Local
LA Pride embraces call for protest march
Inspired by Women’s March, LA Pride organizers embrace protest movement
Rev. Troy Perry was one of the founders of Christopher Street West. (Photo by Jonathunder; courtesy Wikimedia Commons)
Resistance is the stuff LGBT Pride was once made of.
Los Angeles in the late 1960s, like much of America, was a hotbed of resistance of every kind: the women’s movement, the hippie movement, the antiwar movement and, yes, even a nascent movement for LGBT rights, all combined here to fuel the winds of change. The LGBT community in Los Angeles, as in New York and around the country, lived under constant threat of official violence and the oppression of pervasive hostility.
In 1966 Los Angeles, affection between men was officially condemned as a mental illness and viewed as a moral disorder. Sexual relations between people of the same sex — even hand holding — was a crime. Careers were destroyed by whisper or innuendo and extortion was rampant. There were precious few safe social spaces for LGBT people other than a dozen or so nightclubs in close proximity to one another near Silver Lake — Black Cat, Ram’s Head and Stage Door — and a couple, like The Patch near Long Beach.
And so when routine police raids on these establishments escalated and turned violent, the community was deeply traumatized. Finally, a breaking point came on New Year’s Eve 1967 when a celebration at Black Cat turned into a bloodbath; at five minutes past midnight, plainclothes police officers began tackling patrons, swinging billy clubs and pool sticks, dragging people into the streets, pulling bartenders facedown over broken glass across the bar, chasing patrons down the streets, breaking bones and doing severe bodily injury to some, arresting 16 people who were charged with lewd conduct for simply kissing, according to witnesses of the time and published accounts.
A community that had long hidden in the shadows suddenly found itself seeking intersectional allies. Police violence against civilians was attracting more attention than ever and activist groups, like Personal Rights in Defense and Education (PRIDE) distributed fliers that read, “PRIDE DEMONSTRATION: join Negroes, Mexicans, hippies” and demonstrate against “the Establishment war on minorities.” The Southern California Council on Religion and the Homophile urged action by activating a phone-tree with the message that “Homosexuals, who have always been dependably meek, are fighting back.”
An unprecedented number of people turned out — one of the first mass gatherings in the United States protesting police harassment of LGBT people — protesting at the corner of Sunset and Hyperion.
Until recently, the action, groundbreaking though it was, has rarely been hailed as such. It has been almost buried in LA’s psyche. Even Troy Perry, one of the founders of Christopher Street West, says he “never viewed the Black Cat as a demonstration for LGBTQ rights but as an action against police brutality at that time in LA.”
Two and a half years later, in June 1969, a police raid on New York’s Stonewall Inn captured the attention of the world, however.
Six powerful days of resistance in 1969 between young gay, lesbian, and transgender people and the New York Police Department continue to define who we are as a people, a movement and a community. After an intense escalation of brutal police raids on gay bars in New York City, patrons of the Stonewall Inn, a Christopher Street bar in Manhattan’s West Village, fought back and won.
Though police turned fire hoses on the crowd, it swelled to thousands; chorus lines of drag queens and lesbian and gay youth overtook barricades, taunting police with campy chants and performing a Rockette-like show for the jaw-dropped police. “Occupy — take over, take over” they shouted. “Fag power!” “Liberate the bar! We’re the pink panthers!” They pulled cobblestones from the streets, smashed windows, threw bottles, even uprooting parking meters and cornering terrified policemen while singing a campy version of “We Shall Overcome.”
While news of the riots spread quickly around the world, Angelenos Rev. Troy Perry, Rev. Bob Humphries and Morris Kight, formed Christopher Street West (CSW) to honor the uprising in New York and to tap into a burgeoning sense of “gay power” by launching the world’s first Gay Pride Parade.
On June 28, 1970, thousands of jubilant people celebrated and danced their way west along Hollywood Boulevard, some chanting “two, four, six, eight, gay is just as good as straight” and hoisting placards calling for equality and justice.
“At the time we had no idea what we were creating, we just wanted to acknowledge a courageous group that stood up to being bullied by police. It was a microcosm of what was taking place throughout the country and we thought, what better way to make noise, get attention and excite our community than by dressing up and putting on a parade,” said Perry.
Over the years the event evolved along with the community.
It moved to West Hollywood and became a fee-based, three-day festival to help pay the growing expense of the event. It was never without controversy, but fast-forward to 2016 and both the festival and the parade had nearly collapsed in the heat of withering criticism over the direction of the event and whether history or LGBT identity even matters.
From its founding in 1970 to 2016, the parade reflected the concerns of a community fighting for basic dignity, political rights, against violence and for government recognition of a health crisis that killed hundreds of thousands of gay men. In recent years, as the community enjoyed civil rights victories and gained social, cultural and political power, the Parade’s identity began to blur.
Last year, when CSW attempted to rebrand the three-day festival into a Music Festival, critics derided the group for attempting to turn LA Pride into “Gay Coachella.” CSW, they said, was hell-bent on ignoring the event’s legacy and on edging out more senior members of the community. CSW President Chris Classen, perhaps unintentionally, reinforced that notion while addressing the controversy to the West Hollywood City Council, saying that by “adding the word ‘music’ to the title of L.A. Pride is a subtle welcome to a younger generation who does not inherently understand the historical context of the event.”
Indeed, his plan, by rearranging or removing sacred elements of the festival, seemed to minimize the visibility of lesbians, transgender, Latino and leather community members and paid no homage to seniors or to history. Even country-western people felt they’d been given the boot in favor of a post-gay Music Festival.
Groups formed to protest CSW and critics blasted the organization at the group’s open board meetings and City Council meetings. Ivy Bottini, a 90-year-old lesbian resident of West Hollywood demanded change: “I consider the board a lame duck board…It doesn’t feel like CSW understands what Pride is.”
CSW corrected most of its mistakes and issued a mea culpa. Last May, CSW issued a statement saying it had “made a few missteps along the way that have left valued members of our community feeling left out or underappreciated. This was never our intention. We’ve heard your concerns and objections and we sincerely apologize.” It seemed to work.
But events conspired to remind everyone about the historical context of the event — a response to violent oppression — that gave rise to Christopher Street West’s existence.
Mourning for Orlando
Los Angeles, like everyone in America, was stunned to wake up on the morning of June 12, 2016, to the news that a madman had opened fire on the dance floor of a gay nightclub in Orlando, killing 49 people and wounding dozens more. That morning, Santa Monica Police Department arrested 20-year-old James Wessley Howell, an Indiana man, who was found with an arsenal of assault rifles, ammunition and explosives in his car; he told police he ‘wanted to harm’ people at the Los Angeles Pride festival.
A pall was cast over the annual LA Pride Parade but in a defiant move, Christopher Street West chose to continue with the Parade and it quickly became a march honoring of the victims in Orlando.
But questions about CSW just wouldn’t go away.
In late 2016, it was revealed the organization had lost several hundred thousand dollars, renewing outrage and provoking allegations of mismanagement. West Hollywood Mayor Lauren Meister, concerned about city involvement with potentially troubled non-profit organizations, required financial disclosure from subsidized organizers. LA Pride has for years been partially subsidized by West Hollywood because it is estimated to generate more than $5,000,000 in tax revenues.
Complicating matters for CSW, in January 2017, several senior board members resigned and complained publicly that the top-down management style of the board resulted in making their service useless. Chief among their complaints was the requirement of non-disclosure agreements that prevented board members from discussing organizational matters outside the board. The board members who resigned were representative of the issues that sparked the most concern in 2016; a prominent transgender woman, a senior man, a documentarian of LGBT history, a legacy CSW president and a Latino man and chairman of LA Leather Pride Week.
The resignations resurrected community frustrations about CSW’s direction yet the organization appeared to be singularly focused on the impact the closure of West Hollywood Park had on its Music Festival plans. But the election of Donald Trump and his anti-LGBT vice president, along with the installation of an almost uniformly anti-LGBT cabinet was top of mind for the community at large.
#resistmarch
LA-based philanthropist, activist and entrepreneur Brian Pendleton called for a protest march.
Enter LA-based philanthropist, activist and entrepreneur Brian Pendleton, inspired by the women’s march (which attracted several hundred thousand people to downtown LA) seized on what he saw as pent-up demand for action that he, perhaps incidentally, felt could give LA Pride revitalized mission. He posted a frustrated comment on Facebook, “before my first cup of coffee,” declaring that the parade should be turned into a protest march.
A Facebook page and other social media using #resistmarch was created along with a website and the idea went viral. More than 33,000 people have joined.
Pendleton found himself on the board of CSW.
“There was a hesitation to have me join the board,” he said. “CSW has policies and procedures about how to add board members and in order for me to join, I understand, the board had to waive those procedures. But once the groundswell of grassroots support became so strong it was clear that it made the most sense for CSW to add me as an exception.”
He refused to sign the controversial non-disclosure agreement.
The idea has been adopted by Christopher Street West, sending the parade off into a whole new direction that more closely resembles the intentions of its founders.
The march will even begin at the 1970 founding location at Hollywood Boulevard and Highland to La Brea before continuing onto Santa Monica Boulevard and into West Hollywood.
Over the past 40 years, local merchants have grown to rely on the event’s ability to attract more than 100,000 people and generate millions of dollars in income, according to studies by the City of West Hollywood. Organizers are hoping to at least double the participation this year.
Significantly, the Resist March idea requires outreach to allied communities and that work is in full swing. Among the growing number of signees: Equality California, Los Angeles LGBT Center, APLA Health, Human Rights Campaign, The Trevor Project, Family Equality Council, Asian Pacific AIDS Intervention Team, City of West Hollywood, Women Against Gun Violence, IBEW Local 11, UNITE HERE! Local 11, CA NOW, National Council of Jewish Women NARAL Pro-Choice California, Hollywood N.O.W., California Women’s Law Center, Victory Institute, The Next Family, LASC, Project Angel Food, Tegan and Sara Foundation, Trans Can Work, West Hollywood City Council members Heilman, Duran and Horvath, Christopher Street West, Los Angeles County Board of Supervisors, Los Angeles County Office of the Assessor, Los Angeles City Attorney, and Gina Belafonte.
Pendleton told City Watch, “This year, because of the political winds and forces, we’re sort of wrapping the iconic rainbow flag of LGBTQ around women fighting for reproductive rights, the dreamers who want to stay in this country and recent immigrants who want to come here, anyone who feels impacted by the forces against human rights.
“We’ve been fighting for our rights for decades now but the last eight years, we’ve had wind in our sails and seen tremendous progress. Not wanting to have any of our rights rolled back, we stand up with our trans brothers and sisters whose fates are being decided by state governments. In South Dakota, LGBTQ people can no longer adopt. We want our rights restored.”
The idea has spread around the country.
In New York City, Matt Foreman, the former executive director of the National Gay & Lesbian Task Force, has also been advocating for a Resistance March there. On Facebook he wrote: “WTF Heritage of Pride?! Why do people have to plead with you for the Resistance to be front and center in this year’s pride march?! YOU should be taking the lead and embracing the legacy of Stonewall. Aren’t you humiliated that LA Pride is ahead of HOP on this? Why court controversy and retreat into the dank well of “process”? Come on folks, you’re better than this!”
Meanwhile, in Washington, D.C., a National March is taking shape, planned for Sunday, June 11, that was instigated by a New York activist who also took to social media to call for a march.
David Bruinooge, 42, a Brooklyn, N.Y., resident, said he was inspired to create a Facebook page announcing the march on Jan. 21 while he was watching the Women’s March on Washington at home on television.
“I was watching the events unfold on TV and I was very proud and inspired by all the women, the strong women in our country who were kind of taking this to the street and getting their voices heard,” he told the Blade. “And in the back of my mind as an openly gay man I thought the gay community should be doing something like this to follow up on the momentum,” he said.
He said he intentionally chose June 11 for the march because it’s the same day that D.C.’s Capital Pride Festival is scheduled to be held on Pennsylvania Avenue, N.W. near the U.S. Capitol. Bruinooge said his thought was the march would start in the morning and end at the site of the Pride festival.
Rev. Perry said in a statement to the Los Angeles Blade, “As the co-founder of Christopher Street West, I am thrilled to see them change the 2017 pride parade to a human rights march. For me it’s always been about humanizing our community, standing up for those who need us most, and giving a voice to those who are sometimes invisible. Marching for human rights fits squarely within the principles of CSW’s founding. I’ll see you all on June 11th!”
The last LGBT march on Washington was the National Equality March on Oct. 11, 2009. (Washington Blade file photo by Michael Key)
Lou Chibbaro Jr. contributed to this report.
West Hollywood
Administration refused to honor World AIDS Day; residents gathered with defiance, grief and love
Yesterday, members of the APLA Health Writers Group read moving stories to a large group of locals gathered at the AIDS monument.
On Monday, the federal administration did not honor World AIDS Day, for the first time since the international awareness day was created in 1988. In addition to significant funding cuts to organizations focusing on HIV preventative treatment and care, the government’s halting of this commemoration perpetuates a dismissive system of inaction against LGBTQ+ people.
And yet, over 50 community members filled the empty spaces of West Hollywood’s AIDS monument yesterday evening, waiting in the night chill as city officials delivered impassioned statements and writers from APLA Health read personal pieces that centered a grief and love for those lost to the epidemic.
Before the readings began last night, West Hollywood vice mayor John Heilman asked for residents to join him in a righteous rage against administrative apathy. “I want to ask us all to reflect for just a moment about all of the people we lost…I want us to reflect and get angry,” said Heilman. “We have a fucking president who won’t even recognize World AIDS Day.”
Irwin Rappaport, board chair for STORIES: the AIDS monument, echoed this immense disappointment. “Many of us here tonight lived through the 1980s, so we know what that’s like,” Rappaport said. “We also know that because of that neglect, because of that lack of caring from the federal government, we have to care for one another — and we know how to do that. When we don’t have recognition from others, we know how important it is to preserve our own history, to tell our own stories.”
Through heavy silence, five writers from APLA Health’s writers group stood tall before a podium and shared intimate writings they created about the epidemic and its personal impact on them. The collective was established in 1989 to provide an inclusive, expressive space for HIV-positive writers and allies to work on their writing and learn how to share their stories.
Writer Brian Sonia Wallace, who served as West Hollywood’s poet laureate from 2020 to 2023, has been working with the writers group for the last four years to help them hone and refine their narrative voices as they share their heaviest grief and the depths of their love for the people they lost to HIV and AIDS.
Hank Henderson, one of these writers, read from a diary entry from November 29, 1991. His voice, clear and strong, wavered as he shared about the death of his dear friend Richard. In a piece filled with lush, rich detail, painted clearly with a strong and loving voice, Henderson recounted a memory with Richard during the latter’s last years.
“The Santa Barbara sky is clear blue forever today…Yesterday came and went like a half-remembered dream between snooze alarms,” Henderson recited. “Last year, we walked to the beach. We spent hours there, played frisbee ourselves, brought the dog. Richard even yelled out 30-minute tanning turnover alarms. Yesterday, he took tiny, labored steps back to the car, used my shoulder to keep himself from falling over. Nobody said anything. We just pretend it’s normal.”
Another writer, Austin Nation, shared the story of being told he was HIV-positive at 26 years old. As a young nurse, he remembered the shock of seeing “young, beautiful men” arriving at the hospital covered in “purple, blotchy sores.” When he received his own test results, a paralyzing terror washed over his body. An incredulity followed the fear: why was this happening to him? “I got this thing for what?” Nation spoke. ”For having fun? For making love? And now it’s gonna cost me my life?”
But as he stood before the crowd, now 63 years old, he was met with applause and joy as he stated and repeated: “I’m still here. I’m still here.” The writers, in their grief and loss, have come to a place where they are able to share these stories, empowered and held. “In a world that writes off people with stories like mine,” Nation said. “It’s a hell of a good day to be alive.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
West Hollywood
West Hollywood kicks off community-focused programming for World AIDS Day
Since 1988, queer communities have come together on Dec. 1st to honor siblings and allies lost to the AIDS epidemic.
Since 1988, LGBTQ+ communities have come together on Dec. 1st to commemorate queer siblings and allies lost to the AIDS epidemic. This year’s World AIDS Day follows the theme “Overcoming disruption, transforming the AIDS response” and highlights the substantial funding cuts to research, health services, and community initiatives that have prioritized the safety of people with HIV and AIDS. The theme challenges people to think about “radical” ways to organize together and ensure that those who are impacted are able to access the care, treatment, and awareness that they need.
Beginning today, the City of West Hollywood is kicking off programming to recognize the historical transformation that local queer communities experienced during the AIDS epidemic. A panel from the AIDS Memorial Quilt will be available for viewing at the City’s Council Chambers at 625 N. San Vicente Boulevard through Monday, Dec. 15th.
Known as the largest community arts project in history, the Quilt is a powerful memorialization of loved ones who died during the epidemic. Each panel of the Quilt contains a story of remembrance, immortalizing a life cut short during the crisis. The project currently contains over 50,000 panels dedicated to over 110,000 people, all woven together in a 54-ton tapestry piece.
If you’re visiting the panel today, there will be an additional gathering opportunity tonight at the West Hollywood Park for STORIES: the AIDS Monument. From 5:30 to 8:30 p.m., members from the HIV-positive writers collective APLA Health Writers Group will present intimate readings that reflect on their experiences. Community members will be allowed time to wander through the monument and also preview the new Herb Ritts: Allies & Icons exhibition at ONE Gallery after the program. The art show includes striking black and white portraits of activists who stood in alliance with those most impacted during the AIDS epidemic.
Additionally, fresh flowers will be placed on the bronze plaques that line the City’s AIDS Memorial Walk. During the AIDS epidemic, West Hollywood was at the center of a rampant grief and loss that juxtaposed vibrant programming and efforts that boosted healing and fought against stigma and violence. It continues to be a vibrant space that houses various organizations and memorial spots that continue to uphold the revolutionary history and advocacy work that has continued since the epidemic’s beginnings.
Today, West Hollywood is in the process of executing its HIV Zero Strategic Plan, an initiative that began in 2015. Its goals include: expanding healthcare access for people living with HIV and AIDS, reducing the rate of infections, lessening health disparities and inequities for those impacted, and slowing the disease’s progress from advancing to AIDS.
According to West Hollywood mayor Chelsea Byers at a recent Cityhood event, the initiative carries forth the City’s “bold vision” and commitment to ensuring marginalized community members living with HIV do not face the life-threatening discrimination and health barriers that their elders experienced.
To learn more about the City’s programming, read here.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
West Hollywood
Today, West Hollywood celebrates 41 years of queer cityhood
WeHo’s city officials are trying to preserve the fight for queer safety and rights that began decades before.
On Nov. 29th, 1984, West Hollywood was incorporated as an independent City, making its sovereignty official and solidifying it further as a sanctuary for LGBTQ+ community members, their stories, and their freedoms. Inspired by other prominent gay neighborhoods like New York’s West Village and San Francisco’s Castro District, West Hollywood was established by local queer advocates and residents. Their first city council was made up of a majority gay governing body — the first in the world, according to the West Hollywood History Center.
This political legacy, and the city’s vibrant and proudly queer history, continues to be preserved. On Monday’s celebratory event, West Hollywood mayor Chelsea Byers announced that the City’s current council “continues to be a majority-LGBTQ+ body,” holding tightly onto a “spirit” that reflects, prioritizes, and fights for Los Angeles’ queer community.
West Hollywood has been through various transformations, cocooning and revitalizing itself through the country’s evolving political and cultural upheavals. It has long been home to a ravishing nightlife that celebrates LGBTQ+ expression, and was a focal point for queer-led liberation and activism in the late 1960s and early 1970s. Trailblazers like Morris Kight led the first gay pride march through West Hollywood’s streets in 1970 and opened the Los Angeles LGBT Center to nourish the City’s robust and blossoming queer communities.
Today, West Hollywood continues to be the place where queer organizers and residents plant roots. Earlier this month, STORIES: the AIDS monument opened up in the City’s park after over a decade of work, shining a light on the legacies of gay activists, artists, historians, and community members who fought to survive as anti-gay stigma led to the erasure of their rights and lives.
As waves of anti-LGBTQ+ hate and violence continue to surge through the country, West Hollywood elected officials aim to continue doing the critical work that began decades before them: the work that protects the ability of queer residents to advocate for themselves, to live with protections and dignity, and to relish in joy. Mayor Byers is inspired by the resilience of the community members who stood together to establish this independent City in 1984. “The people who lived here…wanted a city with strong protections for renters, with progressive policies, and with a local government that would actually reflect and protect the people who call this place home,” said Byers, at the Nov. 24th celebration.
Over 40 years later, these needs have not changed. The way forward? Remembering and fighting for that initial promise and hope. “We are a chorus. We are a tapestry,” said Byers. “We are the product of thousands of people who, for more than four decades, have dared to say: We can build something better here.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
LGBTQ+ community calls out Radio Korea over host’s homophobic comments; station acknowledges but skirts accountability
On Nov. 3rd, Radio Korea host Julie An claimed that “gay people began the spread of AIDS” on a talk show broadcast by the station.
On Monday, Nov. 3rd, Radio Korea aired its regular morning talk show program, where one of its hosts, Julie An, discussed her lack of support for the LGBTQ+ community, citing her religious beliefs. She also went on to comment that gay people spread HIV and AIDS, and that conversation therapy — which has been linked to PTSD, suicidality, and depression — is a viable practice. Clips of this have since been taken down.
Radio Korea offers Korean language programming to engage local Korean American and Korean immigrant community members. Its reach is broad, as Los Angeles is home to the largest Korean population in the U.S, with over 300,000 residents. As An’s words echoed through the station’s airwaves, queer Korean community members took to social media to voice their concern, hurt, and anger.
In a now-deleted Instagram post, attorney, activist, and former congressional candidate David Yung Ho Kim demanded accountability from the station. Writer and entertainer Nathan Ramos-Park made videos calling out Radio Korea and An, stating that her comments “embolden” people with misinformation, which has the ability to perpetuate “violence against queer people.”
Community health professional Gavin Kwon also worries about how comments like An’s increase stigma within the Korean immigrant community, which could lead to increased discrimination against queer people and their willingness to seek health care.
Kwon, who works at a local clinic in Koreatown, told the Blade that comments like An’s prescribe being gay or queer as a “moral failure,” and that this commonly-held belief within the Korean immigrant community, particularly in older generations, strengthens the reticence and avoidance clients hold onto when asked about their gender or sexual orientation.
“When you stigmatize a group, people don’t avoid the disease — they avoid care,” Kwon explained. “They avoid getting tested, avoid disclosing their status, and avoid talking openly with providers. Stigma pushes people into silence, and silence is the worst possible environment for managing any infectious disease.”
For weeks, Radio Korea did not offer a direct response to the public criticism. Its Instagram feed continued to be updated with shorts, featuring clips of its various hosts — including An.
On Friday, Radio Korea CEO Michael Kim released an official statement on the station’s YouTube page. In this video, Kim stated that An’s comments “included factual inaccuracies” and that the station “does not endorse or share the personal opinions expressed by individual hosts.” Kim also stated that Radio Korea “welcomes members of the LGBT community to share their perspectives” in order to deepen understanding through dialogue.
Afterwards, Kim continued that though he acknowledges the “pain” felt by queer community members, he concluded: “I don’t think Radio Korea needs to apologize for what was said any more than Netflix should apologize for what Dave Chappelle says, or any more than Instagram or TikTok should apologize for what people say on their platforms.”
Kim then offered a justification that An’s statements were “not part of a news report,” and that he was “disappointed” that David Yung Ho Kim, specifically, had been vocal about An’s comments. Kim stated that he was the first person to interview David in 2020 during his congressional campaign, and that he had provided the candidate a platform and opportunity to educate listeners about politics.
“After all these years, the support Radio Korea has given him,” said Kim, “the support I personally gave him, even the support from other Radio Korea members who donated or even volunteered for him — he dishonestly tried to portray Radio Korea as being an anti-gay organization.”
Kim went on to criticize David’s purported “hurry to condemn others,” and also questioned if David has disowned his father, who he states is a pastor. “What kind of person is David Kim, and is this the kind of person we want in Congress?” Kim asked viewers, noting that Koreatown is “only about three miles from Hollywood, and some people just like to perform.”
At the end of the video, Kim stated that his duty is to guard the legacy of the station. “My responsibility is to protect what was built before me and ensure that Radio Korea continues serving this community long after today’s momentary controversies disappear,” Kim said.
For community members and advocates, this response was unsatisfactory. “The overall tone of the statement felt more defensive than accountable,” Kwon wrote to the Blade. “Instead of a sincere apology to the LGBTQ+ community that was harmed, the message shifts into personal grievances, political dynamics, and side explanations that don’t belong in an official response.”
Kim’s portrayal of the criticism and calls to action by community members as a “momentary controversy” paints a clearer picture of the station’s stance — that the hurt felt and expressed by its queer community members is something that will simply pass until it is forgotten. An continues to be platformed at Radio Korea, and was posted on the station’s social media channels as recently as yesterday. The station has not outlined any other action since Kim’s statement.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Forgetting queer pioneer Morris Kight is “impossible”: Advocates and friends share stories at remembrance
On Saturday, Nov. 22nd, Kight’s ashes were interred at Hollywood Forever Cemetery.
Over 50 people made their way to the rooftop chapel at Hollywood Forever Cemetery’s Gower Mausoleum on Saturday afternoon, taking in sweeping views of the city as a gentle wind began to envelop the space — a wind that some thought signaled the presence of Morris Kight. Hosted by local nonprofit AIDS Healthcare Foundation (AHF), this reception provided longtime friends, fellow activists, and anyone else impacted by Kight’s legacy with the opportunity to share some of their most memorable stories about the LGBTQ+ vanguard.
Kight died on January 19, 2003, after decades of leading peaceful, bold, and outspoken action against oppressive systems that targeted marginalized communities. As Congresswoman Maxine Waters declared at the remembrance event: “You have to be a hell of somebody to be memorialized 22 years after.”
Kight co-founded the Los Angeles LGBT Center in 1969, first known as the Gay Community Services Center, where so many queer youth and adults found the courage and empowerment to seek education, resources, and comfort. It became the place where they could fully embrace themselves.
At 19, AHF president Michael Weinstein found himself at the front steps of the Center, afraid but compelled. This is where his and Kight’s lives would intertwine, setting him on his own path of liberatory leadership. This first encounter and relationship “cemented” his identity, Weinstein told the crowd, after an arduous search for belonging and internal understanding.
The impact Kight had on Weinstein and innumerable other queer folks was not just a consequence of his work, but the purpose for it all. “We were his payment. We were his reward,” said Miki Jackson, Kight’s longtime friend and another instrumental voice in early LGBTQ+ movements. “Morris cared that we were loud enough, we were out enough, we were visible enough that a child in Kansas in elementary school would know about it. He cared about where people were wounded the most.”
Kight projected his voice in hopes it would reach those who were silenced, becoming the face of several important movements, including the Gay Liberation Front. He raised money for people with AIDS, co-founded the Stonewall Democratic Club, and pushed for L.A.’s first pride parade in 1970 — unabashedly fighting for the visibility of LGBTQ+ people as they were met with societal violence and rejection.
“The idea of forgetting a Morris Kight is basically impossible,” said Terry DeCrescenzo, one of the founders of the Gay Academic Union. She recounted fond memories with Kight, including a story tied with her roots of protesting. Together, they blocked the streets of Sunset and Larrabee and sang the civil rights anthem “We shall overcome.” At first, DeCrescenzo was in disbelief. “I thought, ‘I went to Catholic school for 17 years to sit on the sidewalk singing We shall overcome?’ And the answer is yes. He showed me a way of doing things — of approaching life — that I didn’t dream I was capable of. So I thank you, Morris. I love you. I miss you.”
Kight’s ashes have been officially interred at Hollywood Forever Cemetery, granting him a final resting place. In life, he built sites of belonging for queer people, and today, this ground joins a tender catalog of spaces that contains a trace of what his loved ones hope he is remembered for: the fierce kindness with which he led his life. His endless stories. His desire to be with and fight for the people he loved.
Saturday’s remembrance event also offered a moment of deep reflection for the future of local queer activism. “We’re what we have left,” said Jackson, a queer elder who marched alongside Kight in the country’s early days of LGBTQ+ protesting — and who paved a path for younger advocates like Congressman and Equality Caucus Chair Mark Takano to continue the fight. “May we honor Morris by carrying his fire forward until every LGBTQ+ person in this country can live safely, open and unafraid,” said Takano.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
The Los Angeles LGBT Center has reopened and upgraded its community tech hub
The David Bohnett CyberCenter provides free access to important tech resources for LGBTQ+ community members.
On Thursday, community leaders and advocates gathered at the Los Angeles LGBT Center for a joyous ribbon-cutting event that ushered in the organization’s revamped tech hub. For 27 years, the organization’s David Bohnett CyberCenter has provided local residents a safe space to utilize computers, printers, scanners, and attend workshop opportunities to build their tech literacy skills, stay connected, discover joy, and research important opportunities.
Here, individuals can safely surf the web, complete online benefits and services forms, apply for jobs, as well as make progress towards educational programs. It’s a safe space where LGBTQ+ community members can reliably use technology that can provide them with vital avenues into improving and living their lives.
The CyberCenter is funded by the David Bohnett Foundation, which provides grants to various LGBTQ+ initiatives and social programs nationally in order to improve equity for different marginalized communities. In 1998, the foundation established its first tech hub at the Los Angeles LGBT Center, so that queer community members would not be shut away as technological advancements made online access increasingly necessary. “The idea was simple but urgent,” Bohnett said at yesterday’s ceremony. “[It was meant] to ensure that LGBTQ+ people had access to the technology that could open doors to education, employment, and connection.”
Yesterday, this CyberCenter’s updated facilities were welcomed with warm applause, cheer, and a celebratory banner that was cut by Bohnett himself. It marked an evolving growth towards the foundation and the Center’s shared commitment to the hub’s initial promise: to guarantee equitable technological access to the county’s queer residents.
“Our community members regularly share how missing even one piece of access—a computer, a quiet place to work, a stable connection—can stall their progress,” said Sydney Rogers, senior program manager at the Trans Wellness Center. “For so many, technology isn’t just a tool—it’s the gateway to opportunity. Résumés, job searches, online trainings, interview prep—all of it depends on having access to reliable equipment and an environment where people feel safe and supported.”
For Bohnett, what began as a room with a “handful of computers” has grown into over 60 CyberCenters nationwide — and they are all “rooted in the belief that digital access is not a luxury, but a lifeline,” said Bohnett. “Every time I’m back here, I’m reminded that the Los Angeles LGBT Center was the first to bring that vision to life.”
The David Bohnett CyberCenter is open from Tuesdays to Thursdays, from 10 a.m. to 1 p.m., and from 2-5 p.m. More information about its location and services can be found here.
West Hollywood
From nickname to reality, the Rainbow District is made official by the City of West Hollywood
The mile along Santa Monica Boulevard from N. Doheny Drive to N. La Cienega Boulevard welcomes residents and visitors to come as they are
Even in today’s political climate, we will not be hidden.
The vibrant stretch on Santa Monica Blvd of over 50 local businesses, representing the full spectrum of LGBTQ+ expression, from N Doheny Dr to N La Cienega, has had the loving nickname of the Rainbow District for decades. Well, now it’s official. From nightlife to restaurants to community organizations, the City of West Hollywood has formally designated the space as such, honoring the neighborhood’s legacy as a safe haven for the queer community and beyond.
In addition to making the name official, the Rainbow District is being launched with a full range of social media, including Instagram, TikTok, and Facebook, keeping the residents and visitors updated on all upcoming events and happenings in the neighborhood.
Long known as a beacon of acceptance, inclusion, and visibility, where everyone is welcome, this iconic mile-long corridor is now formally recognized for what it has always been: a place where people from every walk of life can come together, be themselves, and celebrate the beauty of diversity.
City of West Hollywood Mayor Chelsea Lee Byers states, “For generations, the City of West Hollywood’s Rainbow District has been a place where LGBTQ+ people take their first steps into living openly, where the warm embrace of community is found at every turn, and where the joy of living out, loud, and proud fills the streets. The City’s official designation of the Rainbow District honors both the legacy and the future of this vibrant neighborhood, home to beloved entertainment venues, bars, and restaurants that have long served as cornerstones of LGBTQ+ life. Today, the Rainbow District is more alive than ever, and it will always stand as a beacon of hope, pride, and belonging and as a reminder that everyone deserves a place to celebrate joy, to be seen, and to be supported.”
The Rainbow District officially joins a nationwide list of iconic LGBTQ+ landmarks. West Hollywood will not be hidden amid political backlash and will continue to protect queer spaces, uplift queer voices, and foster a safe and joyful environment for all.
“This designation is not only a celebration, but it also serves as a promise,” said Visit West Hollywood President & CEO Tom Kiely. “A promise to keep LGBTQ+ spaces visible, valued, and vibrant for generations to come. As the Rainbow District continues to evolve, it will remain a place where locals and visitors alike can connect through culture, creativity, and community. The City’s formal designation affirms its significance and highlights The Rainbow District as the ultimate playground for travelers seeking a unique, inclusive, and authentic experience.”
The Rainbow District will be home to upcoming community events that include:
- Winter Market & Ice Skating Rink — December 2025
- Go-Go Dancer Appreciation Day — March 2026
- Harvey Milk Day — May 22, 2026
- WeHo Pride Weekend & the OUTLOUD Music Festival at WeHo Pride — June 5–7, 2026
Follow the Rainbow District on socials to discover local happenings, support small businesses, and be part of a neighborhood that celebrates every person for exactly who they are.
Instagram: @RainbowDistrictWeHo TikTok: @RainbowDistrictWeHo
Facebook: facebook.com/rainbowdistrictweho More Info: visitwesthollywood.com/rainbowdistrict
West Hollywood
West Hollywood’s AIDS Monument preserves the pain and power of people lost to the crisis
STORIES: The AIDS Monument is now available to view at West Hollywood Park, 15 years after its conception.
It was 1985, at the height of the AIDS crisis, when Irwin Rappaport came out as gay. As he came to terms with his identity, he witnessed people around him grow weaker: their faces becoming gaunt, painful lesions developing on their bodies. Five years later, he began volunteering as a young lawyer at the Whitman-Walker Clinic, a community health hotspot in Washington, D.C. that created the first AIDS hotline in the city, opened homes for patients with AIDS, and distributed materials that promoted safe sex.
The work being done at the clinic was instrumental, essential, and deeply painful. “When you see that sickness and experience that death among your friends and people you know, and when you’re writing wills for people who are much too young in ordinary times — it has an impact,” Rappaport told the Blade. “And even though in 1996 we saw life-saving medications come around, you never forget the sense of fear that permeates your life. The sense of loss.”
Determined to honor and share the legacies of people who died from AIDS, Rappaport joined the Foundation for the AIDS Monument (FAM) board to work towards the organization’s goal of creating a physical monument dedicated to memorializing these histories. FAM treasurer Craig Dougherty first conceived of this project in 2010 and, after 15 years, STORIES: The AIDS Monument is now available to the public for viewing.
Created in collaboration with the City of West Hollywood, STORIES: The AIDS Monument is composed of 147 vertical bronze pillars known as “traces.” Designed by artist Daniel Tobin, 30 of these traces are engraved with words like: activism, isolation, compassion, and loss, which correlate to the over 125 audio stories collected and archived on the foundation’s website. This multimodal storytelling allows people who come across the monument to engage more intimately with the people represented by these physical pillars.
At nighttime, lights transform the monument into a candlelight vigil, providing a warm glow to a wanderer’s journey through the structure.
When people were able to walk around the traces at Sunday’s grand opening ceremony at the Pacific Design Center, the last remnants of the weekend’s rainstorm created a kind of “spiritual” and reverent atmosphere for those gathering, according to Rappaport. “I think there’s a certain peacefulness and serenity about the design, an opportunity for reflection,” he continued. “For some, it may bring back incredibly painful memories. It might bring back wonderful times with friends who are no longer here. It might remind them of their own caregiving or activism, or the sense of community that they felt in striving with others to get more attention to the disease.”
Now that the monument has been built, FAM has passed the mantle of management and programming to One Institute, a nonprofit that engages community members with queer history through panels, screenings, and other educational initiatives. One Institute plans to host monthly docent tours, art installations, and other special events during various LGBTQ+ national awareness days, including the upcoming World AIDS Day in December.
Rappaport also hopes to do outreach with local schools, so that young students are able to engage with the monument, learn about the people who were affected by the AIDS crisis, and interact with the ripples of transformation that this time period sparked in politics, research, the arts, and within society. “For younger people, I think [this is] an invitation for them to understand how they can organize about issues that they care about,” Rappaport said. “[So] they can see what the HIV and AIDS community did as a model for what they can do to organize and change the world, change culture, change law, change politics, change whatever they think needs to be changed. Because we had no other choice, right?”
Los Angeles
This queer, Latine-led organization is protecting residents against SNAP cuts and immigration raids
The weeks-long delay in SNAP benefits left food insecure residents stranded. Community centers like Mi Centro worked to help them.
Light rain and mist loomed over the quiet Boyle Heights Neighborhood on Friday morning as residents made their way towards a free farmer’s market at Mi Centro, a community center on South Clarence Street. There, they were greeted with a warm“buenos días” by program coordinator Norma Sánchez and guided into an adjacent room with crates of fresh produce and a table with mental health resources.
Created in collaboration with team members from both the Los Angeles LGBT Center and the Latino Equality Alliance, Mi Centro doubles as a hub for information and resources as well as a sanctuary of respite and comfort for its Latine community members. It provides immigration services, legal clinics, housing rights panels, and a monthly free farmers’ market. This November, Mi Centro has organized an additional market with the support of collaborating organizations, including food justice ministry Seeds of Hope, to step up for community members after SNAP benefits were cut at the beginning of the month.
Combined with the increased presence of federal immigration agents in the county since June, this cut in essential funding has created additional strain for local Latine community members when it comes to accessing food and feeling safe when stepping outside. For staff members at Mi Centro, these issues impact the livelihoods and safety of the people and spaces most familiar and important to them. “This is the community where my family immigrated to,” Caín Andrade, Mi Centro’s program manager, told the Blade. “Now I feel like it’s not only my duty, but my pleasure and my privilege to come back to the same community and help.”
At Friday’s market, Andrade noted that it yielded one of the “biggest turnouts” despite the weather, and explained that Mi Centro has seen a steady increase in the need for food and resource assistance in the last couple of months. Several community members showed up to access groceries and look through the other resource tables at the market. One of these tables included information about benefits and insurance enrollment, and another included pamphlets from local health nonprofit QueensCare about free health screenings. All written materials were provided in both Spanish and English, and Sánchez made sure to speak with each resident about their needs.
“We really curated Mi Centro as a community center where people can feel like they belong,” said Andrade. “[We] provide a space that feels a little bit more like home to them: that’s warm, that’s got flowers and art, a couch to sit on, and just have somebody that listens to you — somebody that can speak Spanish and give them the opportunity to articulate what they’re going through in their language. We can see the sighs of relief.”
Andrade also emphasizes the intergenerational teamwork that happens at Mi Centro: a synergy that is guided by “young, queer Latino community” voices that have been embedded within the neighborhood. Mi Centro’s queer staff are deeply shaped by these communities that have long been home to them — and they, in turn, are shaping these spaces to be more inclusive: where LGBTQ+ visibility is embraced and cherished.
With a team that “represents the entire rainbow,” residents see the advocates working to support them as “our kids, our nephews, our grandkids,” Andrade said. “We are equally protective of them. We want to make sure that they are being given access to everything that other communities might have easy access to.”
Mi Centro’s next free farmer’s market takes place on Friday, Nov. 21st. More information can be found here.
West Hollywood
West Hollywood invests $1 million to build LGBTQ+ Olympic hospitality house
Pride House LA/WeHo will be an interactive space for queer athletes and allies to celebrate the 2028 Summer Games together.
The first-ever Olympic hospitality house began with humble roots in 1992: a tent pitched on the Port of Barcelona for athletes to gather with their families. Since then, they transformed into fixtures of several major sporting events, with hopes of fostering belonging and safety for athletes of various cultural backgrounds.
It wasn’t until 2010 that the first LGBTQ+ hospitality house, the Pride House, appeared during the Winter Olympics in Vancouver. Over the years, its existence and visibility have faced barriers. During the 2014 Sochi Winter Olympic Games in Russia, Pride House International was denied from organizing its safe hub. The rejection was a blow to the visibility and safety that the organization was trying to promote and create for queer athletes. But this didn’t go unnoticed. International fans demonstrated quiet resistance, hosting remote Pride Houses in support of the Olympians who were barred from openly communing and celebrating together.
As Los Angeles prepares to host the Summer Olympics in July 2028, Pride House is coming back stronger than ever. In early October, the West Hollywood city council approved an agreement that would allocate $1 million to sponsor Pride House LA/WeHo as they prepare to build a temporary structure at West Hollywood Park for the 2028 Games. For 17 days, vibrant LGBTQ+ sports programming will fill the park’s grassy knolls.
Pride House LA/WeHo CEO Michael Ferrera detailed at a Nov. 1st Out Athlete Fund fundraising event that the team plans to build a concert stage to seat over 6,000 people. There will also be a museum that will take viewers through 100 years of queer Olympics history, viewing areas for people to watch the games, and a private athlete village for queer Olympians. “The dream of that is — imagine you’re an athlete from a country where you can’t be out,” said Ferrera. “You come here, and you can be safe and sound.”
As outlined in the city council agreement and stated by Ferrera, most of the programming will be free and open to the public, and in the heart of a neighborhood that many of the county’s queer residents recognize as their safe haven. “We’re centering this important event in West Hollywood Park where our community has come together for decades in celebration, in protest, to support each other and to live our lives,” Pride House LA/WeHo CEO Michael Ferrera wrote to the Blade. “There is no place that is more representative of inclusion and safe spaces.”
The City of West Hollywood is promoting this inclusion further by asking for local community members to voice their perspectives on the formation of Pride House LA/WeHo at West Hollywood Park. On Monday, a community conversation will take place at Plummer Park to encourage residents to help shape the cultural programming that will take place in the summer of 2028. Another conversation will take place on Nov. 21st at the City’s 40th anniversary of Cityhood event.
“We couldn’t do this without the generosity and partnership of the city of West Hollywood,” Pride House LA/WeHo marketing co-lead Haley Caruso wrote to the Blade. “We are so happy to help bring the Olympic spirit to West Hollywood while also providing the community a safe and entertaining venue to enjoy the Games.”
Head to PrideHouseLAWeho.org for more information
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