Healing and uplifting communities through music and unity is the foundation of this event space created by Zacil “DJ Sizzle Fantastic” Pech and Norma “Normz La Oaxaqueña” Fajardo. 

For nearly a decade DJ Sizzle has built a reputation in the queer POC and Spanish-speaking undocumented communities for making the space for them to come together to celebrate their culture and partake in the ultimate act of resistance — joy. 

Couples, companions, comadres all dance together on the dancefloor at Cumbiatón. (Photo courtesy of Cumbiatón).

Cumbiatón was created during the first Trump administration as a direct response to the erasure, racism, homophobia and xenophobia that was engrained into the administration’s mission for those first four years. Now that the second Trump administration is upon us, the racism, homophobia, transphobia and xenophobia are tenfold.

This event space is a ‘party for the hood, by the hood.’ It is led by women, queer and trans people of color in every aspect of the production process.

The recent fires that burned through Altadena and Pacific Palisades made DJ Sizzle decide to step back from marketing the event in Los Angeles, an area where people had just lost their businesses, homes and where their lives were completely thrown for a loop. 

Now they’re back, doubling-down on their mission to bring cumbias, corridos and all the music many of us grew up listening to, to places that are accessible and safe for our communities. 

“I started Cumbiatón back in 2016, right after the election — which was weirdly similar because we’re going through it again. And a lot of us come from the Deferred Action for Childhood Arrivals (DACA) movement. We were the ones to really push for that to happen along with the DREAM Act.”

DJ Sizzle says that she wanted to create a space out on the streets to celebrate life and come together, because of how mentally and physically taxing it is to be a part of the marginalized communities that were and still are, a major target for ongoing political attacks.

Edwin Soto and Julio Salgado pose for a photo at a Cumbiaton event in 2024. (Photo courtesy of Cumbiatón).

“We need these spaces so that we can kind of refuel and rejoice in each other’s existence,” said DJ Sizzle. “Because we saw each other out on the street a lot, but never did we really have time to sit down, have a drink, talk, laugh. So I found that music was the way to bring people together and that’s how Cumbiatón got started. It was honestly like a movement of political resistance through music.”

DJ Sizzle is an undocumented community organizer who aims to not only bring awareness to the issues that her communities face, but also to make space to celebrate the wins and bond over the music that brings people in Latin America, East L.A., Boyle Heights and the Bay area together.  

Julio Salgado, a queer, visionary artist and migrant rights activist from Ensenada, Baja California with roots in Long Beach and the Bay Area, connected with DJ Sizzle over their shared passion in advocating for immigrant rights. 

“Cumbiatón was created during the first [Trump] administration, where you know, a lot of people were really bummed out and so what Sizzle wanted to create was a place where people could come together and celebrate ourselves,” said Salgado. “Fast-forward to the second [Trump] administration and we’re here and feel a little bit more like: ‘oh shit, things are bad again.’ But, things have always been bad.”

Salgado is involved with Cumbiatón through his art. He is a mixed-media artist who creates cartoons using his lived experience with his sobriety journey, undocumented status and queer identity.

With a background in journalism from California State University, Long Beach, Salgado documents what activists do in the undocumented spaces he has been a part of throughout his life. 

In 2017, Salgado moved back to Long Beach from the Bay Area, and at the time he started doing political artwork and posters for protests against the first Trump administration, but because the nature of that work can be very tiring, he says that he turned to a more uplifting version of his art where he also draws the joy and unity in his communities. 

When he and Sizzle linked up to collaborate during that time, he thought he could use his skills to help uplift this brand and bring it to the forefront of the many events that saturate the party landscape. 

DJ Sizzle doing her thing on stage, giving the crowd the music they went looking for. (Photo courtesy of Cumbiatón).

“We are familiar with using the dance floor as a way to kind of put the trauma a little bit away just for one night, get together and completely forget,” said Salgado. 

Coming from an undocumented background, Salgado and Sizzle say that their experience with their legal status has made them very aware of how to go about the ID-check process at the door for their events. 

“When you’re undocumented, you have something called a [High Security Consular Registration (HSCR)] and it’s kind of like your ID and many of these heterosexual clubs would see that and say it was fake,” said Salgado. “But at the gay club, they didn’t care.” 

Just being conscious of what that form of ID looks like and knowing that it’s not fake, helps many of the hundreds of people who come through for Cumbiatón, feel just slightly more at ease. 

Edwin Soto, who is another community activist and leader in the undocu-queer community, is also involved in the planning and organizing of the event. 

In the long journey of making Cumbiatón what it is now, they say that they have all been very intentional about who they bring in, making sure that whoever they are, they also understand the experience of being undocumented and accepted anyway. 

“Something that Sizzle and the team have been very intentional about is making sure that [the security at the door] knows that someone might be using their consulate card,” said Soto. 

Bringing together this event space is no easy task, considering the fact that their events are deeply thought out, intentional and inclusive of not just people of color, but also people with differing abilities and people who do not reflect the norm in West Hollywood clubs. 

“We created the space that we were longing for that we did not see in West Hollywood,” he said. “[Cumbiatón] is what life could really be like. Where women are not harassed by men. Where people are not body-shamed for what they’re wearing.” 

When it comes to their lives outside of Cumbiatón and partying, Sizzle says that it does get exhausting and planning the event gets overwhelming. 

“It is really difficult, I’m not going to lie,” said DJ Sizzle. “We are at a disadvantage being queer and being undocumented because this administration triggers us to a point that, anyone who is not a part of those identities or marginalized communities would ever be able to understand,” said Sizzle. “There are times where I’m just like: ‘I’m going to cocoon for a little bit’ and then that affects the marketing and the communication.” 

Usually, the events bring in hundreds of people who are looking for community, safety and inclusion. (Photo courtesy of Cumbiatón).

That’s a little bit about what goes on behind the scenes — which really shouldn’t come as a surprise for anyone who is out there fighting for basic human rights, while also making the space to party and enjoy themselves.

“I’m really trying to find balance and honestly my life raft are my friends and my community,” she said. “Like, being able to share, being able to have this plática, and be like ‘bitch, I see you and I know its fucked up, but we got each other.’”

Cumbiatón was made with the purpose of making space to include and invite the many different people in these communities who are otherwise sidelined in broader conversations and in party scenes where they are not as inclusive or thoughtful about their attendees. 

“How beautiful is it to be queer and listen to rancheras and to norteñas and cumbia, and to just own it,” said Soto. 

To join Cumbiatón at their next party, visit their Instagram page.

Among other queer and ally big names like Lizzo, Alyssa Edwards, Kim Petras and Frankie Grande will be taking center stage on Saturday, May 31, at this year’s OUTLOUD Music Festival at WeHo Pride. In the wake of the queer community’s current political strife, Grande is taking the spotlight, unapologetically and ready to bring the party, celebrating activism and sexuality unabashedly.

Hot off the heels of his recent two hit singles, “Rhythm of Love” and “Boys,” Grande is gearing up for the release of his new album, Hotel Rock Bottom, hitting platforms on June 27. The album is bringing queer aesthetic to the pop genre and is a retelling of Grande’s life as he has gone from party boy to stage, screen, and reality TV personality, to getting married and living a sober family life (dog and all).

We sat for a chat with Grande as he prepares for his WeHo Pride extravaganza. With everything socially and politically considered, Grande is not holding anything back this Pride season.

Pride is recharging and gearing up for battle. I feel like we’re in a place where our community is under attack, and this is the time where we get the microphone so recharge and get ready to be loud and be prouder than we ever have before. We need to show the world that we are not to be fucked with. We got the mic, so let’s use it.

No stranger to taking the stage, Grande promises a spectacle for his Outloud appearance.

I’m so excited. I’ve put so much effort into crafting a very beautiful show, a very gay show, a very hot show. I’ve selected some really fun songs from my album that people are going to get to hear for the first time because the album won’t be out. I’m also doing some fun and clever covers of songs that have inspired me. I’m excited that I’ve mixed it up and it’s going to be really fun and really gay.

This Pride, Frankie’s call to the gay community is clear.

Support our trans siblings. It is more important than ever. Go to your trans friends and be like, “Hey, what do you need? And how can I help?” Because they’re the ones who are directly being scapegoated at this moment. To think that it’s happening to them means it’s not happening to you is crazy. We are all part of the same community. We’re all under the rainbow umbrella, so let’s go support the community that is directly under attack right now.

Grande’s album comes at a time when queer folk could use a little levity and party attitude. He has been a long-time spokesperson for the LGBTQ community. He has used his platform from reality TV to his role as GLAAD board member to incite activism. He knows full well the fatigue that many of the queer community face as we continue to resist a brutal Presidential administration.

You have to find moments of joy. Honestly, that’s a lot of what this album is to me. It’s like, let’s dance around and bop and be silly to boys tonight so that we can hit the ground running tomorrow and go get some legislation overturned. My whole life, I’ve turned to the dance floor during times of stress, and I think we do need to do that. We have to go celebrate. We have to remember why it is so fun to be a huge homosexual and what we’re fighting for. But then we need to go fight. Don’t get so fucked up that you have to be in bed for three days because we actually do need to go to work.

Grande has also become the poster boy for sober party gays. Celebrating 8 years of sobriety, he has been very open about his journey and how it fits into gay culture. Being openly sober has gained momentum in the queer community and many Prides now include dry events. Grande knows the triggers that Pride can include and has some advice to his fellow sober folk.

First of all, sober gays are fun gays, let’s just say that. If you’re triggered, get the fuck out. You know? There are a lot of drugs, there’s a lot of drinking, there’s a lot of partying, and sometimes you’re just not fully ready to be in those environments. And if that is true, then just leave. The people who are drinking and using will have no idea that you left.

Also go find some sober friends to go with. I did everything in sobriety, like linked with my sober BFFs, Salina EsTitties and stylist Mandoh Melendez. They were my bodyguards and they were my shield, and they had more sobriety than I did. They showed me the ropes, and to this day, they’re still sober and my best friends. So, get a sober buddy and GTFO when you’re triggered, just leave.

Grande is being very vulnerable in his upcoming album Hotel Rock Bottom. Not only is he leaving himself to be compared to other family members in the business, but he is also telling his story on his own terms with music. What is his intent with his album?

 My mission with this album is to inspire others to be themselves by being so open and honest. If you just want to listen to the surface value of my album, then you’re going to have a great fun dance time being like, this is so much fun. But if you want to actually go and listen to the lyrics and dissect it, you’ll see that there’s a lot of darkness and a lot of light on both sides of this album. I organized this album into side A and side B, or top and bottom, as we’re calling it on the vinyl. There’s sobriety and using days, there’s good and bad, and highs and lows on both. So, no judgment, it’s all about just be yourself, live your life, live authentically, and you’re going to get through whatever you’re dealing with.

And his message to the queer LA community this Weho Pride?

We’re very privileged and we’re very blessed because we’re in a very liberal and very blue state, so we need to have the best time and show up. But let’s make sure that we’re constantly beaming our love, light, and energy, and thinking about how we can help people in red states who are not going to have a governmentally and a community-supported Pride, because that is a reality these days. Let’s try to figure out how we’re going to help the country while we’re in the most liberal, most protected state in the world, which is fabulous.

Catch Grande onstage at Outloud on Saturday, May 31^st. Hotel Rock Bottom will be released June 27^th, available wherever you stream your music.

BBGRL, formerly known as Dom, is an upcoming ethereal pop artist and visionary behind BBGRL Club — the femme-forward collective that aims to celebrate sapphic joy through music, performances and futuristic self-expression. Her pop sound blends synths, intimate vocals and Y2K nostalgia to build a unique experience for her audience.

BBGRL Social Club was born out of the idea that there needs to be more events for lesbians and sapphics in the City of Los Angeles. A city well-known for its vibrant and populous queer and trans community, struggles to make space for the many sapphics that inhibit the metropolis.

West Hollywood is home to a plethora of queer bars that are really open to all, but are locally known to cater more specifically to the gay male community. Whether it’s because of their male go-go dancers, beefy boy bartenders, or open restroom design for urinals and very few stalls, WeHo is very much for the gays. 

Now, we’re in 2025 and Dominique ‘Dom’ Buggs, libra, set out to be one of the few sapphics in Los Angeles to make space for the first letter of the acronym. Though there are a few other event spaces that do host consistent sapphic-centered nights, BBGRL, formerly known as Dom, wanted to make sure there was a space that not only welcomed, but centered the BIPOC baddies. Dom is from Mexico City, but is also half Black, so creating spaces like this is her personal mission. 

“[The goal] was to make a space where they could belong because I have been living in West Hollywood for many years and I really know there is a huge need for more authentic places that are actually inclusive to people from all walks of life, but that specifically center [sapphic]  people,” said Dom in an exclusive interview with the Los Angeles Blade. 

Emerging ethereal pop artist BBGRL interacts with the crowd during her debut night at WeHo’s Roosterfish on May 3, 2025.

(Photo credit to David Tran and Jocelyn Perich)

Even now in 2025 there are very few spaces that consistently cater to the sapphic community. At the start of 2025, there were only two. Only a few months into the new year and The Ruby Fruit — a sapphically-inclined wine bar in Silverlake — closed its doors due to what the owners say were financial circumstances beyond their control. The only other sapphically-centered space is Honey’s at Star Love. The bars opened around the same time, but Honey’s is an eccentric and charming place owned by queer, Black, women. 

Though there are very few other spaces that are intentional about making space for lesbian or sapphic nights, there are a lot of event organizers who take up the space on one night of the week or month. 

At Little Joy Cocktails in Echo Park, “Butchona” has one day a month to bring in all the lesbianas and butchonas who dress like their tíos — but better. At Bar Flores, there is a “The World is our Oyster” night, whose crowd tends to lean on the sapphic side. 

Last December, Roosterfish opened in West Hollywood, now adding itself to the list of brick-and-mortars making has made the space for sapphic events like BBGRL.

“This is my first time performing original music in West Hollywood period — but in a long time too,” said BBGRL. “I’m very excited to share a little bit of what I’ve been working on for some years.” 

BBGRL says that spaces like this are very necessary right now because of the social and political attacks on the LGBTQ community. 

“I’m really trying to build something that is memorable and something that really brings people together during these times where we really, really need unity.” 

During the social event’s debut night at Roosterfish in West Hollywood, BBGRL performed some of her music and invited long-time friend Niña Dioz to perform as well. 

“We are comadres and we both realized that we both had so many dreams about moving to L.A. and two years later in 2015 we both made the move and ended up being neighbors in Hollywood,” said BBGRL. “We formed a very special friendship that is really rooted in what reminds us of home — which is our community. Eventually she became my family.” 

Niña Dioz performs in West Hollywood on May 3, 2025. (Photo credit to David Tran and Jocelyn Perich)

After Niña Dioz returned to living in Mexico, BBGRL says it hit her hard, so their return to Hollywood to perform alongside BBGRL meant that much more to this dynamic duo. 

Carla Reyna, better known as Niña Dioz, is a nonbinary, queer hip-hop artist from Monterrey, Mexico. Over a decade ago, they stepped into a rap scene overly-saturated by male rappers within a culture that is also notorious for ignoring and sidelining women, trans and gender nonconforming people. Niña Dioz says they continue to fight the mainstream and make space for themselves and their homegirls. 

“I’m super excited to be here performing with my homegirl, BBGRL,” said Niña Dioz in an exclusive interview with the Los Angeles Blade. 

Niña Dioz says they are also excited to be working on new music to be released at the end of May. 

“I’m just excited to release new music,” said Dioz. “I took a few months off but it’s a song with Lenchanter. She sings chanteos (which is a slang term used in reggaeton music for fast and rhythmic lyrical music) and she is big in the queer, ballroom scene in Mexico City.” 

Niña Dioz says they are also excited to be releasing a new house music track right in time for Pride month. 

“I’m doing a lot of collaborations with artists from Latin America so you’re definitely going to be hearing from me this year,” they emphasized. 
The event will be hosted monthly in West Hollywood and will feature other performers, as well as guest DJs from the sapphic scene. At this event, the line-up included well-known sapphic DJ Amandita, who immaculately brings the vibes at every event where they play their bops but to keep up with the next lineup, follow BBGRL on Instagram.

BBGRL’s next show will be on June 11 at The Peppermint Club in Los Angeles.

On Friday, May 30, WeHo Pride and OUTLOUD will kick off the weekend full of festivities with a free WeHo Pride Presents Friday Night outdoor concert. 

WeHo Pride and OUTLOUD Music Festival have come together this year featuring a lineup of LGBTQ performers and LGBTQ-focused programming for all ages. 

The kick off event is free, but requires an RSVP to secure the complimentary tickets and registration for tickets officially opens on Friday, May 16 at 10a.m. The headlining performer will be Maren Morris, a GRAMMY award-winning, singer-songwriter who came out as bisexual during Pride month last summer and released her fourth album earlier this month. 

The OUTLOUD Music Festival will continue on Saturday, May 31, and Sunday, June 1, with a two-day concert experience spotlighting a dynamic lineup of LGBTQ+ artists including Lizzo, Remi Wolf, Kim Petras and Paris Hilton — all set to perform on the mainstage. Lil Nas X was also set to perform, but has been taken out of the lineup due to health issues. 

The SummerTramp stage will have Honey Dijon as the headliner, and feature sets from Horse Meat Disco, salute, Meredith Marks, Brooke Eden, and others. The Saturday and Sunday concerts are not free and do require tickets to be purchased in advance. 

“WeHo Pride Weekend is nearly upon us. Hosting WeHo Pride Presents Friday Night at OUTLOUD with free-entry tickets is more than symbolic — it’s a declaration that equality and inclusion matter,” said Chelsea Lee Byers, mayor of West Hollywood. “In West Hollywood, we celebrate queer lives and artists. At a time when LGBTQ communities face a surge of attacks across the country, West Hollywood remains committed to raising visibility and vibrantly celebrating our community. I’m so proud that the City of West Hollywood stands firm in the fight for LGBTQ rights and creative expression. I hope to see everyone out on Friday Night at OUTLOUD!”

WeHo Pride Presents Friday Night at OUTLOUD will begin at 6p.m. on Friday, May 30. The free WeHo Pride Street Fair will then take place on Saturday, May 31 and Sunday, June 1, beginning at noon. Both days will feature live entertainment, drag performances, activities and dyke-tivities such as the Dyke March and Women’s Freedom Festival on Saturday, taking place at the WeHo Pride Community Stage. 

“This event is all about showing up, celebrating loudly, and creating space for queer joy and none of it would be possible without the incredible support from the City of West Hollywood,” said Jeff Consoletti, founder and executive producer of OUTLOUD. “We’re beyond grateful to have our partnership extended through 2030 and can’t wait to keep building something unforgettable together year after year.”

Weekend and single day passes are on sale now. 
For more information, visit the OUTLOUD Festival website.

On May 10th, West Hollywood will witness a wedding unlike any other — one that’s equal parts celebration and cultural statement. The Scarlet Vows is a fiery fusion of love, Black queer joy, and unapologetic nightlife, wrapped in a bold, red bow.

Celebrating the union of David Brandyn and Matthew Brinkley, Ph.D., this wedding transcends tradition, turning a day of commitment into a night of unforgettable energy, connection, and liberation. Picture a nightclub alive with lights, music, and bold red gowns swirling on the dance floor. Laughter fills the air, and joy radiates through every glittering detail. This isn’t just a wedding, it’s a love story turned party, turned cultural statement.

“We hate tradition,” said Brandyn, one half of the couple, co-producer of the event, writer and sexual health educator. “We wanted to celebrate in a place that actually feels like us — and that’s the club,” .

Together, he and Brinkley — a relationship therapist and dating coach — have built their careers around supporting Black queer communities. 

“We’re not just partners in love — we’re partners in purpose,” explained Brandyn. “This celebration is a tribute to the spaces and people that raised us, healed us, and reminded us we were never alone.” 

Their story began, like many queer romances today, with a match on Jack’d. 

“But I avoided meeting up,” said Brandyn while laughing. “I knew if we met in person, I’d fall in love — and I wasn’t ready yet.” Brinkley, determined, found another way — showing up at David’s job picnic. As a QTBIPOC couple, the meaning behind this union goes far beyond the personal. “We are what we didn’t see growing up,” said Brandyn. “We’re living proof that Black queer love exists and deserves to be celebrated loudly.” 

And that’s exactly what Scarlet Vows is: loud, proud, and deeply intentional. With every detail, the couple is reclaiming what weddings can look like for those of us who’ve been told we’re “too much, too queer, too different.” “We didn’t want perfection or tradition — we wanted sweat, sparkle, laughter, and love,” shared Brandyn. “So we created something that combines a ball, a house party, a love story, and a family reunion.” 

The name Scarlet Vows is more than aesthetic. “Scarlet is bold, sexy [and] powerful. Vows are sacred. Together, it’s a declaration: this isn’t love whispered in secret. This is love out loud, in full color, surrounded by chosen family.” 

From the moment guests walk in, they’ll be immersed in a world where Black queer joy is not only centered but celebrated. And when they walk out? 

“We hope they feel more alive, more hopeful, and more connected to what’s possible,” said Brandyn. 

Hosted at Beaches Tropicana, The Scarlet Vows promises an unforgettable night filled with live performances, giveaways, and vendors. The vibe? Elevated, emotional, and full of bold fashion. The dress code is red — think high glam, full drama, and statement-making looks. 

But beneath the sequins and spotlight is something even deeper: purpose. 

This celebration comes at a time when QTBIPOC communities are facing escalating attacks — politically, socially, and economically. The couple has weathered hardships planning this event too, including being robbed and experiencing sudden venue cancellations. Yet, they’ve persisted — reaching out to community members and aligned brands to co-create something powerful. “Nightlife saved us,” David reflects.

“It gave us safety, friendship, release. This is us giving back. This is joy without apology.” That joy is contagious. Whether you’re a longtime friend or a first-time guest, Scarlet Vows invites everyone to come as they are — whether in a gown, a jockstrap, or both. “Think warmth meets wild,” David smiles. “We want people to cry during the vows and then immediately turn up on the dance floor.” 

What happens after the last dance? “Maybe this turns into something bigger,” he muses. “A recurring event, a documentary, a community tradition. Either way, the impact is already bigger than just one night.” 

And if you’re still on the fence about attending? “You’ll miss the wedding of the year. A celebration of love, culture, and freedom. A ball, a rave, a healing circle, and a Black queer love story all in one,” said Brandyn. “If you’ve never seen what it looks like when we build something just for us — this is your chance.”

The theme for the parade set to take place on Sunday June 8, at 11 a.m., will fittingly be “Pride Marches On,” and this year’s parade grand marshals will be Niecy Nash-Betts and wife Jessica Betts, Andrew Rannells, and Trino Garcia and Adam Vasquez, who are also known as ‘TrinoxAdam.’

Rannells, a Grammy-winning, two-time Tony-nominated actor celebrated for his work on stage, screen, and television, is this year’s LA Pride Celebrity Grand Marshal. 

“I’m truly honored to be this year’s Celebrity Grand Marshal of LA Pride,” said Rannells. “I don’t take it lightly and I just hope in some small way I can reflect the strength and resilience of the queer community, especially in times like these.”

Rannells made his TV directorial debut with Amazon’s “Modern Love” and is widely recognized for his role as Elijah Krantz on HBO’s “Girls,” which garnered a Critics Choice nomination. He recently appeared on Hulu’s “Welcome to Chippendales” and Showtime’s “Black Monday,” earning him yet another Critics Choice nomination. Rannells is also an author, director and Broadway actor. 

Nash-Betts, one-half of this years Vanguard Marshals, is a multi-talented Emmy Award-winning actress, producer and director who has captivated audiences on many projects across the big screens. Soon, she will be making a big appearance starring opposite Kim Kardashian, Naomi Watts, Sarah Paulson, Teyana Taylor and Glenn Close, in Ryan Murphy’s “All’s Fair” Hulu TV series about an all-female legal firm. 

Chicago native Betts will join her wife Nash-Betts as the other half of this years Vanguard Grand Marshal’s of the parade. Betts is an acclaimed singer-songwriter known for her original electric and acoustic rock and soul music. The two have been married since 2020 and in 2022, they made history as the first same-sex couple to grace the cover of Essence magazine, receiving a nomination for a GLAAD Media Award.

“We are thrilled to have Niecy Nash and Jessica Betts as this year’s Vanguard Grand Marshals,” said Gloria Bigelow, CSW board member. “As individuals and as a couple, they exemplify the beauty of living authentically and embracing love in all its forms. Their presence serves as a shining example for our community, reminding us to celebrate who we are, love fiercely and never back down from our Pride.”

TrinoxAdam will be this years Community Grand Marshals. The two are a loving gay couple who have dazzled the queer, Latin community with their content showcasing how they reclaim the cholo, or ‘xolo’ identities. They went viral on social media after sharing a romantic kiss on a bridge overlooking the 110 Freeway in Los Angeles. Now famous on social media, the two make content about their love, challenging traditional perceptions of masculinity, sexuality and Chicano culture. 

“Pride is about loving yourself and accepting yourself for who you truly are,” said Trino Garcia and Adam Vasquez. “Being this year’s LA Pride’s Community Grand Marshals is the biggest honor and our greatest accomplishment, knowing we’ve made an impact and helped people find acceptance within themselves and finally feel the true meaning of Pride.”

This year, the parade will also pay tribute to the city’s first responders, relief organizations, agencies, officials and others who stepped up during the fires that devastated Altadena and Pacific Palisades, in a special “Heroes of the Wildfires” section in the lineup. 

Los Angeles County Fire Department marches in the 2024 LA Pride Parade. (Photo courtesy of LA Pride)

“This year LA Pride marks a pivotal moment for both the Los Angeles and LGBTQ communities,” said Gerald Garth, CSW board president. “Despite facing unimaginable challenges, our community has always emerged stronger. This year’s theme, ‘Pride Marches On,’ symbolizes the strength of our community, and no matter the fire, hate or fear, Pride will always forge ahead. We look forward to embodying this spirit while celebrating resilience, hope and togetherness.”

The parade will be hosted by “Good Morning America” Saturday and Sunday co-anchor and ABC News transportation correspondent Gio Benitez and “ABC7 Eyewitness News” anchors Ellen Leyva and Coleen Sullivan. 

After the Parade, LA Pride will host LA Pride Village on Hollywood Boulevard. Now in its fourth year, this free street festival will feature programming on two stages, welcome over 80 booths with local vendors and nonprofits, dozens of sponsor activations, giveaways, games, scores of food trucks, and two 21+ full-service bars.

For the third year in a row, LA Pride will also be featuring “Ballroom Battle,” the voguing competition created by New York City’s Black and Brown LGBTQ+ communities made famous by the documentary, “Paris is Burning,” Madonna, and the FX show “Pose.” LA’s premiere ballroom houses such as House of Miyake Mugler, House of Ninja, and House of Gorgeous Gucci will compete in front of celebrity judges, including Margaret Cho, who will also be in the parade, riding with longtime LA Pride alumni Project Angel Food.

A curated art exhibition called “Bring the T” will feature works in multiple media by trans artists that represent and explore themes around trans discrimination and erasure but also activism, determination and fearlessness.

The parade is set to broadcast live on Sunday, June 8, from 11 a.m. to 1 p.m. PDT on ABC7/KABC-TV Los Angeles. 

The live broadcast will include comprehensive coverage from ABC7 news reporters David González, Sophie Flay and Kevin Ozebek, who will be reporting directly from the parade route, capturing all the festivities.

South Park, one of the oldest parks in Historic South Central, has brought multi-generational Angelenos together for centuries. 

The park sits at the intersection of 51st Street and Avalon Blvd, surrounded by some of the most socially, culturally and historically important locations in the country, including Central Avenue, site of the West Coast jazz scene in in the 30s and 40s, the former Black Panther Party headquarters in L.A and one of the epicenters of the Watts rebellion in 1965.

The park—also known as Barry White Park—was founded in 1899. Today, 126 years later, the park still stands—hosting weekend soccer games, señoras chismeando, recreational activities like swimming, card games among elders and city-led events. 

The park was named after two-time Grammy Award winner and R&B singer Barry White, who grew up in South Central, just blocks away from the park. 

As PBS initially reported, the City of Los Angeles purchased it from a private developer for $10,000. At that time it was not as big as it is now, but was always characterized by its tall palm trees. 

The park is located in Los Angeles City Council District 9, where the population is predominantly Latino (79.9%). According to Park Equity, Life Expectancy and Power Building research, the need for green spaces within Latino communities has never been greater, especially in South L.A, where the landscape is often characterized by an overconcentration of liquor stores and a lack of quality and accessible recreational spaces. More than a century after the park’s opening, for many local residents, it is one of the only parks within walking distance for them. 

Amanda Walker, 56, moved to L.A. from Chicago, Illinois. She said one of her favorite things to do at the park is to take in the sun. 

“The sun falls perfectly anywhere through the park, that’s probably my favorite part,” Walker said. 

Amanda Walker at the park before meeting up with her friends. (Photo by Brenda Verano)

Walker said she loves coming to the park with her friends, who often use the park as a gathering place.

 “I do wish there were more activities for adults,”  she said. “The park has a playground for kids, and basketball courts… we need more things in the park for people like me.” 

Maria L., 30, said she also comes to the park to be surrounded by nature. Although she lives in South Central, she said she does not have much free time to come as often as she would like. 

“I haven’t been here in about eight months,” she said.  Although she was  alone, she was on a video call with her family where she was able to show them the scenery of the park and said she was surprised at how green and vibrant it all looked. 

“I like coming here to just sit and hang out,” she said. She enjoys the sense of community she feels when being in the park. “Some people are walking their dogs; others are exercising or simply just laying down. It’s nice. I also like seeing the birds and the squirrels,” she said. 

From a distance, Maria L. sits in the sun on the park benches. (Photo by Brenda Verano)

The relationship between access to parks and life expectancy are closely linked. Park deserts can have disastrous effects on residents as well as wildlife, as stated by a study conducted by the Prevention Institute in partnership with University of California, Los Angeles , the National Health Foundation, Community Coalition, Esperanza Community Housing Corporation and the Social Justice Learning Institute. 

According to the research, South Central L.A. is considered to have “high park need” and “very high park need” neighborhoods, with an average of 1.6 and 0.7 acres of parkland per 1,000 residents, in comparison to the L.A. countywide average, which is 3.3 acres of parkland per 1,000 residents. The median life expectancy in South L.A. is 77 years, well below the level for the county as a whole. About 15 miles away, in the community of Beverly Hills, the life expectancy is about 90 years, 13 years higher. 

South Central residents have been asking for more investment in parks and recreational facilities. In 2018, the 18.25-acre park went through a multi-million renovation, which allocated funding for the improvement of its gym, swimming pool, basketball and tennis courts, baseball diamond, outdoor stage, fitness area, picnic tables and children’s play area. 

Despite the recent investments, the park has also been widely known for its gang and chrome activity, which the community says has been a direct effect of years of disinvestment and neglect. 

In previous years, the Los Angeles Police Department identified the park as an area where gang activity—specifically from the Avalon Gangster Crips, Broadway Gangster Crips and 52nd Street Playboys—has been observed. 

“The problem was scanned and revealed that this park, like many others in urban America, had slowly been neglected and overrun by criminal activity that revolved around gangs, narcotics and quality of life issues,” states the LAPD. “The analysis of the problem at the park was conducted by reviewing data, meeting with officers and receiving input from local community representatives and park staff members.”

Despite this, the community recognized the park as a long-standing historical entity of South Central L.A. 

As one of the oldest parks in the city, South L.A. Park continues to be home to local residents, wildlife, street vendors, youth and all the great things that make up Los Angeles.

EDITORS NOTE: This article was published through the Bezos Fellowship grant provided by the Ethnic Media Services, which recently changed its name to American Community Media. The article was written by Brenda Fernanda Verano, an award-winning journalist who reports for CALÓ News, a local non-profit newsroom focusing on the Latin American community of Los Angeles.

LA Opera is bringing back its Pride Night on Wednesday May 7, in partnership with the Opera League of Los Angeles. 

LGBTQ members and allies will come together for Pride Night to indulge in a performance of “Ainadamar,” at the Dorothy Chandler Pavillion. The discounted tickets for Pride Night include access to a complimentary post-show party at Vespaio hosted by the Opera League of Los Angeles, featuring Cal-Italian bites from Chef Agostino Sciandri. 

“Ainadamar” is a tribute to Spanish poet and queer icon, Federico García Lorca. 

“This season, we celebrate with ‘Ainadamar,’ a powerful tribute to Spanish poet and queer icon Federico García Lorca. These pairings matter. They highlight that opera is a living, evolving art form—one that speaks to all people and reflects the diversity of the world we live in,” said Christopher Koelsch, president and CEO of LA Opera.  

The central plot of “Ainadamar,” which is the Arabic meaning for ‘fountain of tears,’ follows Ana María Martínez as Margarita Xirgu, an actress who spent half of her career portraying Mariana Pineda, who was a 19th-century Spanish liberalist heroine, in Lorca’s play. Pineda was a political martyr who was executed for embroidering a flag with the slogan “Equality, Freedom and Law,” in protest of the absolutist Spanish regime.

The production, running at approximately one hour and 20 minutes, sets the stage with a throwback, recounting Lorca’s life and his last days in the Spanish Civil War. 

“At the heart of our Pride Night celebration is the belief that everyone should feel seen onstage and off. Opera is a space for community and belonging, where our audiences can recognize themselves not only among fellow attendees, but also in our artists, our music and the stories we tell,” said Koelsch.

This major company premiere, led by resident conductor Lina Gonzáles-Granados, is sung in Spanish, with English and Spanish subtitles. Grammy-winning composer Osvaldo Golijov produces the dramatic, flamenco-inspired score that meets the poignant libretto by David Henry Hwang. 

During the COVID-19 shutdowns, live performances at the LA Opera were put on hold and the journey to bring back Pride Night, among many other in-person performances, was a struggle filled with many moving parts. 

“COVID-19 suspended live performances across the board and during our return season we were navigating the different timelines for audiences returning to live theater. It was very much a matter of listening to our community and learning what had changed for them as well as us: some opted for livestream options, others preferred only outdoor events, and so on,” said Koelsch. “Once we found our stride, we were excited to bring back Pride Night the following season during ‘The Marriage of Figaro.’”

This year the LA Opera is celebrating their 40th anniversary by launching their 40th Anniversary Campaign to raise resources needed to continue funding their organization.The show opens on Saturday, April 26 and runs through May 18. Purchase tickets by clicking here.

Janelle Kellman is used to running marathons, which comes in handy as she campaigns to be
California’s next Lieutenant Governor – a campaign she began in 2023 for an election
that won’t happen until November 2026.

“The secret to being a true runner is consistency and discipline,” she says. “Nobody will
outwork me. I am not career politician. I am somebody who is gonna roll up my sleeves
and do all of the hard work.”

If she wins, the environmental lawyer and former mayor of Sausalito will make history
as the highest-ranking LGBTQ person elected to statewide office in California. But Kellman says she’s no climber. She’s putting a large stock of her campaign on the fact that she’s not a Sacramento insider and she’s not planning to use the job as a springboard to some other, more high-profile job.

“Many people run for this position because they want to be something else. I’m not
trying to be something else. Actually, I really want to do this job,” Kellman says.

The Lieutenant Governor sits on the boards of all of California’s higher education
institutions and has a significant role in natural resources and economic planning
through membership on the State Lands Commission, Coastal Commission, and
Commission for Economic Development.

Kellman says that she wants to use the position to tie together responsible growth and
addressing the affordability crisis that has seen hundreds of thousands of people leave
the state.

“There’s three things we really need to be focusing on to address affordability crisis.
Number one more housing of all types. Number two, proper public safety policies and
keeping our families safe. And number three, better mental health programs, both to keep people off the streets and address the homelessness problem and to support our
children,” she says.

Meeting these challenges will require someone who can ensure that many different
parts of California’s government – from the education system, the housing approvals
process, to the legal system, the heath care system and more – are laser focused on
bringing down the cost of living, Kellman says.

“I’m a lifelong team sport athlete and I’ve always been the captain of all the sports, and I
see [being Lieutenant-Governor] very much as a unifying collaboration type role, right?
This is a role I specifically want because I like that dynamic. I am really drawn to the opportunity to bring experts together.”

Kellman is aware of the symbolism her serving as Lieutenant Governor as a queer
woman would have in 2025.

“Our rights are under attack nationwide, and I see it as more important than ever that
California continue to be a stronghold of equity and inclusion,” she says. “To have
somebody who represents a minority community at the helm of our government really
gives visibility to our issues and reinforces that Californian is a place that values equality
and inclusion.”

Still, on one of the thornier issues of queer inclusion, Kellman is noticeably aversive.

She was quick to scold the Gov. Gavin Newsom when asked to comment on his recent podcast where he mused that trans women competing in women’s sports was “deeply unfair.”

“I hope that he would aim to represent all members of the State of California. So, I
hope he continues to govern and not just have a podcast for the next couple of years,”
she says. “But it’s also an opportunity to remind voters and remind everybody, it’s much more than that. It’s about inclusion. It’s about education. It’s about mental health and wellness.
There are so many issues that affect people Nationwide and Statewide. We’ve got to
stay focused on the big picture.”

But does that mean that she would advocate for trans women athletes being able to
compete in women’s sports, particularly as the lieutenant governor has a role in higher
education, where this issue has been in focus?

“I think the role of the Lieutenant Governor as an individual who sits on many of these
boards is to ensure that all students are treated fairly, and all our young people feel safe,
whoever they are on college campuses. I think that is the number one. No matter your background, no matter your orientation. So I would apply that across the board to anybody on college campuses,” she says.

Given one more chance to clarify her position, Kellman dodges again.

“I think that we have bigger issues to be talking about in the United States and
California,” she says.

But Kellman is critical of the Democratic political establishment that has entrenched
itself in Sacramento, which she characterizes as impeding progress on California’s most
critical issues.

“We’ve become an obstructionist party, and we need to be a party that gets things
done,” she says. “I’ve been able to get a lot done even as a small town mayor, and I see
my fellow mayors be able to get things done at the local level, I want to raise that up so
that it happens statewide.

“Let’s be the party that gets things done. And let’s focus on this high cost of living first
and foremost,” she says.

Without invoking the specter of the word “efficiency” in today’s political climate, Kellman
is also eager to hold the establishment to account for solving the state’s problems.

“Where’s the accountability? Where’s the transparency? What is happening in real
time? Let’s take homelessness, right? We know that as a state from 2017-18 to now, we
spent 22 billion dollars on homelessness. And during that same time period, the number
of unhoused in California went up by a third. Now, what if we were actually demanding
accountability and transparency along the way?”

And she’s eager to hold herself to account in office, too.

“If this was the private sector, I’d get hired. Because we would say you know how to do
the job, you’re going to be held accountable. We need more of that.”

The two bills introduced by Republican lawmakers aimed at banning trans athletes from female sports, did not pass during yesterday’s committee meeting. 

Assembly Bill 89 and Assembly Bill 844, have failed to advance in the Arts, Entertainment, Sports and Tourism Committee on Tuesday by a 2-6 vote on each bill. AB 89, introduced by Assemblymember Kate Sanchez (R-Rancho Santa Margarita) and AB 844, introduced by Assemblymember Bill Essayli (R-Riverside), were both rejected by California lawmakers. 

“If these members and their counterparts were truly committed to addressing the inequities and safety concerns women and girls face—in sports and everyday life—they would be joining the frontlines in the fight for equal pay, stronger protections against domestic violence and sexual assault, and expanded healthcare resources,” said Tony Hoang, executive director at Equality California. 

AB 89 and AB 844 are part of the nationwide coordinated effort led by extremists in Washington D.C. to sow fear and misinformation about transgender people—in particular youth—and attempt to erase them from virtually all areas of public life. 

“Instead of tackling the real problems in our state like high inflation and rising healthcare costs, Assemblymembers Sanchez and Essayli continue to waste time and taxpayer money using transgender youth as political pawns in a shameful display of divisive politics and a thirst for attention.,” said Hoang. 

AB 89 would have established a ban on athletes whose sex was assigned male at birth, from competing on a girls’ interscholastic sports team. 

AB 844 would have reversed California’s law which currently allows trans athletes to participate in girls and women’s sports teams across all age levels, up to college level. 

Tuesday’s hearing marked the first public debate on the issue in California since Newsom’s public comments about trans women in sports being “deeply unfair.”  

On Friday, Gov. Newsom’s office confirmed it received a letter from U.S. Education Secretary Linda McMahon, stating that California could lose federal funds if it continued to allow trans athletes to compete in women’s and girls’ sports. 

“As Secretary of Education, I am officially asking you to inform this Department whether you will remind schools in California to comply with federal law by protecting sex-separated spaces and activities. I am also officially asking you to publicly assure parents that California teachers will not facilitate the fantasy of ‘gender transitions’ for their children,” she wrote in the letter.

Equality California continues their partnership with the Legislative LGBTQ+ Caucus and other legislative partners in an effort to combat the passage of bills like AB 89 and AB 844. 

“We are pleased these bills have failed and are thankful to those lawmakers who opposed this dangerous legislation in committee, particularly to the committee chair, Assemblymember Chris Ward, for his leadership,” said Hoang.