For months now, most of the buzz around Luca Guadagnino’s newest film – “Challengers,” starring Zendaya as a professional tennis coach caught in an ongoing romantic triangle with a pair of male rival players – has been about how “bisexual” it would be.

After all, this was the man that brought us “Call Me By Your Name,” and even if the Italian filmmaker’s work has not always been that queer in focus, this premise was begging for it; and when the trailers started to drop, heavily laden with imagery that made the bisexual subtext blatantly obvious, the speculation – and the anticipation – only grew.

As it turns out, “Challengers” wasn’t teasing us in vain – but it may not even matter, because after spending two hours and 10 minutes with these characters, it’s hard to imagine any viewer, whether straight, bi, or a total “Kinsey 6,” wanting to feel represented by them.

Told in a non-linear patchwork format, Guadagnino’s movie – penned by Justin Kuritzkes – chronicles the complicated relationship that develops when two high school tennis champs, boyhood friends Patrick and Art (Josh O’Connor and Mike Faist, respectively), encounter high-profile pro prospect Tashi (Zendaya) at the US Open juniors. Infatuated at first sight as much by her prowess at the game as by her looks or personality, they woo her together, resulting in a steamy but thwarted three-way experience that ends with her promising her phone number to the one who wins the next day’s match.

More than a decade later, Tashi and Art are a married, wealthy power couple with a child; they’ve risen to fame after Tashi, sidelined by injury into a career as a world-class coach, has helped Art rise to international prowess, while Patrick, who originally won the challenge to become Tashi’s lover, has sunken to the level of low-ranked has-been after brief professional success. Art has hit a slump in his upward trajectory, so to freshen up his game, Tashi enters him into a small-time “challenger” tournament where Patrick, now scraping by on his meager winnings from lower circuit events such as this one, is a “wild card” entry. The rekindling of old rivalries and complex feelings between this intertwined trio of “players” results in a final competition in which the outcome has more to do with unrequited personal passions than it does with tennis.

Ostensibly both a sports movie and a romantic drama, it’s a film that wastes no time in tying its two themes together for an exploration of how the competitive instinct that might be essential to one can be a major obstacle when it comes to the other. Thanks to its back-and-forth time structure, we are rushed through all the necessary twists and turns of a 13-year romantic triad quickly enough to recognize immediately that the need to “win” supersedes every other desired outcome for these three people; more than that, in the broad strokes that emphasize the quick deterioration of their affections in the pursuit of the “game” (a word we use here both literally and figuratively), it becomes obvious that none of them are capable of recognizing how much influence their lust for victory has over their relationships with each other. To put it bluntly, in an era when polyamory has gained traction as a legitimate variation on the spectrum of human commitment, “Challengers” reads a little bit like a primer on how NOT to do it right.

That might, of course, be a big part of the point. In a story about professional athletes driven by the urge for victory trying to negotiate the delicate balance of self-respect and selflessness required to maintain a successful romantic partnership – no matter how many partners may be involved – it’s probably an inescapable element of the plot that there would be a struggle to reconcile those two conflicting impulses. The trouble is that, here, the three characters involved are so far removed from typical human experience that it becomes difficult to relate to any of them. They operate within a privileged world that is out of reach for most of us, and the conflicts that arise in their triad dynamic mostly arise from pure ego. It’s hard to feel empathy for such individuals, frankly, especially when it’s clear that their own mindset is the greatest obstacle to fulfillment in their lives, both professionally and personally. They’re all spoiled brats, and unrepentantly so.

It’s because of this that “Challengers” comes off as the kind of glossy, old-Hollywood fantasy that is more about wish fulfillment than anything else. Each of its protagonists is impossibly attractive; fit, sexy, and living an enviable life even when they’re struggling just to get by. They are the kind of people many of us wish we could be – and that, ironically, perhaps makes us dislike them all the more.

None of this is the fault of the players, who uniformly give the kind of fully invested performance that illuminates the humanity of their characters beyond negative cliches. Zendaya, never shying from her role as master manipulator in the film’s twisted “long con” romance, makes us feel the visceral need for competition that eclipses her less imperative impulses toward personal connection. O’Connor (“God’s Own Country,” “The Crown”) and Faist (Broadway’s “Dear Evan Hansen,” Spielberg’s “West Side Story”) are not only eminently likable, but present an unvarnished and completely believable chemistry as would-be-lovers who can’t quite get past their self-judgment to embrace the obvious feelings they have for each other. The fact that we believe equally in their impulse toward the dazzlingly self-actualized Zendaya makes their performances all the more stellar. Unfortunately, within the larger context of the film, their appeal is tarnished by our ambivalence toward the dynamic the characters perpetuate between themselves.

And what of their sexuality? Is “Challengers” that rare mainstream movie that vaults over the film industry’s long-lamented “bi erasure” to present a bisexual love story for the ages? Not quite. Even if its ending (spoiler alert!) suggests that the entire movie has been about two men getting over their toxic masculinity to embrace their true feelings for each other, the fact that it never defines that relationship as a queer one and chooses instead to leave it up to our individual interpretation feels like something of a cop out. In the long run, perhaps, it’s a better tactic to avoid labeling its relationships in terms of sexuality, since the cultural “endgame” at stake has arguably more to do with normalizing diversity than amplifying an individual sense of identity – but even so, it can’t be denied that, when “Challengers” reaches its final moment, we’re left with a sense of ambiguity that feels far too “safe,” too much a capitulation to the fragile mainstream sensibility, to advance a sense of acceptance for the “B” in “LGBTQ.” In the end, it’s a movie that stops short of the mark for the sake of the lowest common comfort zone.

Which is why, sadly, we have to set “Challengers” aside as a failed – if well-meaning – attempt at providing visibility for the most traditionally invisible faction of the queer community, instead of the unequivocal validation of bisexual attraction we’re still waiting to see.

By JOEY AMATO | Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.

The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.

Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.

I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.

Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes. 

For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.

Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.

LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.

LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.

Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.

If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.

Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”

For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.

Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.

Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.

After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.

The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!

WASHINGTON – Sitting among a diverse and venerable group of Americans from every walk of life on the dais in the East Room of the White House on Friday was out lesbian and NASA astrophysicist Jane Rigby, awaiting her turn to be honored by President Joe Biden who would bestow the Presidential Medal of Freedom, the nation’s highest civilian honor, on her.

Rigby, an astronomer who grew up in Delaware, is the chief scientist of the world’s most powerful telescope who alongside her team operating NASA’s James Webb Space Telescope, studies every phase in the history of the Universe, ranging from the first luminous glows after the Big Bang, to the formation of solar systems capable of supporting life on planets like Earth, to the evolution of the Solar System. 

A member of Penn State’s Class of 2000, Rigby graduated with a bachelor’s degrees in Physics and Astronomy. She also holds a master’s degree and a PhD in Astronomy from at The University of Arizona. Her work as the senior project scientist for NASA’s Webb Telescope includes studies on how galaxies evolve over cosmic time and she has published more than 140 peer-reviewed scientific papers.

Rigby was named to Nature.com’s 2022 list of 10 individuals who shaped science and to the BBC’s list of 100 inspiring and influential women in the same year. Rigby had postdoctoral fellowships at Carnegie Observatories in Pasadena CA before landing her job at Goddard. In 2013 Dr Rigby was awarded the Robert H. Goddard Award for Exceptional Achievement for Science.

A founding member of the American Astronomical Society’s Working Group on LGBTQ Equality (WGLE) in January 2012, now called the Committee for Sexual-Orientation & Gender Minorities in Astronomy (SGMA), Rigby serves as its Board Liaison until her term expires this June.

The out lesbian astrophysicist in an interview for SGMA’s website spoke about her experiences including coming out:

“I’ve been out since 2000. My story’s simple — I fell in love with a fellow grad student in the department. It was a close-knit department, so hiding would have been ludicrous. Nor did I want to hide the best thing in my life! So, we were out as grad students. I certainly heard people say awful homophobic things at work there. They weren’t directed at me, and they weren’t said by people with power over me. If I recall, I was much less afraid of homophobic discrimination at work, than I was afraid of the two-body problem, and the lack of support we would receive as a same-sex couple in astronomy. That fear turned out to be justified. I’ve seen numerous different-sex couples get a wide range of support in solving the two-body problem, which was never offered to us,” she told the interviewer.

She reflected on American astronaut and physicist Sally Ride, her childhood role model who had an impact on her career:

“One of my biggest role models when I was young was Dr. Sally Ride. A few years ago, on her deathbed, Dr. Ride chose to write in her obituary that her life partner had been a woman. Dr. Ride was the most influential woman scientist when I was growing up — the person that made me say, “I want to do THAT when I grow up.” It was because of her that I realized that astrophysics was a profession, that physics was a subject girls could study, that NASA needed astrophysicists. So I’m so… amused, I suppose, that Sally Ride was this influence on my life’s path, at a time when I was completely unaware that it was even possible to *be gay* — and at the same time, she was gay, in love, and deeply closeted to keep her job.”

The interviewer noted that “for some women being gay is a cause for concern at the work place. Some say they were unsure about how to turn their sexual orientation into a positive aspect of their work persona.” Then asked Rigby What is your view on this?

“My experience is that absolutely I am a *better* astronomer because I’m queer. For a few reasons. First, I see things different than my colleagues. On mission work, as we weigh a decision, my first thought is always the community impact: “If we do things this way, who benefits, and who gets left out in the cold?” Will this policy create inclusion, or marginalization? I think about science in terms of community-building. What team do we need to tackle a given science problem, with skills that are different from mine? Absolutely I think that way because I’m an outsider, because I’ve been marginalized. And because community-building is central to LGBTQ culture,” she said.

Editor’s note: You can read Rigby’s complete SGMA interview here: (Link)

Married to Dr. Andrea Leistra, Rigby, her wife and their young child reside in Maryland not far from her workplace at the NASA Goddard Space Flight Center in suburban Washington D.C. and when not studying the universe is often found on the neighboring Chesapeake Bay wind boarding, a favored pastime.

The nation’s highest honor & rightly so to a ‘Mom,’ Judy Shepard

Also honored in the ceremony Friday were a former U.S. Vice-President, a civil rights worker and martyr, two former cabinet secretaries- one a former U.S. Secretary of State, a speech writer for the late Dr. Martin Luther King Jr., an Olympian and gold medalist, and one of the most powerful woman political leaders and the Speaker Emeritus of the U.S. House of Representatives, among others, and LGBTQ+ advocate Judy Shepard.

Watch:

CONTENT WARNING: The following story discusses suicide ideation.

PHOENIX, Ariz. — Her first few weeks behind bars in a Russian prison took a terrible toll on Brittney Griner, the out lesbian WNBA star who is breaking her silence on the ten months she was held on drug-related charges. 

“I wanted to take my life more than once in the first weeks,” Griner told ABC’s Robin Roberts in a primetime interview Wednesday. “I felt like leaving here so badly.”

The two-time Olympic gold medalist and nine-time WNBA All-Star, who plays for the Phoenix Mercury, said she ultimately decided against suicide, partly because she feared Russian authorities would not release her body to her wife, Cherelle Griner. 

While Cherelle and the White House worked to gain her release, Brittney reflected on what she admitted was the “mistake” that landed her in Russian detention. 

“I could just visualize everything I worked so hard for just crumbling and going away,” Griner told Roberts, who is co-anchor at Good Morning America and is herself an out lesbian and former college basketball player.

Griner, 33, was arrested on Feb. 17, 2022, at Sheremetyevo International Airport in Khimki, a suburb of Moscow. Authorities said they found vape cartridges in her luggage containing cannabis oil, which is illegal in the country.

Griner told Roberts that was the result of a “mental lapse” on her part — packing the cannabis oil cartridges in her luggage, Griner said that she had overslept on the morning she was leaving for Russia to play during the WNBA’s off-season, which is how many of the league’s vastly underpaid players earn a living, compared to NBA players. 

So, she packed while she was “in panic mode,” Griner said. 

“My packing at that moment was just throwing all my stuff in there and zipping it up and saying, ‘OK, I’m ready,’” she told Roberts.

After landing in Russia, Griner realized that she had those two cannabis oil cartridges in her luggage as Russian security officers inspected her bag at the airport. She recalled the moment as a sinking feeling. 

“I’m just like, ‘Oh, my God.’ Like, ‘How did I– how did I make this mistake?’” Griner said. “I could just visualize everything I worked so hard for just crumbling and going away.”

Russian authorities immediately arrested Griner, but her trial would not take place for five months. She described the horrible conditions of her imprisonment during that delay, saying that she didn’t always have toilet paper and that the toothpaste they gave her had expired about 15 years ago.

“That toothpaste was expired,” she said. “We used to put it on the black mold to kill the mold on the walls.”

“The mattress had a huge blood stain on it, and they give you these thin two sheets,” she added. “So you’re basically laying on bars.”

On July 7, 2022, Griner pleaded guilty at her trial to drug charges, admitting that she had the vape cartridges containing cannabis oil but stating she put them in her luggage unintentionally. She testified that she had packed the cartridges by accident, and had “no intention” to break Russian law.

Roberts pressed Griner on this point: “You know there are those who say, ‘Come on. How did you not know that you had cartridges in your luggage?’”

“It’s just so easy to have a mental lapse,” Griner replied. “Granted, my mental lapse was on a more grand scale. But it doesn’t take away from how that can happen,” she explained.

Griner was sentenced to nine years in prison on Aug. 4, 2022, and in October 2022, a judge denied the appeal filed by Griner’s attorneys.

The sentence landed Griner in a penal colony in the Russian region of Mordovia.

“It’s a work camp. You go there to work,” said Griner. “There’s no rest.” Her job was cutting fabric for Russian military uniforms.

“What were the conditions like there?” Roberts asked.

“Really cold,” Griner said. So cold that her health was impacted and she decided to chop off her long dreadlocks.

“What was that like losing that part of you, too?” Roberts asked Griner.

“Honestly, it just had to happen. We had spiders above my bed — making nests,” she said. “My dreads started to freeze,” she added. “They would just stay wet and cold and I was getting sick. You’ve gotta do what you’ve gotta do to survive.”

Her arrest came around the same time as Russia’s invasion of Ukraine, further increasing tensions between Russia and the U.S. But as the Los Angeles Blade reported on Dec, 8, 2022, Russia agreed to release Griner in exchange for Russian arms dealer Viktor Bout.

However, before winning her freedom, Griner revealed authorities forced her to write a letter to Russian President Vladimir Putin.

“They made me write this letter. It was in Russian,” she said. “I had to ask for forgiveness and thanks from their so-called great leader. I didn’t want to do it, but at the same time I wanted to come home.”

Griner said her heart sank upon boarding the plane to freedom and finding that Paul Whelan, another American the White House said was “wrongfully detained,” wasn’t leaving Russia with her.

“I walked on and didn’t see him, maybe he’s next. Maybe they will bring him next,” she said. “They closed the door, and I was like, are you serious? You’re not going to let this man come home now.”

Griner recounts on the experience in “Coming Home,” a memoir set to be released on May 7. 

988 is the National Suicide and Crisis Lifeline and is available 24/7 via phone, text or chat to everyone of all ages, orientations and identities. If you are a transgender, nonbinary or gender-nonconforming person considering suicide, Trans Lifeline can be reached at 877-565-8860. LGBTQ+ youth (ages 24 and younger) can reach the Trevor Project Lifeline at 1-866-488-7386. You can still also contact the National Suicide Prevention Lifeline at 1-800-273-8255 24 hours a day, and it’s available to people of all ages and identities.

Additional resources:

If you are in a life-threatening situation, please dial 911.

If you are in crisis, please dial 988 or contact Rainbow Youth Project directly at +1 (317) 643-4888

LAS VEGAS — Just three months ago, it seemed as if three-time WNBA champion and two-time Olympic gold medalist Candace Parker would play one more season with the Las Vegas Aces. But this week, the married mom of two — with a third child due this month — announced on Instagram that she has played her last game as a professional basketball player. 

“I promised I’d never cheat the game & that I’d leave it in a better place than I came into it. The competitor in me always wants 1 more, but it’s time,” Parker wrote. “My HEART & body knew, but I needed to give my mind time to accept it. I always wanted to walk off the court with no parade or tour, just privately with the ones I love. What now was to be my last game, I walked off the court with my daughter. I ended the journey just as I started it, with her.”

That was July 2023. Parker then underwent surgery for a foot injury that caused her to miss the second half of the 2023 season — her tenth surgery in her stellar 16-year career with the WNBA. And it was the outcome of that surgery that Parker says prompted her to decide to not return to the hardwood. “This offseason hasn’t been fun on a foot that isn’t cooperating,” she wrote, adding that she can’t continue “playing in pain.”

“It’s no fun hearing ‘she isn’t the same’ when I know why,” said Parker in her post. “It’s no fun accepting the fact you need surgery AGAIN.”

Parker has two nicknames: “Ace,” which seemed most appropriate in her time with the Aces, and “Can do,” a play on her first name and short for “can do anything,” which pretty much sums up her post-retirement plans. 

“This is the beginning…I’m attacking business, private equity, ownership (I will own both a NBA & WNBA team), broadcasting, production, boardrooms, beach volleyball, dominoes (sorry babe it’s going to get more real) with the same intensity & focus I did basketball.” 

But all that is In addition to expecting a baby this month with her wife and former teammate Anna Petrakova. Parker made it clear that “being a wife & mom still remains priority #1.”

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A post shared by Candace Parker (@candaceparker)

Parker hadn’t publicly acknowledged she and Petrakova had married in 2019 until their second wedding anniversary in December 2021, which is also when she revealed to the world via a post on Instagram they were expecting their first child together. Airr Larry Petrakov Parker was born in February 2022. Parker’s oldest, Lailaa Nicole Williams, was born in 2009 when she was with the Sparks, during her first marriage. 

The couple announced Petrakova was expecting in a post on their fourth wedding anniversary last December. 

Parker, 38, is the only player in WNBA history to have been part of three championship teams. In January 2023, she left the Chicago Sky for Vegas after two years back in her native Illinois. The 6’4 forward/center was a legendary member of the Lady Vols who went on to play for the Los Angeles Sparks for 13 seasons, winning her first WNBA championship. 

Related:

LONDON — A ground-breaking study, partly funded by the International Olympic Committee, found that transgender athletes could actually be disadvantaged in some competitive sports, contrary to claims by transphobic pundits, politicians and right-wing media.

Scientists found significant differences between trans women and male athletes who were not transgender, aka cisgender men, and noted how similar they were to cis women. 

“These differences underscore the inadequacy of using cisgender male athletes as proxies for transgender women athletes,” said the researchers. 

Their work was published this month in the British Journal of Sports Medicine. The researchers tested 23 trans women, 12 trans men, 21 cis women and 19 cis men. The trans athletes had all undergone more than one year of cross-sex hormone therapy. Those tests included cardiovascular, strength and lower-body power exercises. 

According to the research, trans women performed worse than cis women and cis men in certain cardiovascular tests and had less lower-body strength. But the bone density of the trans women was found to be similar to that of the cis female athletes. The trans women athletes also had decreased lung function compared to the cis women. 

🚨NEW #OriginalResearch

Strength, power and aerobic capacity of transgender athletes: a cross-sectional study

👉 A comparison of laboratory measures of transgender athletes to their cisgender counterparts

👉 What can we learn from this?#OpenAccess 👉 https://t.co/h2u05XymoZ pic.twitter.com/LfkcEkL9iM

— British Journal of Sports Medicine (BJSM) (@BJSM_BMJ) April 11, 2024

Right now, laws on the books in 24 states across the U.S. ban trans student-athletes from participating in school sports consistent with their gender identity, according to the Movement Advancement Project.

But the study’s authors concluded that their research indicates trans athletes could be disadvantaged, prompting them to warn sports governing bodies including the IOC that banning trans women from women’s sports should not be done without thorough research.

A “long-term longitudinal study” is now needed, the researchers say.

“The main takeaway message is the requirement of international federations… to treat trans women very differently to cis men,” lead researcher Prof. Yannis Pitsiladis told Outsports. “It follows that research comparing biological men to biological women is almost irrelevant in this debate, and evidence from such comparisons should not be used to inform policy as is the case by many ‘armchair professors’ advocating the default ban position.”

NEW YORK – Twenty years have passed by since journalist, editor, and blogger Joe Jervis created what is arguably the oldest LGBTQ+ politics, culture, lifestyle, and entertainment blog, all from his New York City apartment alongside a feline companion.

In his daily blog Monday, Jervis recounted:

Today marks the twentieth blogiversary of this here website thingy. Counting this one, we’re at 151,117 posts over 20 years, the last 15 of which have been without a full day off, although my posting on weekends is usually at a slower rate. As I’ve said on this day every year, whether I am insanely committed or am insane and should be committed – that is entirely your call.

I appreciate all of you for sticking with me all these years, particularly over the last few years when the entire world was turned upside down by the pandemic.

In this post last year I noted that site traffic has indicated that most of you tend to read JMG during office hours and that continues to be the case, although I suspect not as many of you are reading this in your work-from-home sexy underwear compared to the lockdown years.

Looking back on the last year of posts, it’s evident that the blessed relief from the twin horrors of the Trump years and the pandemic have arguably been matched by unprecedented and vicious attacks on LGBTQ rights.

Bans of LGBTQ books, “Don’t Say Gay” laws, the seemingly unstoppable erosion of trans rights, the rise of ardently anti-LGBTQ Christian nationalism, attacks on Pride and drag events by literal Nazis, and the ever-looming threat to same-sex marriage dominated our posts on LGBTQ issues over the last year. We’ve won some of these battles, but we’ve lost a frightening number of them.

[…] On behalf of myself and our tireless tech support guy Jack, who deals with a lot of stupid nonsense at stupid hours, you have our eternal thanks for being part of the rollicking community of “homosexual buccaneers” and straight allies that fight the good fight.

Thank you for enduring my typos, my “Don’t Panic” messages, and for sending in news items. I get too many emails to respond to them all, but all of them are very appreciated. The ride will likely only get rougher from here until November, so hang on. We’ve got the kids and righteousness on our side.

Help yourself to some punch and cookies. Please don’t let the cat out. And onward to year TWENTY-ONE!

The veteran writer is also very much an activist on issues that impact the LGBTQ+ community both at home in the United States and abroad. He has tirelessly campaigned to advance same-sex marriage, military service for the LGBTQ+ community, battling the far right attacks on the humanity of LGBTQ+ people, and most recently while defending the drag community against unfounded lies, smears, and labeling by the conservative family values politicos and leaders of the various anti-LGBTQ+ hate groups- has pointed out the utter hypocrisy of those very people maintaining a running scorecard of religious leaders being arrested for criminal sexual actions against children. Jervis points out in post after post that not a single drag performer has been arrested nor charged with those types of crimes.

As the attacks on the transgender community, drag community, and even LGBTQ+ allies worsen under the current political environment, Jervis maintains his ‘call-to-arms’ writing:

“On behalf of myself and our tireless tech support guy Jack, who deals with a lot of stupid nonsense at stupid hours, you have our eternal thanks for being part of the rollicking community of “homosexual buccaneers” and straight allies that fight the good fight. The ride will likely only get rougher from here, so hang on. We’ve got the kids and righteousness on our side.”

The politically astute Jervis has certainly gained his share of detractors, but over the past 20 years and with an aggregate total of over nearly 1.3M visitors a month to what he refers to as “this here website thingy,” there is little doubt his reach and his impact will continue to be felt by the LGBTQ+ community, its allies, and beyond.

WEST HOLLYWOOD – Returning in a stand-up performance this past week, Ellen DeGeneres appeared on the stage of the Largo at the Coronet Theater in the heart of West Hollywood Wednesday night in a sold-out show, the comedian joked about the abrupt end of her daytime ratings behemoth talk show two years ago.

Rolling Stone journalist Krystie Lee Yandoli was in the audience and reported that DeGeneres addressed the end of ‘Ellen’ in her opening routine:

“I used to say that I didn’t care what other people thought of me and I realized…I said that at the height of my popularity,” DeGeneres said, prompting the audience to erupt in laughter. “It is such a waste of time to worry about what other people think…Right now I’m hoping you’re thinking, ‘This is marvelous, I’m so happy to be here.’ But you could be thinking, ‘Let’s see how this goes.’”

Wednesday’s gig marks the first night of DeGeneres’ Ellen’s Last Stand…Up Tour, which she noted a new Netflix special was to be taped this fall. According to Rolling Stone Netflix declined to comment on the news. A representative for DeGeneres did not respond to a request for comment.

In the summer of 2020 a firestorm erupted around the talk show host in the wake of revelations from staffers that she presided over a “toxic” workplace environment for years, and the accompanying allegations that a woman who built an empire on the “niceness” of her persona is in reality one of the meanest people in the business.

In August, Variety magazine reported that her show has ousted three senior producers in the wake of accusations of racial insensitivity, sexual misconduct and other problems behind the scenes at the talk show.

Three senior producers — executive producers Ed Glavin and Kevin Leman, and co-executive producer Jonathan Norman — have been ousted from the Warner Bros.-distributed syndicated strip following damning allegations raised in recent reports by Buzzfeed and Variety.

“Ellen” veterans Mary Connelly, Andy Lassner and Derek Westervelt will remain at the show as executive producers alongside host DeGeneres. Connelly, Lassner and Westervelt have been with the show since its inception in 2003.

In a phone call at the time with the Los Angeles Blade, a spokesperson for Warner Brothers confirmed the departure of the three former executives.

The news was broken to the staff of the show after what Variety described those sources knowledgeable as saying that it was an emotional remote video teleconference between DeGeneres, the newly appointed producers and staffers.

Then in May of 2021, in an announcement made to the show’s staff yesterday and in an interview DeGeneres gave The Hollywood Reporter, it was reported that the show was ending its 19 year daytime television run in 2022.

Rolling Stone reported that in her stand-up set this past week, DeGeneres kicked off with a recap of what she’s been up to since her talk-show ended: gardening, a lot of sweatpants-wearing, and collecting chickens as pets. She joked that as someone who once hosted a daily show, she appreciates the plight of the chicken who has to lay an egg every day. Still, most of the routine found her grappling with having become Public Enemy No. 1 — a whiplash turn from her once-firm reputation as the happy-go-lucky talk-show host who ended each episode telling her audience to “be kind to one another.”

“What else can I tell you?” she mused, mock-reflecting on her recent past before adding sarcastically, “Oh yeah, I got kicked out of show business. There’s no mean people in show business.” 

“The ‘be kind’ girl wasn’t kind,” DeGeneres continued. “I became this one-dimensional character who gave stuff away and danced up steps. Do you know how hard it is to dance up steps? Would a mean person dance up steps? Had I ended my show by saying, ‘Go fuck yourself,’ people would’ve been pleasantly surprised.”

At the conclusion of her set, the crowd gave DeGeneres a standing ovation, prompting her to return to the stage for a candid conversation with the audience. DeGeneres called on people one by one as they asked questions and shared messages of gratitude.

As she closed out the night she told the audience:

“Honestly, I’m making jokes about what happened to me but it was devastating, really,” she said. “I just hated the way the show ended. I love that show so much and I just hated that the last time people would see me is that way.” 

Related:

Once upon a time in America, queer people sometimes adopted their lovers as their “children” so that they could be legally bound together as family.

That’s not a revelation, though some queer younglings may be shocked to learn this particular nugget of hidden history, nor is it a call to political awareness in an election year when millions are actively working to roll back our freedoms. We bring it up merely as a sort of context for the world that provides the setting in “Housekeeping for Beginners,” the winner of the Queer Lion prize at 2023’s Venice Film Festival, which opened in limited U.S. theaters on April 5 and expanded for a wider release last weekend. 

Written and directed by Goran Stolevski – a Macedonian-born Australian filmmaker whose two previous films, “You Won’t Be Alone” and “Of An Age,” both released in 2022, each met with critical acclaim – and submitted (unsuccessfully) as the official Oscar entry for International Feature from the Republic of North Macedonia, it’s a movie about what it means to be “family,” which touches on the political while placing its focus on the personal – in other words, on lived experience rather than ideological argument – and, in the process, drives home some very important existential warnings at a time when things could go either way.

Set in the North Macedonian capital of Skopje, it centers on social worker Dita (Anamaria Marinca), a middle-aged lesbian, whose house is a safe haven for a collection of outcasts. First and foremost is her girlfriend Suada (Alina Serban), a single mother of Romani heritage, but the “chosen family” in the household also includes Suada’s daughters, teenaged Vanesa (Mia Mustafi) and precocious 5-year-old Mia (Dżada Selim); Dita’s long-term friend Toni (Vladimir Tintor), a middle-aged gay man who works night shifts at a mental hospital; Toni’s new, much-younger boyfriend Ali (Samson Selim); and Elena (Sara Klimoska), an older and more worldly schoolmate of the other girls who serves as a makeshift big sister.

It is, unsurprisingly, a chaotic environment, a sea of revolving situations that largely goes on without Dita’s direct involvement, though she occasionally asserts more authority than she either has or cares to wield. That all changes, however, when Suada is diagnosed with aggressive pancreatic cancer, leading her to extract from her lover the promise that she will be mother to her children when she’s gone.

If you want a spoiler-free experience, you should stop reading now; further discussion of “Housekeeping for Beginners” requires us to reveal that Dita is forced to make good on that promise, even though she’s never had the desire to be a mother, and it’s not just a matter of making sure the kids get all their daily meals and show up for school on time. In North Macedonia, where same-sex relationships are not illegal but are neither granted the validation of lawful protections, the adoption of children requires a woman to have a husband, which means entering into a sham marriage with Toni – who is not quite a 100% onboard, himself  – and listing him as the girls’ father. More difficult, perhaps, is gaining the trust of Suada’s two daughters, neither of whom is exactly receptive to the prospect of exchanging their real mother for a half-willing replacement. It’s this challenge that proves most daunting, triggering a crisis that will put every member of this cobbled-together family group to the test if they are to have any hope of hanging on to each other and making it work – something to which Dita finds herself growing deeply committed, despite her initial reticence about taking on the role of default matriarch.

Shot in Stolevski’s accustomed milieu – an intimate, cinema verité style built on handheld camerawork and near-exclusive reliance on close-up framing to capture the awkward blend of comfort and claustrophobia that often accompanies life in a crowded household environment – and leaving most of the expository cultural details, such as the impact of ethnic “caste” and the complicated hierarchy of layers involved in negotiating a peaceful coexistence with “normal” Macedonian society when your domestic and familial structures are anything but “normal”,  to be gleaned by context rather than direct explanation. It works, of course; there’s something universally recognizable about the difficulty of “blending in” that helps us bridge the gap even if we don’t quite understand all the fine points as well as we might if we, like Stolevski, had grown up having to deal with them directly.

Even so, there are times when a bit of distance might be missed by audiences in need of a wider scope; it’s hard, after all, to get a palpable sense of space and location when most of what we see onscreen are the upper thirds of whichever cast members happen to be featured in each particular scene. But in case that sounds like a criticism, it’s important to point out that this is part of the film’s magic spell – because by making its physical environment essentially synonymous with its emotional one, Stolevski’s movie delivers its human truth without the unnecessary distraction of learning the ins and outs of a foreign cultural dynamic. The things we need to grasp, we do, without question, even if we don’t quite understand the full context, and what we walk away with in the end is a universally recognizable sense of family, carved in stark relief among a group of people who find it among themselves despite the lack of blood ties or common history to bind them to each other. That makes “Household for Beginners” an unequivocal triumph in one way, at least, because by driving home that hard-to-convey understanding, it manages to underscore the injustice and inhumanity of any world in which the validity of a family is subject to the judgment of cultural bias.

That’s not to say that “Housekeeping” is an unrelenting downer of political messaging. On the contrary, it is lifted by a clear imperative to show the joys of being part of such a family; the humor, the snark, the bright spots that arise even in the darkest moments – all these are amply and aptly portrayed, making sure that we never feel like we are being fed a doom-and-gloom scenario. Rather, we’re being reminded that it’s the visceral happiness that comes from being connected with those we love that matters far more than the rules and judgments of outsiders, which makes the hoops Dita and company have to jump through feel all the more absurd.

Though Stolevski, an Aussie citizen unspooling a narrative based in his country of origin, might not have intended it as such, the message of his film strikes a particular chord in 2024 America. The hardships of Dita and her brood as they try to simply stay together are a clear and pointed warning not to take for granted the hard-won freedoms that we have.

Add to that a superb collection of performances (BAFTA-winner Marinca and first-time actor Selim are standouts among the many), and you have another triumph from a young filmmaker whose reputation only gets more stellar with each effort.

NEW YORK  — ABC News announced it will air its exclusive interview with Phoenix Mercury star Brittney Griner on Wednesday, May 1, with a “first look” on Good Morning America and the actual primetime special that evening on “20/20.”

The interview is Griner’s first sit down since her release from a Russian prison to discuss the events of February 17, 2022, for which she was arrested, tried and convicted. 

Griner was interviewed by GMA co-host and out lesbian Robin Roberts, who played basketball throughout her four years at Southeastern Louisiana University and was inducted into the Women’s Basketball Hall of Fame in 2012. 

In a clip from “Prisoner in Russia: The Brittney Griner Interview,” Griner is asked by Roberts for her reaction when she realized that she had vape cartridges containing hashish oil, which is illegal in Russia, in her luggage, Griner said, “My life is over right here.” 

“I was just so scared for everything because there’s so much unknown,” Griner told Roberts.

In its news release, ABC reveals that in the special, “Griner talks candidly for the first time about her harrowing arrest and time in prison, where she describes feeling ‘less than human’ and the suicidal thoughts she had while being detained. She also talks about navigating the Russian penal system and the anguish she experienced being what she calls a political prisoner.

The special reveals new details about the negotiations behind the prisoner swap that led to Griner’s release and goes home with her as she unzips her duffle bag from Russia, sharing a few personal possessions she says got her through the ordeal.”

The promotional material also reveals Griner addresses backlash she experienced both while in prison and upon her release in December 2023. 

Roberts also speaks with Griner’s wife, attorney Cherelle Griner, about her role in rallying for Brittney’s release. It’s not mentioned whether Cherelle discusses expecting their first child this summer, as the Los Angeles Blade has reported.

In addition to this special, Griner has partnered exclusively with ESPN and Disney Entertainment Television to share her story through various projects on their platforms. A documentary feature from ESPN Films and scripted series development with ABC Signature are in the works. Cherelle Griner serves as an executive producer on those projects. 

Brittney Griner’s memoir, “Coming Home,” is available in bookstores and online on Tuesday, May 7.