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Pandemic vastly changing Hollywood’s entertainment landscape

But with the pandemic vastly changing Hollywood, countless red carpet-related industry jobs have been eliminated

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Photo Credit: City of Los Angeles

LOS ANGELES – According to a report by the Los Angeles County Department of Workforce Development, Aging and Community Services (WDACS) last month, 125,900 hospitality jobs and 37,000 arts and entertainment jobs were sadly lost last year.

If you look past Hollywood’s poignant acceptance speeches and enchantment of the red carpet, you will see a tremendous industry of people–caterers, party planners, publicists, stylists, florists, DJs, etc.– who tirelessly work to create magic during awards season.

But with the pandemic vastly changing Hollywood, countless red carpet-related industry jobs have been eliminated.

Ahead of the Independent Spirit Awards (April 22) and The Academy Awards (April 25) the Los Angeles Blade talked to industry experts about all the changes happening during the 2021 awards season.

“With the world facing so many bigger, more existential issues right now, this award season’s obviously been sort of disorienting on several levels. On a deeper level, some people might think glamorous celebs accepting golden trophies is a little, well, off point amid a pandemic,” John Griffiths, the Executive Director of the Society of LGBTQ Entertainment Critics (GALECA.org) said.

“With so much loss and depression, people seem to be basically saying ‘throwing glamorous awards shows is especially tone deaf.’
 It’s a good question- Who cares about Hollywood and self-satisfied stars and virtual red carpet fashion? It’s sort of weird. But the show should go on, as they say, because movies have a huge impact on society, and celebrating good work and stories and performances that inspire is always a good thing,” he added.

(Photo: John Griffiths)

The Society of LGBTQ Entertainment Critics is home to the Dorian Awards, which are are film and television accolades given by GALECA.

“The Oscars and all the kudos shows leading up to them, like our own Dorians, all help to put some special films, about immigrants, about inner-spirit, about humanity, about love, about the ravages of hate, on the world’s radar. Movies unite us, they can create change, help heal . . . so we shouldn’t underestimate shows that honor them,” Griffiths said.

“Awards shows having to go “virtual” with awkward hosts and nominees all with Zoom face and any live attendees six feet apart from each other is not a recipe for fun viewing. They have gotten stodgy over the years, so it’s been interesting to see which ones turn the frown upside down. So far, only the Emmys has seemed interested in getting creative—to fun effect,” he stated.

New York City- based Celebrity Jewelry Expert and Stylist, Michael O’Connor weighed in with his observations telling the Blade;

“COVID has really taken a toll on the fashion industry and on celebrity styling overall!! In previous years, the red carpet, the event itself and the many surrounding events provided a plethora of attending celebrities who wanted to look their very best for the events  – and would get photographed. This meant that you could not only showcase your styling expertise, but also you could use pieces from various fashion houses, jewelry designers and accessories designers to bring a vision to life, thereby creating numerous publicity opportunities for the brands themselves. 

These days, the potential universe of styling opportunities is severely limited. No red carpets, no surrounding events and in-home coverage of the nominees really brings the potential to showcase talent way down. Further, some celebrities feel that they should be more relaxed and less dressed up in their home environment. The whole situation is difficult for everyone, celebrities included, and certainly results in some underwhelming and uninspiring fashion.

“As a stylist who lives in NY and often styles celebrities in LA, the idea of virtual styling is not something totally new to me. I’ve been doing it for years. However, the current issues revolve more around the difficulties of fit, alteration and exchanging pieces out that don’t work together. One can’t simply go into a showroom and get a feel for how a necklace might lay on a neck or how low an earring drop is, or how a dress will hug the curves. That tactile sense and true visual understanding has been robbed. Therefore, more is reliant upon planning or going with brands/pieces that you already know. Otherwise, the chance that it all won’t come together perfectly is extremely high.”

(Photo: Michael O’Connor)

Beverly Hills  Celebrity stylist Erick Orellana reflected- “Due to the lack of red carpet arrivals this year for award shows, I am hearing many fellow stylists who really depend on award season work are out of work until the industry rebounds. Since award shows are going virtual and events are at home, many celebrities are opting to  do their own glam or be a little more “relaxed” with it this year. As we saw with some of the celebs at the Golden Globes, winner Jodie Foster and her wife were in what seemed like their pjs.

Glam during these pandemic times has looked very different. During awards season, I believe hair and make up this year looks a bit more easy-going. Since most events are virtual, the most important part of hair and make up is the front side of the face. We are going to be seeing a lot of ponytail slick hair or to the side hairdos and I wouldn’t be surprised if some go for a soft romantic touch to their hair.

(Photo: Erick Orellana)

I think most celebrities are mainly working on just their upkeep versus do drastic changes right now. We are definitely seeing the return of the bank/curtain bang that is a nice way to change up a hairstyle without having to commit to a big change all over, since it’s mostly taking place in the front. It’s a good way to frame the face as well. We’re seeing more one tone hair color versus multi dimensional sense, and are also seeing a bit of a return of the 90s inspired hair trend. Most changes in hair have been very subtle since everyone’s really working on just trying to touch up their hair that hasn’t been seen by a stylist in a while, due to Covid restrictions and safety.”

Hollywood jewelry designer Charlie Lapson told the Blade;

“This year, the designers, stylists and clients are hardly meeting in person. Life has become an endless amount of FaceTime, ZOOM, and Skype meetings, reviewing the fabrics of the dress, and the jewelry options to coordinate. On some levels, it’s more efficient because we can interact several times without driving all over LA, and we don’t have to pack and unpack hundreds of pieces.

But the special moment of the actress trying on her choice of earrings, looking in the mirror and saying “these are perfect” just isn’t going to happen. It’s challenging because we’re not working the usual way. 

At the awards events this year, some of the sparkling accessories will be incorporating colorful gemstones. There has been conversations about jewels with Tanzanite, with its luscious deep blue and purple tone, which has become one of the top requests for 2021. 

Pearls of white and gray have been trending, thanks to Madame VP Harris. In addition to necklaces, they’ll be seen in earrings and rings. 

Diamond earrings in unique shapes will be trending, and hopefully ear cuffs will make their debut. Multiple rings across several fingers is something to look for, and then work into your own style.”

It is so devastating to know there are still so many people in our industry who are struggling for work.

“With little to no in person events, I am sad I no longer get to see or work with friends–everyone from event producers to florists to catering companies and designers. It is so devastating to know there are still so many people in our industry who are struggling for work.

The pandemic has totally changed the industry forever. Last year, for example, we did a total of 3 live events during Golden Globes weekend, this year two were canceled and one has gone completely digital. Now with little to no red carpet and the usual fanfare when arriving to events, they will just be limited to a couple of photographers,” Rembrandt Flores, founder, Entertainment Fusion Group said.

Rembrandt Flores

“There is nothing like an event in person, and I am excited to be involved with them again in 2022,” he added.

With no live events, the celebrity wrangling industry has suffered tremendously. Luckily for our agency, we weren’t so dependent on that type of work. We have doubled down heavily on digital and traditional press as well and working with influencers and celebrities for specific brand campaigns,” Flores noted.

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Belinda Carlisle brings a heavenly Christmas Bash December 16th

Her work evolves beyond the demands of the pop market while never losing its hooks and whimsy. it reflects Belinda’s evolving life

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Courtesy of Belinda Carlise

HOLLYWOOD – On December 16th, 7pm, the city of West Hollywood transforms into a piece of “Heaven on Earth.” An angelic supernatural deity from the sky won’t be delivering this gift, but rather an angel from iconic pop paradise.

That night, Belinda Carlisle makes a grand entrance and gives an eager audience the presence of a queen of pop, the most recent inductee to the Rock and Roll Hall of Fame along with her group, The Go-Gos.

It will be on that night that Belinda Carlisle hosts THE party event of the season with co-host, drag superstar, Trixie Mattel. One sings, one throws comedic shade, and a packed room at the Abbey will be losing their collective minds.  Not that the party itself isn’t all the reason you would need to get it on your calendar, the evening benefits a fantastic charity, The Animal People Alliance (APA), that intertwines the love for animals with the salve to human suffering.

Courtesy of Trixie Mattel

APA’s charter reads: “To provide high quality and compassionate care, of the highest standards, to neglected street animals in India and Thailand. We train and employ vulnerable people from the community, and pay living wages that help them improve their standard of living.”   The organization, by employing people who would otherwise be stateless and/or in poverty, has treated over 16000 street animals since 2014. Their programs for animals include rabies vaccinations, sterilizations and other emergency health aid.

Belinda sat down with me this week on the podcast RATED LGBT RADIO to talk about her life, her amazing career, her party and the strength she has achieved in standing up to both inner and outer demons.

She survives. She fearlessly opens herself up, and if anyone scrutinizes her past… she will lead the way.  She happily tells of being a member of the most successful all-women pop bands in history.  They sang and wrote their own songs, they played their own instruments. They did it on their terms. No men were needed or required. She candidly shares about her struggles with eating disorders and drug addiction. 

Belinda shows profound compassion for those struggling with addiction and darkness, “Addiction is a sickness…it is a disease of perception, you can’t see your effect on other people… It is a trap you feel you can’t get out of. Every addict has a heart and a humanity that is obscured by addiction. It is a horrible, horrible thing for anyone to go through. It is hard to remember that there is a heart under all that, there is something divine under all that darkness.”

Her interest focuses more on what came after she embarked on recovery  “My life is much more exciting since sobriety, even more exciting than the hey day with the Go-Gos. For anyone out there who is worried about aging, or life being over at a certain point—it’s not. Life is just the most amazing miracle and privilege.”

Her significance for the LGBTQ community, impacts many of the most vulnerable.  She is the mom of a gay man, activist and writer, James Duke Mason. His birth made her examine the trajectory of fame, drugs, and rock & roll in which she was on, careening threateningly close to disaster and death.

She had settled comfortably into maternal nurturement when Duke came out to her at the age of 14. Belinda had been impressed with Duke’s ability to explain the situation to her. She found out that he had been online with PFLAG for weeks learning about how to present his news to her, information to give and educated about key talking points. 

Appreciating their real life help of a young person in need, Belinda vehemently supported PFLAG, the Trevor Project and others ever since. “I am so glad I have a gay son, I can’t even tell you,” she says.

Artistically, she also continues to thrive.  The Rock and Roll Hall of Fame finally inducted the Go-Gos this year.  It was an honor 15 years in the making.  It should have been an obvious choice to put them there.

As the first all-female group making it big, they sang, wrote every note and played every instruments. The Go-Go’s, a 2020 American/Irish/Canadian documentary film directed and produced by Alison Ellwood, cast attention on the Hall of Fame oversight, and essentially made the case for how special the group actually was.

Belinda also recently released a new single Get Together a cover of the 1967 Youngbloods hit. The Youngbloods sang it at Woodstock in 1969 to make a statement about the divisions of the Viet Nam era in America.

Belinda sings it now, her voice pure, mature and as an anthem making a plea, if not a motherly order, to reconsider the divisions we are experiencing today.  She says, “We live in this age of outrage.  This song is ‘ok people, CHILL OUT’. All this divisiveness is not going to get us anywhere. It’s timely.”

Beyond Get Together, Belinda works on more new music including singles and a new album.  She continues to produce with the top song creators of the industry including award winning song writer Diane Warren and Go-Gos dates at the end of the year.

Her work evolves beyond the demands of the pop market while never losing its hooks and whimsy. it reflects the channeling of Belinda’s evolving life.  When she lived in France, she released a French collection.

As she delved into spirituality and the culture of Thailand, she released the powerful Wilder Shores, which blended a spiritual mantra into pop hooks. “Chanting is a science, it has a super power. It is not airy fairy,” she states.

The fact is, Belinda Carlisle continues arriving and thrilling.  She does not need to prove herself to anyone.  She has defined the next thirty years of her life as philanthropy.  

“I just wing it as I go along. I learned what it is like to work from the heart. Work in a way where you don’t care about any kind of outcome. That is how I am working now. I am just having fun, and doing just what I want. I am really lucky that way,” she declares.

Her party on December 16th at the Abbey appears right on track to bear that out.

Love, humanity, care of animals and a major splash of fabulousness enveloping an enthused audience.

In other words, pure Belinda.

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Listen to the full interview:

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Rob Watson is the host of RATED LGBT RADIO, a national podcast and he’s one of the founders of the evolequals.com.

A gay dad, business man, community activist and a blogger/writer, Watson is a contributor to the Los Angeles Blade covering entertainment, film, television, and culture with occasional politics tossed in.

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Andy Grammer partners with Trans Chorus of Los Angeles

Celebrating how important it is to live your life, your authenticity, and to feel good about who you are

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Andy Grammer partnered with the Trans Chorus of Los Angeles (Screenshot via YouTube)

LOS ANGELES – In honor of Transgender Awareness Week, Andy Grammer partnered with the Trans Chorus of Los Angeles (America’s first Trans Chorus, embracing all members of the trans, non-binary and intersex communities) for a special live performance of “Damn It Feels Good To Be Me” – celebrating how important it is to live your life, your authenticity, and to feel good about who you are. What a special moment. In conjunction with the partnership a donation has been made by Andy to the TCLA.

A note from TCLA: “The Chorus really enjoyed the song and especially performing it with Andy around the piano. It was upbeat and expressed how important it is to live your life and your authenticity and to feel good about who you are. That is the thrust of our Chorus philosophy of moving from victim to victorious.”

Connect with the Trans Chorus of Los Angeles:https://transchorusla.org/

Andy Grammer – Damn It Feels Good To Be Me (featuring Trans Chorus of Los Angeles)

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Michael Kearns, the Godfather of LGBTQ+ authenticity

Michael’s work has been described as “collisions of sex and death, of eroticism and grief,” but he has truly dug to an even deeper level

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Michael Kearns by Keida Mascaro

HOLLYWOOD – The arc of LGBTQ+ history over the past 50 years has been one of constant upheaval and evolvement. From a period when it was both illegal and insane to be gay, through the achievement of being able to serve openly in the military, to marriage equality and the ability to create families to today’s fight against the tyranny against Trans people, the movement has not stopped to take a breath.

Michael Kearns, the first recognized “out” actor on the Hollywood landscape, has been a visible presence through it all. More importantly, he has always” been visible on the gay scene. In the seventies he epitomized the free love and erotic freedom that many gay men lived. He was featured in classic gay porn movies and did a PR stint as the face of the “happy hustler.”  

“That was my introduction to a lot of people,” Michael told me when we sat down for a chat on Rated LGBT Radio. “I kind of captured the zeitgeist of the times, the freewheeling seventies. We forget that there was that period of time when sexuality was joyful and exciting and thrilling.”

In the eighties he was visible in mainstream media as a gay man playing gay men characters. In 1983, Michael was cast in a minor role on the Cheers Emmy winning episode “the Boys in the Bar.”  He was instantly recognized for his gay sexual iconic status by LGBTQ audiences, even though the population at large did not know who he was. The casting director who fought for his casting was Stephen Kolzak, who would himself become a prominent AIDS activist before he died at 37 in 1990. Stephen casted Michael to make a statement. He wanted to signal to the LGBTQ community that Cheers had our backs. “He was one of the only ones that had the guts,” Michael remembers.

“There were a lot of stereotypes in television regarding gay portrayals. I was pegged and cast in some of those roles. I did play the stereotype, but rather than a straight guy playing those roles, I brought authenticity. I was real. Straight guys playing gay would always spoof the role. They were always ‘winking’ and signaling to the camera ‘I am not really that way.’  So, the performances are by in large horrible, even with some academy award winners. The actors were constantly saying that it was not who they were—if they weren’t making that clear on the talk shows, they were doing it in the performance itself.’ Michael says.

Michael soon morphed into an HIV positive man playing HIV positive characters, while off camera becoming a visible and vocal AIDS activist. “It was a new kind of cliché. They had to always make me look horrible. The ghastlier the better. They could not have an HIV character who looked normal—as I did when I arrived at the set. Finally, I had enough and refused to do that anymore.” Michael then immersed himself in theater where he found greater character honesty and truth.

 As gay men captured their identities in the 90s as husbands and fathers, Michael was there too—becoming one of the first gay men to adopt a child.  It is that role, as a father, that Michael has said is his greatest.

Today, Michael has been a driving force behind QueerWise, a multigenerational writing collective and performance group. Through QueerWise, Michael gives poetic voice to talent that would otherwise be voiceless. Its members include published poets, writers of fiction and non-fiction, playwrights, singers, musicians, social activists, dancers, actors artists and teachers. 

This weekend, on Sunday October 17th, QueerWise launches its latest work, The Ache for Home. 

“The Ache for Home is a video presentation of heartfelt stories from formerly homeless/unhoused individuals in and around West Hollywood. It was developed through a mentorship program facilitated by QueerWise members. The production represents citizens-turned-writers who share their inspirational stories from those glamorous streets and sidewalks, ranging from soaring self-acceptance to narratives of truth-telling defeats,” states Michael. The production can be seen on QueerWise’s YouTube Channel starting 5pm October 17.

The Ache for Home features a young cis male with a passion for music and art, who finds joy “when I can put a smile on someone’s face and give back”, a retired mixed race bisexual government worker who is a voracious reader and literacy advocate, two trans males share their experiences of living on the street, and a former resident playwright who was homeless for 44 days and nights in the city. “I am thrilled at our inclusion of transmen in this work,” Michael says. “It is a poorly represented community within a poorly represented community.”

On current controversies with media and transgender targeting, particularly the Dave Chappelle issue, Michael remarks, “I am glad it is generating passion. It is bringing up conversation on the plights of black trans women who are victimized at an alarming rate, we should not say victimized… we should say murdered. I am glad we are shedding light on that.”

Michael’s work has been described as “collisions of sex and death, of eroticism and grief,” but he has truly dug to an even deeper level. The Ache for Home takes its inspiration from the Maya Angelou quote, “The ache for home lives in all of us, the safe place where we can go as we are and not be questioned.” Michael Kearns work has always encouraged us to go, and live, “as we are.” He is the amalgamation of eroticism, grief, healing, and appreciating the richness of life itself.

He is the godfather of LGBT+ authenticity. In earlier days, he may have represented sex, he may have walked us through a period of darkness and death into the arms of the creation of the new family. He has now brought us home, and when we look at him, we see a new quality.

Wisdom.

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Rob Watson is the host of RATED LGBT RADIO, a national podcast and he’s one of the founders of the evolequals.com.

A gay dad, business man, community activist and a blogger/writer, Watson is a contributor to the Los Angeles Blade covering entertainment, film, television, and culture with occasional politics tossed in.

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Listen to the show here:

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