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For Broadway legend Betty Buckley, the second act is sweetest

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Tony-winning icon Betty Buckley kicks off the 2019-2020 Cabaret Series at the Segerstrom Center for the Arts at the Samueli Theater in Costa Mesa, October 17 – 19. She will bring her show to Los Angeles on November 2nd when she performs at The Saban Theatre in Beverly Hills (Photo by John Boal).

 

There’s more than a hint of bemused irony in Betty Buckley’s voice as she takes note of the recent anniversary of “Cats,” the show for that earned her a Tony, and which opened on Broadway on October 7, 1982.

“I was just like… ‘What? It was 37 years ago? Time just goes by in the blink of an eye!” She chuckles, “Of course, you don’t know that when you’re a younger person. It seems like forever, but one of the things that happens as you get older is that every day just goes by – like ‘vroom, vroom!’”

The celebrated actress and singer, who is about to returns to Los Angeles for a series of appearances at the Segerstrom Arts Center (Oct. 17-19) and the Saban Theatre (Nov. 2), reflects back on her career since that momentous opening night. “I always knew that my best work would be in my later life,” she says, wryly. “Then I woke up about three years ago and realized I was at my later life – and I was shocked!”

She says the revelation came when her friend, director Michael Wilson, called her up “out of the blue” to ask her if she would be in his planned production of “Grey Gardens.” She assumed he was asking her to play the younger, lead role of Little Edie – but he actually wanted her to play BIG Edie, that character’s irascible, elderly mother.

“I started laughing hysterically,” she recalls, “and I said, ‘Oh my God, the time is here, isn’t it!’”

Awkward as it may have been, that phone conversation was the beginning of a new phase in Buckley’s already-storied career. Her performance in “Grey Gardens” won her raves, and from there a role in filmmaker M. Night Shyamalan’s “Split” earned her further accolades.

It was as the title character in the national tour of Broadway’s acclaimed “Hello, Dolly” revival, however, that the renaissance of Betty Buckley seemed to fully bloom – something of a surprise, considering it was a show she had never really felt a connection with.

“It was never a role I imagined for myself or had a desire to play,” she says, “and it was daunting. I mean, the icon that is Carol Channing set the standard for all time, and so many gifted women have played the role. I had no clue what my particular contribution could be, whereas, with other things that I have replaced in – most particularly ‘Sunset Boulevard’ – I knew what my purpose was, who I was going to be in the role. That was a bit confusing, at the beginning.”

There were other challenges, too. Though she had plenty of experience with comedic acting, the role of Dolly calls for a style known as “antic comedy,” which she had never done. Then there was the question of getting into the kind of shape that would permit her to endure the grueling eight-show-a-week performance schedule demanded by a Broadway tour – something she accomplished with the help of her longtime trainer, Pat Manocchia, who put her on a regimen that helped her lose 40 pounds and got her into the kind of shape she “didn’t think was possible, at my age.”

“It was thrilling,” she says, “at age 71, to be learning a whole new skill set. I discovered that I was capable of so much more than I had thought, at this point of my life – and I was really inspired by this character’s commitment to joy and love. I was grateful to take that message out across America in a time period when we so sorely need to be reminded of it. It was an incredible gift.”

It’s telling that Buckley would value a role for the challenges it offered, rather than from any acclaim it may have brought her. It’s also notable that she seems as excited by her twisted character arc as a guest star on the third season of “Preacher” – a TV show of which she calls herself “an ardent fan and devotee” – as she was by her work on “Dolly.”

“I love dark, perverse, aberrated characters,” she gleefully exclaims. “That’s what I spent years in acting school trying to do. I always wanted to be one of those kinds of actors, like Geraldine Page or Kim Stanley or Gena Rowlands. I wanted to be able to bring that kind of emotional rawness to my work, so of course I was excited to do this incredible part.”

This passion for the work itself reflects a refreshing lack of ego from someone who has achieved, by anyone’s reckoning, the status of a Broadway diva.

“At a certain point,” she reflects, “hopefully, you reach a level of knowing about yourself, and what your purpose is as a storyteller – a singer, actress, communicator – and you realize it’s about serving the audience. I made that commitment a long time ago, when I found meditation and spiritual philosophy in my late twenties, and I started to bring it into my work. Before that, what I did was for the audience’s response, for the applause, but it didn’t feel like that was enough. That’s hardly a purpose.”

“Now I teach it in my workshops,” she continues, “how to meditate and use a universal spiritual philosophy as the foundation of making choices as a storyteller, to communicate with audiences at the most essential, universal level.”

That endeavor to communicate is behind her work with longtime collaborator Christian Jacob, who is her pianist, arranger, and music director, and with whom she has worked on a whole series of albums.  The latest of these, “Hope” came out in 2018, and its songs will be among the material she performs at her upcoming shows in Southern California, accompanied by Jacob and a quartet of musicians she describes as “incredible.”

It’s at shows like these that Buckley gets to connect on a more intimate level with audiences – including the large LGBT fan base which she has long embraced.

“That gift, the support of that community, is everything to me,” she says. “They’ve been there for me my whole career, and I want to be there for them, to the best of my ability – especially in a time when our human rights are being so thoroughly attacked, by such insanity. That’s my purpose as a communicator and storyteller, to remind people that we are all connected at this essential level of heart. In truth, we’re all one being, as a humanity, and we all deserve to be treated with respect and equality. I’ll continue to fight the good fight, alongside my friends.”

No doubt that fight will be part of her ongoing efforts as a storyteller and communicator, something for which her passion seems only to have been renewed by the late-life resurgence in her career.

“It’s been a great two or three years,” she sighs, contentedly. “I’ve just been really blasting. It’s wonderful to wake up in your later years and be able to say, ‘Shit! I know how to do this!’”

“And some other people know I know how to do it, too, and that’s pretty great!”

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Everything you need to know about WorldPride 2021

Party in Scandinavia with the happiest people on Earth

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Confetti rained down in New York’s Times Square at Stonewall 50 WorldPride New York’s closing ceremony two years ago. (Blade photo by Lou Chibbaro, Jr.)

By Mikey Rox| NEW YORK – It’s been two years since Stonewall 50 – WorldPride NYC 2019 became the largest international Pride celebration in history, but the “bye” year of 2020 wasn’t due to the pandemic. 

The global celebration has been held every odd-numbered year since 2017 given its massive logistical undertaking (with sporadic celebrations in 2006, 2012 and 2014 before then), and WorldPride Copenhagen – Malmö 2021 couldn’t have come at a better time. 

Hundreds of thousands of cooped-up queer revelers and allies will flock to the twin host cities in Denmark and Sweden, respectively, from Aug. 12-22, to party with the happiest people on the planet, a delightful distinction provided to the Scandinavian countries by the United Nations’ famous World Happiness Report. (The United States ranked No. 19 in the most recent report, FYI.) 

So what’s in store for this year’s all-out progressive-flag-flying festival? Read on for more.

Two LGBTQ anniversaries in Denmark

If you can believe it, it’s been 70 years since Danish doctors in 1951 performed the world’s first successful genital reconstruction surgery, a medical marvel that provided hope to transgender people the world over. This year is also the 50th anniversary of the founding of the Gay Liberation Front’s Danish chapter, which has been instrumental in blazing trails toward equality for the country. Look how far it’s come.

Opening ceremonies kick off in Copenhagen

In conjunction with Copenhagen Pride, WorldPride will officially start late afternoon on Aug. 13, but in adherence with COVID-19 protocols the opening ceremony won’t be held in WorldPride Square (at least not as of press time; things could – and probably will – change). That potential snafu notwithstanding, Denmark welcomes vaccinated U.S. travelers, and if any testing is needed, both PCR and antigen tests will be available free to everyone, including tourists, 24/7. Copenhagen is OPENhagen again.

WorldPride Square will be open for the rest of the fest

WorldPride Square, a makeshift village of sorts (similar to the Olympics) located within Copenhagen’s main square, will provide a gathering place for all attendees that have traveled far and wide. LGBTQ+ and non-governmental organizations spanning the globe will set up shop in the square to greet pedestrians, provide information, and invite folks to get involved. Art exhibits also will be a centerpiece of the village, alongside a street-food market and bars with plenty of space to relax. 

EuroGames will be held simultaneously

If you enjoy watching athletes compete in variety of sports that range from boxing and badminton to dancing and dodgeball, add the spectator-friendly EuroGames to your list of to-dos while you’re in Copenhagen. If you want to get hands-on, consider signing up to become a volunteer at the games, to be held Aug. 18-20; EuroGames’ website is currently accepting those applications. 

Spread out and explore other WorldPride villages

While WorldPride Square will serve as the jump-off for the 10 days of festivities, other available villages will allow crowds to spread out and explore their individual interests. In addition to Sports Village for EuroGames athletes and fans, other villages will focus on kids and families, youth, women, and the queer community, among others. Programs and content of these villages will be target-audience specific but open to everyone.

You might have a brush with royalty

Mary, Crown Princess of Denmark, Countess of Monpezat, is patron of Copenhagen 2021, making her the first-ever royal to serve in the role for a major LGBTQ+ event. Say hi if you spot her; she knows a queen when she sees one.

Despite pandemic protocol, the show will go on

Organizers have said in an official statement that despite some COVID-19 restrictions, they’re “continuing to plan for full delivery of all Copenhagen 2021 events taking into account the guidance and recommendations” of government agencies. Doubling down, organizers have promised they will not cancel or postpone events. 

Now there’s only one thing left to do: Let’s go!

Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has been published in more than 100 outlets across the world. Connect with Mikey on Instagram @mikeyroxtravels)

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Hollywood’s Peter Kallinteris Agency launching LGBTQ dreams

“It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader”

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Hollywood sign courtesy of the City of Los Angeles

HOLLYWOOD – Whether they’d admit to it or not the aspiration for most actors is to be sitting in the Dolby Theatre at some point in their careers, dressed in their finest fashion ensemble at the most prestigious event of the year and hear, “and the Oscar goes to [insert their name].” Conversely also true for the Emmy awards or the Tony awards, yet for many LGBTQ artists the path to that goal is fraught with obstacles and difficulties.

In 2018, a young Black actor from Atlanta, Georgia, was given a supporting role as Ethan in the surprise hit film Love Simon. That actor, Clark Moore, in interviews with host Rob Watson, journalists Dawn Ennis and Brody Levesque on RATED LGBTQ RADIO and separately with Teen Vogue’s Shammara Lawerence spoke of the difficulty landing roles like that of Ethan, but also the conflict inherent with how the film and television industry has seen LGBTQ actors.

Answering a question by Teen Vogue’s Lawerence centered on that conflict, Moore bluntly assessed the landscape telling her; “Historically, I think the reason why there haven’t been more gay roles or more gay actors playing roles that have lots of layers to them and lots of depths to them is because for whatever reason, people think that the story is done. We’ve seen the gay character. We know what he says. We know what he thinks. We don’t need to tell that story anymore, but if you think about it, we’ve had a full canon of stories about straight white men that stretch back millennia, and so we’re only scratching the surface,” Moore pointed out.

“If we can have stories about people all the way back thousands of years ago and we can still be telling the same story now about straight white men and their journey to self-discovery or redemption, there’s plenty of stories to tell of people of color and LGBTQ people and anybody who falls in the intersection of those two identities,” he added.

Yet in the age of digital moving beyond the traditional film and television as more and more content is streamed online- and there’s insatiable need by casting agencies for a wider diverse spectrum of actors, there are still obstacles in the path for LGBTQ actors, especially trans and disabled LGBTQ actors.

Enter Peter Kallinteris, who with his broad based knowledge and understanding of the critical needs of the LGBTQ actor community decided that the time has arrived to have specialized representation for that community.

“Looking to the past, Hollywood hasn’t been very kind to the Queer community. Throughout the history of cinema gay men were either played as effeminate, weak, airheads, and lesbians as tough softball or gym coaches, who are often played by straight people,” Kallinteris said. “Within the the broader culture, there are subcultures, just as within any community. They are nuances within each that will never find its way between the pages of a table read.”

“To create an authentic moment the space has to be made for those who’ve lived that life every day. Gay, Black, White or Straight ect, our experiences of the world are different depending on how we show up. In many cases that will determine our outcomes,” he noted. “Specialized representation is so important because without the lingering trauma, and continued hatred & fear toward our community the Queer division of PKA wouldn’t exist, we’d just be accepted. We have important stories to tell and will continue to be telling them. PKA is just the begging for all to feel safe and thrive.”

In a statement issued from his offices at the Sunset-Gower Studios, the former historic home of pioneering Columbia Pictures founded in 1918, Kallinteris reflected, “When I was a young Actor being gay was career ending.”

“Today it’s celebrated. It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader because I can.”

To accomplish this he launched the Queer Division of his PKA agency. “The Queer Division of  PKA was inevitable, a natural outgrowth of my own personal evolution first by coming out as gay man, from Artist to Agent. The timing was right to make an impact with talent,” he said.

“As my Agency grew I was able to gleam that there was a space beginning to open up by which I could represent the full spectrum of Queer humanity & sexuality within the arts. Not as one dimensional static caricatures, but as beings who’s emotions run the full gamut of the human experience. This was very exciting to me, I have a opportunity to effect change. I wanted to be apart of history Pioneering a movement,” he added. 

He said that his message to LGBTQ artists is simple. “I want talent to know they will be given the opportunity to be who they are, live their truth and work for who they are without rejection, humiliation, fear, or hopelessness. People perform at their best, live at their best. And do their best when they are happiest.  PKA is not just a brand, we are the LGBTQIA community. If life imitates art, then let’s represent it boldly!”

His expectations of the film and television industry’s reaction? “My inspiration to launch the Q.D. is truthfully representing talent that reflects the current needs for the industry, and to remain a permanent fixture within the industry that continues to grow stronger. I want the industry to understand I’ve created this environment specifically for the Queer community. I’m happy & honored to be the first Agency that represents this community in this way,” Kallinteris said.

Last week, PKA, whose clients include, Justin Jedlica (TV personality), Steven James Tingus (President George W. Bush’s lead for disability research and policy for eight years), Kate Linder (The Young and the Restless), Albert Lawrence (IMDB Host), Deric Battiste aka DJ D-Wrek (MTV’s Wild ‘N Out), and Leslie Stratton (The Swing of Things, Truth or Dare), announced the launch of the Queer Division in a video.

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Julia Scotti, the movie, is just Funny That Way

Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point

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Graphic courtesy of Susan Sandler

WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut.  Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.

With Julia Scotti, the surprises never end.

Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way.  It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.

Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans  folk is still at 41%.”

Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti.  Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.

Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film.  “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times.  It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.

Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed.  “The impetus behind this film was falling in love with Julia, her, then and now.  If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”

Susan took five years to research, document and interact with Julia’s past.  She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.

Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma.  A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away.  Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way.  Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”

Dan and Emma were onboard, however.  Also on board, albeit only by phone, was Kate. Kate was  Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process.  One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship.  Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.

Susan captured many live moments of Julia’s evolving life.  She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced.  Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines.  One such performance  takes Julia by surprise—it was a routine that she had not remembered ever doing.  It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms.  Julia sat shocked.

“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end.  Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”

“I knew it was me. I knew I was there. But I don’t feel a connection with that person.  That is the truth.”

The film does not dwell long on the past shames and regrets.  It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.

Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy.  Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.

The film will make you laugh, and cry, and laugh again.  New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.

The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty.  But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.”  But, life is funny that way—not working out quite the way we thought it would.   And that is ultimately the point.

Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.

Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.

Here’s the full list of where you can find it. 

DIGITAL

iTunes
Amazon
Google Play
Xbox
VUDU
FandangoNow
Vimeo On Demand

CABLE / SATELLITE

iN Demand Movies
Verizon
AT&T
Vubiquity
DirecTV
Dish
Telus

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