In a city known for its lipo-sculpted abs, $30 Erewhon smoothies, and bleached holes, Bears LA has always offered something on the more authentic end of the man-on-man spectrum. It offers up a space where bellies are celebrated, body hair is currency, and confidence replaces conformity as the sexiest look in the room. 

This fur-friendly cornerstone of LA’s queer community has brought together bears, cubs, otters, pups, and the rest of the heavy-petting zoo for parties and pageantry with rainbow-tinted celebration. At the center of it all now stands Gabriel Green, a community leader whose warmth, wisdom, and well-deserved leather cred have helped the organization evolve while simultaneously remaining true to its roots. We got to talk with him about identity, kink, community, and why everyone deserves a seat at the table.

What does Bears LA mean to you personally, and how has it evolved under your leadership?

Bears LA has been around since 1993. It was formed to bring bears together through camaraderie and community events, things like pool parties, picnics, dinners, and of course, our contests.

We currently host two: the Bear LA Contest, formerly Mr. Bear LA, now open to everyone as Mr., Ms., or Mx., and the Mr. LA Leather Bear Contest. One’s more general bear culture, and the other blends in the leather scene.

For me, Bears LA is close to my heart. When I first got involved in the leather and bear communities, I was just beginning to explore beyond what I knew. Growing up in Newport, Rhode Island, and moving to LA in 2001, my entry point to gay culture was West Hollywood, like it is for many of us. I thought, This is gay Mecca! I can hold my boyfriend’s hand in public! But I quickly realized the standards of beauty there didn’t always include people who looked like me, folks who weren’t white, muscled, or twinks.

The bear and leather spaces offered something radically different. I have a belly, and for once, I felt not just accepted, but celebrated. Entering the Mr. LA Leather Bear contest was a whim, honestly, but it ended up being transformative. In bear culture, your body isn’t something to hide or apologize for. It’s sexy, it’s worthy, and you can embrace that fully.

Over the past decade since holding my title, I’ve watched the culture evolve. Bears are more visible, more diverse, and honestly, more beautiful than ever. But at its core, bear culture is still about body positivity, confidence, and joy. You don’t need anyone’s approval to feel sexy—you just need your own.

The title isn’t just a crown, it’s a platform. What kind of bear do you hope takes the throne this year, and what should they bring to the community beyond the sash?

Beyond the sash, the most important quality is unity. We’re living in tense, uncertain times, and unfortunately, that stress trickles down into our community. Especially within LGBTQ+, leather, and kink spaces, conflict can quickly fracture us. Online discourse often becomes a gladiator arena, where people throw flags up in protest instead of sitting down at the table to talk.

Sometimes those grievances are valid. People should speak up when they’re hurt, but canceling each other without dialogue weakens us. We already face enough adversity from the outside. Internally, we should be aiming for understanding, not division.

A titleholder represents more than an event or organization. They become a leader, whether they want to or not. People look to them. And what we need right now is leadership that’s rooted in compassion, empathy, and the ability to hold multiple perspectives.

The best titleholders are ambassadors of love. They make people feel welcome, especially those who feel like they don’t belong. You can be a bear and welcome a twink. Be a pup and support someone in uniform. We’re all different, but we’re stronger when we stand together.

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Los Angeles is massive and can be messy, but the leather and bear communities here seem tightly knit. What’s the secret to that strength, especially post-pandemic?

Oh, don’t be fooled! There’s definitely some mess in our community, too! But seriously, I think one of our greatest strengths is diversity. The leather, kink, and bear scenes are full of subcultures, niches, and identities. There’s truly something for everyone, and there’s no “right” way to do it.

There’s acceptance here, whether you’re into hardcore leather protocols or playful pup dynamics. There’s room for husky bears, muscle bears, otters, and every kind of furball. You want to wear gear just for fun? Great. You want it to be deeply sexual or spiritual? That’s valid too.

At its best, this community thrives on open-mindedness. Even when disagreements happen, the unifying factor is that we celebrate freedom of expression, identity, and kink.

As a gay, Black man, how do your cultural identities intersect with your kink and leather identities?

That’s a layered one. I come from a multicultural background: my mother is Black and Cherokee, and my father’s side includes Black, Mexican, Filipino, and Irish heritage. Growing up, I often felt like I didn’t “fit” anywhere- too Black for the white kids, not Black enough for the Black kids.

Eventually, I realized: this is my version of Blackness. All these cultural strands make me who I am. I don’t have to conform to one box.

That outlook shaped how I navigate kink too. Early on, I was drawn to older partners—I wanted mentors, guidance, someone to help me grow. Now that I’m older, I’ve stepped into the Daddy role, and it’s a dynamic I enjoy. That said, even in my current relationship, where I’m “Sir” and he’s “boy,” there’s give and take. He jokes that he’s a “power bottom,” and sometimes he leads, and that’s okay.

It’s all about trust, consent, and mutual respect. You can play with power and still honor each other’s full humanity.

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The Los Angeles Leather Coalition recently reaffirmed its solidarity with marginalized and undocumented community members. Why was that statement important?

Because it’s not enough to throw a party and raise money—we have to be of service. The LA Leather Coalition organizes LA Leather Pride, which is a major event, but at its core, it’s about community. That means standing up for the most vulnerable among us.

Immigrants, especially undocumented folks, are often the backbone of our nightlife scene – working food stands, staffing events, and showing up for us. People like Rosie, who’s served food outside the Eagle, the Bullet, and Faultline, she’s a community icon. When she doesn’t feel safe, when people like her are targeted, we have a duty to step up.

That’s why we made the statement, and that’s why we continue to partner with groups like the TransLatina Coalition and Trans Wellness Center. It’s about action, not just optics.

Can you talk about the LALC Community Assistance Resource Service (LALC CAReS) program?

Absolutely. CAReS was born during the pandemic. We couldn’t host LA Leather Pride, so we asked, “How can we still help?” Michael Lara, who owns The Bullet, started a pantry and from there, we expanded into a lifeline hotline and the Helping Hand micro-grant program. We offered $250 to individuals and $500 to small businesses.

Eventually, we renamed it to remove the “COVID” label because we knew the need would continue. And it has. CAReS remains a way we support folks facing hardship with food, money, connection, or just someone to talk to.

What would you say to someone who still feels like they don’t belong in kink spaces, whether it’s leather bars, pup play events, or anything else?

First off, you do belong. If anyone makes you feel otherwise, that’s on them, not you.

Curiosity is your right. Exploration is your right. And your kink, your body, your vibe, it all deserves space. No one else gets to decide that for you.

Yes, some people are insecure and gatekeep-y, especially in gay spaces. But you don’t have to buy into that. Challenge yourself to step into the unknown. That’s how you grow and find what truly speaks to you.

You host Lost Puppy at the Eagle, a party centered on pup play. Why do you think pup play has become so popular, and what’s the psychology behind it?

When I first saw it, I was like, Why would someone want to be a dog? But then I saw it up close, a pup came over and nuzzled me, and I got it. There’s affection, vulnerability, presence.

Pup play is a way to disconnect from stress, from overthinking, from everyday roles. It’s playful. It’s fun. And it’s often a gentler entry point into dom/sub dynamics. It doesn’t have to be hardcore. You can just play, and that’s beautiful.

It creates space for people to be in the moment, something we all need more of.

Can you share a kink or fantasy you haven’t explored yet, but are curious about?

Hmm… I haven’t really explored rope play yet. I’m typically in control. I’m a nurturer, a protector, but the idea of completely surrendering to someone else is still new to me. I’d have to really trust them, but I think there’s power in letting go, too.

Where do you hope to see Bears LA going in the near future?

We’ve already taken big steps toward inclusivity, like opening the contest to all genders and identities. I think the future of Bears LA is even more diversity, even more beauty, and even more radical acceptance.

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Like most evenings at Precinct DTLA, the energy is tangible. 

Located in the heart of Downtown Los Angeles, the second-story LGBTQ+ venue has been a mainstay of the area for the past decade. From its world renowned parties to its weekly trivia nights, your average patron will always experience the bar’s trademark sense of grungy solidarity the moment they step into the space. And Saturday, August 2nd, is no different.

It is packed to the brim with queer locals of all identities, with people stocking up on drinks at the main bar, jumping along to music on the dancefloor, and lounging at the breezy patio as they prepare for the 2000s-themed drag show at midnight. But underlying all of this easy excitement is something nobody likes in a gay club: worry. 

People didn’t come together just to dance along to classic bops — they’re trying to support their favorite bar, which recently announced it was only a few slow weekends away from closing its doors. 

In a message posted last Friday on Precinct’s social media accounts, the venue made the shocking announcement that it was in financial crisis. The statement read, “Like many small businesses, we’ve taken hit after hit — from COVID shutdowns and ICE raids to citywide curfews and the ongoing decline of nightlife. But what we’re facing now is even more devastating.” This post described how the space was contending not only with the issues listed, but also with a lawsuit by a former employee alleging that she was discriminated against due to her status as a White woman. It’s been a taxing legal battle, emotionally and physically, for the bar’s staff; the plaintiff’s attorney has an alleged track record of discriminatory behavior. Each employee is worried not only about their job, but also about losing what has become a true haven for DTLA’s queer community.

“Nightlife has shifted significantly in recent years,” said Precinct’s general manager, Jeremy Lucido, when he took a moment to speak with the LA Blade in the back of the club between boxes of seltzers and rushing employees. “For queer spaces in particular, the decline has been ongoing. Since the rise of smartphones, hookup apps, and social media, the need for in-person gathering spaces has steadily diminished — and with it, the number of queer bars.” It’s a disheartening truth that has been a recurring feature in recent news cycles; Californians were shocked only a few weeks ago when San Francisco’s historic Oasis nightclub announced it would be shutting down due to financial troubles. 

When asked about how the increase in ICE Raids and rising anti-LGBTQ+ rhetoric may have affected Precinct, Lucido expressed, “These attacks, especially the ones aimed at our trans siblings, are deeply disheartening…there’s a clear effort to erase us, and that makes safe spaces more vital than ever. At Precinct, we’re committed to being a haven for the entire queer community. We need to ‘protect the dolls’ at all costs.” ICE Raids have continued to disproportionately target community centers in DTLA, leading not only to a decrease in patrons, but businesses closing up and vacating the historic area. 

These issues and more have greatly affected Precinct, with the ongoing lawsuit only exacerbating them. Lucido was unable to discuss the issue further due to legal liability. But queer Los Angeles remains vocal that Precinct is vital to the community.

“Precinct is one of the more welcoming LGBT places in LA,” said Wilson C., a patron who excitedly detailed how much the bar means to him after moving to California only two years ago. “It attracts a different, more diverse crowd than what I’ve seen in [West Hollywood], and it’s been easy for me to go out on a random night and have a good time.”

Along with attendees, the workers themselves spoke about how Precinct is more than just a job for them. The Blade had the pleasure of chatting with the bubbly Ms. Nicky Jackson, who has spent the past decade managing the door (and everything else necessary) at the venue’s many parties. “Precinct is different because they’re all encompassing and accepting of everyone,” she said, taking a break between warmly greeting and stamping the inner wrists of guests. “It doesn’t matter who or what you are, they’re very, very welcoming [and take] everybody in… a lot of people feel like they have never been accepted before they’ve been here.”

While there has been a resounding worry from Precinct’s thousands of supporters across Los Angeles, there’s also been a shocking amount of hope not only through the many people coming out to fill the space, but in the local celebrities like RuPaul’s Drag Race: All Stars winner Alaska Thunderf*ck who are dedicating their time to help fundraise and keep Precinct afloat. It’s been a heartwarming moment of community, but Lucido reminds potential patrons that even with all of this, the bar is still not safe from shutting down. 

When asked what Precinct’s concerned supporters can do to assist, Lucido ended the interview saying, “This isn’t just about Precinct. This is about your local gay bar, your favorite queer venue — whatever space makes you feel seen. Show up. Support. Buy a drink. Tip a drag queen or a go-go dancer. We’re more than just a bar — we’re a queer family, and we exist to create space for connection, expression, and joy. So come by, and keep coming.”

Last Saturday, what began as a routine trip to a local liquor store in Orange County quickly turned into a terrifying encounter with Immigration and Customs Enforcement (ICE) officers, one that left Arri’s entire family rattled.

“We spotted them when we walked out of the store,” Arri recalled. “We all kind of just stopped in our tracks as we were walking.”

The officers arrived in unmarked white SUVs, wearing tactical vests and gear. “They weren’t masked up. You could see their faces.” That’s when things escalated. “They started slowly moving forward as we were leaving… they started following us. And this entire time I could see in the rearview mirror and in the side mirror that they were laughing.”

Although her father has a green card, fear took hold. He refused to drive home and reveal their address. “ICE made the exact same U-turn… my dad started getting scared, so he sped off and went onto the main street… luckily, we eventually lost them.”

But the emotional damage was already done.

“My dad was paranoid the entire time on our way home… he didn’t even want to leave the house after that. He unbuckled his seatbelt immediately, ran inside the house, locked himself in, and was completely shaken.”

Arri’s grandmother, who is undocumented and lives with the family, has a different kind of courage. “My grandma’s very fearless,” Arri said. “She’s strong because of everything that she’s been through in her life… She still goes out every day, takes the bus to work, and faces these risks head-on.”

What struck Arri most was the blatant racial profiling. “Obviously no one has a sticker on their forehead that says ‘we’re illegal,’ but they basically just racially profiled us because we are all darker-skinned. Like we obviously look Mexican.”

Even more disturbing was what Arri learned later. “I checked that Ice Block app later that day. They were taking people off buses just two streets down from where we were.”

Though Arri is a U.S. citizen, she has witnessed this violence firsthand before. “My mother was deported when I was in high school, around Trump’s first term.” That trauma continues to shape her life. “During transitioning, I felt like I needed my mother… to guide me through stuff like womanhood… I still need my mother to this day.”

Now, Arri channels her pain into advocacy. “This isn’t my first time protesting about this matter… I will always stand for my community… I fuel myself with just being fearless. I’m a U.S. citizen. I was born here. I’m able to speak out for immigrants who are scared to speak up out of fear of being deported.”

Her words carry not only personal weight but a fierce demand for justice. “Children have died in ICE custody. Women. Men… treating these people like they’re animals, even when they have no criminal backgrounds.”

Her story is not just about fear, it is about refusing to let fear win. She calls on those with privilege to show up. “We are the voice for those people who are not able to speak for themselves… This should make you want to stand up… Who can look at an innocent child, an innocent family being ripped apart, and not have a heart?”

“An attack on the immigrant community is an attack on all of us. If they get away with this, who are they going to go after next?” Arri warns. She believes the threat extends far beyond immigrant families. “They don’t want to make America great. They want to make America white.”

As attacks on immigrant communities, trans people, and people of color escalate nationwide, stories like Arri’s are a clear warning: these are not isolated incidents. They are symptoms of a coordinated assault on vulnerable communities, and a wake-up call for the rest of us.

Arri’s Call to Action: Organize. Vote. Show up. If you are undocumented or need support, organizations like CHIRLA, RAICES, Trans Latin@ Coalition, and local mutual aid networks provide legal help, housing, food, and resources. If you are a citizen, use your privilege to demand justice, share stories like Arri’s, and protect your neighbors.

Because, as Arri reminds us:
“You’re not alone. Don’t lose hope. Things will get better. There will always be people who will continue to fight for you.”

While most teenagers are busy playing video games, Triston Ezidore was busy making history. 

From high school student to school board member for the Board of Education in Culver City, Ezidore talks with the LA Blade about his unconventional entry into politics with influence from George Floyd’s death and the COVID-19 pandemic, and how he made history twice while he was still a teenager. 

In 2021, most of us were still at home and many people unemployed, out of school, caring for loved ones or just merely surviving the pandemic shutdowns and peak infections caused by COVID-19. During this time, many high school students lost valuable time in the classroom, being cut off from celebrating and socializing with their peers. Young Ezidore, rose above that—and more—achieving new milestones within his family and within the entire board of education in Culver City, bringing representation to queer, trans and communities of color. 

Shortly after graduation, Ezidore headed to Syracuse University and from afar, he continued to tune into the Culver City school board meetings to track the progress he had made during his time as student body president in high school. 

“I was still kind of watching, tuning into everything that was going on in Culver City and we knew that in order to get [the progress] right, we had to have a spotlight over the implementation,” said Ezidore. 

It was during this time, that he noticed that all the progress he tried to implement during his time there, was not being implemented correctly, so he felt like it was his responsibility to track the movements a little more closely. 

This is when he made the decision to return home and enroll at University of Southern California’s Dornsife College of Letters, Arts and Sciences—where he simultaneously launched his campaign for a seat on the Culver City Unified School District Board of Education. 

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In 2022—just one year after graduating high school—he won one of three open seats, becoming the youngest elected official in Los Angeles County at 19 years old. Then in 2023, he was elected to serve as School Board Vice President—making history as the first Black, gay man in that position as a teenager. 

Though his journey into politics is “unconventional” as he puts it, Ezidore says he was radicalized to go into politics because of George Floyd’s death and the inequities made incredibly obvious by the COVID-19 pandemic. 

Ezidore says that being the child of immigrants also inspired him to ultimately look into politics to gain a better understanding of how his perspective can be helpful towards other people’s experiences and educational goals. 

His mother was born in Vietnam and moved to the United States after the fall of Saigon, which was the end of the Vietnam war that lasted from 1955 to 1975. Ezidore’s father is from Jamaica, so that gives Ezidore a unique perspective into the challenges and unique obstacles that many students face during their K-12 education. 

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Ezidore also identifies as gay and has been out since he was 18 years old. 

“I find myself identifying as a gay, Black man, and I know that under this administration specifically, there has been an obsession with LGBTQ people and trans people in education,” said Ezidore. “I think historically our [education] system has not supported Black boys in education as a whole, so I find myself often pulling or tapping into those aspects of my identity.”

As a proud, gay, Black man, he felt that it was necessary to implement actual structures to support the most neglected demographic of the education system. 

“We instituted the Black Student Achievement Plan that called for specific action goals to implement or to increase achievement,” said Ezidore. 

This plan created mentorship and internship opportunities, a Black student council, a Black affinity group graduation and uplifted students in achieving their goals. During that time, former  governor Jerry Brown stated that school districts should implement a Local Control and Accountability Plan (LACP). The plan serves as a tool to improve student outcomes with a roadmap that tracks and sets goals and plan actions, and leverages resources to guide students who were foster youth, low-income and English-learners. 

“I don’t know that [Trump] is going to withhold the funding, but to me, I don’t know if I could sleep at night if I let him dictate these [educational] outcomes for the students in Culver City,” he said. 

The latest update from the Supreme Court is that Trump is allowed to continue dismantling the U.S. Department of Education, worrying scholars throughout the country, with many saying that without an injunction, much of the damage can be irreversible. The Department of Education has already experienced the slashing of over 1,400 jobs and will continue to see more funding cuts due to the Reduction in Force (RIF) plan, implementing Trump’s Executive Order, which he claims will improve education and families by returning education authority to individual states. 

When TS Madison cut the ribbon on her Starter House in Atlanta this past Transgender Day of Visibility, she wasn’t just opening a home, she was building a legacy.

Launched on March 31, 2025, the TS Madison Starter House is a re-entry home for formerly incarcerated Black, trans women. The Atlanta-based initiative provides safe, affirming housing for up to five residents at a time who participate in a 90-day program offering job assistance, healthcare, economic opportunities, and holistic support.

Madison shared that the idea grew out of a desire to do more than speak out online. “While getting ready to film The TS Madison Experience season 2, I was talking with my team about what more I could do for my community. I used to feel like everyone else was out marching and being so active, and I was just online talking. But then I started noticing how every time I’d speak out, blogs and media outlets would pick it up… and I realized, wow—I don’t necessarily have to be out in the streets to make change happen. Still, I wanted to do more than just talk.”

That commitment to action led her to turn a personal real estate purchase into a lifeline for her community. “I said, ‘I’m buying a new house… I have this house, can I give the girls housing?’ Because the girls need housing. I remember moving to Atlanta broke and being homeless. I’ve been a house mother—my gay kids have lived with me and thrived. So why not keep doing that? Why not make that intentional?”

The Starter House is powered in part by a partnership with wellness brand Pure for Men and longtime advocacy organization NAESM. As part of its Pride initiatives, Pure for Men donated a portion of June sales to support the house and sponsored attendance for participants at NAESM’s National Leadership Conference on Health Disparities and Social Justice, which took place in Los Angeles from June 25–29.

“We’ve chosen to support the TS Madison Starter House and NAESM because they’re making a real difference in people’s lives,” said Lawrence Johnson, co-founder and CEO of Pure for Men. “With Black trans lives and rights under attack, these organizations are stepping up to amplify their voices, fund essential care and give them the tools to succeed.”

For Madison, the collaboration is rooted in genuine connection. “NAESM is a godsend. It’s a 35-year-old organization with a solid reputation. No scandals. They’re trusted,” she said. “Then there’s Lawrence, the President and CEO of Pure for Men. I had already been using their products before we ever met! We met at a party, just vibing, and it turns out we were already interconnected. We started talking and they shared how they’d been watching me grow and loving my show Phag Talk. And the partnership just blossomed from there.”

The initiative arrives amid rising anti-trans and anti-Black violence, but TS Madison views the Starter House as a political act rooted in love and care. “As a Black,, trans person, I’ve always felt left out by my own Black community. It’s like, once you’re gay or trans, they see you as ‘other.’ Suddenly your Blackness doesn’t count anymore. But I can’t separate the two—I’m Black and trans. I’m both, all the time.”

She added: “When you throw your Black trans child or sibling out, that’s anti-Blackness to me. Because you’re dehumanizing them. My humanity shouldn’t vanish just because I’m trans.”

This work feels both necessary and deeply personal. “I stand on the shoulders of girls who laid down or lost their lives,” Madison said. “And I’m honored to lend my back and shoulders for others to stand on. That’s how we climb—by lifting each other.”

Madison’s message to her younger self is one of strength and perseverance: “I’d tell her: Stay the course. It’s rocky. It’s going to get even more rocky. But stay the course. You are so important, more important than you could ever imagine. Be strong. Don’t be blinded by today. Tomorrow is another day.”

Looking ahead, Madison envisions the Starter House as a model for wider change. “I want it to be the mold for how to give back. Not just one house in Atlanta, but the start of countless starter homes across the nation,” she said. “I want other girls, especially those with privilege or surplus, to see that when you’ve been given so much, it costs nothing to give back. Let this be the example.”

She’s clear on her mission: “This is what I’m supposed to do. And when you’re doing what you’re meant to do, even if there’s opposition, doors will open.”

Watch the full interview:

Koaty and Sumner Blayne are not exactly the definition of a conventional relationship. How many couples can say they met during a threesome? It isn’t as lurid as it sounds and it is a sweet story. The couple has been together for six years, got engaged and started planning for a big wedding next year. Whereas most couples clock into work outside of the home, Koaty and Sumner clock in at home, in front of a camera for OnlyFans and social media.

Their lives got national attention as they made their reality TV debut on Tubi’s House of Heat last year, joining other queer and straight OnlyFans content creators in a Hollywood mansion for weeks of filming. The show of course covered the drama of a content creator’s life, including relationship ups and downs, but it also captured the realities of what it takes to be a successful OnlyFans personality. Koaty and Sumner shared the intimate details of their relationship, the exhaustion that comes with the pressure to present the perfect couple day after day and the jealousies that can come with two careers in the adult industry. While Koaty filmed his first adult studio work this year, Sumner has spent a few years working for studio names like Sean Cody, Falcon and Men.com, among others.

Somehow, the two make it work.

The two have become a very popular brand both on OnlyFans and on mainstream social media. It doesn’t hurt that they are constantly coming up with new kinds of content and the fact that they aren’t hard on the eyes at all. This year, they were awarded Best Podcast at the International Content Creator Awards for their debut pod, In Bed with Koaty & Sumner, where they cover all aspects of their lives in the adult industry—the good, the bad, and the challenging.

In this Los Angeles Blade exclusive, we talked to the couple about finding love in the adult industry while keeping the spark alive.

What are some of the biggest misconceptions people have about couples in the adult industry?

People assume we’re either constantly hooking up with others or emotionally detached robots who don’t feel jealousy or connection. In reality, we have boundaries, deep communication and a whole lot of love. We just also happen to have sex on camera. Being in the adult industry doesn’t make us less committed, our job just involves lube.

How do you maintain a healthy relationship—and manage jealousy—in an open relationship?

We’ve had to learn how to have the tough conversations, especially after the honeymoon phase wore off. It’s about recognizing how we each love differently and asking for what we need. Trust and transparency are non-negotiable. We check in constantly—before shoots, after, during dinner—nothing is off limits. We’ve even learned to turn jealousy into compersion. Usually, it just takes a little reassurance… and maybe a snack.

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How do you balance your relationship with the pressure of constant content creation?

Sometimes we don’t—and that’s okay. There are days we’re exhausted and need to just be husbands, not performers. We schedule breaks, unplug often, and make time to be us. It’s not always fifty-fifty—sometimes one of us is struggling and the other steps up. We check in, readjust, and give each other grace.

How do you keep the spark alive through the years?

We stay intentional. Too many couples stop talking about sex after the honeymoon phase, expecting it to fix itself. As gay men, we’re often raised without proper sex education and with a lot of shame. We’ve had to unlearn that, be curious and have honest conversations about our needs surrounding sex. The spark stays alive when we keep showing up—and make sex intentional

What have you learned most from each other?

Sumner: Koaty’s taught me patience and how to slow down and feel safe.
Koaty: Sumner’s taught me how to communicate and love without fear.

What do you love most about the other?

Sumner: His loyalty. He shows up for me in ways that make me feel protected and seen—even when I’m chaotic.
Koaty: His vulnerability. He shares his heart so openly. It’s impossible not to fall for him again and again.

How have your families reacted to your careers?

They’ve been super supportive and just want to see us happy—traveling, building a life and doing what we love.

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What did you learn about yourselves filming House of Heat?

Reality TV brings out everything—the good, the bad and the unhinged. But it reminded us how grounded we are in each other. Cameras or chaos, what we have is real.

What are some of the biggest challenges you face as a couple in the adult industry?

The constant pressure to perform—on camera, on social media, and emotionally. People project a lot onto us. It’s easy to forget who we are off camera, but we remind ourselves that our relationship comes first—before algorithms, followers, or collabs.

Any sneak peeks for your wedding next year?

We’ve booked the venue! The guest list is coming together… and let’s just say some of our hosts might be from RuPaul’s Drag Race Season 12.

Any advice for other couples in the adult world?

Communicate constantly, keep your ego in check, and treat your relationship like the most valuable thing you have—because it is. The camera should capture your connection, not replace it. Filming can be fun, but it’s still work. Your partnership—the trust, the intimacy, the real love—is what truly matters.

You can follow Koaty and Sumner on Instagram

Check out their podcast, In Bed with Koaty and Sumner

National audiences got to know Salina EsTitties during her run on season 15 of RuPaul’s Drag Race, but Angelenos have been witnesses to the star and activist power that is EsTitties for a decade. She’s not just a fierce entertainer, she’s also a leading voice in the queer, Latinx, drag, and sober communities.

This year, she was announced as the winner of L.A. Blade’s Best Drag Performer at our Best of L.A. Awards. She’s appeared in campaigns for Sephora, Pure for Men, Calvin Klein and more, partnering with numerous non-profit organizations that benefit the queer community and beyond. And yet somehow, she still has time to focus on her lucrative drag and music career.

Even with her continually rising star, she remains humble, down-to-earth and makes time to support events and movements that affect her communities.

This Thursday, she will join the Los Angeles Blade, Latino Media Collaborative and CALÓ News for Diálogo – Pride, Power & Progress, an intimate in-person gathering that brings together powerful voices at the intersection of journalism, identity and social impact.

EsTitties is a fierce believer in the power of the queer Latinx community in Los Angeles and knows firsthand the work that is being done.

“There are leaders in the community that people don’t even realize are out there, going to work for the community, for us as a whole and not just Latinos, but for queer people in general, like trans and trans youth,” she said in an interview with L.A. Blade. “When you go to any function that is a Latino function, there are people who are actually in the streets doing the work.”

EsTitties is all too familiar with the struggles that the organizations she supports are going through, especially as the current administration continues to restrict resources.

“There are people losing jobs who are doing this good work. The leaders of the Latin community are the ones out there in the streets who are actually helping the community,” she continued. “They’re my heroes at the end of the day because it’s those kinds of people who helped me when I was 19, 20 years old, running the streets, homeless, on drugs. They were there for me at those times and their resources provided me with a life that I have today beyond my wildest dreams. I get to twirl around in a wig, you know, but they’re the ones who are out there saving the world.”

EsTitties is also changing the Latinx culture from within. Her presence as a drag queen and a queer (as she puts it) cholo, challenges the machismo norms that are expected of men, changing the narrative of through representation. Her work is a direct result of her early experience.

“It was such a struggle for me in the beginning, especially when I started drag when I was 23. I was so insecure and so hyper-fixated on the masculinity of it all. So I cut my hair off and I quit drag,” said EsTitties, adding that she then landed a job at In-N-Out. “The machismo of it all is something that I grew up with, especially growing up in the hood. I had to acclimate — oversized white tee, baggy blue jeans and Air Force [shoes]. That was the vibe — no color, no queerness, no nothing. I had to present as much as I could to not stand out so I wouldn’t get picked on. Internalized homophobia is very real and toxic masculinity is very real inside of me.”

Eventually, EsTitties did return to drag and it gave her confidence and the voice she now uses to fight for her communities. Over the years, drag taught her how to combine both her masculine and feminine traits in a way that was real for her, embracing her full identity. From her vantage point, she views machismo differently now.

“I’m attracted to masculinity. I don’t think it’s something we have to demonize or villainize, it’s about not making it greater than. I think we’re all equal, I think everyone has all shades of the rainbow, right? I can be feminine, I can be masculine, I can present feminine and still be butch as fuck. It’s all sexy at the end of the day, but I think confidence is where you use it for good as opposed to evil.”

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The queer voice in the Latinx community grows stronger every day. Younger generations are gaining the courage to be themselves, not worried about the pressures of conforming. EsTitties says that queer people have always been visible in the community and gives credit to the women of the family — the tias, the mothers, the grandmothers — for showing unconditional love and fostering a vibrant queer community.

As EsTitties prepares to join an impressive panel for Diálogo for a conversation that explores the evolving landscape of Latinx journalism and its vital role in advancing equity, representation and social change, she believes that talk of immigration and the current U.S. Immigration and Customs Enforcement (ICE) raids be at the forefront of any queer, Latinx talk.

“The reality is that I’m sure you know someone, who knows someone who’s undocumented, but there’s a big stigma around that. We’ve heard it from our President that [undocumented immigrants] are rapists, drug dealers. That’s not the truth,” said EsTitties. “My mom came here, undocumented, got her citizenship, then did everything that she needed to do after the fact. And if it wasn’t for my mom doing those things, I wouldn’t be here for it. I am still learning how to navigate it all. This is a conversation that’s very taboo and people just like to pretend it doesn’t exist. But it’s a very real thing that we’re watching in real time.”

EsTitties stressed the importance of the queer community being involved in these conversations because they are issues that affect communities that intersect with other marginalized communities that are particularly vulnerable right now, such as the undocumented immigrant community.

“At the end of the day, we’re human beings. No one should be treated the way that they’re treating human beings right now. Seeing what’s going on right now with ICE is so scary. I know people who are afraid to leave their homes. I have friends who are dyeing their hair a different color every day, so they seem less brown. I have friends who are covering up their tattoos because they think they’re looking for them. People are paranoid and scared right now.”

EsTitties knows that stigma and racism exist even within our own community. That is a reason she works so hard at being visible and active.

“[We need to have a] conversation of just knowing that we Latinos and queer Latinos are not less than our white counterparts. We see white gays running the world, baby. I just hope that I can be one of those people who is like: ‘I’m going to do it regardless of whether you think I can or not, whether you’re rooting for me or not.'”

EsTitties says that in her experience, the queer, Latinx community is often “the butt of the joke a lot of the time.” She says that her communities often have to work ten times harder to get places.

“We’re having to fight a lot of stigma, fight a lot of prejudice, but the thing with Latinos is that we don’t let that weakness show. That confidence and strength, and our passion and our fire, that’s what continues to keep us here and moving. So I think we lean in and continue to be unapologetic, and I think just be a little louder, especially right now.”

Join EsTitties and the Los Angeles Blade for Diálogo, Thursday, June 26^th at 6 pm at The Abbey. The event is free; RSVP here.

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Richard Zaldivar, a prominent community leader and founder of The Wall Las Memorias, was pumped and proudly walking hand in hand with his husband Joselito Laudencia, waving to cheering bystanders as The Wall Las Memorias contingent marched down Hollywood Boulevard in the June 8 LA Pride Parade. However, Zaldivar says he noticed that many marchers who signed up, didn’t show. He believes they were terrified that uninhibited militarized masked U.S. Immigration and Customs Enforcement (ICE) agents might sweep them up and disappear them in an unannounced raid just because they are from the Latin American community being targeted by ICE raids.

According to Zaldivar, the terror is real and warranted.

The same day of LGBTQ jubilation, anti-ICE demonstrators swarmed several streets outside the federal detention center in downtown L.A. where ICE held their loved ones. In fact, many of those unidentified detainees arrested Friday and Saturday were surreptitiously hustled into ICE buses, driven to a private charter airline hangar at the Hollywood Burbank Airport, “immediately loaded onto Saab 2000 planes owned by Freight Runners Express / ACE, a cargo and passenger charter airline,” and flown to San Antonio, Texas, according to the Burbank Leader. 

Disappearances have become normal in America despite many detainees having legal status or having lived and worked in a community for years, paying taxes, with no criminal record. The usurpation of the constitution right to due process was apparently ordered by White House Deputy Chief of Staff Stephen Miller, who told ICE officials to detain 3,000 migrants a day or be fired.

On Saturday, Donald Trump figuratively poured gallons of fuel on the small protest fire by federalizing 2,000 California National Guard troops, defiantly ignoring the protocol of first being asked for federal help by Gov. Gavin Newsom, LA Mayor Karen Bass or Los Angeles Police Department Chief Jim McDonald, who said the move was made totally unnecessary by activating L.A.’s mutual law enforcement aid agreement with 88 other cities in L.A. County.

By pretending the demonstrations are riots, Trump called up 2,000 additional National Guard troops and 700 Marines, a ruse to invoke the Insurrection Act and gain unchecked power.  

I asked Richard Zaldivar to explain what’s happening and offer advice to LGBTQ activists.

“Originally, Mr. Trump had said he was going after the hardcore criminals who were here with no documentation,” said Richard. “We know it’s not happening because innocent people who may be documented and some people who are citizens have been apprehended by ICE and taken into custody.

“I think that is a problem that has been a catalyst for a lot of the protest,” he said. “This cannot happen in the United States of America. This is very scary. It is scary to me and my husband and to the staff and my community…”

“Be focused in on our freedom to be able to protest and share our disgust and anger with those folks [who] deserve that anger. Call that out. But don’t get involved with the anarchists and provocateurs — and they’re here. They’ve been around for many years. They go from city to city and from issue to issue, trying to disrupt the system, the institutions,” said Richard.

“We know that under this administration, everyone is affected,” said Richard. “It’s important to know what our rights are and what ICE can do legally and illegally and when we go places — because we can’t just stay shut in. That’s what this administration wants us to do. They wanna shut us down. Go with friends. Go outside. Take a walk. Walk the dog. Go to the park. Let’s breathe some fresh air and rejuvenate.”

If that’s our intention on a daily basis, we will get through this. If we act collectively, we will get through this as a coalition.

Please go to the LGBTQ+ Freedom Fighters Substack for more reporting and the full 15-minute video conversation with Richard Zaldivar. 

Fresh off a double win at the Los Angeles Blade Readers’ Choice Awards for Best Local Influencer and Best Local Activist, Rose Montoya is proving that the fight for trans liberation is personal, powerful, and political. Whether she’s educating millions through her “Trans 101” video series or speaking truth to power in meetings with lawmakers like Alexandria Ocasio-Cortez, Bernie Sanders, Elizabeth Warren, and Pramila Jayapal, Montoya is redefining what it means to be a digital advocate.

“I imagine a world where trans people aren’t just surviving — we’re thriving,” she said. “A future where we have access to community, economic security, and the kind of care every human deserves.” It’s a vision she’s working to build through storytelling, education, and mutual aid. Most recently, Montoya brought that vision to a national stage with a keynote speech at the Human Rights Campaign’s rally for the National Trans Visibility March, held during World Pride in D.C.

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She began her public journey in 2014 when she came out as trans, quickly gaining attention on social media for her heartfelt, vulnerable content. One of her early viral moments — a video sermon on LGBTQ inclusion — sparked transformative conversations within her conservative Christian family. “It wasn’t easy,” she recalled. “But over time, with patience and heart-to-hearts, they became some of my biggest allies.”

Since then her platform has exploded. Her “Trans 101” series, often featured in The Blade, breaking down topics like pronouns, gender-affirming care and systemic discrimination into accessible lessons with compassion. A video about discriminatory treatment at airport security led to consulting opportunities with the Transportation Security Administration (TSA).  When her TikTok account got banned during a wave of coordinated attacks in 2021, she fought back — writing opinion pieces, launching petitions and assisting over 100 creators with getting access to  their accounts reinstated. “When we organize, we win,” she said. “Digital storytelling is more than content — it’s community, resistance, and survival.”

“I’ve faced targeted media attacks, defamation, even threats on my life,” she shared. “It sharpened my resolve. I know how to advocate in hostile environments and I do it for those who can’t.”

Rose’s advocacy doesn’t begin or end on-screen. She’s opened her home to trans youth, facilitated access to housing and healthcare, donated thousands to gender-affirming surgery funds and supports her community through direct mutual aid. 

“I know what it means to have your transition made possible through community,” she said. “I wouldn’t be here without the mutual aid I have received.”

That deep sense of purpose is rooted in legacy. “I’m standing on the shoulders of giants — Marsha P. Johnson, Sylvia Rivera, Miss Major, Cecelia Gentili,” she said. “They taught us that advocacy isn’t just about protest. It’s about building something sustainable.”

Still, Montoya noticed a shift in the broader cultural climate. 

“There was a time when brands were eager to work with queer creators during Pride Month,” she explained. “Now, many of those same brands have quietly rolled back their DEI efforts. I’ve had partnerships disappear overnight. It’s become clear that, for some, the support was never rooted in real allyship.” 

For her, it’s a reminder that advocacy can’t rely on corporate affirmation. It must be community-driven, values-led, and long-term.

As anti-trans legislation continues to spread, Montoya is focused on action. She urges allies to challenge harmful language — even when trans people aren’t in the room. She encourages donations, voting, petitioning and hiring trans people, especially Black, trans individuals. These aren’t symbolic gestures, she says — they’re essential tools in building a world where trans people can thrive. To learn more, visit her website.

When it comes to healthcare, she’s unwavering. “This isn’t just healthcare — it’s life-saving,” she says, pointing to recent cases like Children’s Hospital Los Angeles denying care to patients under 19, despite legal victories overturning similar bans. “Hospitals fear regret liability. But what about the harm of denying care? What about the youth who suffer, or worse, don’t survive?”

For Rose Montoya, advocacy is more than a platform — it’s a love letter to the future. “Our strength is in our solidarity,” she said. “We’re building a world where trans people aren’t just accepted — we’re celebrated.” Thanks to voices like hers, that world is already taking shape.

Written by Prince Joshua, a talented performer known for his high-energy dance, rap and MC skills.

Upon moving to Hollywood, he built a career as a Go-Go dancer and musical
artist, quickly gaining attention with his bold charisma. He has appeared on OUTtv and
performed at major events like WeHo Pride and Phoenix Pride. Prince Joshua was
named GoGo of the Year and Local Artist of the Year in the Los Angeles Blade’s
Readers Choice Awards, recognizing his impact and popularity in the LGBTQ+
entertainment scene.

It is rare to step into a room where the walls ripple with Icelandic wind, hum with the volcanic heat of Hawaii, and pulse with a wide-eyed color of an Amsterdam trip. This June, West Hollywood becomes a gateway to this world with the arrival of Through the Brush, a pop-up solo exhibit by Los Angeles-based painter Andrew Max Modlin.

The show, curated by renowned critic Peter Frank, opens Saturday, June 7, with an artist’s reception from 4 p.m. to 9 p.m. and runs through June 21 in a studio located at 411 N. La Cienaga Blvd.

Expectations are high — featuring large-scale landscapes, a DJ set, libations and above all, the possibility of escape.

The paintings themselves are immersive 60” x 72” dreamscapes that pull directly from Modlin’s travels to Iceland, Hawaii, Mexico and Amsterdam. They serve as both visual memories and portals to another place in the world, inspired by his travels.

“Traveling is one of the most important things to me because it allows you to see outside your bubble and understand how diverse the world really is,” said Modlin.

He considers the places he visits as extensions of home.

“I immerse myself in what palette the location makes me feel and that immediately comes out in my drawings. It’s bringing that experience back to my studio that makes each painting so diverse because it really has the essence of that location in it.” As the show coincides with Amsterdam’s 750-year anniversary, Modlin says many of the works will be grounded in the city’s distinctive atmosphere.

To understand the intention behind Modlin’s paintings, it helps to understand the artist himself. Modlin is an openly queer artist best known as the co-founder and brand designer behind the cannabis dispensary MedMen and Kreation Organic Juicery. Though successful in business, the pull towards painting never left.

“The fact that I wasn’t painting haunted me all those years because I always felt like that was my life calling,” he said. For a change of pace, Modlin made a drastic change and relocated to Amsterdam. “In that time, I developed how I draw digitally on the iPad.”

That iPad plays an essential role in Modlin’s creative process. His digital sketches are more than rough drafts — they are explosive playgrounds.

“The iPad is where I get to be reckless,” said Modlin. “There’s something precious about a blank canvas but that sense of preciousness doesn’t exist on the iPad.” Without the fear of failure, Modlin can “rapidly sketch with colors that would take much longer to mix by hand,” pushing beyond the limits of traditional materials.

Back in Los Angeles, he focused on translation — how to bridge the digital and physical. “Once I move to the canvas,” explained Modlin. “The process shifts. It becomes more about the physicality of the paint and the act of painting itself than the original composition.”

That act is deliberate and cumulative. “My paintings are a slow, layered process where each brushstroke is a response to the one before it,” said Modlin. “The final piece becomes a record of that dialogue between gesture, surface, and duration.” His works aren’t meant to be consumed all at once — they reveal themselves slowly. Up close, hidden details emerge; from afar, emotions stir. “I hope the viewer starts by getting lost within the painting,” stated Modlin.

Modlin doesn’t see painting as a hobby — it’s a deep expression of self as his work resonates with lived experience. “I’ve always believed in the power of starting things within our own community.” That ethos led Modlin to open MedMen in West Hollywood, making him the first queer dispensary owner in the neighborhood. “With my debut solo exhibition,” said Modlin. “It felt just as important to me that it take place in West Hollywood, the community I live in and care deeply about.”

Through the Brush may feel like a breakthrough, but for Modlin, it’s just the beginning. “For me, success now means seeing my work shown around the world, in spaces that elevate and challenge it.” As Modlin imagines his next chapter, the invitation is clear: “I’d love for that visibility to open the door to working even larger on a scale that allows for something deeply expressive and immersive.”