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Your ‘must do’ 2018 fall arts season guide

There’s a whole lot of LGBT in the mainstream



Carolyn Ratteray and Debra Jo Rupp star in the Geffen Playhouse production of ‘The Cake.’ Photo by Chris Whitaker.

As fall approaches, the Southland’s cultural institutions gear up for the beginning of another arts season. You can’t DVR these offerings, but if you’re willing to gather in the dark with a gang of strangers, LA’s dance, music, opera and theater companies have some exciting and ambitious offerings this fall. Here are some highlights:


Romeo and Juliet”

The Los Angeles Philharmonic presents the complete score to Sergei Prokofiev’s beloved ballet based on Shakespeare’s tragic love story, conducted by Gustavo Dudamel. In tandem, dancer/choreographer (and “Black Swan” star) Benjamin Millepied choreographs portions of the piece, danced by members of his LA Dance Project. Oct. 18-21, Walt Disney Concert Hall (111 S. Grand Ave, Los Angeles).

Jacob Jonas the Company

Under the direction of its LA-born namesake, Jacob Jonas the Company takes its exciting, visceral, athletic work to the Wallis this season as company-in-residence. Combining balletic dance with acrobatics and some break-dance sensibility, the young company’s fall offering is an intimate evening in the Lovelace Studio Theatre. Oct. 24-27, The Wallis, (9390 N. Santa Monica Blvd., Beverly Hills).

Bill T. Jones/Arnie Zane Company – “Analogy Trilogy”

The restlessly inventive dance legend Bill T. Jones gives LA audiences the rare experience of seeing all three “Analogy” works in a single, seven-hour event (including one intermission and a 90-minute dinner break). “Analogy: Dora” is based on Jones’ 95-year-old mother-in-law who defied the Nazis as a nurse in France. “Analogy/Lance” follows the partying excesses of a 1980s New York club kid, and the latest piece, “Analogy/Ambros,” is based on the main character in W.G. Sebald’s novel “The Emigrants.” The event is capped with a Q&A with the artists. Nov. 3-4, Royce Hall at UCLA Westwood (10745 Dickson Ct., Los Angeles).


John Beasley’s MONK’estra

Award-winning, versatile jazz pianist John Beasley brings his MONK’estra ensemble to the Broad this fall. A Grammy-nominated gang of virtuoso musicians, MONK’estra evokes the spirit of the masterful and mysterious Thelonious Monk as they play some of his iconic jazz music in fresh, innovative arrangements. Oct. 12, The Broad Stage (1310 11th St., Santa Monica).

The Mariinsky Orchestra

St. Petersburg’s Mariinsky Orchestra is one of the oldest and most revered in Russia. Renamed the Kirov Orchestra by Stalin, the ensemble reclaimed its original name after the fall of the Soviet Union. Under the tireless direction of the powerhouse conductor Valery Gergiev, the orchestra tours constantly. This fall they bring a program featuring great works by Igor Stravinsky, the Petersburg native who spent much of his later life in West Hollywood (with numerous appearances at the Hollywood Bowl). Some criticize Gergiev for snuggling up to Putin, but there’s nobody better to interpret Stravinsky. Oct. 25, The Soraya CSUN (18111 Nordhoff St., Northridge).

The Tempest”

The Los Angeles Philharmonic presents a special evening featuring the incidental music for Shakespeare’s “The Tempest” written by famed Finnish composer Jean Sebelius. The program also includes scenes from the play performed by actors from San Diego’s Old Globe Theatre and staged by artistic director Barry Edelstein. Sebelius is a major figure in Finland (his image was on the 100 Finnish mark note before the country adopted the euro), and the program is conducted by Susanna Mälkki, chief conductor of the Helsinki Philharmonic Orchestra. Nov. 8-10, Walt Disney Concert Hall (111 S. Grand Ave, Los Angeles).

The Music of Harold Arlen: The Wonderful Wizard of Song

Harold Arlen is one of the giants of the Great American Songbook, having composed the music for so many beloved classics, including “Come Rain or Come Shine,” “Stormy Weather,” “The Man Who Got Away,” and the songs for “The Wizard of Oz” (he snagged an Oscar for “Over the Rainbow”). CSUN’s The Soraya presents an evening celebrating his work, hosted by son Sam Arlen, and featuring Broadway stars Eden Espinosa and Joseph Leo Bwarie. Dec. 1, The Soraya CSUN (18111 Nordhoff St., Northridge).


Don Carlo”

LA Opera kicks off its season with ambition, presenting Verdi’s sprawling epic “Don Carlo” with a smashing cast. Acclaimed Mexican-born tenor Ramón Vargas sings the title role of the conflicted prince angry at his father for marrying his fiancée. LA Opera’s general director and resident legend Plácido Domingo — famous for his Don Carlo as a young tenor – sings the baritone role of kind-hearted pal Rodrigo, while LA Opera favorite Ana María Martínez sings Elisabeth. As if that wasn’t enough, the great Italian bass Ferruccio Furlanetto sings King Phillip for the first two performances, defying time along with Maestro Domingo. Sept. 22-Oct. 14, Dorothy Chandler Pavilion (135 N. Grand Ave., Los Angeles).


LA Opera continues its bold commitment to the work of Philip Glass by presenting the minimalist American composer’s second opera, “Satyagraha,” examining Gandhi’s formative years facing oppression and injustice in South Africa. With a book comprised entirely of verses from the Bhagavad Gita (sung in Sanskrit), the opera traces young Gandhi’s growth from a well-meaning attorney to the leader of a movement. The stunning English National Opera production is directed by Phelim McDermott, whose mesmerizing staging of Glass’s “Akhnaten” was at the Chandler two years ago. Oct. 20-Nov. 11, Dorothy Chandler Pavilion (135 N. Grand Ave., Los Angeles).


All Night Long”

The Open Fist Theatre Company presents the Southern California premiere of longtime Bay Area theater artist John O’Keefe’s mind-bendingly absurd and entertaining 1980 play about a day (and night) in the life of a sitcom-like American family. O’Keefe takes audiences on a wild ride, careening between reality and dream, the conscious and subconscious, in a piece that defies categorization. Through Oct. 21, Atwater Village Theatre (3269 Casitas Ave., Atwater Village).

Six Characters in Search of a Play”

Playwright Del Shores is best-known and loved for his play “Sordid Lives” and the Logo series inspired by the play’s characters. Now, with apologies to Luigi Pirandello, he takes the stage himself, inhabiting six characters he has met in real life but has not yet found a way to use in a play. Celebration Theatre presents this limited run of brand-new Shores material. Sept. 27-30, The Lex Los Angeles (6760 Lexington Ave., Hollywood).

The Cake”

The Geffen Playhouse presents a remount of the Echo Theatre Company’s acclaimed 2017 premiere of Bekah Brunstetter’s play about a North Carolina baker whose devout religious beliefs are challenged when she’s asked to bake a cake for the wedding of a friend’s lesbian daughter. Most of the Echo’s original cast (including Debra Jo Rupp from “That ‘70s Show”) makes the transfer to the Geffen stage in this timely and topical piece. Through Oct. 21, Geffen Playhouse (10886 Le Conte Ave., Westwood).

Dear Evan Hansen”

The first national tour of the 2017 Best Musical Tony Award winner, “Dear Evan Hansen,” comes to town with a lot of buzz and most seats already sold. The show has become hugely popular among young people, as it tells the story of the titular teen who lives with severe social anxiety. When a classmate dies of suicide, Evan concocts stories that lead to social-media popularity but also moral dilemmas. You might snag some mezzanine seats on weeknights. Oct. 17-Nov. 25, Ahmanson Theatre (135 N. Grand Ave., Los Angeles).

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Everything you need to know about WorldPride 2021

Party in Scandinavia with the happiest people on Earth



Confetti rained down in New York’s Times Square at Stonewall 50 WorldPride New York’s closing ceremony two years ago. (Blade photo by Lou Chibbaro, Jr.)

By Mikey Rox| NEW YORK – It’s been two years since Stonewall 50 – WorldPride NYC 2019 became the largest international Pride celebration in history, but the “bye” year of 2020 wasn’t due to the pandemic. 

The global celebration has been held every odd-numbered year since 2017 given its massive logistical undertaking (with sporadic celebrations in 2006, 2012 and 2014 before then), and WorldPride Copenhagen – Malmö 2021 couldn’t have come at a better time. 

Hundreds of thousands of cooped-up queer revelers and allies will flock to the twin host cities in Denmark and Sweden, respectively, from Aug. 12-22, to party with the happiest people on the planet, a delightful distinction provided to the Scandinavian countries by the United Nations’ famous World Happiness Report. (The United States ranked No. 19 in the most recent report, FYI.) 

So what’s in store for this year’s all-out progressive-flag-flying festival? Read on for more.

Two LGBTQ anniversaries in Denmark

If you can believe it, it’s been 70 years since Danish doctors in 1951 performed the world’s first successful genital reconstruction surgery, a medical marvel that provided hope to transgender people the world over. This year is also the 50th anniversary of the founding of the Gay Liberation Front’s Danish chapter, which has been instrumental in blazing trails toward equality for the country. Look how far it’s come.

Opening ceremonies kick off in Copenhagen

In conjunction with Copenhagen Pride, WorldPride will officially start late afternoon on Aug. 13, but in adherence with COVID-19 protocols the opening ceremony won’t be held in WorldPride Square (at least not as of press time; things could – and probably will – change). That potential snafu notwithstanding, Denmark welcomes vaccinated U.S. travelers, and if any testing is needed, both PCR and antigen tests will be available free to everyone, including tourists, 24/7. Copenhagen is OPENhagen again.

WorldPride Square will be open for the rest of the fest

WorldPride Square, a makeshift village of sorts (similar to the Olympics) located within Copenhagen’s main square, will provide a gathering place for all attendees that have traveled far and wide. LGBTQ+ and non-governmental organizations spanning the globe will set up shop in the square to greet pedestrians, provide information, and invite folks to get involved. Art exhibits also will be a centerpiece of the village, alongside a street-food market and bars with plenty of space to relax. 

EuroGames will be held simultaneously

If you enjoy watching athletes compete in variety of sports that range from boxing and badminton to dancing and dodgeball, add the spectator-friendly EuroGames to your list of to-dos while you’re in Copenhagen. If you want to get hands-on, consider signing up to become a volunteer at the games, to be held Aug. 18-20; EuroGames’ website is currently accepting those applications. 

Spread out and explore other WorldPride villages

While WorldPride Square will serve as the jump-off for the 10 days of festivities, other available villages will allow crowds to spread out and explore their individual interests. In addition to Sports Village for EuroGames athletes and fans, other villages will focus on kids and families, youth, women, and the queer community, among others. Programs and content of these villages will be target-audience specific but open to everyone.

You might have a brush with royalty

Mary, Crown Princess of Denmark, Countess of Monpezat, is patron of Copenhagen 2021, making her the first-ever royal to serve in the role for a major LGBTQ+ event. Say hi if you spot her; she knows a queen when she sees one.

Despite pandemic protocol, the show will go on

Organizers have said in an official statement that despite some COVID-19 restrictions, they’re “continuing to plan for full delivery of all Copenhagen 2021 events taking into account the guidance and recommendations” of government agencies. Doubling down, organizers have promised they will not cancel or postpone events. 

Now there’s only one thing left to do: Let’s go!

Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has been published in more than 100 outlets across the world. Connect with Mikey on Instagram @mikeyroxtravels)

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Hollywood’s Peter Kallinteris Agency launching LGBTQ dreams

“It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader”



Hollywood sign courtesy of the City of Los Angeles

HOLLYWOOD – Whether they’d admit to it or not the aspiration for most actors is to be sitting in the Dolby Theatre at some point in their careers, dressed in their finest fashion ensemble at the most prestigious event of the year and hear, “and the Oscar goes to [insert their name].” Conversely also true for the Emmy awards or the Tony awards, yet for many LGBTQ artists the path to that goal is fraught with obstacles and difficulties.

In 2018, a young Black actor from Atlanta, Georgia, was given a supporting role as Ethan in the surprise hit film Love Simon. That actor, Clark Moore, in interviews with host Rob Watson, journalists Dawn Ennis and Brody Levesque on RATED LGBTQ RADIO and separately with Teen Vogue’s Shammara Lawerence spoke of the difficulty landing roles like that of Ethan, but also the conflict inherent with how the film and television industry has seen LGBTQ actors.

Answering a question by Teen Vogue’s Lawerence centered on that conflict, Moore bluntly assessed the landscape telling her; “Historically, I think the reason why there haven’t been more gay roles or more gay actors playing roles that have lots of layers to them and lots of depths to them is because for whatever reason, people think that the story is done. We’ve seen the gay character. We know what he says. We know what he thinks. We don’t need to tell that story anymore, but if you think about it, we’ve had a full canon of stories about straight white men that stretch back millennia, and so we’re only scratching the surface,” Moore pointed out.

“If we can have stories about people all the way back thousands of years ago and we can still be telling the same story now about straight white men and their journey to self-discovery or redemption, there’s plenty of stories to tell of people of color and LGBTQ people and anybody who falls in the intersection of those two identities,” he added.

Yet in the age of digital moving beyond the traditional film and television as more and more content is streamed online- and there’s insatiable need by casting agencies for a wider diverse spectrum of actors, there are still obstacles in the path for LGBTQ actors, especially trans and disabled LGBTQ actors.

Enter Peter Kallinteris, who with his broad based knowledge and understanding of the critical needs of the LGBTQ actor community decided that the time has arrived to have specialized representation for that community.

“Looking to the past, Hollywood hasn’t been very kind to the Queer community. Throughout the history of cinema gay men were either played as effeminate, weak, airheads, and lesbians as tough softball or gym coaches, who are often played by straight people,” Kallinteris said. “Within the the broader culture, there are subcultures, just as within any community. They are nuances within each that will never find its way between the pages of a table read.”

“To create an authentic moment the space has to be made for those who’ve lived that life every day. Gay, Black, White or Straight ect, our experiences of the world are different depending on how we show up. In many cases that will determine our outcomes,” he noted. “Specialized representation is so important because without the lingering trauma, and continued hatred & fear toward our community the Queer division of PKA wouldn’t exist, we’d just be accepted. We have important stories to tell and will continue to be telling them. PKA is just the begging for all to feel safe and thrive.”

In a statement issued from his offices at the Sunset-Gower Studios, the former historic home of pioneering Columbia Pictures founded in 1918, Kallinteris reflected, “When I was a young Actor being gay was career ending.”

“Today it’s celebrated. It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader because I can.”

To accomplish this he launched the Queer Division of his PKA agency. “The Queer Division of  PKA was inevitable, a natural outgrowth of my own personal evolution first by coming out as gay man, from Artist to Agent. The timing was right to make an impact with talent,” he said.

“As my Agency grew I was able to gleam that there was a space beginning to open up by which I could represent the full spectrum of Queer humanity & sexuality within the arts. Not as one dimensional static caricatures, but as beings who’s emotions run the full gamut of the human experience. This was very exciting to me, I have a opportunity to effect change. I wanted to be apart of history Pioneering a movement,” he added. 

He said that his message to LGBTQ artists is simple. “I want talent to know they will be given the opportunity to be who they are, live their truth and work for who they are without rejection, humiliation, fear, or hopelessness. People perform at their best, live at their best. And do their best when they are happiest.  PKA is not just a brand, we are the LGBTQIA community. If life imitates art, then let’s represent it boldly!”

His expectations of the film and television industry’s reaction? “My inspiration to launch the Q.D. is truthfully representing talent that reflects the current needs for the industry, and to remain a permanent fixture within the industry that continues to grow stronger. I want the industry to understand I’ve created this environment specifically for the Queer community. I’m happy & honored to be the first Agency that represents this community in this way,” Kallinteris said.

Last week, PKA, whose clients include, Justin Jedlica (TV personality), Steven James Tingus (President George W. Bush’s lead for disability research and policy for eight years), Kate Linder (The Young and the Restless), Albert Lawrence (IMDB Host), Deric Battiste aka DJ D-Wrek (MTV’s Wild ‘N Out), and Leslie Stratton (The Swing of Things, Truth or Dare), announced the launch of the Queer Division in a video.


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Julia Scotti, the movie, is just Funny That Way

Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point



Graphic courtesy of Susan Sandler

WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut.  Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.

With Julia Scotti, the surprises never end.

Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way.  It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.

Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans  folk is still at 41%.”

Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti.  Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.

Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film.  “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times.  It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.

Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed.  “The impetus behind this film was falling in love with Julia, her, then and now.  If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”

Susan took five years to research, document and interact with Julia’s past.  She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.

Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma.  A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away.  Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way.  Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”

Dan and Emma were onboard, however.  Also on board, albeit only by phone, was Kate. Kate was  Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process.  One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship.  Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.

Susan captured many live moments of Julia’s evolving life.  She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced.  Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines.  One such performance  takes Julia by surprise—it was a routine that she had not remembered ever doing.  It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms.  Julia sat shocked.

“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end.  Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”

“I knew it was me. I knew I was there. But I don’t feel a connection with that person.  That is the truth.”

The film does not dwell long on the past shames and regrets.  It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.

Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy.  Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.

The film will make you laugh, and cry, and laugh again.  New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.

The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty.  But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.”  But, life is funny that way—not working out quite the way we thought it would.   And that is ultimately the point.

Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.

Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.

Here’s the full list of where you can find it. 


Google Play
Vimeo On Demand


iN Demand Movies

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