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Generation Next
Emerging leaders generate inspiration
What is Pride? The most serviceable answer, of course, is that Pride is a commemorative event in which the LGBTQ community celebrates our triumph over adversity and the leaders who fought to make the world a more inclusive place. Historically, it was a political statement — a show of visibility and a forum for protest against homophobia.
And since the beginning of President Trump’s tenure, Pride feels political once more. This year’s celebration will pull from the civic engagement of the March for Our Lives and #Resist movements, spotlighting LGBTQ leaders while re-engaging in the community’s fight for social, legal, and political equality.
Much of that work did not begin, and it will likely not end, with the Trump administration. New research has found LGBTQ girls of color are disproportionately over-disciplined in schools, where they also face bullying and are ostracized. These challenges often push them out of the classroom and into the criminal justice system. And now that Betsy DeVos helms the U.S. Department of Education, prospects for many of our community’s most vulnerable youth are even grimmer.
At the same time, this year the country has witnessed the power of young people in bringing change. The young LGBT folks from the Los Angeles area profiled in these pages are speakers, students, advocates and artists. They have each made meaningful contributions in areas including climate change policy, battles against homophobia and transphobia, housing equality, and immigration.
As the LGBTQ community has witnessed and experienced a reversal in progress over the last two years, young leaders have offered hope for a better way forward. Another signal of the direction in which the arc of justice is headed: The decision by Boy Scouts of America to welcome girls into their ranks, and, effective next year, change the organization’s name to Scouts of BSA. Since the 1970s, women’s and LGBTQ advocates have lobbied the Scouts to adopt more inclusive policies. And in those battles, waged in and outside the courtroom, they have been ultimately victorious.
May these stories, challenges and history inspire you. Happy Pride.
(Photo courtesy of Twitter)
Casey Hoke, 21, college student, LGBTQ advocate, artist
Casey Hoke is a fine artist, graphic designer, writer, activist, and advocate who was awarded a prestigious POINT Foundation scholarship to fund his education at California State Polytechnic Institute in Pomona, where he is now a junior pursuing a B.A. in Graphic/Communications Design with a minor in Art History. His past and present leadership appointments include a Student Media Ambassadorship for GLSEN, where he also holds membership with the National Executive Board.
Drawing from his experiences as a young trans man, Casey has spoken and written about subjects including education policies that concern transgender students, the representation of transgender people in the media, and the relationship between artistic self-expression and self-acceptance. His work has appeared in MTV News, Teenlife Media, and The Huffington Post, where he has blogged since 2014. Casey has delivered speeches at forums including a TEDx conference and Intel Labs’ LGBT Youth Leadership Forum.
Casey attended high school in Louisville, Kentucky. He came out as trans during his sophomore year. While fellow students, for the most part, were accepting of Casey, he explained the school’s Principal Gerald “Jerry” Mayes was a bully. In March, The Louisville Courier-Journal published a timeline of an ongoing investigation by Jefferson County Public Schools into Mayes’ conduct that was initiated in response to his treatment of trans youth, including Casey, as well as racially insensitive comments he made to two African-American students.
During his junior year, Casey was the subject of an article in the school’s newspaper that chronicled his journey and highlighted his advocacy work. In response, Casey explained, Mayes told members of the student newspaper staff that it was “wrong to profile a misfit going through a phase. He said it would be comparable to writing about someone who wanted to shoot up a school.” The following year, in 2015, as the state’s senate introduced a bill that would require transgender students to use restrooms that match the sex listed on their birth certificates, Casey said Mayes asked a security guard to monitor him in the men’s restroom. The principal then called Casey into his office and began asking invasive questions about his body and genitalia.
“It’s hard to talk about,” Casey said, “but I came out with my story because it needed to be heard, and because his treatment of LGBTQ students in my high school was, and still is, really bad.” Those experiences strengthened Casey’s resolve to advocate for the rights of trans students.
In college, Casey and his trans peers face a variety of administrative challenges. Changing one’s name on student ID cards is a difficult process. Freshmen, who are required to live on campus, must pay more for housing that offers single-stall restrooms (which are safest for transgender students)—a difference in cost that amounts to about $10,000. Administrators outed Casey to other staff and even students, despite his request that they keep information about his gender identity private. Casey has since led petitions that demand equal and affordable housing for trans students, as well as training programs on trans identity for university staff.
“My advocacy did not stop at high school, where I had this mean principal”, he said. “Even though I’ve seen trans folks accepted a bit more, publicly, there are still battles I have to face here in California.”
Casey’s interest in media representation of LGBTQ people and subjects overlaps with his interest in art. A project and educational resource that Casey created and curates, Queer Art History (housed online at queerarthistory.com) showcases a breadth of artwork, from a homoerotic 16th century Roman fresco to a poster produced by ACT UP Los Angeles in 1990. On the project’s website, Casey has written about the cultural and historical significance of each.
This project, he said, allows him to “talk about media representation while educating people of all ages on queer visual history, art, and culture.” Through another program, Art, Identity & YOU, which Casey created and administers in coordination with the Los Angeles LGBT Center, he provides a platform for youth education on identity, art, history, and self-expression.
Must modern queer art be political? Not necessarily, Casey said—it certainly can be, but queer art can also signify something as timeless as self-expression or look as visually diverse as abstract expressionism. Plus, the treatment of queer people as inherently political, Casey said, can be dehumanizing.
At a time in which major American cities have often become canvases for anti-Trump graffiti, contemporary queer art certainly feels political. And much of it borrows from the signage of protest art produced in the 1980s and 90s (A good example: Donald Moffett’s He Kills Me, a 1987 lithograph that features a grid of President Ronald Reagan’s grinning headshot with “THIS GUY KILLS ME.” in bright orange type across his chest.)
Through the POINT Foundation, Casey was connected with a mentor who works for the Walt Disney Company, where he aims to secure a design position post-college. He is optimistic about both his future and the direction in which society is headed, despite the anti-LGBTQ policies of the Trump Administration. “I asked Mara Keisling, executive director of the National Center for Transgender Equality, how things are looking for young trans and non-binary folks”, Casey said. Reflecting on the progress that’s been made so far, Keisling responded: “You know what? We’ve gotten here.”
(Photo courtesy of Nunez)
Priscila ‘Pea’ Alegria Nunez, 23, documentarian and cinematographer
“The stories that I’m passionate about sharing and telling are about the Latinx community and LGBTQ community. It’s very important for me to highlight our voices, as immigrants who are fighting back.”
Pea is a documentary filmmaker, an artist whose work reflects their lived experiences as a pansexual non-binary immigrant who, at 15, left Peru with their mother for the professional and educational opportunities available in the United States.
A recent graduate of the acclaimed film program at the University of California, Los Angeles (UCLA), this year Pea was awarded a Rising Star Grant from GLAAD to fund their virtual reality (VR) project about the networks that immigrants have built to support and defend their communities. The film is led by a lesbian protagonist who left Honduras for the United States.
“Throughout the US, immigrant families they have this traumatizing event in which they are visited by [Immigrations and Customs Enforcement (ICE)]”, Pea explained. “Our protagonist is going to college, and she’s using her knowledge and her network to bring an emergency community back to her house. We will see how that event develops because of how many people will show up to help fight back.”
As an immigrant who belongs to the LGBTQ community, Pea is inspired most by the stories of people who occupy both of those identities. “I found that the projects that bring me the most fulfillment are those that find that intersection.”
Pea and their mother had green cards when they left Peru. They landed in Sacramento, where Pea says their high school was nationally recognized for the racial and ethnic diversity of its student body. “It was incredible to be surrounded by so many brown people—by so many inspiring, motivational people.”
At UCLA, Pea’s classes in gender studies opened their eyes to the identities that do not fall into the gender binary, which gave them the space to inhabit gender-neutrality, along with the freedom to dress and use pronouns in non-traditional ways. “It was another coming out for me. I’d already come out as bisexual, but then again as pansexual.” (The latter is defined by the absence of limits with regard to sexual choice in gender or activity.) Coming out to their mother—who understands Pea is attracted to both men and women—as non-binary, Pea said, is something of a work-in-progress, an ongoing journey.
Respective to both their personal life and professional work, Pea focused first on their immigrant identity and the stories of other immigrants more broadly before working to explore how sexual orientation and gender identity come into play.
Night of Cultura, a Latinx club of artists at UCLA, was a forum in which Pea found some of their closest friends and most valuable professional networks. The group creates plays, sketches, spoken word poetry, dances, and films—works that often include LGBTQ subject matter. “It was a space where I really felt like I blossomed.” After screening a 5-minute documentary at a Night of Cultura event, Pea met a UCLA alum in the audience who would later become the screenwriter for their VR project.
As a filmmaker, Pea is moved by the audience’s reaction to their work. “You can hear gasps; you can hear sniffles; you can hear laughter. I think that’s so beautiful because you wonder what’s going on in their hearts. There is a chance of really reaching people. There is hope that your project, that your work, will touch people.”
On the challenges brought forth by attacks on LGBTQ and immigrant communities from the Trump administration, Pea is optimistic about the role of the artist. “It’s important that we creators continue making work, regardless of the political climate. It’s important to keep creating, because who is going to do it, if not us?” Immigrants and LGBTQ folks should tell their own stories, Pea said, because that way the diversity within those communities will be reflected in the broader cultural narrative.
In hindsight, Pea feels they should have explored and expressed their sexual orientation and gender identity earlier in life. “I felt like I needed to be compliant to what my mom wanted—to her expectations. I could have been so much happier, if I had not waited and instead just been myself.” Pea’s message to LGBTQ teenagers: “Come out to your friends first, because there is something to be said for finding your family outside the family you grew up with. Find yourself a queer family. When you do, you’ll be amazed how powerful you’ll be.”
(Photo courtesy of Reyes)
Aris Reyes, 16, high school student, LGBTQ advocate
Aris is a 16-year-old high school student who aspires to a career in politics, business, law, or, perhaps all three.
Though only a junior, Aris has emerged as a leader at USC East College Prep, a new high school of which his will be the first graduating class. He founded both the student government and the GSA club, where he now serves as president.
As a young trans Latino man and LGBTQ advocate, Aris has built bridges between his school’s students and staff, as well as between his peers and organizations dedicated to LGBTQ youth education and empowerment.
He helped to spearhead the LGBTQ School Climate Resolution, a comprehensive survey that collects information about a school’s educational atmosphere respective to LGBTQ issues. Aris was not entirely surprised to learn 80 percent of his classmates had either often or occasionally heard homophobic remarks from other students. On the other hand, only 10 percent of student respondents heard their teachers say something objectionable about LGBTQ people, which is consistent with Aris’s perception that educators at his school are more liberal and tolerant.
With data from the survey, Aris approached his teachers about ways they could help improve the school’s record on LGBTQ issues. He cited California’s FAIR Education Act, which, among other requirements, obligates teachers to include LGBTQ historical figures in their lesson plans. The law applies only to the state’s public schools, so teachers who work at Aris’s charter school are free to create their own lesson plans—and there, he said, there is room for substantial improvement.
Aris worked with the Latino Equality Alliance’s (LEA) youth council to coordinate a speaking engagement at his school that featured a representative from the ONE Archives of the University of Southern California (USC). “They talked about LGBT leaders and advocates”, he said, “including some people I’ve never heard of in my life.”
The organization administered 10 workshops throughout the year, including the Unconditional Love Rally, where Aris spoke about transphobia and his personal journey toward self-acceptance. The program required registrants to get prior approval from their parents, but Aris worked with school administrators who agreed to count the rally toward community service hours—which helped to bolster attendance.
Aris opened up to his mother about his gender identity in eighth grade and the following year came out to friends, teachers, and classmates. Like many transgender youth, Aris struggled with body image issues and depression. Not yet out to his father and living in a body that did not reflect his gender identity, while a freshman Aris was placed in a three-day psychiatric hold. There, he was isolated away from other patients—and told by nurses he could not be placed in units segregated by gender because he is neither male nor female. This, in spite of the fact that Aris explained he is a transgender man.
Back at school, Aris is sometimes asked probing questions by other students concerning his anatomy. “My school is in Lincoln Heights in Los Angeles”, he explained, “and Hispanic culture is not always that accepting of LGBTQ people.” Teachers, by contrast, have been more welcoming—he only needs to remind them, occasionally, to not mis-gender him.
Administratively, Aris has met challenges such as the attendance roster and the separation of girls and boys in advisory periods. “It can be isolating”, he said.
Involvement in advocacy programs and social clubs has allowed Aris to build a sense of community and work on behalf of issues that are important to him. “Even within the LGBT community”, he said, “I feel like trans people are left out a lot.” The separation of gender and sexuality in the discussion of LGBTQ issues, as well as the ways in which we introduce these topics to young people, is important to Aris. The conflation of sexual orientation and gender identity, he said, can cause misunderstanding.
Aris also hopes the Hispanic/Latino communities will begin to adopt more progressive attitudes toward LGBTQ people. He feels less tolerant attitudes exist primarily among older generations. “Friends have told me”, he explained “‘My mom doesn’t like you because you’re trans.’ It’s just sad—just because of that, like, [they don’t care] about everything else I do, what a good kid I am, my grades or my education.”
Homophobia and transphobia will always exist, Aris said, and “people are scared of things they don’t now”. Looking to the future, he is more interested in effecting change through policy. “For me, really what matters is the legislation—that’s what changes everything. If you’re a lawyer or a president or lobbyist, you’re in a position to change things.”
Aris expects to continue working on behalf of LGBTQ causes. “After I graduate”, he said, “I hope to go to college. I want to get really involved in my college.”
(Photo courtesy of Medina)
Alex Medina, 18, student journalist, LGBTQ advocate
Alex Medina is a student journalist who has authored more than 20 articles for his local newspaper, the Boyle Heights Beat, which covers news and feature stories in and around the downtown Los Angeles neighborhood.
He will soon graduate from high school and is eager to begin his freshman year at Hamilton College, a selective liberal arts university in update Clinton, New York. Then, Alex hopes to work toward a career in journalism. And he also has designs to start an organization dedicated to youth and the media.
Much of Alex’s work for Boyle Heights Beat is focused on LGBTQ issues, which he considers especially important because, particularly in decades past, LGBTQ people are often portrayed negatively. He said that spotlighting the work of advocates and activists helps to usher in progressive change while also offering role models for young people. Additionally, Alex has written about subjects important to immigrant communities—such as the census and the Free Application for Federal Student Aid (FAFSA)—as well as local politics and business.
For two years, Alex has served as president of his school’s GSA club, where he led efforts to curb the use of derogatory language and anti-LGBTQ slurs. In conversations with the student body, Alex and members of the club worked to encourage their peers to be more conscious of the language they use. “I used to get bullied when I was younger. So, it’s important to me that we have these conversations”, he explained, especially for the benefit of young LGBTQ folks.
Beyond the GSA, Alex works on behalf of a variety of causes that reflect the diversity of the subjects he has written about. Through his involvement with the Latino Equality Alliance (LEA), for example, Alex has advocated for policies that would help to curb the school-to-prison pipeline.
Alex credits many of his accomplishments to the unwavering support he’s received at home. His parents, who immigrated to Los Angeles from Mexico, have been involved with organizations like PFLAG—where they engage with other parents, many of them Latino, to facilitate conversations about accepting their children’s sexual orientation and gender identity.
It can be challenging work, he said. LGBTQ identities are often not discussed within Latino communities. “Youth often don’t come out to their parents because they’re afraid how their parents will react,” he explained. “When Latino people [immigrate to the US], there are prejudices—often formed by the things they heard when they were growing up—and they often bring that with them. It’s also generational.”
While young people have overwhelmingly adopted more positive positions on LGBTQ issues, change can also be witnessed in traditionally-conservative milieu, such as the Catholic Church. Just a few weeks ago, Pope Francis told a gay man, “God made you like that.” Alex agreed about the direction in which organized religion seems to be heading, at least concerning Catholicism. “With the Pope being more accepting,” he said, “it’s getting better. At my own church and at the other church I’m involved with, they’re accepting of me and the pastors communicate very positively about it.”
The role played by organizations, like PFLAG, that offer programs and resources for LGBTQ youth and allies is really important, Alex said. “In schools there often isn’t much awareness, even if there is acceptance, so these organizations help to fill in and offer resources—including condoms, and healthcare referrals—that are not available in school. There are a lot of events and opportunities available through those organizations that students wouldn’t otherwise know about. It’s important for parental acceptance as well.”
Alex feels the tremendous progress the LGBTQ community has witnessed over the years would not be possible if advocates and activists were not optimistic about their odds. “We wouldn’t have the movement we have today without people who brought awareness about things like AIDS, DOMA, and [same-sex] marriage”, he said. Beyond the fight for political equality, Alex feels adopting a positive attitude is important for building friendship and community.
Another corollary goal of Alex’s: Increasing the visibility of young people who are working to effect change. “A lot of times”, he said, “youth don’t see themselves represented. It’s important to bring attention to the work young people are doing to build a better future for themselves and for future generations of youth”.
(Photo courtesy of Akbarian)
Rudy Akbarian, 28, trans-Armenian veteran, aspiring barber
Rudy Akbarian is a transgender man, the son of Armenian immigrants, and a veteran who served in the U.S. Army from 2011 to 2016. He has also worked on behalf of LGBTQ youth, specifically homeless youth, and next month will begin studying to become a barber.
Before today, Rudy has spoken out twice about policies concerning the inclusion of openly-trans men and women in the military. In 2016, he praised the historic decision by former Defense Secretary Ashton Carter to welcome transgender people into the armed forces. Then, last year, he denounced President Trump’s reversal of that policy but pledged to keep up the fight: “I’ve had too many people supporting me to just give up,” he said. “So, I don’t plan on doing that.”
Today, Rudy responded to reports from Tuesday that 100 members of Congress have submitted a letter to Defense Secretary James Mattis, urging him to reconsider the Administration’s decision to bar openly trans men and women from military service.
“That’s awesome,” he said. “But I don’t know what [Trump’s] reasoning was for not allowing trans people to serve in the military, other than ‘It would cost a lot of money.’” And this, Rudy pointed out, despite the President’s request for a military parade that The New York Times reported could total $30 million (at a time in which those funds could be better allocated to address homelessness among America’s veterans).
Importantly, Rudy added, the projected medical costs associated with treating the estimated 15,000 trans men and women in the armed services—which, according to a RAND study, would add up to $8 million—are likely even less. “Not every trans person wants to surgically or medically transition,” he explained. “That’s a stereotype we need to break.”
Rudy’s position on the capabilities of trans soldiers?
“After I conquered that battle to become my authentic self—and I did it alone—now, God only knows how many other battles and wars I can win with a team. Trans people are some of the strongest people and some of the most mentally capable people to protect and serve this country.”
Rudy said most of the transphobia he has encountered so far has been in civilian life. The men and women who served alongside him were focused on the demands of the mission before them, and close bonds were born from shared experiences and the close quarters in which they worked and lived.
Restroom and shower accommodations, particularly while Rudy was in the process of transitioning, proved challenging. Without an official gender marker that matched his gender identity he was not allowed to access the men’s facilities. Once, during a five-day range training excursion in the desert, Rudy had to use the women’s showers. And by this time, he had grown a full beard. “It was a super traumatizing experience for me, as well as for them. Because, they’re like, ‘Why is there a guy in the shower?’”
However difficult it was, as a trans man, to navigate the administrative hurdles of military life, Rudy had already weathered a lot of heartache. He came out first as a lesbian and was consequently kicked out of his home. “It was a really hard time in my life,” Rudy said. Like many young people in his position, he abused drugs and alcohol to cope. For more than six years now, Rudy has been sober—and his family eventually reconciled with him.
At first, he explained, the subject of his sexual orientation was off the table, but then Rudy journeyed closer to accepting his gender identity. “It was undeniable when the hormones kicked in,” he explained. “Then, I gave my family the choice to be there for my top surgery, and they showed up.” Rudy said they are now 120 percent supportive.
“One time, I discovered that my mom, who has this heavy Armenian accent and types the way she talks, was responding to these negative comments about me on social media. [Imitating her accent] ‘That’s my son and I love him and he’s very handsome!’ She was totally there in support, doing all of this emotional labor. It was so incredible to see that.”
These days, Rudy is incredulous about the policies introduced and supported by the President, especially those concerning transgender men and women in the armed forces. At the same time, he has witnessed tremendous progress in both his family and community—especially among young people—which, he said, signals movement in the direction of justice and equality.
Through social media, Rudy has comforted other LGBTQ folks, including Armenians who are struggling with coming out to their families. It’s just another form of advocacy, he said—a way to build and strengthen community.
Recently, Rudy was invited, by his former art teacher, to speak before a high school group called Students Advocating Gender Equality (SAGE). “When I was [a student] there,” he said, “there were three students in GSA, and I was one of them. At this event, I was talking to, like, 50 kids. They were all embracing and accepting each other—and it’s students in high school who are creating these clubs and programs.”
Events
New ‘Party with a Purpose’ lesbian brunch to be hosted at Sorry Not Sorry
Lez Brunch is coming to Sorry Not Sorry L.A. on May 17 with bottomless mimosas and games
Jessica Wagstaff is the founder of Homology L.A. and most recently partnered up with The Queer 26, a nonprofit platform for QTBIPOC creatives, to produce Lez Brunch. The brunch will be hosted on May 17, from noon to 4p.m., at Sorry Not Sorry. The 4,000 sq-ft event space is a well-respected wine-forward, cocktail bar in Los Angeles that also hosts lots of other LGBTQ events, drag shows and more, throughout the year.
Wagstaff believes it is important to not only host this event, but also to make it as safe and inclusive as possible. They have also incorporated a community outreach aspect to this event by giving back to their community by donating proceeds to non-profit and mutual aid organizations.
Everything down to the ticketing site, is queer and inclusive.
“The ticketing website allows attendees to enter in their name which may differ from their legal name, which I think is a really important aspect right off the top of the bat, they know we care about who they are right at the start of their experience with us,” said Wagstaff. “In fact the ticketing website is the only platform that is queer owned and operated in the world, it’s called Sickening Events. So we know that it’s also benefiting our community.”
The performers are also part of the LGBTQ+ community and Wagstaff believes that by having a line-up of performers and entertainers who mirror and represent the community, it allows people to feel safe, heard and seen.
“I’ve always been very passionate about having a lineup that directly mirrors our community from BIPOC, trans, queer, non-binary, etc,” said Wagstaff.
Wagstaff is also a licensed security guard who says safety and security is on the top of their priorities when it comes to hosting these events.
“I will have a code of conduct signage and training at the front door which will be promoted by wait staff, restaurant management, plus all Lez Brunch talent and staff,” said Wagstaff.
The event will be hosted by Ruthie Alcaide who is a TV personality who has been a contestant on The Real World: Hawaii, a finalist on Battle of the Sexes and All Stars 1, and she also competed on Battle of the Sexes 2, The Gauntlet 2, and The Duel II.
Wagstaff is also working in collaboration with Camille Ora-Nicole, founder of The Queer 26 and multi-hyphenated creative.
Ora-Nicole has been hosting events and collaborating with queer and trans BIPOC creatives across Los Angeles to bring more visibility to those marginalized communities. Her and Wagstaff agree that queer joy is the biggest form of resistance and that hosting these events during this politically polarizing time is much needed for survival and for the people in these communities to have the space to heal, gather, celebrate and network.
To learn more about The Queer 26, visit their website.
Events
Los Angeles Blade’s Community Series kicks off with panel
First panel in series brought in community leaders, politicians and other notable figures
The Los Angeles Blade kicked off its “Free Community Series” in partnership with Roar
Resistance, for a rousing discussion panel titled “Time To Get Informed, Time To
Resist” at The Abbey in West Hollywood last Saturday.
The event featured a panel of notable figures in the city’s government and queer
activism circles who spoke about how to organize and protect queer rights in the current
political climate.
The panel was moderated by Roar Resistance’s Michael Ferrera, and included West
Hollywood Mayor Chelsea Byers, former WeHo Mayor and queer activist Abbe Land,
Equality California Communications Director Jorge Reyes Salinas, Political Vice
President of the Stonewall Democratic Club, Nico Brancolini and NAACP LGBTQ
Committee Chair Chris Baldwin.
The discussion kicked off with a call by Abbe Land for participants to stay focused on
the issues that matter, despite the flood of new developments constantly coming from
the White House.
“I do think it was designed that way to keep us crazed, to keep us unfocused, to keep us
in a state of panic and fear,” said Land. “We have to look at what is happening and
where is our lane and where are we going to focus our energies and have trust that
there are other people that are focusing in other areas that need focus.”
Each of the panelists then described how the first few months of the current
administration has impacted the work they’re doing in the community and the dangers
they see on the horizon.
“I have been deeply disturbed by the elite capitulation that occurred this time around,”
Brancolini said, noting the big law firms and media corporations that have acceded to
“unconstitutional orders” and rushed to make settlements with Trump and his family.
“Frankly, I’ve been disappointed by a lot of the national Democratic leadership. I think
they treated a 1.5% plurality victory on Trump’s behalf as if it was a huge blowout, and I
think that’s a big mistake,” said Land.
Reyes Salinas pointed out that a one of the most vulnerable communities right now is
trans youth.
“The target is on their backs and the backs of their families and providers,” he said.
“Here in California, we have laws that protect them and we keep improving those, but
there’s still so much fear, and it’s important for everyone to be able understand that
these are children’s lives at stake here.”
But while there was agreement that there is much at risk at the current moment, Chris
Baldwin said this was a time to build stronger coalitions.
“I don’t live my life in fear. I am a Black woman born in the 60s, at a time when my father
when we traveled to Alabama had to step across the street to let a white man pass,”
she said. “We will get through this. Black people have lived through much worse.
Welcome to the civil rights movement. We are going to experience setbacks but we will
keep pushing forward.”
Later, Baldwin invited attendees to join the NAACP, noting that it is an interracial
organization whose membership is open to all. Chelsea Byers echoed that sentiment, noting that this moment presents an opportunity for a new generation of leaders to imagine new ways to solve society’s big problems.
“We know that people are under-resourced. We need to make education accessible to
people bring them on board, help them understand these processes and meet them
where they’re at,” she said. “We need to bring people on board. We can’t go back to
what was, because it wasn’t working. We need to activate our political imaginations in
the biggest way possible.”
When the discussion turned to what people can do to protect our rights, the panelists
focused on practical things anyone can do to help build a successful coalition for
change.
“Every day, do something. It doesn’t have to be a big thing. It might be just calling
someone to check in on them, it might be writing a letter, or calling your congressman. It
might be a passive thing,” said Land. “That moment when you think, ‘Oh my god, I can’t believe this,’ that’s when you do something, anything and it’ll propel you for the next
day.”
The panel also addressed concerns from the audience that we have to ensure that our
activism is inclusive and intersectional.
“Feminism without intersectionality is just white supremacy,” Baldwin said. “Going
forward with your coalitions, I encourage you to be intentional with your intersectionality,
not just tokenism.”
“There are some common needs that we all care about and it doesn’t matter who you
are, and that’s where we have to be. But when we’re fighting for those things, we have
to recognize there are some people who have different ideas of what that looks like, and
we have to be open to that,” said Land. Reyes Salinas added that it’s an important priority for Equality California to use its platform to lift the voices of diverse parts of the community.
“We can elevate your coalitions, your storytelling, whatever’s happening, my team can
make sure that that’s elevated to ensure that other people see you as a trusted source,”
he said.
Reyes Salinas added that Equality California offers leadership training programs for
people who want to get experience in politics and running for office.
The Los Angeles Blade is planning more community forums to discuss hot-button
issues as they arise.
Features
Meet the new co-presidents of the NLGJA LA Chapter
The National Lesbian Gay Journalists Association’s LA Chapter under new leadership
An award-winning documentary filmmaker and a news producer make up the dynamic duo who now run the Los Angeles chapter of the NLGJA: The Association of LGBTQ+ Journalists.
NLGJA is a nationally recognized affinity group meant to unite journalists from dozens of different industries, who identify as members of the LGBTQ community.
The national chapter recognizes the work and contributions of LGBTQ journalists who work to further the narratives by queer, trans and gender non-conforming people.
Hansen Bursic, 27, pisces, is one half of the dynamic duo who now run the L.A chapter.
Katie Karl, 30, gemini, forms the other half.
Last year, Bursic and Karl took over as interim co-presidents and have been able to grow the local chapter to include a diverse and wide range of voices on the Board of Directors and on the membership list.
The chapter has hosted a long list of events that include collaborations with other local and national organizations with roots in Los Angeles, such as GALECA: Society of LGBTQ Entertainment Critics and the Asian American Journalists Association.
It became the first time in the Los Angeles chapter’s history that there was such a shift in leadership, with two people taking over the leading role.
“It was just too big of a job for one of us to do, especially in rebuilding. So we decided to get together and come on as co-president’s, which was recommended by the national president, Ken Miguel,” said Karl.
When it comes to the chapter’s mission, Bursic says it’s a two-fold goal.
“We want to build a sense of community for queer and trans journalists in Southern California and we also want to advocate for those journalists any chance we get by building the spaces where journalists can meet each other, breaking down barriers and trying to reduce gatekeeping of opportunities for our members so they can thrive and find a place in Southern California newsrooms,” he said.
Many of the events that are hosted by the NLGJA LA Chapter are free and open to the general public through RSVP. One of the common misconceptions the affinity group faces, is that many people feel as though their work may not directly correspond to the work pursued by current members of the group. However, that is not the case.
“Together, we really want to make sure that everyone feels included,” said Karl. “I’m in broadcast and Hansen is in documentary and together we really push to make sure that no matter what kind of journalist you are, you know there is a space for you and you feel welcomed.”
The organization welcomes members and people to attend their public events, who work in industries that are adjacent to the work journalists do and those who might just be creatives with multi-hypenated titles.
Bursic has a full-time day job in communications for a nonprofit, but his creative work extends far beyond his work in communications. His energy and passion lie in documentary filmmaking. Bursic recently directed and produced “Trans Heaven Pennsylvania” (2024). The 12-minute documentary is about the 2010s in Pennsylvania, where each year, a group of trans women would take over a small American town for a week-long party. The documentary was funded through the Creative Hope Initiative, an incubator for emerging LGBTQ filmmakers sponsored by Traverse32 and Outfest Film Festival.
The film most recently screened internationally in London, at the Bethnal Green Working Men’s Club. Its next screening will be at the Grandview Theater Drafthouse & Cinema in Columbus, Ohio on May 3rd.
Bursic has a notable list of accomplishments, including making the 30 under 30 list at Temple University in 2023. He has also been named a DOC NYC Documentary New Leader, has had a spot in the Ford Foundation Rockwood Documentary Leadership Fellowship and Sundance Film Festival Press Fellowship.
Karl was born and raised in the Greater Los Angeles area, is a dedicated news producer with extensive experience in live news coverage and team coordination. Currently a freelance writer and producer at KABC, she brings years of experience from her work at stations like KPNX, KHQ and KEYT.
Karl, says the experience of connecting with the members more, has been really rewarding.
“Going forward, my goal is to grow the chapter in name and recognition,” said Karl. “I want our [reach to get] across other organizations in other areas of journalism and that’s why I joined the board in the first place.”
Arts & Entertainment
2025 Best of LGBTQ LA Finalist Voting
The 2025 Los Angeles Blade Best of LGBTQ LA Awards are here! You submitted your nominations—now it’s time to vote for the finalists. Voting is open through May 2, 2025.
Among some of your favorite categories are Best Drag Performer, Local Influencer of the Year, Best Happy Hour, Go-Go of the Year, Activist of the Year, Public Official of the Year, Best Musical Artist, Best Non-Profit, Best Bartender, Best DJ, Best Local Podcast, and so many more!
Winners will be revealed at the Best of LGBTQ LA celebration on Thursday, May 22 at The Abbey. Stay tuned for more party details coming soon!
Vote using the form below or by clicking HERE.
Local
‘Housing Now!’: Advocates plan to wrap City Hall in red tape
Advocates demand local government removes the red tape on housing resources
On Tuesday at 8 a.m., over 100 housing advocates from the AIDS Healthcare Foundation (AHF), Housing Is A Human Right (HHR) and the Los Angeles office of the National Coalition for the Homeless, will join together for a national day of action to demand “Housing Now” for the homeless community nationwide.
Housing advocates will gather in front of City Hall to wrap the entire perimeter of City Hall in red tape.
The ‘Stop the Red Tape Protest’ marks the first anniversary of when the Supreme Court of the United States ‘Grants Pass’ oral arguments. The Grants Pass decision in 2024 made it so that cities like Grants Pass and other ‘localities may impose criminal penalties for acts like public camping and public sleeping, without violating the Eighth Amendment — even if they lack sufficient available shelter space to accommodate their unhoused population.’
Since then, Grants Pass has been sued multiple times over ‘objectively unreasonable’ homeless ordinances that discriminate against people with disabilities.
“Seven people die on the streets of Los Angeles every day. Delays in bringing permanent housing online immediately through adaptive reuse and new construction are unconscionable,” said Susie Shannon, Policy Director for Housing is a Human Right. “The city response of breaking up encampments for the more than 45,000 people experiencing homelessness in the City of Los Angeles has led to individuals taking refuge in abandoned buildings and in places where services are scarce.”
A recent homeless count estimated that there around 45,000 homeless and unhoused Angelenos in the city.
According to AHF, the city is far behind in approving building permits and the creation of new and affordable housing units. The red tape and other bureaucratic issues were further exacerbated by the recent fires that affected large swaths of the city.
Features
New mayor Chelsea Byers, hopes to make WeHo a model city for others to follow
She has big plans, but can they withstand the Trump administration?
West Hollywood’s new mayor Chelsea Byers has lofty ambitions to make the 1.8-square-mile city, a model for other cities in the region.
She hopes to deal with compounding crises of housing affordability, traffic congestion, climate change and a new federal government that’s slashing programs and services many people – especially LGBTQ people – rely on.
But can Byers, who was elected to city council in November 2022 and selected as
mayor by council in January, really make a difference during her one-year stint in the
city’s top job?
Byers believe she can.
On one of the biggest challenges facing West Hollywood residents – housing
affordability – Byers fully embraces more housing development.
“For 80% of the city of West Hollywood including myself, who are renters, accessing a
home that is affordable is a very difficult thing. And the way that cities can address that
cost is frankly, by building more housing,” said Byers.
Byers also says she fully accepts the state’s regional housing needs assessment, which
assigned West Hollywood a target of building 3,933 new housing units in the next eight
years. That’s a tall order, given the city is currently only home to about 38,000 people.
“We’re going to have to look at this sort of invisible cap that we put across the town to
increase the capacity in a way that is equitable, that creates more opportunity for
different types of housing to be built. We wouldn’t want all of this rezoning to help us
lead to more one-bedroom apartments, when we know that the future of the city is also
accommodating more families,” said Byers, noting that queer families also struggle to find
homes in West Hollywood.
Those housing targets also dovetail with the city’s long-standing ambition to have
Metro’s K-Line extended through West Hollywood, Byers says.
But even if West Hollywood meets its targets, it’ll only be a small drop in region that
studies estimate needs to build more than 600,000 units of affordable housing. Still,
Byers says West Hollywood can lead by example and get buy-in from the other cities in
LA County to help solve the affordability crisis together.
“I believe that our values can be extended to these other places and help move them
actually in big ways,” said Byers.
Those values necessarily include West Hollywood’s historic diversity and inclusivity of
its LGBTQ+ and immigrant communities, both of which are feeling ill at ease from the
federal government’s attacks.
“I think it goes above and beyond the fear-mongering and outright assaults that the
current federal administration’s lobbying at the LGBTQ community. It’s the real
dismantling of funding and structures that existed at the federal level to enable a lot of
the social service programming that our LGBTQ community members rely on,” said Byers. “That is the biggest thing that we feel right now when I’m asked as a city leader,
how are we impacted?”
The city is responding to this looming threat through its own funding process.
“We’re at the start of a three-year cycle that determines how, which organizations, we
invest our $7.8 million social service budget. To have these two moments happening at
the same time gives the city a tremendous opportunity to step up to whatever extent we
can,” she said, noting that programs for sexual health care, HIV programs, and aging
in place are particular priorities.
“Part of what I’m doing is creating funding that is accessible and available in more rapid
ways than our three-year cycle. Because once the three-year cycle has closed its door,
then that is it. One of those tools is a micro grant program that is specifically dedicated
towards Innovative or programming that that is needed,” Byers said.
Part of the response is also ensuring that West Hollywood remains a beacon for LGBTQ
people not just in Los Angeles, but across the country and around the world.
“You’ll see us as the city not back down from our investment in programs like Pride
which are world-class events,” she said. “For us, this is the thing that matters. And
we’re willing to make the additional investments in the public safety resources to make
sure that it’s going to be a safe event.
“I think a lot of our community members have always felt like they are a target already,
and it hasn’t stopped anyone from doing their thing. In fact, if all eyes are watching, then
we better give them a good show, has been our attitude.”
Earlier this month, city council voted to officially designate the Santa Monica strip
between La Cienega and Doheny as the Rainbow District, with a dedicated budget to
improve and promote the area as a destination. The area will soon see new street pole, banners, utility wraps, murals, and the West Hollywood Trolley bus will have service
extended to Thursday nights to help promote business along the strip.
Byers says the city is also looking at reducing red tape around how business spaces are
licensed to help revitalize the area.
“We’ve often said that West Hollywood is a model for how it gets done,” said Byers. “It’s
such a beautiful moment for us to sort of pivot our focus locally and remind ourselves
that cities are about quality of life, and making sure that we can be an inclusive city.”
California
South Park provides green space to a predominantly Latino community
‘…the need for green spaces within Latino communities has never been greater, especially in South L.A.
South Park, one of the oldest parks in Historic South Central, has brought multi-generational Angelenos together for centuries.
The park sits at the intersection of 51st Street and Avalon Blvd, surrounded by some of the most socially, culturally and historically important locations in the country, including Central Avenue, site of the West Coast jazz scene in in the 30s and 40s, the former Black Panther Party headquarters in L.A and one of the epicenters of the Watts rebellion in 1965.
The park—also known as Barry White Park—was founded in 1899. Today, 126 years later, the park still stands—hosting weekend soccer games, señoras chismeando, recreational activities like swimming, card games among elders and city-led events.
The park was named after two-time Grammy Award winner and R&B singer Barry White, who grew up in South Central, just blocks away from the park.
As PBS initially reported, the City of Los Angeles purchased it from a private developer for $10,000. At that time it was not as big as it is now, but was always characterized by its tall palm trees.
The park is located in Los Angeles City Council District 9, where the population is predominantly Latino (79.9%). According to Park Equity, Life Expectancy and Power Building research, the need for green spaces within Latino communities has never been greater, especially in South L.A, where the landscape is often characterized by an overconcentration of liquor stores and a lack of quality and accessible recreational spaces. More than a century after the park’s opening, for many local residents, it is one of the only parks within walking distance for them.
Amanda Walker, 56, moved to L.A. from Chicago, Illinois. She said one of her favorite things to do at the park is to take in the sun.
“The sun falls perfectly anywhere through the park, that’s probably my favorite part,” Walker said.
Amanda Walker at the park before meeting up with her friends. (Photo by Brenda Verano)
Walker said she loves coming to the park with her friends, who often use the park as a gathering place.
“I do wish there were more activities for adults,” she said. “The park has a playground for kids, and basketball courts… we need more things in the park for people like me.”
Maria L., 30, said she also comes to the park to be surrounded by nature. Although she lives in South Central, she said she does not have much free time to come as often as she would like.
“I haven’t been here in about eight months,” she said. Although she was alone, she was on a video call with her family where she was able to show them the scenery of the park and said she was surprised at how green and vibrant it all looked.
“I like coming here to just sit and hang out,” she said. She enjoys the sense of community she feels when being in the park. “Some people are walking their dogs; others are exercising or simply just laying down. It’s nice. I also like seeing the birds and the squirrels,” she said.
From a distance, Maria L. sits in the sun on the park benches. (Photo by Brenda Verano)
The relationship between access to parks and life expectancy are closely linked. Park deserts can have disastrous effects on residents as well as wildlife, as stated by a study conducted by the Prevention Institute in partnership with University of California, Los Angeles , the National Health Foundation, Community Coalition, Esperanza Community Housing Corporation and the Social Justice Learning Institute.
According to the research, South Central L.A. is considered to have “high park need” and “very high park need” neighborhoods, with an average of 1.6 and 0.7 acres of parkland per 1,000 residents, in comparison to the L.A. countywide average, which is 3.3 acres of parkland per 1,000 residents. The median life expectancy in South L.A. is 77 years, well below the level for the county as a whole. About 15 miles away, in the community of Beverly Hills, the life expectancy is about 90 years, 13 years higher.
South Central residents have been asking for more investment in parks and recreational facilities. In 2018, the 18.25-acre park went through a multi-million renovation, which allocated funding for the improvement of its gym, swimming pool, basketball and tennis courts, baseball diamond, outdoor stage, fitness area, picnic tables and children’s play area.
Despite the recent investments, the park has also been widely known for its gang and chrome activity, which the community says has been a direct effect of years of disinvestment and neglect.
In previous years, the Los Angeles Police Department identified the park as an area where gang activity—specifically from the Avalon Gangster Crips, Broadway Gangster Crips and 52nd Street Playboys—has been observed.
“The problem was scanned and revealed that this park, like many others in urban America, had slowly been neglected and overrun by criminal activity that revolved around gangs, narcotics and quality of life issues,” states the LAPD. “The analysis of the problem at the park was conducted by reviewing data, meeting with officers and receiving input from local community representatives and park staff members.”
Despite this, the community recognized the park as a long-standing historical entity of South Central L.A.
As one of the oldest parks in the city, South L.A. Park continues to be home to local residents, wildlife, street vendors, youth and all the great things that make up Los Angeles.
EDITORS NOTE: This article was published through the Bezos Fellowship grant provided by the Ethnic Media Services, which recently changed its name to American Community Media. The article was written by Brenda Fernanda Verano, an award-winning journalist who reports for CALÓ News, a local non-profit newsroom focusing on the Latin American community of Los Angeles.
Arts & Entertainment
LA Opera brings back Pride Night with a production of ‘Ainadamar’
Pride Night returns at the LA Opera
LA Opera is bringing back its Pride Night on Wednesday May 7, in partnership with the Opera League of Los Angeles.
LGBTQ members and allies will come together for Pride Night to indulge in a performance of “Ainadamar,” at the Dorothy Chandler Pavillion. The discounted tickets for Pride Night include access to a complimentary post-show party at Vespaio hosted by the Opera League of Los Angeles, featuring Cal-Italian bites from Chef Agostino Sciandri.
“Ainadamar” is a tribute to Spanish poet and queer icon, Federico García Lorca.
“This season, we celebrate with ‘Ainadamar,’ a powerful tribute to Spanish poet and queer icon Federico García Lorca. These pairings matter. They highlight that opera is a living, evolving art form—one that speaks to all people and reflects the diversity of the world we live in,” said Christopher Koelsch, president and CEO of LA Opera.
The central plot of “Ainadamar,” which is the Arabic meaning for ‘fountain of tears,’ follows Ana María Martínez as Margarita Xirgu, an actress who spent half of her career portraying Mariana Pineda, who was a 19th-century Spanish liberalist heroine, in Lorca’s play. Pineda was a political martyr who was executed for embroidering a flag with the slogan “Equality, Freedom and Law,” in protest of the absolutist Spanish regime.
The production, running at approximately one hour and 20 minutes, sets the stage with a throwback, recounting Lorca’s life and his last days in the Spanish Civil War.
“At the heart of our Pride Night celebration is the belief that everyone should feel seen onstage and off. Opera is a space for community and belonging, where our audiences can recognize themselves not only among fellow attendees, but also in our artists, our music and the stories we tell,” said Koelsch.
This major company premiere, led by resident conductor Lina Gonzáles-Granados, is sung in Spanish, with English and Spanish subtitles. Grammy-winning composer Osvaldo Golijov produces the dramatic, flamenco-inspired score that meets the poignant libretto by David Henry Hwang.
During the COVID-19 shutdowns, live performances at the LA Opera were put on hold and the journey to bring back Pride Night, among many other in-person performances, was a struggle filled with many moving parts.
“COVID-19 suspended live performances across the board and during our return season we were navigating the different timelines for audiences returning to live theater. It was very much a matter of listening to our community and learning what had changed for them as well as us: some opted for livestream options, others preferred only outdoor events, and so on,” said Koelsch. “Once we found our stride, we were excited to bring back Pride Night the following season during ‘The Marriage of Figaro.’”
This year the LA Opera is celebrating their 40th anniversary by launching their 40th Anniversary Campaign to raise resources needed to continue funding their organization.The show opens on Saturday, April 26 and runs through May 18. Purchase tickets by clicking here.
a&e features
Meet the chef who built his legacy in the LGBTQ+ community
He is an icon in the Hollywood culinary scene and a fierce ally in the LGBTQ community
Editor’s note: The interview with Chef Juan featured in this article was done in Spanish and translated accordingly for this article, but kept in its original format.
Juan Raigosa Chavez is the living embodiment of the American dream that many can only hope for. During his 40-year culinary journey, he was able to become a legal citizen and has enjoyed the privileges of living and working in Los Angeles for four decades.
Chef Juan migrated here from Zacatecas, Mexico in 1985 and since then he has worked his way up to his current position as one of West Hollywood’s most beloved chefs in the LGBTQ+ bar scene.
He started his journey as a dishwasher and through his hard work, dedication to achieving the American dream and meticulous work ethic, he was able to climb the ranks in the kitchen team hierarchy.
“Primero empecé lavando platos en 1985 en Marix Tex Mex [Café] en Hollywood. Y después me hice preparador, después me hice cocinero. Y luego me hicieron kitchen manager, primero de Marix y luego de Basix Café haciendo creatividad de menús, variedad de comida, y más,” nos dice Chef Juan. “Me mandaron a las mejores escuelas culinarias de San Francisco pagados por la dueña de Basix.”
“First, I started washing dishes in 1985 at Marix Tex Mex [Café] in Hollywood. Then, I was promoted to food prep, then kitchen cook. Finally, I became kitchen manager—first at Marix and then an Basix Café—creating menus and a variety of dishes,” said Chef Juan. “[The restaurant owners] sent me to the best culinary schools in San Francisco, all paid for by the owners.”
Chef Juan was living the American dream and had worked very hard to get to the position he was in when Covid-19 hit and many restaurants, including both Marix and Basix were forced to close. As of earlier this year, it seems like Marix Tex Mex Café is apparently set to re-open at the same location, while the location Basix was in, is still up for lease.
WeHo times first reported that workers have been adding finishing touches to the exterior of the building, but the significant delay in re-opening is due to extensive water damage that happened while the location was closed.
“Mucha gente lloró, porque teníamos más de cuarenta personas a mi cargo allí,” recalls Chef Juan.
“A lot of people cried because there were over forty people who worked under my leadership during that time,” said Chef Juan.
He was laid-off for two years and then when he stopped receiving federal assistance, he uploaded his resume online and the previous owners of GymBar WeHo, immediately called him up to hire him as their chef.
During his time at Marix and Basix, he says he gained a lot of valuable experience and gained a deep respect for the rich and diverse community of Hollywood.
Within three days of uploading his resume, he was hired.
“No duraron ni tres días cuando ya estaba contratado por que, como te dire–me hice un poco famoso,” Chef Juan tells the Los Angeles Blade. “Muchos de la ‘community’ me reconocen.”
“Not even three days passed until I was fully hired, because how do I say this? I guess I got a little bit famous,” Chef Juan tells the Los Angeles Blade. “A lot of people in the community recognize me.”
At that moment, a patron from the restaurant kindly interrupted the interview to say goodbye to Chef Juan and thank him for the food.
“Si ves, siempre me saludan porque me conocen y saben quién soy,” nos dice Chef Juan.
“See? People always say hello to me because they recognize me and know who I am,” Chef Juan tells us.
He also tells us that many people who know that he started working at GymBar have asked him to recreate some of his famous dishes from when he worked at Marix and Basix.
Chef Juan says his favorite part about working in a kitchen is his ability and freedom to create new dishes and elevate recipes that have always been staple dishes in his life and culture.
Due to his heartwarming attitude, friendly face and incomparable work ethic, he is now a sought-after chef and iconic member of the Hollywood community.
“Bastante gente me ha buscado desde que empecé aquí,” said Chef Juan.
“Plenty of people have looked for me here since I started,” said Chef Juan.
When asked how he wins over new customers, he said he likes to start off by asking customers what their favorite dishes are and then he builds on that until he’s able to find something that they are excited to try.
He spoke passionately about how much he loves to win over new customers and continue to impress his loyal customers. He says that to avoid mistakes, he likes to personally train each person who works under him, saying this is how he ensures the quality of the food is consistently to his standards.
“Es hacer las cosas con amor—porque cuando estás enojado no te va a salir bien—la comida te sale perfecta,” said Chef Juan.
“It’s about doing everything with love so it comes out perfect, because when you’re angry, nothing will taste right,” said Chef Juan.
It goes without saying that he is an icon and when we asked him how he felt about his entire career and legacy being built around the LGBTQ+ community of West Hollywood as a Latin American person, his answer was heartwarming.
“I love my people of West Hollywood, my neighborhood and for me it’s all normal,” said Chef Juan in both English and Spanish. “For many people, I understand it’s scary, but I understand [them] and I love my people no matter what they do.”
Chef Juan continues his legacy as he celebrates his 40th year, now working at WeHo’s GymBar, which is run by one of the Dodgers executive’s, along with his husband. As an avid Dodger fan, Chef Juan has also had the opportunity to participate in cooking demonstrations led by chefs at Dodger Stadium. GymBar WeHo is actually one of the only other locations in LA—other than Dodger Stadium that sells the authentic Dodger Dog.
Now that baseball season is underway, Chef Juan invites everyone in the nearby communities to join them for a game and a Dodger Dog.
Local
New chapter: P3 Theatre Company moves to Los Angeles
P3 Theatre Company, a long-standing staple in Long Beach’s theatre scene, has officially relocated to Los Angeles.
P3 Theatre Company, a long-standing staple in Long Beach’s theatre scene, has officially relocated to Los Angeles. While the company remains close to its Long Beach roots, this move signals a fresh chapter and opportunity to connect to a broader audience.
Jon Peterson, Executive Director and Founder of P3 Theatre Company, discusses the transition.
“After the pandemic lifted, the venue we were renting in Long Beach was no longer available to us,” explained Peterson. “After some time, we decided to look in the Greater Los Angeles area. There are so many great venues available, and there’s definitely a huge demand for the arts.”
P3 Theatre’s first major production in Los Angeles will be “Day After Day” (The Life and Music of Doris Day), a sentimental and nostalgic celebration of the legendary singer and actress. The choice to revive this show was intentional — it was P3’s last production before the Covid-19 shutdown.
“‘Day After Day ‘ was a very successful production,” said Peterson, noting that it earned Deborah Robin the Best Performer in a Musical title at the Orange County Theatre Guild Awards. “It’s such an endearing show with tons of recognizable music and the dynamic story of Doris Day.”
While dazzling performances are integral to P3’s mission, the company is equally committed to community outreach. Peterson emphasized that the move to the West Hollywood and Hollywood areas, offer opportunities to collaborate with other nonprofits and expand access to the arts for marginalized groups.
“There is a huge demand for the arts in this region,” said Peterson. “We look forward to bringing shows that audiences are excited to see, as well as introducing new works that will enhance their theatrical experience.”
One of P3’s signature initiatives is P3 Educates+, a program designed to provide performing arts workshops to underserved communities. Catering to all ages – which Peterson describes as 0-100+ – the workshops include improvisation, acting, and singing.
“It provides more than just an education of theatre,” Peterson explained. “[It provides] a level of entertainment that marginalized communities may not have an opportunity to experience otherwise.”
Supporting LGBTQ+ stories and artists is also a core priority for P3 Theatre Company. Peterson highlighted the company’s commitment to producing both new LGBTQ+ works and celebrated classics.
“Our stories need to be told and heard,” Peterson emphasized. “What better way to do so than through the arts?”
Among P3’s proudest achievements are the world premieres of two acclaimed works by playwright Jiggs Burgess. The Red Suitcase won the prestigious Del Shores Playwright Competition, while Wounded earned multiple awards at the Hollywood Fringe Festival in 2023. The latter’s success secured an off-Broadway run at Soho Playhouse in New York City, with performances continuing in 2024 and 2025.
P3 Theatre Company has ambitious long-term goals for its future in Los Angeles. Peterson hopes to build a strong audience and donor base while eventually securing a permanent performance space.
“P3 Theatre Company’s long term goal is to grow a solid audience and donor base in Los Angeles – and to find ‘the perfect theatre’ to hang our hat in.” Peterson said. “It is our plan to call Los Angeles our home and to continue to produce professional theatre in a community where theatre is thriving.”
For those eager to experience P3’s return to the stage, tickets for Day After Day (The Life and Music of Doris Day) are now available. As Peterson says with confidence, “We know the audiences will love it!”
For more information about P3, head to www.p3theatre.biz
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Potential Pope Francis successor views homosexuality as an ‘abomination’
Governor Newsom supports bill to put LGBTQ helpline number on student ID’s
OUTSpoken Verse comes to WeHo’s The Wild
Governor Newsom supports bill to put LGBTQ helpline number on student ID’s
Chronicling disastrous effects of ‘conversion therapy’
Local actor Mike Bowers returns to Live Spot at Musical Mondays
OUTSpoken Verse comes to WeHo’s The Wild
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