you know, Abby’s show too much because this happens on many different shows across network news, but to hosts like Abby or to producers on these shows — and I’ve worked in these newsrooms — who really care and really want to do it right, but might hit blocks. What’s your advice as a trans woman who’s experiencing this? What’s your advice to them? The people who are actually shaping the news packages we’re watching and actually do have some agency in deciding what gets to air.
P: My ask is, bring trans people on, at least to talk about the trans issues that you mentioned every day. But besides that, bring trans people on to talk about what’s going on with Medicare. Bring trans people on to talk about what’s going on with the war. Whatever. Bring trans people on to talk about more because those things impact us as well. The simplest thing is gender-affirming care. Gender-affirming care and issues of gender-affirming care, the government telling people what decisions they can make medically with their own body, ties directly with reproductive justice and access to abortion, and making your own medical decisions for your own body. That’s something that we can all talk about. That is an intersection that you could bring a trans person on to talk about.
So I would ask of those other creators, bring trans people on to talk about everything that you wanna talk about, Honey. We got lots to say, and we can add something to the conversation because we have a very unique perspective.
And then beyond that, my advice to CNN is you would want to follow what the other podcasters will be doing and having them on because you will be sealing your own demise and become a lot less relevant than you already are if you don’t.
SM: The least surprising thing from this interview is that you’re very interesting. I want to stick on media though for a second because right now you must know that the Ellisons, billionaires, own Paramount, right? And they, who are MAGA loyalists and they have really reshaped the narrative at CBS News, bringing in Bari Weiss, who is an opinion columnist, but Paramount also owns MTV, which airs “RuPaul’s Drag Race,” which you were a finalist on. Ru and the show have been a groundbreaking TV series as the most successful Emmy award-winning reality TV series of all time. They have been progressive trailblazers for many different reasons for LGBTQ rights. There’s been no messaging on the fact that Paramount’s owned by the Ellisons. Should there be? Should they stay with Paramount? What are your thoughts on that?
P: It would be wonderful to see anyone on that show speak out against sort of what is happening in our country with regards to the control over politics and policy and the intersection again of money with politics, especially as related to the Ellisons and the purchase of Paramount. We’ll know when the takeover is complete, when RuPaul is like, “I love Larry Ellison,” cause that’s probably happening. They’re gonna get a script. So let’s just wait for them to get a script and start talking about how great President Trump is, whatever, I don’t know. That’s what I envision happening is they will try to either cut “Drag Race” or use it as a tool to parrot what they want to say. I hope that doesn’t happen, but it’s either one or the other. They’re either gonna get rid of the show, but it’s such a ratings juggernaut that I imagine they’ll probably try to reshape “Drag Race” and take out any political messaging.
SM: That’s what I think about though. Ru has so much money, she doesn’t need any more money, right? And the show is such a ratings juggernaut [that] they could go somewhere else. They have enough power from a ratings perspective that they don’t have to be with Paramount. They’re enough of a product there that they could dip out. Do you think they should dip out given the political climate?
P: I don’t know, I guess I have mixed feelings on it. I certainly see a world where Paramount, CNN, anything under this new umbrella is going to have to follow what their owner and boss wants. Every show, every network that’s been sort of sucked into the umbrella is gonna have to fall in line. That’s what fascism is about. You follow directions. And so I think that’s in the future for the show if they don’t leave. If they don’t leave, then it’s probably going to, just they’ll either be disbanded or we’ll wake up one day and there’s gonna be this weird messaging coming out of drag or something like, where’s the lip sync? Suddenly they’re like forcing us to say the Pledge of Allegiance, but with Donald Trump’s name in it. Like that’s what’s gonna happen. That’s what happens in fascism. Do I think they should? I don’t wanna see a “RuPaul’s Drag Race” that’s teaching us how to march in a certain way. So I don’t know, because by that point, it won’t even matter. But I think if they could just go online and start doing it on YouTube or whatever, I think they could do that. But I think ultimately no linear, traditional television is safe. They own most of it.
SM: It’s so interesting. You know this from being on camera. I know this from being behind the scenes that there are always little things that the viewer might not realize happen. And I wonder over at Paramount, while they’re putting together “All Stars” or the next season, whatever it is, the little decisions that could be being made in the final script. And I think that there might be a lot of silent things to the next season that we don’t realize have been edited out to appease the big bosses who are MAGA loyalists. And those are just the things we’ll never know.
P: We’ll never know. And I would be so surprised if they, it would be smart of them to just leave Drag Race alone. Drag Race is a wonderful thing because it’s, because it features wonderful drag entertainers. That’s what’s so great about “Drag Race,” in my opinion. But I don’t rely on Drag Race to get my political anything.
SM: I hear you. Fascinating conversation about media, I could talk about it forever, but we’re going into Pride 2026, right? And we are now six years after the explosion of the Black Lives Matter movement after George Floyd’s murder that spawned into a submovement, the Black Trans Lives Matter Movement. And I’m curious, a lot of that has faded, at least from national international conversations, right? Where do you think we are now in 2026?
P: I think we are in a state of emergency, for sure. I think this administration has been successful. That’s where I think we are. It’s like a wild sort of, a wild, wild west. Do I think we need another moment? I mean, hopefully not, considering that what galvanized people was the death of an unarmed Black man. No, I don’t want that to happen, but it continues to happen on the daily and that we’re not marching in the street about it means that the sort of news cycle focus isn’t on it. And I’m grateful to see that people were able to become temporarily activated. And so I think we benefited from that, but I do think that it allowed people to sort of revert or to sort of jump to this automatic sort of social media style performative advocacy or reaction, which I think is a natural human response maybe in this situation. So by that matter, people posting a black square and thinking that they’ve done their part, fine, obviously it wasn’t enough. What I would like to see is instead of another sort of mainstream BLM moment is an awareness that yes, racism exists. Yes, transphobia exists. Yes, we have to fight those things, but also organizing and at the community level, connecting in sort of a mutual aid way so that we can’t say, “Oh my god girl, I can’t go out and protest because I’ll lose my job and I won’t be able to pay my rent.” Well, if we can make a way for your rent to be paid, you can go out in protest whether you lose your job or not, and then you don’t care and you’re more likely to challenge the system. And so that is where I want people’s minds to go because it’s gonna be necessary to withstand whatever’s coming.
SM: I want to be respectful of your time. That was great, that was an important answer so thank you.
I think out of all the people we collaborate with, there’s a lot of people who want to amplify our work, but you really are at the top of the list for people who are like I don’t care if this post hasn’t popped or isn’t going to get me more followers or I just want to do this and I can tell your advocacy is absolutely authentic and selfless. How did you get here?
P: That’s a good question. I wonder, I sit around asking myself, why am I doing this, like what in the world, but I’m just like driven to it, you know? And it’s something that I would be doing whether I’m alone, whether I am with people, whether there’s a benefit of it or not, it’s not something that I’ve seen that people can do to make money or things like that, most of what I do now is advocacy and all of it is unpaid. And I do it because I care about it and I will continue to do it. But it also means that I’m extremely vulnerable to not being able to survive because I’m not spending my time doing the things that it’s necessary to do to survive. I just want to make sure that we’re able to live and have basic rights, which means, you know, advocacy. And I think it started along, I mean, it definitely started a long time ago and it evolves over time. You know, I think I got it from my grandmother. She was heavily involved in civil rights and so that’s probably where it came from. I don’t know if it’s genetic or if it was just instilled as I was watching, but it’s here now.
SM: And when you got celebrity from “RuPaul’s Drag Race” and other things like that, how did that affect it? Because the celebrity status would have made you in a whole different ballgame with it, I would imagine.
P: Yeah, I remember thinking when I got on “RuPaul’s Drag Race,” I was basically, yes, my platform sort of multiplied and sort of exploded tenfold, which I’m grateful for. And I remember thinking, well, I’m basically doing exactly what I’ve always been doing the entire time, just on a larger scale. I believe I’m quite the family-friendly entertainer and personality. But I’m sure that there’s people that have been like, “Let’s not hire her because she might say the wrong thing.” I’m sure that I’ve suffered that, but it doesn’t change that if I lose every follower I have, I’m still gonna be doing the same thing. I’ll just be back to where I was before I started this stuff. And so, you know, that’s kind of my thought on it.
SM: I love it, and I feel like that is a beautiful place to stop. I could talk to you for a long time, but Peppermint, so grateful that you’ve given us your time. Thank you so much for speaking with me and Uncloseted Media today. This has been a really rich conversation.
P: Absolutely. I do want to remind people to tune in to the last job I held, which was “Survival of the Thickest” on July 2, right after New York City Pride.
SM: Absolutely, we can plug that also in the show notes. So yes, thank you again, Peppermint. This was fantastic.
P: Awesome, thank you.
Season 3 of “Survival of the Thickest” featuring Peppermint launches July 2 on Netflix.
Celebrity News
Madonna makes rare club appearance at West Hollywood’s The Abbey
The Blade was on the scene as Madonna took to the dancefloor to celebrate her new dance album, Confessions II
A line of celebrities, Drag Race queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.
With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated Confessions on A Dance Floor album sequel, Confessions II. That night, the Abbey also unveiled its remodeled dancefloor, a fitting collaboration.
The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.
The lights began to dim, the dancefloor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”
Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.
Released in 2005 (yes, it has been that long), Confessions on a Dance Floor was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.
Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.
Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.
Confessions II releases on July 3rd.
Celebrity News
Rob Reiner, ‘The Princess Bride’ director and outspoken LGBTQ+ ally, dies at 78
Reiner and his wife advocated against California’s same-sex marriage ban and spoke out for queer equality
Rob Reiner, most known for directing untouchable classics like The Princess Bride, Misery, When Harry Met Sally…, and Stand by Me, died Dec. 14 alongside his wife, Michele Singer Reiner, in their Los Angeles residence. While investigations are actively underway, sources have told PEOPLE Magazine that the pair’s son, Nick Reiner, killed his parents and has been taken into custody.
Reiner was a master of every genre, from the romantic comedy to the psychological thriller to the coming-of-age buddy movie. But in addition to his renowned work that made him a household name, Reiner is also remembered as a true advocate for the LGBTQ+ community. In 2009, Reiner and his wife co-founded the American Foundation for Equal Rights, helping fight against California’s Prop 8 same-sex marriage ban. They were honored at the 2015 Human Rights Campaign Las Vegas Gala.
In a statement, HRC president Kelley Robinson said: “The entire HRC family is devastated by the loss of Rob and Michele Reiner. Rob is nothing short of a legend–his television shows and films are a part of our American history and will continue to bring joy to millions of people across the world. Yet for all his accomplishments in Hollywood, Rob and Michele will most be remembered for their gigantic hearts, and their fierce support for the causes they believed in–including LGBTQ+ equality. So many in our movement remember how Rob and Michele organized their peers, brought strategists and lawyers together, and helped power landmark Supreme Court decisions that made marriage equality the law of the land–and they remained committed to the cause until their final days. The world is a darker place this morning without Rob and Michele–may they rest in power.”
Reiner’s frequent collaborators have also spoken out as the industry is in mourning, including figures like Ron Howard and John Cusack.
A joint statement from Jamie Lee Curtis and Christopher Guest (who starred in Reiner’s This is Spinal Tap) reads: “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michelle Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them. There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage, and their global care for a world in crisis. We have lost great friends. Please give us time to grieve.”
While attending the 2019 HRC Los Angeles Dinner, Reiner spoke out about the need for equality: “We have to move past singling out transgender, LGBTQ, black, white, Jewish, Muslim, Latino. We have to get way past that and start accepting the idea that we’re all human beings. We’re all human beings, we all share the same planet, and we should all have the same rights, period. It’s no more complicated than that.”
Celebrity News
Jonathan Bailey is People’s first openly gay ‘Sexiest Man Alive’
‘It’s a huge honor. And it’s completely absurd.’
Actor Jonathan Bailey made history Monday after he was named People magazine’s first openly gay “Sexiest Man Alive.”
Bailey is known for his starring role in “Wicked,” as well as well-received turns in “Bridgerton” and “Fellow Travelers,” for which he was nominated for an Emmy. He returns to the big screen on Nov. 21 in the “Wicked: For Good” sequel.
Bailey announced the news on the Nov. 3 “Tonight Show” with Jimmy Fallon.
“It’s the honor of a lifetime,” Bailey, 37, said. “I want to say, Jimmy, thank you so much for turning it down so that I could be here.”
Bailey told People, “It’s a huge honor. Obviously I’m incredibly flattered. And it’s completely absurd. It’s been a secret, so I’m quite excited for some friends and family to find out.”
People launched its popular “Sexiest Man Alive” issue in 1985 with inaugural winner Mel Gibson. Last year’s winner was actor John Krasinski.
Bailey came out publicly in 2018 and founded a nonprofit, Shameless Fund, which raises money for LGBTQ+ organizations and issues.
Celebrity News
Lesbian comedian who performed in Saudi Arabia apologizes
Jessica Kirson invited to participate in Riyadh Comedy Festival
A lesbian comedian who performed at a comedy festival in Saudi Arabia has apologized.
Jessica Kirson joined Dave Chappelle, Pete Davidson, and dozens of other comedians who participated in the Riyadh Comedy Festival that began in the Saudi capital on Sept. 26 and is scheduled to end on Thursday.
Kirson performed on Sept. 29.
Saudi Arabia is among the countries in which consensual same-sex sexual relations remain punishable by death.
A U.S. intelligence report concluded Saudi Crown Prince Mohammed bin Salman “likely approved” the murder of Jamal Khashoggi, a Washington Post columnist, inside the Saudi Consulate in Istanbul in 2018. The Saudi government has also faced criticism over the treatment of women, migrant workers, and other groups in the country.
“On Sept. 29, I performed at the Riyadh Comedy Festival. This decision has weighed heavily on my heart ever since,” said Kirson in an exclusive statement to The Hollywood Reporter. “I like to express my sincere regret for having performed under a government that continues to violate fundamental human rights.”
She said she was “surprised” as “an openly gay person” to receive an invitation to perform at the comedy festival.
“I requested a guarantee that I could be openly out as a lesbian on stage and perform gay material. I hoped that this could help LGBTQ+ people in Saudi Arabia feel seen and valued,” said Kirson. “I am grateful that I was able to do precisely that — to my knowledge, I am the first openly gay comic to talk about it on stage in Saudi Arabia. I received messages from attendees sharing how much it meant to them to participate in a gay-affirming event. At the same time, I deeply regret participating under the auspices of the Saudi government.”
Kirson in her statement to THR said she “donated the entirety of what I was paid to perform there to a human rights organization.”
She did not say how much the comedy festivals paid her, or the group to which she donated her fee.
“I made this decision because I want that money to go to an organization that can help combat these severe issues,” said Kirson.
THR notes Marc Maron, David Cross, and Atsuko Okatsuka are among the comedians who criticized the festival. Kirson in her statement said she respects her “fellow comics who have spoken out against” it.
“I recognize the concerns and criticism this has raised. I hope that this moment sparks dialogue about how we can use our platforms for good — to support people without a voice and to find ways to be less divided,” she said. “In the past, I’ve faced criticism for choices I’ve made, both on and off stage, and I rarely responded. This time, I felt I needed to speak up. I could not remain silent.”
Kirson ended her statement with an apology to her fans and others she has “hurt or disappointed.”
“I have a special relationship with my fans because of the vulnerable nature of my comedy and the trust they place in me as part of the queer community,” she said. “To my fans: I see you. I hear you. Your voice matters to me. I love you all, and I am genuinely sorry for making a poor decision that had repercussions I didn’t fully consider. I will take full responsibility for my actions and dedicate myself to making amends, so that my words and choices reflect the respect and care you deserve.”
The 2034 World Cup will take place in Saudi Arabia.
Qatar, which borders Saudi Arabia, hosted the 2022 World Cup. Consensual same-sex sexual relations remain punishable by death in the Middle East country.
President Donald Trump in May visited Qatar, Saudi Arabia, and the United Arab Emirates.
Celebrity News
Brazilian police arrest two men who allegedly targeted Lady Gaga concert
Authorities say suspects wanted to target LGBTQ+ Brazilians
Brazilian police have arrested two people who allegedly sought to detonate explosives at a free Lady Gaga concert that took place on Rio de Janeiro’s Copacabana Beach on Saturday.
The Associated Press reported Felipe Curi, a spokesperson for the city’s Civil Police, told reporters the men who authorities arrested hours before the concert took place wanted to target LGBTQ+ Brazilians. Civil Police Chief Luiz Lima said the men posted hate speech and violent content online “aimed at gaining notoriety in order to attract more viewers, more participants — most of them teenagers, many of them children.”
“They were clearly saying that they were planning an attack at Lady Gaga’s concert motivated by sexual orientation,” said Cury, according to the AP.
An estimated 2.5 million people attended the concert.
A Lady Gaga spokesperson told the AP the singer learned about the threats on Sunday from media reports.
“Prior to and during the show, there were no known safety concerns, nor any communication from the police or authorities to Lady Gaga regarding any potential risks,” said the spokesperson. “Her team worked closely with law enforcement throughout the planning and execution of the concert and all parties were confident in the safety measures in place.”
Lady Gaga in an Instagram post thanked her Brazilian fans.
“Nothing could prepare me for the feeling I had during last night’s show — the absolute pride and joy I felt singing for the people of Brazil,” she wrote. “The sight of the crowd during my opening songs took my breath away. Your heart shines so bright, your culture is so vibrant and special, I hope you know how grateful I am to have shared this historical moment with you.”
“An estimated 2.5 million people came to see me sing, the biggest crowd for any woman in history. I wish I could share this feeling with the whole world — I know I can’t, but I can say this — if you lose your way, you can find your way back if you believe in yourself and work hard,” added Lady Gaga. “You can give yourself dignity by rehearsing your passion and your craft, pushing yourself to new heights — you can lift yourself up even if it takes some time. Thank you Rio for waiting for me to come back. Thank you little monsters all over the world. I love you. I will never forget this moment. Paws up little monsters. Obrigada. Love, Mother Monster.”
An estimated 1.6 million people attended Madonna’s free concert on Copacabana Beach last May.
Arts & Entertainment
Here’s a Real Housewives gossip rundown in case you missed some tea
All your Bravo TV gossip brought to you by Norma Lee
Nothing distracts from the upside-down world we live, in like a good reality TV binge. The only problem is that there’s too much to watch and too much to discuss.
Luckily for you, we’ve made time for Bravo since Vicki Gunvalson was yelling into a flip phone about a family van. This past week, we were treated to some major Housewives news.
Let’s dive in.
On Beverly Hills home franchise, things are random. Erika Jayne redecorated her casita, and it looks amazing. But, it also looks like I can afford it and that’s not what I want when I watch Housewives, especially The Real Housewives of Beverly Hills. This brings us to this week’s drama. Our gal Sutton forgot all her fine Southern manners and said the unspeakable: she was in a different class than Dorit Kemsley.
She said: “pick on someone the same wallet size as you.” Which in drag translates to: “don’t come for me until you can afford the life I live, you broke cow.”
This spat occurred at Jennifer Tilly’s caviar and kaftan party — now this is the kind of themed party I love, especially for a kooky housewife like Bravo’s first Oscar nominee is proving herself to be. Jennifer Tilly is basically an extra Kathy Hilton, a super wealthy woman with a funny voice who is slightly detached from any reality I know. Also on HBH, we got Boz trying to have a baby at nearly 50 years old, Garcelle producing stuff no one watches and Kyle crying again about being an empty nester.
We are so over this storyline.
She should have come out (allegedly) and made her story about her new muff collection.
On Potomac, we are deep into the three-part reunion. It appears Dr. Wendy Osefo and her sexy hubby Eddie, are about to drop a major plot twist in reunion part three claiming that newbie Stacey Rusch paid that corny man TJ to be her boyfriend all year.
I’d believe it.
On their best day, those two didn’t have half the sexual chemistry Kyle Richards and Morgan Wade had in that tattoo scene from last season. The biggest Real Housewives of Potomac news is that Karen Huger, the Grand Dame of Potomac, is now the third housewife to go to jail.
Following her fourth DUI, a judge sentenced Karen to one year in prison. She follows Teresa Guidice and Jen Shah as Housewives who served time. Now, Karen could barely get her wig together under the best of circumstances, so I’m going to need paparazzi photos ASAP, to see what she’s sporting around the cell block.
In other Housewives news, rumors are that Dolores Catania and Melissa Gorga will return to lead a new Real Housewives of New Jersey, with Teresa getting her own spin-off so the sisters-in-law don’t ever have to film together again. Dolores is killing it this season on Peacock’s Emmy-winning hit The Traitors. Season 3 of The Traitors is so messy because all the traitors just try to banish and undermine each other.
First, Bob and Rob and now Danielle and Carolyn. Carolyn was my favorite character this season hands down. I’d never seen her before since I don’t watch Survivor (I’m a drag queen, I need glamour) and I became obsessed. The way she talks, her style, those random faces she makes, she’s made for TV. I so badly wanted her to win the whole thing but Danielle ruined that so now I’m rooting for Dolores or Gabby from The Bachelor.
Side note, how is zaddy Ivar still there? Don’t the royals have enough?
Until next week, when we have more reality TV to talk about, this is your queen, signing off.
- -XOXO, Norma Lee
Celebrity News
Colman Domingo is riding high ahead of the Oscars
Actor is star, executive producer of ‘Sing Sing’
Colman Domingo is riding on a career high, with back-to-back Best Actor Academy Award nominations–last year, playing Bayard Rustin, the gay advisor to Martin Luther King Jr. and this season, starring and executive producing Greg Kwedar’s mesmerizing film, “Sing Sing.”
One thing is clear watching any of Domingo’s films and television series–among them being “Selma,” “The Color Purple,” “Ma Rainey’s Black Bottom,” and “HBO’s “Euphoria”—he completely gives his heart and soul into every role he takes on.
It’s no wonder then, why the charismatic performer recently received the Montecito Award from Executive Director Roger Durling at the 40th annual Santa Barbara International Film Festival.
“As a devoted admirer of Colman Domingo for so long, what is enthralling to see is how his early work in theater—the specificity, the dexterity, the research, the conviction and the intelligence that this performer displayed on the boards is now being finally utilized,” said Durling. “His potential that always was there is now realized.”
In a lengthy chat about his career with Durling, Domingo addressed his perseverance throughout his illustrious television and film career, telling attendees, “I just kept going and believed that the love I was seeking would also be seeking me. I just always believed that.”
The evening highlighted Domingo’s powerhouse performance as John “Divine G” Whitfield in “Sing Sing.” In the film, which is based on a true story, an imprisoned man—wrongfully put in jail for a crime he didn’t commit—finds a renewed sense of purpose by acting in a theatre group, “Rehabilitation Through the Arts,” also known as RTA, alongside other incarcerated men.
The riveting script had immense appeal to the veteran actor.
“I started my career in educational theater,” said Domingo. “I would go to local San Francisco Bay Area high schools to perform while also teaching kids about important issues such as HIV, AIDS, or conflict resolution. We were the arts program, coming in, performing, and maybe doing a few classes. And influence the children with art, in much the same manner that RTA did in the New York prison system.”
He continued: “So I already understood it—the idea of an arts program coming into a maximum security prison is revolutionary. It goes completely against the system that got them there in the first place.”
Domingo saw “Sing Sing” not as a prison story, but as a human story.
“It is a triumphant story, of course and determination, of fighting against a system that’s broken,” he noted. “Rodessa Jones said, ‘But art just might be the parachute that saves us all.’ That is certainly true of the men of RTA. We all have choices we make—every day—to try to be better, to go to our better angels. That’s what this film is about, ultimately.”
Domingo’s interest and passion for the film transcended signing onto the role; he and his husband Raúl Domingo’s production company, Edith Productions, joined to executive produce. They were instrumental in helping assemble the cast and faithfully guide the storytelling.
He referred to the film as a “quiet act of revolution” because of its poignant depiction of tenderness and compassion between Black men.
“It’s about putting myself on the line in every single way as an artist. If I’m going to have an impact, if I’m going to do this work that I think is meaningful and can really change lives … I think a film like ‘Sing Sing’ is really changing lives. It’s actually doing work. So, I have to give everything.”
Being able to connect deeply with his characters has always been an important part of Domingo’s acting process. During the q and a, describing his performance in “Rustin.” he noted how connected he felt portraying the role.
“It felt like we were in alignment. That Rustin’s journey and my journey were meeting at the exact moment, and I was the actor to help pull this black, queer, civil rights revolutionary out of the shadows of history, while I was being pulled into new history. I needed every year, every step, every misstep in my career, to enable me to play Bayard Rustin.”
The Santa Barbara recognition follows his win at New York’s Gotham Awards, where Domingo took home the honor for Outstanding Lead Performance.
He also received the Spotlight Award at the Palm Springs Film Festival. Chairman Nachhattar Singh Chandi acknowledged Domingo’s “raw and captivating” performance. “We are so thrilled to honor the remarkable talent of Colman Domingo at the Palm Springs International Film Awards for the second year in a row.”
Domingo ongoingly keeps a busy schedule–he can currently be seen in Netflix’s series “The Madness” created by Clement Virgo. He also recently wrapped production on ‘Michael’ playing Joe Jackson, directed by Antoine Fuqua. Lionsgate will release the film Oct. 3, 2025.
And that’s not all–he will voice Norman Osborn in the upcoming Disney+ animated series “Your Friendly Neighborhood Spider-Man,” and is currently in production on NETFLIX’s “The Four Seasons,” alongside Tina Fey and Steve Carrell. He will play Michael Jackson’s dad in “Michael.”
Celebrity News
LATEST: Is Karla Sofía Gascón’s apology too little, too late?
Netflix has removed Gascón from their Oscars campaign
The latest in the scandal involving Emilia Peréz’s trans star and Best Actress nominee Karla Sofía Gascón is Netflix deciding to part ways with her even after her public apology and statement regarding not withdrawing from the nomination.
“I have been labeled a racist and I need to be clear that I am not. I feel like I’ve been judged, sentenced, crucified and stoned without a fair trial and without an option to defend myself,” said Gascón in an interview with CNN en español.
According to Variety and The Hollywood Reporter, Netflix has cut Gascón out of the campaign for the Oscars. This move comes even after Gascón issued an apology through a statement on her social media and in an interview with CNN en español. On Thursday she was set to be seated with co-star Selena Gomez, Zoe Saldaña and the film’s writer-director, Jacques Audiard for the AFI Awards luncheon – a gathering at the Four Seasons in Beverly Hills. On Friday, she was set to attend the Critics Choice Awards. On Saturday, she was set to serve as presenter at the Producers Guild Awards – which happen to be going on at the same time as The Directors Guild Awards. According to THR, she will not be attending the events.
The Spaniard actress found herself at the center of controversy surrounding the Netflix original being nominated for 13 Oscars after freelance culture writer Sarah Hagi uncovered the actress’s stream of consciousness on display on X, formerly Twitter. Hagi found tweets from as far back as 2020, revealing Gascón’s views on Muslims, George Floyd, China and vaccines.
In her hour-long interview with CNN en español, she defended her position on the issue stating that she feels that she was unfairly targeted, while not being given the opportunity to defend the position she stood behind while writing those tweets.
She goes on to say that she “supports the Black Lives Matter movement obviously” and that the tweets about George Floyd “were taken out of context.” In the interview, she goes on to say she was highlighting the hypocrisy of humanity in that moment in history. According to Gascón, what she noticed during that time was that only after Floyd’s death did people care about him, but prior to his death, they did not help him or care about his struggles.
“I do not identify with any political party and I have my own opinions about issues that might have been one thing in the past, but have now shifted because I have learned many things about respect, love and with the spiritual practice of Buddhism,” said Gascón.
In the interview, she also pulls the “I have a friend who’s Black, so I’m not racist,” card by saying she has a very close family friend who is Muslim, in response to the line of questioning about her being Islamophobic and only through very heavy discussions with her, has Gascón truly come to understand the implications of her words against the culture and religion, as well as the differences between the cultures.
Emilia Peréz was already facing an upward battle to gain popularity, as it was a French production about México. Audiences criticized the film for various reasons and yet, it was still nominated for Best Picture, Critics Choice Award for Best Picture, Academy Award for Best Directing, and many others.
Gascón deleted her X account shortly after the tweets were discovered and is now facing the cold shoulder from Netflix. Variety and THR, reported that the streaming giant is no longer directly communicating with Gascón – only through representatives.
Whether or not this is a witch hunt for a trans actress at the height of her career, Gascón now has first-hand experience in dealing with what it means to misuse a platform by sharing her views on issues she said herself, she did not understand.
Arts & Entertainment
Here’s everything queer that happened at the 67th Grammy Awards
The 67th Grammy Awards featured debut performances by LGBTQ+ megastars Chappell Roan, Sabrina Carpenter and Doechii – all of whom also won awards at Sunday’s awards ceremony, making the gay sons and thot daughters of the queer and trans world rejoice.
Though Roan was the only queer artist to take home one of the ‘Big Four’ awards – Best New Artist – Doechii, Carpenter, Charlie XCX, Billie Eilish, and Lady Gaga were also all nominated for one or more of the ‘Big Four.’
Carpenter, Roan and Doechii also shocked audiences with their debut performances, showing us what it really means to be out and loud.
Doechii
The self-proclaimed swamp princess from Florida took home a well-deserved win for Best Rap Album (“Alligator Bites Never Heal”).
She stunned audiences with her performance and her speech, dedicating her win to Black women everywhere. Only two other women have won the award – Lauryn Hill and Cardi B since the category was introduced in 1989.
“I know there are so many Black women out there that are watching me right now and I want to tell you: You can do it. Anything is possible,” said Doechii during her acceptance speech.
Chappell Roan
Roan won the Best New Artist award, prompting her to whip out her notebook and deliver a speech about her struggles as an up-and-coming artist with no healthcare.
She served looks on the red carpet while delivering Jean Paul Gaultier vintage realness and thanking the trans girlies who made her who she is today.
“Trans people have always existed and they will forever exist. They will never, no matter what happens, take trans joy away and [they] have to be protected more than anything because I would not be here without trans girls,” said Roan on the red carpet.
She also served during her debut Grammys performance, turning Crypto.com Arena into the Pink Pony Club while dedicating the performance to Los Angeles – the city that embraced her when she wanted to break into the industry. She used her acceptance speech as her opportunity to shine a light on her journey toward becoming the icon she is today – and to no one’s surprise, it didn’t come easy to her.
Roan opened up about her struggles with healthcare and being dropped as an artist in L.A., leaving her without health coverage and scrambling for solutions. Seems like the healthcare system has radicalized yet another one.
St. Vincent
St. Vincent revealed that she has a wife and daughter during her acceptance speeches, thanking them after winning three Grammys for Best Alternative Music Album (“All Born Screaming”), Best Alternative Music Performance (“Flea”) and Best Rock Song (“Broken Man”).
During her red carpet interview, reporters asked Clark about the shocking news about her mentioning her wife and daughter, she responded “Most people were [unaware]. It’s young, so we’ve kept it under wraps.” The reporter then continued his line of questioning, meanwhile intrusive thoughts quickly got ahold of Clark, prompting her to interrupt the reporter to clarify that she meant the child is young, not the person in the relationship she’s in.
Girl, you’re good.
Sabrina Carpenter
Though Carpenter didn’t win any of the ‘Big Four’ categories, she did win Best Pop Vocal Album for (“Short n’ Sweet”) and Best Pop Solo Performance for (“Espresso”).
According to E!, Carpenter’s acceptance speech was apparently censored, cutting her off after she said: “Thank you, holy sh*t, bye!”
The pop star was nominated for Record of the Year (“Espresso”), Song of the Year (“Please, Please, Please”), Best New Artist, Best Pop Vocal Album (“Short n’ Sweet”), Album of the Year (“Short n’ Sweet”), Best Remixed Recording (“Espresso – Mark Ronson x FNZ Working Late Remix”), Best Engineered Album, Non-Classical (“Short n’ Sweet”) – all within her first year as a record-releasing musician.
Charli XCX
Charlie XCX truly brought the brat energy to the Grammys with her performance of (“Van Dutch”), also taking home the wins for Best Dance/Pop Recording for (“Van Dutch”) and Best Dance/Electronic Album for (“Brat”).
Lady Gaga
Best Pop Duo/Group Performance went to Lady Gaga and Bruno Mars for (“Die With A Smile”). Gaga used her acceptance speech to advocate for trans people stating that we all need love and to be uplifted.
“Trans people are not invisible. Trans people deserve love. The queer community deserves to be lifted up. Music is love. Thank you,” said Gaga.
No, thank you mother.
Last, but not least
It is also worth noting that our tried and true ally, Alicia Keys used her moment on the Grammys stage to advocate for the restoration of DEI initiatives.
“This is not the time to shut down the diversity of voices,”said Keys. “We’ve seen on this stage talented, hard-working people from different backgrounds, with different points of view, and it changes the game. DEI is not a threat, it’s a gift — and the more voices, the more powerful the sound.”
Celebrity News
Ricky Martin to headline World AIDS Day concert in Miami
AIDS Healthcare Foundation event to take place on Dec. 2
Ricky Martin on Dec. 2 will headline the AIDS Healthcare Foundation’s annual World AIDS Day Concert.
The event will take place at the Watsco Center at the University of Miami in Coral Gables, Fla.
Every year, the AHF, the world’s largest HIV/AIDS healthcare organization, hosts its World AIDS Day Concert to honor those lost to HIV/AIDS, and bring attention to the global fight against HIV/AIDS. The organization will host the concert one day after World AIDS Day, which takes place on Dec. 1.
Ricky Martin — known globally as the “King of Latin Pop” — has long used his stardom to shed light on issues, having used his platform to advocate for and bring awareness to HIV/AIDS, human trafficking, and LGBTQ rights. The Puerto Rico native came out as gay in 2010.
“Ricky has shown a deep commitment to breaking stigma, educating youth, and empowering communities to take action,” the AHF said on a post on Instagram.
The event will also feature a performance by DJ Spinderella, a DJ and rapper, and the AHF Lifetime Achievement award will be presented to Dr. Julio Frenk, the University of Miami’s outgoing president and chancellor-designate for UCLA.
In the past, performers from Janet Jackson to Diana Ross to Mariah Carey have taken the stage at World AIDS Day events. Last year, the AHF presented its Lifetime Achievement Award to actor and activist Blair Underwood.
The concert is taking place in Miami, which has been at the center of the HIV epidemic.
A 2019 study found Miami had the highest rate of new HIV diagnoses in the U.S. Southern states in general continue to be disproportionately impacted by an increase in new diagnoses.
“This concert isn’t just a celebration of lives saved and advances in treatment, it’s a call to action,” AHF said in a statement. “Together, we can raise awareness and support those affected by HIV/AIDS in Miami and beyond.”
Peppermint made her mark on ‘Drag Race.’ Now, her advocacy is front and center
When impunity meets history
Are straight girls giving back to gay bars?
Scott Wiener seems headed to run without Pelosi’s endorsement
‘Horrified’ director Mike Zara talks casting Julie Benz, Busy Philipps, and Ron Perlman in his campy horror homage
Why fans ‘complete’ the Storrie: The psychology behind RPF & fandom narratives
‘Horrified’ director Mike Zara talks casting Julie Benz, Busy Philipps, and Ron Perlman in his campy horror homage
Iran war causes condom shortage in India
Politicians, activists pay tribute to Barney Frank
Eight Democrats break with party as House advances ‘Don’t Say Trans’ bill
-
Commentary5 days agoWhy fans ‘complete’ the Storrie: The psychology behind RPF & fandom narratives
-
Movies3 days ago‘Horrified’ director Mike Zara talks casting Julie Benz, Busy Philipps, and Ron Perlman in his campy horror homage
-
India5 days agoIran war causes condom shortage in India
-
National5 days agoPoliticians, activists pay tribute to Barney Frank
-
Congress4 days agoEight Democrats break with party as House advances ‘Don’t Say Trans’ bill
-
Movies4 days agoQuest for fame becomes an obsession in entertaining ‘Lurker’
-
Features4 days agoSam Asghari talks allyship and his new MISTR partnership
-
Commentary2 days agoAre straight girls giving back to gay bars?
-
Books3 days agoReclaiming LA’s Black queer identity: Terrell J. A. Winder talks ‘Shameless’
-
Politics2 days agoScott Wiener seems headed to run without Pelosi’s endorsement