West Hollywood
Sheriff McDonnell and lead investigator give update on Gemmel Moore case
Investigation still in early stages


Gemmel Moore and mother LaTisha Nixon (Photo screen grab from KTLA)
With so much news contending for public attention, it might seem as if the investigation by the Los Angeles County Sheriff’s Department into the July 27 death of Gemmel Moore may have slipped into oblivion. Not so, says Sheriff Jim McDonnell, who ordered detectives to take a second look after Moore’s family raised concerns. The investigation is ongoing.
In fact, says Lieutenant Joe Mendoza of the Homicide Bureau, who is heading up a team of two full time investigators, the investigation is still in its early stages, with a number of potential witnesses coming forward who have been granted limited immunity.
Moore, 26, died in Democratic politico Ed Buck’s West Hollywood apartment of an accidental methamphetamine overdose, said the LA County Coroner. West Hollywood Sheriff’s deputies also apparently found no direct evidence of foul play after interviewing Buck, 63, on the scene, checking his apartment and talking with numerous neighbors who said that Moore, an African American sex worker, was a regular visitor to Buck’s apartment. They initially filed a simple death report.
However, a friend of Moore’s, another young black male client of Buck’s, told Moore’s mother and community activists that Buck’s sexual fetish involved injection use of crystal meth. When Moore’s mother, LaTisha Nixon, went public with her concerns that there was more to her son’s death than a simple overdose, McDonnell decided to have detectives delve deeper.
Buck’s attorney Seymour Amster told the LA times that that his client had “nothing to do with this young man’s tragic death.” Amster added that Moore’s overdose was “a self-imposed accidental death.” Buck has not yet publicly commented.
McDonnell talked briefly about the investigation during an extensive interview by phone on Monday on a range of subjects for the Los Angeles Blade’s next print edition.
“Initially, like any of these cases, patrol went out and took an initial report that would then be looked at by both the coroner and follow up investigators,” McDonnell said. “When we became aware of the concern by the family, we had Homicide [Bureau] take at look at it, as well. And that investigation is still ongoing. We have some of our best investigators involved and following up on this. What the outcome will be, I don’t know at this point. But I can tell you, it is getting the attention that it should.”
McDonnell corrected media reports that suggested the investigation was prompted by new evidence, new information. “It wasn’t that. It was that issues were raised by the family,” along with news accounts that “were enough to ask our Homicide detectives to take a look at this case and report on it.”
“We felt it was our obligation to look into those issues,” McDonnell said.
McDonnell explained that homicide investigations are conducted by a team. The detectives work under the supervision of a Lieutenant who makes the decision, after reviewing their work, if they need additional man-power or what needs to be done beyond what has been done.
McDonnell said he is not “leaning one way or the other” in determining whether a crime has or has not been committed. But he emphasized that if—as sometimes happens even at the end of a long in-depth investigation—the investigating team determines the death to be a homicide but with insufficient evidence to proceed, they will not simply “file” the case away somewhere.
“We never give up on a homicide,” McDonnell said. “We work it and work it, if it’s something we can show that it was cleared, it was justified, it was an accidental or it was an undetermined. But if it was a case where we know it was a murder, we never give up on that. Some remain unsolved for years and we clear some of them years after the occurrence with DNA, new witness statements—somebody comes forward with a piece of information that they were sitting on or they’re on their deathbed or they’re in prison or whatever their reasons are, they decide to come forward, and that will make the case for us.”
But to be clear, neither the Sheriff’s Department nor the District Attorney’s office has made a determination about whether a crime has been committed in this case.
Lt. Joe Mendoza of the Homicide Bureau is heading up the team. “What they’re working on right now is trying to interview any possible individuals that might have any knowledge as to what transpired during this incident,” Mendoza told the LA Blade during a phone interview on Tuesday. “I know that in the media, there’s been a lot of different people interviewed. However, we cannot use that because it’s hearsay so we’re trying to identify those individuals and interview them ourselves so we can get a first hand account of what they know regarding this investigation.”
Community activists have set up a website— Justice 4 Gemmel —for possible witnesses to come forward. However, as Mendoza noted with media interviews, all allegations are considered hearsay until the story and any technology used to substantiate the story are vetted by Sheriff’s investigators. (Think hackers and bots.)
“We are making progress. We’ve interviewed quite a bit of possible potential witnesses and so we are headed in the right direction,” Mendoza said. “We’re still in the midst of conducting other interviews.
And our goal is just to have in-depth interviews with any potential witnesses so that we can submit all of our findings to the district attorney’s office so they can render an opinion if there’s any criminal culpability on the part of anyone.”
Mendoza would not talk extensively about whether DA Jackie Lacey has granted immunity to those coming forward nor would he detail who the team is interviewing, neighbors, more clients, Buck’s political friends and enemies?
“There has been some limited immunity granted to some of the individuals that requested it that were interviewed,” he said. “I’m not going to get into the details about who is being interviewed to protect the investigation and to protect the process. However, I can tell you that we’ve done countless interviews and all of that information will, at some point, be turned over to the district attorney’s office so they can render an opinion.”
What is somewhat unclear is whether, like on TV law and order shows, the investigators are compiling information and evidence that they think proves a case, one way or the other—or after they complete their investigation, will they give the compiled information to the DA and let Lacey make the determination?
“We are continuing to work with the coroner’s office and with our detectives in trying to make sure we have all of our information, make sure this is a thorough investigation, and based on the outcome of all of these interviews and based on any physical evidence that we have—then we discuss this case to see if there’s any criminal culpability of any of the parties involved,” Mendoza said.
The family alleges that Buck forced Moore and perhaps other clients to inject drugs and that is what lead to Gemmel Moore’s death.
“And that’s what we’re trying to see—if we can develop any information that would lead us to be able to determine that,” Mendoza said, “because there were only two individuals, as far as my understanding, that were in the room. So we’re doing this through interviews with people that have had past contact with Mr. Buck. However at this point, the investigation continues.”
Mendoza said the investigation is a “joint effort” with the DA’s office. “One of the determinations we’re going to try to make is—based on all the information that we gather from the interviews and from witnesses—we’re going to see if we believe that there’s any laws that have been broken. And then we’re also going to present that to the district attorney’s office so they can evaluate whether there was any criminal culpability,” he said. “We don’t make the initial determination. We just investigate potential crimes. And this is not a clear-cut case. so we are trying to get all the information together to present to the district attorney’s office just to confirm whether they believe a crime occurred or did not occur.”
Mendoza said they haven’t gotten to the point of narrowing the scope of the investigation to see if any lesser charges might be brought on anyone involved.
Mendoza also said that his team is not influenced by public outcry or political pressure.
“We just go on doing our jobs—seeking the truth regardless of any political pressure. It’s still very early in investigation,” he said. “As time goes on, there are more and more people that are coming forward that we still need to interview. So we’re continuing that process.”
Meanwhile, Moore’s death has served as the catalyst for a hard look at the silent crystal meth epidemic among young black gay men, prompting Jeffrey King and In The Meantime Men to create a South LA Crystal Meth Task Force. Check Jeffrey King’s Facebook page for more.
Arts & Entertainment
Make Your Voice Heard at WeHo Pride: Join the Women’s Freedom Festival and Dyke March
FREE! FREE! FREE! Come celebrate Pride in West Hollywood with these free events

WeHo Pride is now fully underway with an arts festival happening now, leading up to a weekend-long worth of events celebrating the kick-off of Pride season.
On Friday, May 31, the Women’s Freedom Festival will take over the Celebration Stage, celebrating women’s rights — and wrongs. The event is co-sponsored and produced by the L-Project, featuring emerging and local artists from the LGBTQ and QTBIPOC identities, including activists, musicians, poets and comedians.
The exciting lineup of events features an arts festival that is currently hitting the streets of West Hollywood, the historic Dyke March featuring Dykes on Bikes and Pride Riders L.A. — an organization for queer and lesbian women motorcycle riders — and much, much more.
Katrina Vinson is the founder of Pride Riders L.A., working hard over the last few years to bring much-needed visibility to dykes, women who love women and nonbinary people who identify as sapphics.
Her application to start the first Dykes on Bikes Los Angeles chapter is about more than branding. It’s about connection to a legacy of activism — dating back to the group’s 1976 founding in San Francisco, when leather-clad lesbians led the Pride parade in defiance of the police force and society’s patriarchal norms.
“It’s not just about riding,” Vinson says. “It’s about showing up for each other and reminding the world that we’re still here, still loud, still proud — and still riding.”
Pride Riders LA will feature an all-women and nonbinary people lineup of motorcycle bike riders, revving their engines all up and down West Hollywood. Pride Riders LA will roll in following the Women’s Freedom Festival, creating a transition from stage to street. The call for riders is already underway—with an emphasis on inclusivity and outreach to younger riders, trans and nonbinary folks, and LGBTQ+ bikers of color.
Jackie Steele is a multi-faceted community organizer and longtime activist who has built a reputation in queer and sapphic spaces. She is the Los Angeles District Attorney LGBTQ+ Advisory Board Chair, LA County Sheriff Robert Luna LGBTQ+ Advisory Board Member, and was previously the Public Safety Commissioner for the City of West Hollywood, Co-Chair of the LGBTQ+ Advisory Board of the City of West Hollywood and a self-proclaimed militant queer.
“Chris Baldwin runs the L-project and what they’ve put together is a concert and an event that is a true celebration of intersectional queer identities,” said Jackie Steele. “We worked really hard to work with the city to create a space that was accessible for everybody, where folks can just come out, enjoy the street fair and enjoy themselves.”
This year, they are expecting around 50 bikes to roll through for the Dyke March, so if you’ve never been, this will be a moment to remember, some might even call it a canon event.
“If you’ve never been, Dyke March is a celebration of dykes and what lesbians have done in the community — which is often under-celebrated,” said Steele. “There’s going to be bikes everywhere, engines roaring, a live program on stage and we will be fists in the air, standing together.”
WeHo Pride will take over Santa Monica Blvd., over the weekend. Check the West Hollywood Pride events page to keep up with street closures, parking information and full lineup of performers and events.
a&e features
Frankie Grande is loud and proud this WeHo Pride
Frankie Grande will be hitting the stage at this year’s Outloud Music Festival at WeHo Pride and is ready to bring the party

Among other queer and ally big names like Lizzo, Alyssa Edwards, Kim Petras and Frankie Grande will be taking center stage on Saturday, May 31, at this year’s OUTLOUD Music Festival at WeHo Pride. In the wake of the queer community’s current political strife, Grande is taking the spotlight, unapologetically and ready to bring the party, celebrating activism and sexuality unabashedly.
Hot off the heels of his recent two hit singles, “Rhythm of Love” and “Boys,” Grande is gearing up for the release of his new album, Hotel Rock Bottom, hitting platforms on June 27. The album is bringing queer aesthetic to the pop genre and is a retelling of Grande’s life as he has gone from party boy to stage, screen, and reality TV personality, to getting married and living a sober family life (dog and all).
We sat for a chat with Grande as he prepares for his WeHo Pride extravaganza. With everything socially and politically considered, Grande is not holding anything back this Pride season.
Pride is recharging and gearing up for battle. I feel like we’re in a place where our community is under attack, and this is the time where we get the microphone so recharge and get ready to be loud and be prouder than we ever have before. We need to show the world that we are not to be fucked with. We got the mic, so let’s use it.
No stranger to taking the stage, Grande promises a spectacle for his Outloud appearance.
I’m so excited. I’ve put so much effort into crafting a very beautiful show, a very gay show, a very hot show. I’ve selected some really fun songs from my album that people are going to get to hear for the first time because the album won’t be out. I’m also doing some fun and clever covers of songs that have inspired me. I’m excited that I’ve mixed it up and it’s going to be really fun and really gay.
This Pride, Frankie’s call to the gay community is clear.
Support our trans siblings. It is more important than ever. Go to your trans friends and be like, “Hey, what do you need? And how can I help?” Because they’re the ones who are directly being scapegoated at this moment. To think that it’s happening to them means it’s not happening to you is crazy. We are all part of the same community. We’re all under the rainbow umbrella, so let’s go support the community that is directly under attack right now.
Grande’s album comes at a time when queer folk could use a little levity and party attitude. He has been a long-time spokesperson for the LGBTQ community. He has used his platform from reality TV to his role as GLAAD board member to incite activism. He knows full well the fatigue that many of the queer community face as we continue to resist a brutal Presidential administration.
You have to find moments of joy. Honestly, that’s a lot of what this album is to me. It’s like, let’s dance around and bop and be silly to boys tonight so that we can hit the ground running tomorrow and go get some legislation overturned. My whole life, I’ve turned to the dance floor during times of stress, and I think we do need to do that. We have to go celebrate. We have to remember why it is so fun to be a huge homosexual and what we’re fighting for. But then we need to go fight. Don’t get so fucked up that you have to be in bed for three days because we actually do need to go to work.
Grande has also become the poster boy for sober party gays. Celebrating 8 years of sobriety, he has been very open about his journey and how it fits into gay culture. Being openly sober has gained momentum in the queer community and many Prides now include dry events. Grande knows the triggers that Pride can include and has some advice to his fellow sober folk.
First of all, sober gays are fun gays, let’s just say that. If you’re triggered, get the fuck out. You know? There are a lot of drugs, there’s a lot of drinking, there’s a lot of partying, and sometimes you’re just not fully ready to be in those environments. And if that is true, then just leave. The people who are drinking and using will have no idea that you left.
Also go find some sober friends to go with. I did everything in sobriety, like linked with my sober BFFs, Salina EsTitties and stylist Mandoh Melendez. They were my bodyguards and they were my shield, and they had more sobriety than I did. They showed me the ropes, and to this day, they’re still sober and my best friends. So, get a sober buddy and GTFO when you’re triggered, just leave.
Grande is being very vulnerable in his upcoming album Hotel Rock Bottom. Not only is he leaving himself to be compared to other family members in the business, but he is also telling his story on his own terms with music. What is his intent with his album?
My mission with this album is to inspire others to be themselves by being so open and honest. If you just want to listen to the surface value of my album, then you’re going to have a great fun dance time being like, this is so much fun. But if you want to actually go and listen to the lyrics and dissect it, you’ll see that there’s a lot of darkness and a lot of light on both sides of this album. I organized this album into side A and side B, or top and bottom, as we’re calling it on the vinyl. There’s sobriety and using days, there’s good and bad, and highs and lows on both. So, no judgment, it’s all about just be yourself, live your life, live authentically, and you’re going to get through whatever you’re dealing with.
And his message to the queer LA community this Weho Pride?
We’re very privileged and we’re very blessed because we’re in a very liberal and very blue state, so we need to have the best time and show up. But let’s make sure that we’re constantly beaming our love, light, and energy, and thinking about how we can help people in red states who are not going to have a governmentally and a community-supported Pride, because that is a reality these days. Let’s try to figure out how we’re going to help the country while we’re in the most liberal, most protected state in the world, which is fabulous.
Catch Grande onstage at Outloud on Saturday, May 31st. Hotel Rock Bottom will be released June 27th, available wherever you stream your music.
Commentary
From pride to policy, it’s time to build in WeHo
‘West Hollywood isn’t just coasting on its values—we’re acting on them’

By John M. Erickson, West Hollywood City Councilmember
West Hollywood has always stood as a beacon for LGBTQ people, for the
marginalized—for anyone chasing a place to be safe, seen, and supported. But that
promise is slipping away. If people can’t afford to live here, then West Hollywood becomes a symbol, not a sanctuary.
The housing crisis gripping Southern California is particularly acute in LGBTQ communities. Whether it’s trans women of color pushed into homelessness, queer youth aging out of foster care, or seniors on fixed incomes being priced out of the very neighborhoods they helped shape—our inability to build enough housing is deepening the inequality we claim to fight against. Our failure to build enough housing is not just a policy gap—it’s a moral one.
This isn’t theoretical. It’s personal.
As a gay man and a progressive policymaker, I know what it means to live at the intersection of identity and action. I carry the legacy of those who fought for a seat at the table—and the duty to do more than just sit there. Right now, that means confronting a housing system that’s failing the very people we claim to protect.
When West Hollywood became a city in 1984, we inherited density. We had walkable
neighborhoods, apartment buildings, and a diverse housing stock. But we froze. For 40
years, our zoning has barely moved.
In the last 25 years, WeHo has actually decreased in population. Meanwhile the number
of Americans who identify as LGBTQ+ has more than tripled in that same amount of
time. We haven’t kept up with demand, and we haven’t met the needs of the vulnerable
communities we claim to champion.
That’s about to change.
On Monday, May 5th, I’m introducing a sweeping housing reform package aimed at one
thing: making it easier, faster, and cheaper to build homes in West Hollywood. Not just
luxury condos—homes people can actually live in. That means slashing red tape. Cutting delays. Dismantling outdated rules that stall projects and drive up rents.
This isn’t about bulldozing neighborhoods or silencing community voices. It’s about
fixing a broken system—one built for a different era and completely out of step with the
urgency of now. It’s time to stop confusing progressive branding with progressive
outcomes. We need real reform: faster processes, smarter regulations, and yes—political courage.
Will this fix everything overnight? No. But it will send a clear message: West Hollywood
isn’t just coasting on its values—we’re acting on them.
Housing justice is LGBTQ+ justice. It’s racial justice, economic justice, and generational
justice. We don’t get to call ourselves a queer haven if only the rich and lucky can live
here. The West Hollywood of the future must make room for drag artists, Trader Joe’s
cashiers, trans youth, longtime renters—and anyone else trying to build a life with
dignity.
A city that flies the Pride flag can’t stand by while its most vulnerable residents are
priced out and pushed out. We owe the next generation more than just slogans and
rainbows. Let’s leave them keys.
Local
WeHo Gives Back program launched to support small businesses
This initiative will raise funds for local businesses impacted by the recent wild fires

The West Hollywood Chamber of Commerce (WHCC) announced the launch of WeHo Gives Back, a new initiative that is committed to supporting small businesses in West Hollywood that have been impacted by the Los Angeles fires.
“The small businesses of West Hollywood are resilient, but they need our community’s support
now more than ever,” said Genevieve Morrill, WHCC president and CEO. “WeHo Gives Back is
our way of ensuring these establishments receive the support they need to recover and thrive.”
West Hollywood is home to a diverse number of locally owned businesses. From the nightlife and restaurant industries to service providers like dry cleaners and salons, there’s a business for every one of the community’s needs. According to the WeHo Chamber of Commerce, businesses have been experiencing revenue declines between 25 percent to 50 percent with retail, hotels, restaurants, and bars being hit the hardest. In some cases, businesses have reported over 70 percent in loss of revenue, leading to a reduction in staff and operating hours.
About 26 percent of West Hollywood’s workforce is made up of hospitality workers, primarily employed by small businesses. These businesses, including the hotel industry, contribute to an estimated 70 percent of the city’s revenue. Tax revenue is used to support social services, community safety, and infrastructure improvements.
WHCC is calling on the community to support through WeHo Gives Back with a goal to restore the loss in foot traffic and to raise much needed funds. The public is encouraged to venture out to West Hollywood to shop, dine, and play.
The initiative kicked off on March 1st and West Hollywood go-ers will start to see QR codes on signs, napkins and websites in order to contribute to the recovery fund.
For more information about WeHo Gives Back or where to donate, visit wehochamber.com/wehogivesback.
West Hollywood
West Hollywood receives top score in Municipal Equality Index
Key findings point to record amount of cities to receive 100-point score across the nation

The City of West Hollywood received the highest score of 100 on the Human Rights Campaign’s 2024 Municipal Equality Index. The MEI is an evaluation by the HRC of over 500 cities across the United States, measuring a city’s laws, policies and available resources for LGBTQ+ people.
This rating is done using a scorecard that factors in non-discrimination laws, employment opportunities and protections, municipal services, law enforcement and leadership on LGBTQ+ equality.
“Even when anti-LGBTQ+ extremists in state capitals are working to undermine their progress, mayors and city council members keep fighting to make sure that LGBTQ+ people in their communities – especially trans people – are supported and lifted up to the fullest extent possible,” said Kelley Robinson, president of the HRC. “This year’s Municipal Equality Index shows the results of their dedication, while acknowledging the increasingly hostile environment in which they must govern.”
In addition to the score of 100, the city received flex score points in recognition of specific services such as those for LGBTQ+ youth, seniors and people lacking basic needs. Available services for people living with HIV/AIDS jumped to 134 cities nationwide, 83 cities for LGBTQ+ people experiencing homelessness, 78 cities with services for LGBTQ+ older adults, 163 cities with services for LGBTQ+ youth and 97 cities with services for transgender and transsexual people.
A city’s MEI score is based on non-discrimination laws, protections, its recognition of relationships, fairness and inclusiveness in employment opportunities and resources catered to LGBTQ+ people.
The MEI is done in partnership with the Equality Federation Institute, which partners up with LGBTQ+ organizations nationally.
“This year, a record-breaking 130 cities — over 25 percent of all MEI-rated cities — earned the highest score of 100. What is even more remarkable is that in 20 states across the country, 76 cities earned over 85 points despite hailing from a state without a nondiscrimination statute that explicitly protects LGBTQ+ people,” said Fran Hutchins, executive director at the Equality Federation Institute.
During 2024, a record-breaking amount of anti-LGBTQ+ legislation was proposed and approved at all levels of government. LGBTQ+ Americans across the country have felt the effects of the legislation, which has affected and impacted schools, families and the municipalities that are essential building blocks of the U.S.
Despite the continued anti-LGBTQ+ legislation attacks against the municipalities that have taken proactive steps to protect LGBTQ+ rights, freedoms and establish protections, many cities such as West Hollywood continue to lead and pave the way for equality.
In its thirteen-year history, 2024’s index recorded the highest all-around city average and a record number of cities to receive a 100-point score.
Some key findings do point to the loss of points in some cities in 2023, due to the anti-LGBTQ+ legislation in some cities across the country.
According to the MEI report, more cities than ever have taken steps to protect the most vulnerable populations, with over 10 percent of MEI-rated cities taking action against these harmful laws, nearly doubling over the last five years.
Other figures include a new all-time high national average of 72 points.
For more information on the report, its findings and scoring criteria, visit the HRC’s website or find the full report here.
AIDS and HIV
New monument in West Hollywood will honor lives lost to AIDS
In 1985, WeHo sponsored one of the first awareness campaigns in the country, nationally and globally becoming a model city for the response to the epidemic

December is AIDS/HIV awareness month and this year West Hollywood is honoring the lives lost, by breaking ground on a project in West Hollywood Park that has been in the works since 2012.
Members of Hollywood’s City Council joined representatives from the Foundation of AIDS Monument to announce the commencement of the construction of STORIES: The AIDS Monument, which will memorialize 32 million lives lost. This monument, created by artist Daniel Tobin, will represent the rich history of Los Angeles where many of those afflicted with HIV/AIDS lived out their final days in support of their community.
Tobin is a co-founder and creative director of Urban Art Projects, which creates public art programs that humanize cities by embedding creativity into local communities.
The motto for the monument is posted on the website announcing the project.
“The AIDS Monument:
REMEMBERS those we lost, those who survived, the protests and vigils, the caregivers.
CELEBRATES those who step up when others step away.
EDUCATES future generations through lessons learned.”
The monument will feature a plaza with a donor wall, vertical bronze ‘traces’ with narrative text, integrated lighting resembling a candlelight vigil, and a podium facing North San Vicente Blvd.
World AIDS Day, which just passed, is on December 1st since the World Health Organization declared it an international day for global health in 1988 to honor the lives lost to HIV/AIDS.
The Foundation for the AIDS monument aims to chronicle the epidemic to be preserved for younger generations to learn the history and memorialize the voices that arose during this time.
The HIV/AIDS epidemic particularly affected people in Hollywood during the onset of the epidemic in the 1980s. The epidemic caused a devastatingly high number of deaths in the city. The city then became one of the first government entities to provide social service grants to local AIDS and HIV organizations.
In 1985, the city sponsored one of the first awareness campaigns in the country, nationally and globally becoming a model city for the response to the epidemic.
Earlier this year, the U.S. Centers for Disease Control and Prevention released the theme for World AIDS Day, ‘Collective Action: Sustain and Accelerate HIV Progress.’
The city of West Hollywood continues to strive to become a HIV Zero city with its current implementation of HIV Zero Initiative. The initiative embraces a vision to “Get to Zero” on many fronts: zero new infections, zero progression of HIV to AIDS, zero discrimination and zero stigma.
Along with the initiative and the new AIDS monument, the city also provides ongoing support and programming through events for World AIDS Day and the annual AIDS Memorial Walk in partnership with the Alliance for Housing and Healing.
For more information, please visit www.weho.org/services/human-services/hiv-aids-resources.
LGBTQ Non-Profit Organizations
Quinceañera fashion show raises record-breaking funds
The Trans Latin@ Coalition raised approximately $300,000 to continue funding vital programs

The Trans Latin@ Coalition raised a record-breaking amount of money at their quinceañera, celebrating fifteen years of helping the Trans, Latin American communities of West Hollywood and Los Angeles. The event took place at the Pacific Design Center in West Hollywood, starting with a VIP reception and red carpet, followed by a fashion show featuring 14 designers. The 15th anniversary successfully highlighted the intersection of cultura, fashion and activism with a mariachi and fashion lines full of vibrant Latin American colors, patterns and embroidery.
The quinceanera’s fashion show is called GARRAS, which stands for Groundbreaking Activism Redirecting and Reforming All Systems. GARRAS is more than just a fashion show, it is also a movement to transform the Trans, Gender nonconforming and Intersex community–as well as their allies–into high-fashion icons.
GARRAS raises funds for the Trans Latin@ Coalition and uses these events to give TGI people a platform to showcase their talents, leadership and activism. The quinceañera-themed fashion show
Bamby Salcedo, CEO of Trans Latin@ Coalition spoke during the event to address not only the need for continued funding, but also to point out how much more unity the TGI and Latin American communities must demonstrate in light of the incoming Trump administration.
“I want to thank each and every one of you for supporting our work, for believing in our work and for participating in the change we are all working to create,” said Salcedo to the audience. “We’re here to raise funds to continue to do the work that needs to happen, especially because of what just happened [with the election]. And you know what? [The government] is trying to scare us and diminish who we are, and I say to all those mother f*ckers ‘F*ck you!”
The fashion show and reception brought in celebrity guests, models, influencers and many other queer Los Angeles socialites. Zaya Wade, Gia Gunn from Ru Paul’s Drag Race: Season 6, Mayhem Miller from Ru Paul’s Drag Race: Season 10, Heidi N Closet from Ru Paul’s Drag Race: Season 12 and many influencers and personalities.
The TGI designers who showcased their latest creations were: Leandrag, Enrique Montes, Semi Creations, Natalia Acosta, Royal Rubbish, ArmaniDae, Nuwa1997, Bad Burro, Life on Mars, HIM NYC, 10 eleven, Rag to Fab, Christiana Gallardo and Jesse Alvarado.
Arts & Entertainment
Meet the whimsical, fairy-core Uber driver who drives a car named Mollie
Nonbinary Uber driver, Caspian Larkins is rolling on Mollie– no, not that one

Forest green faux fur, rhinestones, a fabric-lined ceiling, planted faux flowers and green plastic grass adorn the inside of an anthropomorphized car named Mollie who spends her days riding off into the sunset on Sunset Blvd in West Hollywood and beyond.
The driver of this 2008 Ford Escape, Caspian Larkins, 24 and a Cancer sign, moved to Los Angeles to pursue acting and through a series of humbling restaurant jobs and other side hustles, ended up driving for Uber. Though working for Uber was not on Larkins’ bingo card for 2021, they wanted to find a way to make the experience not only fun for themself, but also for the people who roll on Mollie.
Larkins, who identifies as nonbinary and queer, grew up being one with nature in the wilderness of Oregon and when you step inside Mollie, it feels like a little magical, mystical slice of Oregonian forest–of course if it were reimagined on four wheels and zooming through traffic in Los Angeles.

Forest green faux fur and a pink ruffle with a layer of tiny fabric roses, line the doors. Stickers on the sunroof and windows reflect rainbow hues across the white leather seats and passengers. (Photo credit Gisselle Palomera)
Going viral overnight doesn’t happen to just anyone, but this iconic duo now have thousands of followers on social media and have big plans for the future.
ShaVonne Boggs, a content creator who hailed an Uber ride from Larkins, posted an Instagram reel of the ride and featured Larkins in all their fairy-core glory, driving through L.A traffic, with the viral Gwen Stefani ‘Just a Girl,’ audio clip playing over.
“I went to bed that night with a couple hundred followers on my account and I woke up the next day and I had gained like 3,000 followers,” said Larkins.
Larkins has a unique sense of style that incorporates nature, fashion and sustainability, often foraging for materials from the side of the road to add to the car and accepting donated fabrics from people who reach out to them through social media.
“I’m a forager. What can I say?,” said Larkins and then jokingly added that Jeff Bezos also personally delivers some of the items they use to decorate Mollie.
“I come across stuff on the street sometimes that I’ll pick up, put in my car and repurpose.”
Larkins says that Mollie is a little bit dinged up and bruised up from the outside, but that it’s the inside that truly matters.
There is a third character in this story that resides on the inside of the car at all times.
Jack Aranda is the name of the guardian angel of this fairytale ride. It is a miniature rubber ducky that was given to Larkins by a spiritual witch that opted for an Uber drive, over a broom one night.
“It was midnight, by Venice Beach and you know it was good vibes, but yea she gets in and we’re talking and she’s like ‘I’m going to give you this duck,’ and gives me this little tiny purple good luck duck,” said Larkins. “So I kept the good luck duck and I put him on my dashboard.”
Larkins says that ever since this encounter, the luck in their car changed.
“Red lights will always turn green for me, and sometimes someone will run a red light and miss [hitting] me and I just think it’s divine intervention because of Jack.”

Larkins poses in front of their car Mollie on a road in West Hollywood, CA. (Photo Credit Gisselle Palomera)
Larkins says that the decorated interior and its elements serves not only as a conversation starter, but also as a filter from unwanted conversations and painfully boring small talk.
“I think that since I’ve decorated my car, it’s like my filter,” said Larkins. “The people who get in and are like, ‘Oh my god,’ those are my people and those are the ones that I’m there for. And the ones that get in and are silent, I just let them sit there and soak in the rainbows.”
They say that there have been more good interactions, than bad ones and more people who ‘get it,’ than those who don’t.
Anthropomorphizing cars is nothing new to pop culture. In fact, cars have almost always had names and it is almost a part of engrained American culture to assign personalities to them based on their cosmetic characteristics.
The earliest examples on TV go as far back as the 1940s and some of the most memorable examples are Christine, the possessed, killer Camaro from Stephen King’s imaginative mind.
Or Herbie, the 1963 Volkswagen Racing Beetle from the early cartoon TV show Herbie, the Love Bug.
In everyday routine, people spend so much time and energy on and around inanimate objects, that they sort of become meaningful elements who accompany us on our journeys from here to there–and back.
“What I’m doing now with her is switching out different designs with the seasons,” said Larkins.

Larkins drives around Los Angeles and West Hollywood, picking up and dropping off people from all walks of life. (Photo Credit Gisselle Palomera)
“So right now we have our spring/summer look and a lot of the things in there are removable, velcroed and stapled.”
They say that right now they are exploring a very niche area of automotive interior design that they feel has not been explored within vehicles recently.
“It’s just hard for other people to conceptualize it and what I often describe to people, comes off as very tacky and just kind of nasty– not demure, not cute.”
Larkins feel they are really just now setting the stage for what’s possible, as far as interior customizations.
“I want to start creating this world in which design plays a bigger role in what a car could be and the experience of just being transported,” said Larkins candidly. “I want to invite people into my little delusional fantasies.”
Larkins believes that even in the present and near future of self-driving vehicles, they would like to collaborate with these major self-driving car companies and take part in designing and customizing the vehicles so that it can be a pleasurable and fun experience for riders who might feel anxiety about self-driving technology.

The inside of Mollie is adorned from top to bottom and from left to right. (Photo Credit Gisselle Palomera)
Modifying and customizing cars has been a part of the North American experience since the early 1930s. Now, attention is shifting toward the addition of technologies like Augmented Reality, to enhance the experience of driving and getting from point A to point B, and also using that technology to navigate the vehicle without a driver.
There are now endless possibilities when it comes to custom car culture and Larkins feels this is their place to explore and forage for the looks that people want and can’t even imagine.
“I want to step away from driving for the platforms and I would love to design with them,” said Larkins. “There is a group of people that are in support of this future technology and there is this other group of people that are kind of scared of it because it feels very cold and very uninviting and very new, so I would like to be the one to sort of bridge that gap for those people and make it less scary.”
The vision that Larkins has, is that they would like to reimagine the possibilities of custom interiors with interchangeable parts and additions that one could only think of as synonymous to Barbie and her endlessly fun assortment of interchangeable outfit components.
Larkins sees a long future ahead, where they have the opportunity to collaborate with airlines, rideshare companies and any other sponsors who are willing to make their visions come to reality. Until then, they will continue to weave up and down the asphalt arteries of WeHo and beyond, rolling on Mollie and working on their fairytale ending.
Local
LGBTQ+ leaders from across Los Angeles gather to endorse Measure G
The ballot initiative would push toward more accountability and transparency from Los Angeles County officials

On Wednesday, leaders from the Los Angeles LGBTQ+ community gathered at West Hollywood Park in support of Measure G, a ballot initiative that would hold county officials and all departments accountable for corruption, fraud and closed-door deals.
“As Mayor of West Hollywood, I’m proud to support Measure G because it’s a vital step toward making LA County’s government more transparent, accountable, and responsive to the needs of all its residents,” said West Hollywood mayor John Erickson. “This reform is crucial for strengthening the voice of West Hollywood and every part of LA County. I urge everyone to vote yes on Measure G and help build a county government that truly works for all of our people.”
Community leaders say this ballot initiative is crucial reform on the November ballot. This initiative aims to increase representation and accountability in the LA County government.
Other than adding more seats to the Board of Supervisors, Measure G would also create an independent ethics commission, create an elected County Executive brand and open the County budget hearings to the public for more financial transparency.
This measure is not only supported by local LGBTQ+ leaders, but also from leaders across many other communities and industries like nurses and small businesses.
The ethics commission would work to prevent former politicians from lobbying within their first two years after leaving office, authorize the suspension of County politicians who are criminally charged with a felony.
The measure would create an elected County Executive position, where they would be directly responsible for the accountability of the public by putting an end to the current system where an elected bureaucrat controls LA County’s full $45 billion dollar budget.
Among other things, the measure would also require County departments to hold public budget hearings and require a minimum of five days’ notice to the public of County’s new legislation. This would prevent politicians from making secret closed-door deals.
The press conference was led by Drag Laureate, Pickle the Drag Queen and included other prominent LGBTQ+ voices like Trans Latin@ Coalition President and CEO Bamby Salcedo, Equality California Executive Director Tony Hoang and Los Angeles LGBTQ+ Commission Vice-Chair Sydney Rogers.
“For too long, our community has struggled to access essential services like housing, healthcare, and support programs due to inequities in the allocation of county resources. Measure G ensures that public funds are distributed fairly and that the needs of marginalized communities, including trans and gender nonconforming people, are prioritized, said Bamby Salcedo, President and CEO of the Trans Latin@ Coalition.
AIDS and HIV
40th anniversary AIDS Walk happening this weekend in West Hollywood
AIDS Project Los Angeles Health will gather in West Hollywood Park to kick off 40th anniversary celebration

APLA Health will celebrate its 40th anniversary this Sunday at West Hollywood Park, by kicking off the world’s first and oldest AIDS walk with a special appearance by Salina Estitties, live entertainment, and speeches.
APLA Health, which was formerly known as AIDS Project Los Angeles, serves the underserved LGBTQ+ communities of Los Angeles by providing them with resources.
“We are steadfast in our efforts to end the HIV epidemic in our lifetime. Through the use of tools like PrEP and PEP, the science of ‘undetectable equals intransmissible,’ and our working to ensure broad access to LGTBQ+ empowering healthcare, we can make a real step forward in the fight to end this disease,” said APLA Health’s chief executive officer, Craig E. Thompson.
For 40 years, APLA Health has spearheaded programs, facilitated healthcare check-ups and provided other essential services to nearly 20,000 members of the LGBTQ+ community annually in Los Angeles, regardless of their ability to pay.
APLA Health provides LGBTQ+ primary care, dental care, behavioral healthcare, HIV specialty care, and other support services for housing and nutritional needs.
The AIDS Walk will begin at 10AM and registrations are open for teams and solo walkers. More information can be found on the APLA Health’s website.
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