WEST HOLLYWOOD – Returning in a stand-up performance this past week, Ellen DeGeneres appeared on the stage of the Largo at the Coronet Theater in the heart of West Hollywood Wednesday night in a sold-out show, the comedian joked about the abrupt end of her daytime ratings behemoth talk show two years ago.

Rolling Stone journalist Krystie Lee Yandoli was in the audience and reported that DeGeneres addressed the end of ‘Ellen’ in her opening routine:

“I used to say that I didn’t care what other people thought of me and I realized…I said that at the height of my popularity,” DeGeneres said, prompting the audience to erupt in laughter. “It is such a waste of time to worry about what other people think…Right now I’m hoping you’re thinking, ‘This is marvelous, I’m so happy to be here.’ But you could be thinking, ‘Let’s see how this goes.’”

Wednesday’s gig marks the first night of DeGeneres’ Ellen’s Last Stand…Up Tour, which she noted a new Netflix special was to be taped this fall. According to Rolling Stone Netflix declined to comment on the news. A representative for DeGeneres did not respond to a request for comment.

In the summer of 2020 a firestorm erupted around the talk show host in the wake of revelations from staffers that she presided over a “toxic” workplace environment for years, and the accompanying allegations that a woman who built an empire on the “niceness” of her persona is in reality one of the meanest people in the business.

In August, Variety magazine reported that her show has ousted three senior producers in the wake of accusations of racial insensitivity, sexual misconduct and other problems behind the scenes at the talk show.

Three senior producers — executive producers Ed Glavin and Kevin Leman, and co-executive producer Jonathan Norman — have been ousted from the Warner Bros.-distributed syndicated strip following damning allegations raised in recent reports by Buzzfeed and Variety.

“Ellen” veterans Mary Connelly, Andy Lassner and Derek Westervelt will remain at the show as executive producers alongside host DeGeneres. Connelly, Lassner and Westervelt have been with the show since its inception in 2003.

In a phone call at the time with the Los Angeles Blade, a spokesperson for Warner Brothers confirmed the departure of the three former executives.

The news was broken to the staff of the show after what Variety described those sources knowledgeable as saying that it was an emotional remote video teleconference between DeGeneres, the newly appointed producers and staffers.

Then in May of 2021, in an announcement made to the show’s staff yesterday and in an interview DeGeneres gave The Hollywood Reporter, it was reported that the show was ending its 19 year daytime television run in 2022.

Rolling Stone reported that in her stand-up set this past week, DeGeneres kicked off with a recap of what she’s been up to since her talk-show ended: gardening, a lot of sweatpants-wearing, and collecting chickens as pets. She joked that as someone who once hosted a daily show, she appreciates the plight of the chicken who has to lay an egg every day. Still, most of the routine found her grappling with having become Public Enemy No. 1 — a whiplash turn from her once-firm reputation as the happy-go-lucky talk-show host who ended each episode telling her audience to “be kind to one another.”

“What else can I tell you?” she mused, mock-reflecting on her recent past before adding sarcastically, “Oh yeah, I got kicked out of show business. There’s no mean people in show business.” 

“The ‘be kind’ girl wasn’t kind,” DeGeneres continued. “I became this one-dimensional character who gave stuff away and danced up steps. Do you know how hard it is to dance up steps? Would a mean person dance up steps? Had I ended my show by saying, ‘Go fuck yourself,’ people would’ve been pleasantly surprised.”

At the conclusion of her set, the crowd gave DeGeneres a standing ovation, prompting her to return to the stage for a candid conversation with the audience. DeGeneres called on people one by one as they asked questions and shared messages of gratitude.

As she closed out the night she told the audience:

“Honestly, I’m making jokes about what happened to me but it was devastating, really,” she said. “I just hated the way the show ended. I love that show so much and I just hated that the last time people would see me is that way.” 

Related:

NEW YORK  — ABC News announced it will air its exclusive interview with Phoenix Mercury star Brittney Griner on Wednesday, May 1, with a “first look” on Good Morning America and the actual primetime special that evening on “20/20.”

The interview is Griner’s first sit down since her release from a Russian prison to discuss the events of February 17, 2022, for which she was arrested, tried and convicted. 

Griner was interviewed by GMA co-host and out lesbian Robin Roberts, who played basketball throughout her four years at Southeastern Louisiana University and was inducted into the Women’s Basketball Hall of Fame in 2012. 

In a clip from “Prisoner in Russia: The Brittney Griner Interview,” Griner is asked by Roberts for her reaction when she realized that she had vape cartridges containing hashish oil, which is illegal in Russia, in her luggage, Griner said, “My life is over right here.” 

“I was just so scared for everything because there’s so much unknown,” Griner told Roberts.

In its news release, ABC reveals that in the special, “Griner talks candidly for the first time about her harrowing arrest and time in prison, where she describes feeling ‘less than human’ and the suicidal thoughts she had while being detained. She also talks about navigating the Russian penal system and the anguish she experienced being what she calls a political prisoner.

The special reveals new details about the negotiations behind the prisoner swap that led to Griner’s release and goes home with her as she unzips her duffle bag from Russia, sharing a few personal possessions she says got her through the ordeal.”

The promotional material also reveals Griner addresses backlash she experienced both while in prison and upon her release in December 2023. 

Roberts also speaks with Griner’s wife, attorney Cherelle Griner, about her role in rallying for Brittney’s release. It’s not mentioned whether Cherelle discusses expecting their first child this summer, as the Los Angeles Blade has reported.

In addition to this special, Griner has partnered exclusively with ESPN and Disney Entertainment Television to share her story through various projects on their platforms. A documentary feature from ESPN Films and scripted series development with ABC Signature are in the works. Cherelle Griner serves as an executive producer on those projects. 

Brittney Griner’s memoir, “Coming Home,” is available in bookstores and online on Tuesday, May 7.

HOLLYWOOD – Celebrated Oscar winning actor Jodie Foster marked her 10th wedding anniversary to her wife director Alexandra Hedison with her addition to a legendary list of Hollywood stars, by leaving her hand and footprints in cement outside Hollywood’s TCL Chinese Theatre on Friday.

The ceremony was emceed by her longtime pal and friend actor Jamie Lee Curtis and Turner Classic Movies host, television personality Benjamin Mankiewicz. As she added her handprints, footprints, and autograph to the cement casting she took her shoes off and went barefoot.

“The person that I have to thank the most, really, is my wife Alex, who I cannot believe was so generous to give up our 10-year anniversary day to come and do this with me,” said Foster, adding, “This is my life,” she told the standing room only crowd. “I love my life, and I’m so grateful that all of you guys think I’m OK.”

Foster’s over fifty year career in Hollywood has seen her win Oscars for her performances in the category of Best Actress for 1988’s film The Accused and 1991’s The Silence of the Lambs. She was also nominated as Best Supporting Actress for the 1977 film Taxi Driver, 1995’s Nell. This past year Foster was nominated for her role as Best Supporting Actress in 2023’s Nyad.

Nyad, is a biographical sports drama film about sixty-year-old swimmer Diana Nyad’s multiple attempts in the early 2010s to swim the Straits of Florida, starred Annette Bening in the leading role as Foster portrayed Bonnie Stoll as Nyad’s athletic trainer. 

Also attending Friday’s ceremony was Diana Nyad who stood alongside Foster’s wife.

Foster holds the distinction of being the second person to win multiple Oscars before the age of 30. She is also the only openly LGBTQ woman to win two Academy Awards for acting, although she was not publicly out until after both wins.

Related:

By Rob Salerno | WASHINGTON – The Library of Congress honored legendary songwriting duo Elton John and Bernie Taupin with the prestigious Gershwin Prize at a lavish ceremony and tribute concert in Washington, D.C. March 20, that will be broadcast on PBS on April 8.

John, 76, and Taupin, 73, are known for a fifty-year career of hit songs that have become pop and rock music standards, including “Tiny Dancer,” “Your Song,” and “Goodbye, Yellow-Brick Road.” 

“Elton John and Bernie Taupin have written some of the most memorable songs of our lives. Their careers stand out for the quality and broad appeal of their music and their influence on their fellow artists,” says Librarian of Congress Carla Hayden. 

The story of their longstanding collaboration was dramatized in the 2019 film Rocketman, named for the 1972 single that became one of John’s signature songs.

The Tribute concert is hosted by POSE star Billy Porter and features performances by Garth Brooks, Charlie Puth, Brandi Carlile, Joni Mitchell, Annie Lennox, Marin Morris and Metallica covering some of John and Taupin’s greatest hits. Many of these artists have recorded covers or duets of their songs, or have been covered by Elton John in the past.

Established in 2007, the Gershwin Prize recognizes lifetime contributions made to popular music. Elton John is the first openly gay recipient of the honor.

John and Taupin met in London in 1967 after they both responded to an ad looking for people to collaborate on songwriting. John was a pianist and Taupin a lyricist. From there, a nearly sixty-year partnership was born.

Elton John has been since been feted with all four of the major performing arts awards – the Grammy, Oscar, Tony, and most recently, the Emmy for Farewell from Dodgers Stadium at this year’s Emmy Awards. He is only the third gay man among the 19 people who have achieved this distinction.

John is also known for his philanthropic work, having founded the Elton John AIDS Foundation in 1986 at the height of the HIV epidemic, after losing his close friend Freddie Mercury. The Foundation has raised more than $600 million to support HIV prevention and care in more than 60 countries. The Foundation also hosts Elton John’s annual Academy Awards viewing party fundraiser in Hollywood. In recognition of his philanthropic work, John was knighted by Queen Elizabeth II in 1998.

“If you’re successful, you have to give back. That was my mantra in 1980 when I got sober, and it’s been my mantra ever since,” John told The Associated Press on Wednesday night.

Taupin has also shared an Oscar win with John and been nominated for two Grammys.John first came out as bisexual in a Rolling Stone interview in 1976, a revolutionary act for a mainstream musician at the time. Later, in 1992, he would come out as gay also in Rolling Stone.

Related:

Elton John & Bernie Taupin: The Library of Congress Gershwin Prize for Popular Song will air on PBS April 8 at 8pm local time, and will be available to stream on PBS.org and the PBS app.

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Rob Salerno is a writer and journalist based in Los Angeles, California, and Toronto, Canada.

By Rob Salerno | LOS ANGELES – Former Bachelor star Colton Underwood wants to end the stigma around fertility treatments by letting the world follow his and his husband’s journey to create a child together on their new podcast Daddyhood, available now on Apple, Spotify, and YouTube.

In an interview with People Magazine, Underwood opens up about he and husband Jordan C. Brown began the process of creating a child shortly after they got married last year. Underwood says they’ve created embryos and are in the process of implanting them in a surrogate.

But before they could do that, both men were tested to ensure their sperm were viable. While Brown’s sperm count was normal, Underwood says his sperm count was too low. The couple both wanted to contribute sperm so that they wouldn’t know who was the genetic parent of their offspring, and could treat the child as equally there.

“I mean right away, my husband gets his results back for his sperm count and he had incredible, great numbers, and I got mine back and all my sperm was dead. And I think immediately I was just like, ‘Oh, what does this mean? It means I’m sterile and can’t have kids now.’ And it was not a great feeling,” he told People.

Underwood says he hopes that talking about it can help reduce the shame around fertility difficulties.

“I think one of the reasons why men don’t talk about it is it’s sort of a blow to the ego. They’re just like, ‘Why me, I’m an alpha man? How can I not do the most simple task a man can do?’” he said.

His doctor helped Underwood realize that parts of his lifestyle were causing his low sperm count, and put him on a plan to get his numbers up. 

“My doctor did list the most common reasons why sperm count could be low and I was doing literally everything you could possibly do to kill your sperm, which was hot tub and sauna, baths. Exercising more than four or five times a week actually has an adverse effect on sperm. Pelotoning, riding a cycle or a bike,” he said. “And then I was taking synthetic testosterone. I was prescribed testosterone after my days in football and what my body went through. So I was quite literally doing everything you possibly could do to hurt your sperm count.”

And Underwood is no stranger to putting his life on public display. After briefly playing in the NFL off season in 2014 and 2015, he competed on the reality show The Bachelorette before taking on the star role in the 2018 season of The Bachelor. He publicly dated Bachelor season winner Cassie Randolph for a year, ending amid allegations that he stalked her, leading to a restraining order. 

In 2021, Underwood publicly came out after saying he was blackmailed by someone who had spotted him at a bathhouse. He later starred in the Netflix reality series Coming Out Colton, which followed his journey learning about his sexuality and the gay community.

In a promo for Daddyhood, a supercut of interviews Underwood has done over the years highlights how often he’s spoken of how much he wants to have kids. 

Underwood says that Daddyhood will examine the issues that male couples face when seeking to have children, including medical procedures, legal issues, and the emotional toll that the journey can take. 

“I’m ready for this. I’m really excited to take this on,” he says of the podcast. “I cannot wait to share this dream with you.”

Related:

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Rob Salerno is a writer and journalist based in Los Angeles, California, and Toronto, Canada.

HOLLYWOOD – She never danced Evita, but she was still “high flying adored.” Today, Chita Rivera has left the stage, but she clearly will never dance out of the hearts of all who loved, admired and respected her.

Clearly, she was a talent no one could reckon. Born in 1933 as Dolores Conchita Figueroa del Rivero, Chita Rivera’s rise to stardom began with ballet classes at the age of 11. Her undeniable talent led her from the School of American Ballet to the spotlight of Broadway, where she broke ground as one of the first Hispanic women to achieve leading roles in theater during a time when representation was minimal.

She is known in critical circles as “the greatest musical-theater dancer ever.”  Jason Alexander has been one of the first Broadway voices to speak of her passing and said, “This extraordinary woman, the incomparable. Chita Rivera was one of the greatest spirits and colleagues I’ve ever known. She set the bar in every way. I will cherish her always. Dance in heaven, my friend.”

She was the original Velma Kelly in Chicago and racked up ten Tony nominations and two wins. Her performances were life changing. In 2009, she was presented with the Presidential Medal of Freedom for her contributions to American culture.

It is not a surprise that she was revered at her passing. What was shocking was that she passed at all. If there was anyone who you could anticipate had the spirit and will to live forever, it was Chita Rivera. She somehow seemed immortal. 

And she loved LGBTQ+ people.

It was a mere decade ago when Rivera chose to celebrate her 80^th birthday by headlining a sold-out show, Chita-A Celebration, at the August Wilson Theater. The event benefited Broadway Cares Equity Fights AIDS.

“The roar for her was deafening,” they report. After six rapturous standing ovations, Rivera stood proud, having raised $413,660 for the cause in that single performance. “I had no idea celebrating my 100^th birthday would be so much fun,” quipped the then 80-year old.

If Rivera was at all a diva, she was a generous one. “I’m not comfortable with just me, me, me. That’s boring,” she has said. Rivera was publicly vocal advocate for LGBTQ+ rights. She was among the luminaries who supported many AIDS benefit concerts and took a firm stance for equality. Through her philanthropic efforts, Rivera contributed to nurturing acceptance and championing the visibility of LGBTQ+ individuals in the arts.

Rivera was personally touched by the AIDS crisis having lost dozens of friends to the disease. She spoke publicly about it when she was performing in Kiss of a Spider Woman. “It’s a very difficult role for me to play in these times, when you’ve lost so many friends, and suddenly you’re standing there and you’re playing ‘Death.’ And you’ve just heard about some friends (who have died), you know? Sometimes it’s really, really hard. But then I get all kinds of things from it: I get strength from having to go right through it. When Larry Kert (her ‘West Side Story’ co-star) passed away, I thought I saw him in the balcony when I was singing ‘Kiss of the Spider Woman.’ There’s a lot going on. It’s a serious play, an important play. And this a good time right now because we need all of these channels open. We gotta get them in there to get the message out there.”

GLAAD put out a statement at her passing on Tuesday, “Broadway legend Chita Rivera has sadly passed away at age 91. Rivera spent much of her long career advocating for LGBTQ+ people and people living with HIV and AIDS. Our hearts go out to everyone who loved her.”  

GLAAD president and CEO, Sara Kate Ellis, wrote her own personal tribute, “So sad to hear about the death of Chita Rivera. I had the pleasure of spending time with her at Remember the Ribbon: A Tribute to World AIDS Day in 2022. She spent much of her life advocating for the LGBTQ+ community and people living with HIV and AIDS. Sending love to her family.”

Rivera observed of her own legacy, “Many of the shows I danced in don’t exist on film, but they do exist in the memories of those who were in the theater for that single moment in time. And nothing can replace that.”

She lived her life in single moments. The record of what she accomplished is imbedded in hearts, minds, memories and the forever told stories of Broadway. She will always be known by reputation and by legacy. As she makes her way up the red carpet, we can only hope she is greeted by her throng of angels, all those who passed before her. They know the exact name that we, who she has left, should have for her.

Legend.

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Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] 

LONDON, UK – The London Evening Standard’s Culture Editor and weekly columnist Nancy Durrant recently sat down with award winning British actor Jonathan Bailey known for his comedic, dramatic, and musical roles on stage and screen.

The 35-year-old actor, who stars as Anthony Bridgerton in the Netflix streaming service series Bridgerton and as the character of Tim Laughlin, a fictional aide to Wisconsin Republican Senator Joseph McCarthy in the Showtime series Fellow Travelers, is openly gay.

Based on the book series by Julia Quinn, Bridgerton’s period drama storyline revolves around a fictional family and is set in the world of Regency era London during the social season where marriageable youth of nobility and gentry are launched into society.

During the interview with the Evening Standard about his role in Fellow Travelers, Bailey gave the publication rare insight into his own relationship status, and confirmed that he does have a partner, who he described as a “lovely man.”

As they discussed the actor’s new series Fellow Travelers, based on a 2007 novel by Thomas Mallon, in which he co-stars opposite Matt Bomer as Hawkins Fuller a World War II veteran and official at the State Department who vigilantly hides his homosexuality.

The story line of the two closeted gay political staffers who fall in love at the height of the 1950s Lavender Scare in the series chronicles their hidden romance over several decades, navigating through various historical events such as the Vietnam War protests and the AIDS crisis.

As the interview progressed the Evening Standard delved into a discussion comparing the storyline of the ‘Travelers’ and the current political and cultural landscape for the LGBTQ+ community with “rights for women and LGBTQ+ people are being rolled back across the world. Hate crimes based on sexuality have risen by 112 per cent in the last five years in England and Wales alone. How does he feel?”

Bailey related a story from just this past October, when he was in Washington D.C. attending the annual Human Rights Campaign National Dinner, and had an opportunity to meet President Joe Biden and First Lady Jill Biden.

Reflecting on the dinner he told the Evening Standard, “It was an incredible experience,” he said. “I met President Biden. I was there with Shonda Rhimes, she was being given an award, Matt Bomer was given another one; I was introducing him. My first political gala. I had the most amazing night; had a drink; couldn’t sleep; buzzing.”

However, it was his experience the next morning at a coffee shop that was rather jarring. He continued his narrative:

“I woke up the next morning, it was like a montage. Sunshine, I was like, this is brilliant. I went into a coffee shop, and I was wearing a Human Rights Campaign cap from the night before. And the young lady who I was ordering from recognised me from Bridgerton, we were just chatting.

“And a man arrived behind me and he said, ‘Are you famous?’ And I said something like, ‘I’m really famous for ordering coffee,’ which is actually quite an annoying thing to say,” he laughs. “And then he got my cap, and he pulled it off my head and he threw it across the room and he said, ‘get out of this fucking coffee shop, you queer.”

The room went still, Bailey told the Evening Standard. But he related that he walked over, picked up his hat, and put it back on his head. “If you don’t take that cap off, I’m gonna fucking shoot you,” it came again. “Where I’m from, people like me kill people like you.”

It was, of course, terrifying. But “in the moment, everything slows down,” he says. “No one knew what to do, apart from one girl, she was amazing. Angela, she came up, and she got her phone out and she said, ‘I’m recording this message, I think you are welcome in this country. And what you’re saying, I think, is appalling.’ That happened sort of five minutes in, and he left.”

The Evening Standard noted that the man was from Pennsylvania according to Bailey who apparently asked him, and what Bailey took from the experience, he said, is that “potentially, there is a kid who – that’s his father. That’s his uncle. That’s his teacher.” 

He pauses. “My life was threatened. My body believed it; my brain didn’t and it took me a while to really catch up with it. But I’ve got friends and security. There are so many people that don’t. They are surrounded by that every day, and the torment of what that must be like, the amount of fear that was generated… If that’s what children are surrounded by, they’re not going to be able to grow in any way.

“And of course, that’s not just an American story,” he continues. “It’s international. And it’s terrifying, that [here in the UK] we’re not looking after queer people, in terms of allowing them into the country. Because that is the reality; people’s lives are literally at risk.”

Before shifting into other topics, Bailey told the Evening Standard reflecting on both Fellow Travelers and the incident in the Washington coffee spot:

“People are still living in the closet. Or they’ve had a moment where they’re watching and they realise, that was their father’s story, or their mother’s story; or it’s people who have been affected by this, but for the first time are understanding the trauma.

“People are so shocked that this is such recent history, but the majority of people in the world are living under that sort of belief system. And people on Instagram message from areas in the world where just getting through the day without being outed is survival.”

NEW YORK – In a tradition that dates back to 1927, TIME’s Person of the Year is the annual designation for the person, group or concept that most shaped the headlines, for good or bad, and this year mega-pop star musical artist Taylor Swift was the magazine’s choice for 2023. 

Swift was among a list of nine candidates which included Hollywood strikers, Chinese President Xi Jinping,  CEO of OpenAI Sam Altman, Trump Prosecutors, Barbie, Russian President Vladimir Putin, King Charles III and Chairman of the Federal Reserve Jerome Powell. The magazine revealed its selection Wednesday morning.

Ukrainian President Volodymyr Zelenskyy was Time’s 2022 person of the year.

The 33-year-old native of Wyomissing, Pennsylvania, has been dominating headlines between her record-breaking Era’s Tour, film documentary release and her relationship with Kansas City Chief’s tight end Travis Kelce — among other accomplishments. The Berks County, Pa. native also reached billionaire status this year, thanks to her Era’s tour.

As reported by the Blade, Swift effortlessly incorporates politically charged messages through her music.

Swift’s activism – and on-stage advocacy – includes her pro-LGBTQ+ messaging. In her song, ‘You Need to Calm Down’, Taylor tells homophobic individuals to “calm down” and that they are being “too loud.”

This especially rings true with a slew of anti-LGBTQ+ legislation being forwarded in the United States. In the same song, she brings awareness to the Gay & Lesbian Alliance Against Defamation by singing, “Why are you mad? When you could be GLAAD?” 

Related:

HOLLYWOOD – Angelica Ross, Pose and American Horror Story star, appears set to chuck Hollywood’s fantasy horror stories for America’s REAL horror show…. Politics.

To quote the late Peter Finch of the yesteryear film about media, Network, she is mad as hell and not going to take it anymore. She is not the first major transgender talent to do so either. Pose writer, director and producer Janet Mock also came out blazing against Hollywood with both guns a fire, “I am angry” she shouted in a speech she delivered at a Pose premiere party a few years back.  ““F–k Hollywood … Does this make you uncomfortable? It should. It should make you f–king shake in your motherf–king boots. This is speaking truth. This is what ‘Pose’ is.” She asserted about the lesser pay she received than other white producers. “It’s a show, but it means so much to everyone to ‘ensure that we enable black and brown trans women to make it’ because that sounds good. It makes you comfortable to talk like that because then I don’t scare you into facing the f–king truth. You all have stomped on us.”

One black trans woman who stood and cheered her on that night was Angelica Ross.

Ross speculated to The Hollywood Reporter that her spiritual support of Mock that night may have inspired bad blood with top boss Ryan Murphy. “I was in the audience, and I was standing up and supporting her and telling her vocally, ‘I’ve got your back.’ I’m not saying that I agree with the way that she did things, but I’m like, ‘Janet’s very smart. Why would she do something so dramatic?’ And I knew there had to be a reason. And when I talked to her, she told me, ‘Girl, you think this is the first time Ryan Murphy’s hearing me say any of this? I’ve said this all to him.”

Angelica Ross thought Murphy was going to be her hero. Instead, he turned out to be her ghost. She had pitched the idea of an AHS with an all black woman cast. He was on board and enthusiastic.

Until he wasn’t. Then he was gone, no explanation, and no renewal of her for a future season of AHS either.

As Ross tried to make sense, and capitalize on exercising power in Hollywood, (“What I witnessed — my eyes just bucked open. I just wasn’t sure what I was witnessing. I definitely was witnessing a lot of white men on set in kind of a white-male-dominated space”), she found herself embracing another power that was not so insanely confusing: advocacy.   ‘Ever since I’ve been on Pose, your white actors aren’t clocking in like we’re clocking in. We have to go out there now because Pose is this big show. And you’re saying that Pose is not just entertainment, it’s an act of advocacy. You’re not calculating that you have turned your actors also into advocates.”

So, with the ambition of an artist, and the integrity of an advocate, Ross observed the power brokering of those who might not have had power in the past: white women. She was both admiring, and appalled. “Somehow folks like Emma Roberts and others — I mean even Billie Lourd, but Billie Lourd I’m cool with — those girls were able to make moves on the set. They were able to open up their mouths and things moved. Sometimes I didn’t know if I was watching a mean girl or if I was just watching a woman standing up for herself.”

She took the observation to heart and stood up against transphobia and racism on the set. One incident was reportedly when Roberts mistook making a transphobic comment as an “innocent” attempt to be shady. Ross called her out on it. According to Ross, Roberts later regretted her behavior “Emma’s got big balls…This girl is no damsel in distress, ever” and she called to apologize. What ensued was a poignant discussion on what it means to be an “ally.”  Roberts earnestly told Ross she wanted to be one, and that she saw Ross’s advocacy. Ross responded, “You can’t call yourself an ally. It is an action. You need to be real with me in this conversation. I’m being real with you. You were being messy…Oh, so you see me? You see me talking about the anti-Blackness? Are you using your platform to amplify the work that I’m doing? No, you haven’t. So what kind of ally are you?” 

Mic drop.

Ross also found herself having to stand up against the harassment of a crew member who was frequently by her side sporting Trump-ian ilk racism including BUILD THAT WALL and I DON’T KNEEL. She put her foot down and demanded that director John Gray do something about it. Gray did something. He ran to HR,

As the bureaucrats poured though employment manuals trying to find the homogenous “make everyone happy” solution, Ross got pissed and posted about the situation on the X that used to be Twitter. This freaked everyone out, including Murphy himself, and they all demanded she take her post down. 

Clearly all involved were oblivious to the fact that they were suppressing Ross’s ”free speech” while ruminating over the “free speech” rights of the white dude grip on the set.

“I’ve dealt with this before. This is not my first time at the rodeo of dealing with that energy of white people who think that they are doing good but won’t check their own selves when someone Black or of the people they’re trying to help is telling them, ‘You have a blind spot” Ross says.

That is all in the past now though. Ross is done. Done with Hollywood, done with us. She tells the Hollywood Reporter, “I’m moving back to Georgia to prepare to run for office. I’ve been consulting with Renitta Shannon, a former Georgia state representative who also just recently ran for lieutenant governor. I go into candidate and campaign training next month. I have also been speaking with folks like Bruce Franks Jr., who is also a Black politician from Missouri who shook the table. So I’m fully walking away from Hollywood. But I’m always going to be who I am. You don’t have to be on TV to be a creative person, to live a creative life.”

So. A powerful actress got her feelings hurt, but may have learned how to be a better and true ally, and we all are waiting to see her prove it. A hugely powerful, talented and progressive media titan got spanked (again) and hopefully will cherish, elevate and value the well spring he heralded publicly: beautiful forthright trans women of color.

And an advocate burned in the capitalistic, transphobic, racist heat of American business has risen as a phoenix to become a professional powerful ADVOCATE, no more to fight using subtleties and stories, but to star as herself taking on the establishment head on.

That is a show we all need.

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Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .

HOLLYWOOD, Calif. – Today, the famed Hollywood Walk of Fame became a little more rainbow than it had been before. With gilded star etchings depicting icons on every corner, the powers that be dedicated September 18^th to a man who arguably helped thrust LGBTQ visibility into a culture that was probably not ready at the time to receive it. The modern-day fascists amongst us might even call him a “groomer.”

We call him John Waters.

Waters first arrived in Hollywood in 1970. He parked at Hollywood & Vine and received his first bit of Los Angeles recognition.

He got a jaywalking ticket.

Outspoken and brash, Waters introduced outsider culture and heralded gay and transgender visibility into American cinema when the Stonewall uprising was still a very recent memory. His 1972 film Pink Flamingos was brazenly transgender affirming. It powerfully and glamorously flew in the faces of audiences while trans people only faced marginalization and were stigmatized in the Nixon Viet Nam and Watergate era.

His film Hairspray was first a cult favorite and in later iterations, a hit Broadway musical, and a second mainstream hit movie. It featured LGBTQ characters and a leading character in drag. Waters has also written several LGBTQ themed books including Shock Value and Role Models.

Part of the charm of John Waters is his knack for not taking himself, or any of us, too seriously. His first words as he ascended the podium for the Walk of Fame honor: “Here I am…closer to the gutter than ever!”

“I hope the most desperate showbiz rejects walk over me here and feel some sort of respect and strength,” he said later paying tribute to his greatest inspirations: the underdogs.

Waters dedicated his star to his parents. Pat and John Waters, who had been horrified by his earliest films, but encouraged him to pursue Hollywood none-the-less.  “What else could I do?” he mused.

All in all, Waters was “astonished” over the tribute.  He thanked Outfest for sponsoring the event and for thinking he was “gay enough to receive it.”

Ever the director, and thinking ahead, he took a moment to make a recommendation for whom he thinks should be Hollywood Boulevard’s next star recipient:

 Divine.

Film critic and historian Leonard Maltin summed up John Waters this way: “John Waters is a national treasure, a unique and original voice in American cinema. His films are subversive, hilarious, and thought-provoking, and they have helped to change the way we think about outsider culture and LGBTQ+ representation.”

Now Waters has his day, and his star, immortalized forever on the famous Hollywood path. We can only hope his effect on American culture, where the “outsider” can stand tall, proves to be as solid.

Related:

John Waters Walk of Fame Ceremony:

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Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .