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Final Curtain for the Gay Men’s Chorus?

Unsubstantiated accusations rock the chorus as John Duran departs

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Artistic Director Dr. Joseph Nadeau saying goodbye. (Photo by Troy Masters)

It was a long time ago when gay men with KS lesions covered up with makeup and frail, thin men propped up by their brothers sang their hearts out to weeping audiences watching their friends defiantly use music to resist the dying of the light, to proudly stand as a band of brothers fighting discrimination and AIDS, sometimes tossing in a sassy gesture of fun flamboyancy.

After all, the Gay Men’s Chorus of Los Angeles started in 1979 as a social organization to give gay men an alternative to the bars. In fact, Jerry Carlson, co-founder of a gay chorus in Chicago, caused some consternation when he took over as conductor in 1980 and started transforming the singing group into a more professional chorus worthy of tackling Leonard Bernstein’s “Chichester Psalms.”

The chorus also realized their larger responsibility of representing gay men in a hostile world. In 1985, a year after AIDS first hit them hard, the chorus won a blind audition to sing at the American Choral Directors Association western division conference. However, when the association discovered that the winning group was gay, they tried to withdraw the invitation. Backed by the ACLU, the chorus filed suit and the association relented.

“It was a powerful experience,” Jon Bailey, chair of the music department at Pomona College, and former head of the Institute of Sacred Music at Yale University, told gay Los Angeles Times reporter David Colker for a huge Dec. 1988 feature. “They sang very well, with great confidence. There were standing ovations.”

In July 1986, Carlson developed AIDS. The 95-member group met to develop a contingency plan and invite Bailey to take over when the time came.

“Jerry was very close to all of us,” Craig Woodbury told The Times. “When we talked about him, we were talking about how all of us had the potential for coming down with the disease.” They pledged to affirm who they were as gay men and to support each other.

Carlson died at his West Hollywood home on Nov. 23, 1987. He was 31.

That Gay Men’s Chorus doesn’t exist anymore.

At a Jan. 28 meeting, the once famous brotherhood seemed more like “Boys in the Band” meets the Salem Witch Trials as members fumed over how to get rid of longtime GMCLA board chair John Duran and executive director Jonathan Weedman.

The basis for their fury was a report in WEHOville that appears to heavily emphasize innuendo and claims from anonymous sources, relying particularly on “[a] person involved with GMCLA and with intimate knowledge of the incident, who asked not to be identified for fear of being thrown out of the organization.” This person suggests having direct knowledge of the report conducted by “private investigator Steve Rodig of RCS Investigations and Consulting, a former Anaheim police officer.”

WEHOville reports that Rodig was hired to investigate an allegation “that Weedman, who is 59, had forced a then-20-year-old chorus member to perform oral sex on him in December 2017….However, it also has been said that Weedman performed oral sex on the young man.”

GMCLA executive director Jonathan Weedman during bomb threat. (Photo by Troy Masters)

In Duran’s case, a young man, subsequently identified in the LA Times as Jason Tong, alleged that Duran inappropriately pushed his fingers into the waistband of Tong’s underwear last October as they were dressing for a joint concert with the Gay Men’s Chorus of Mexico City at the chorus’ performance home at the Alex Theatre in Glendale to launch its 40th anniversary.

WEHOville reported that “Duran has denied the allegation, noting that the alleged incident took place in a room full of 150 people. A half dozen of those near Duran said they did not see the alleged incident take place. Duran said he asked to meet with the young man, who was a part-time GMCLA employee, but that he declined to meet Duran and resigned from GMCLA.”

GMCLA Board Chair John Duran. (Photo by Troy Masters)

In both instances, the allegations were vehemently denied by Weedman and Duran and were investigated by credible outside investigators hired by GMCLA’s own counsel who found no evidence to support either charge. However, since both are Human Resource issues, those reports remain under seal for privacy reasons, having only been seen by the counsel, and the executive committee of GMCLA’s board of directors—all of whom read through the reports and agreed with the investigators’ conclusions.

The board includes longtime activist, politico and attorney Diane Abbitt (MECLA, ANGLE, EQCA) and Betsy Butler, executive director of the California Women’s Law Center, neither of whom would shirk their responsibilities or risk their reputations by ignoring or glossing over any allegation of wrongdoing, even for a friend.

Abbitt also chairs the HR Committee and told the LA Times for their story that GMCLA has policies and procedures in place to discreetly handle any claim of harassment or abuse. In her 10 years on the board, this is the first and only allegation against Duran.

“If there was a problem, if there were allegations of sexual harassment, they would have been brought to the board,” Abbitt told the LA Times. “Nobody has even asked me privately to have a discussion about allegations of sexual harassment or misconduct.”

So what happened and why now, after 40 years, have these dismissed allegations surfaced in the media and been given credibility, causing an existential crisis for the once beloved Gay Men’s Chorus of Los Angeles?

The Los Angeles Blade has spoken with a number of people, some of whom would only speak off the record or on background. But three individuals independently told the same story about what was told to investigators for their reports that we think we can reliably report how the allegations came to be dismissed.

A number of people believe the crisis started with a behind-the-scenes power-clash between Weedman and Artistic Director Dr. Joseph Nadeau. (The Los Angeles Blade reached out to Nadeau but received no reply.)

GMCLA had not had an executive director for seven months and fundraising was slow with a lot of debt. Weedman, the well-known longtime Wells Fargo Foundation Senior Vice President and fine arts advocate, was hired in Feb. 2017 to “shepherd the organization’s considerable 270-plus choral membership,” and use his relationships with people with money to create new opportunities for donations.

Weedman made a number of changes that he deemed necessary but several people grumbled over his management style and his leadership capabilities.

Despite celebrity appearances and wider visibility, ticket sales had been declining and audience surveys said the chorus’ quality and sound were declining. Weedman and some board members wanted to try different artistic approaches. Nadeau was reportedly furious, especially that he had to report to Weedman, as opposed to reporting to the board as he had requested. After six years with the chorus, he resigned, taking his final bow on Sunday, Dec. 16, 2018.

But before then, odd things started happening.

On June 21, there was a bomb threat at the Alex Theatre and everyone was evacuated. On the same day, flyers with photos of Weedman began to circulate accusing him of sexual misconduct. Fearing a crazy person was targeting him, he installed surveillance cameras on his house.  A month later, postcards start circulating, this time with photos of Weedman, Duran and board member Steve Holzer. No one can figure out who was doing it or why. Shortly thereafter, the story about Weedman and Duran appeared in WEHOville.

What sources say Weedman told the investigator was that the young man came from a troubled background, was looking for money and Weedman offered him a job to help inventory about 300 boxes in his garage. The job took several days, during which Weedman, his husband Raymundo and the young man went to dinner and the man spent the night in the guest bedroom. Later, when Raymundo is in Mexico, the man comes over again to work. They go to dinner, a movie and then by the time they get home, it’s late so the man spends the night again.

But this time, late in the night, the young man comes into Weedman’s bedroom, pulls down his pants and says he wants to cuddle. He gets into bed, Weedman freezes—he and his husband are monogamous—quickly gets out of bed, goes to the kitchen then curls up on the couch to sleep. The next morning is awkward. Five months later, Weedman started wondering if the young man might be behind the nasty rumors because the man wanted his help getting an audition at a school, which Weedman did not do. When the investigator asked, Weedman said he did not do what he was accused of doing.

The investigator’s report was reviewed and discussed by the entire board and no action was taken.

“What this all comes down to is what I think has been a well-orchestrated, highly-choreographed, deliberate attempt to slander me, to slander John Duran, and to remove us from our posts in the chorus,” Weedman told the Los Angeles Blade. “It has been pervasive, it has been persistent, it has been ongoing, and I can’t even – I don’t know when the next bomb is going to drop, because the people who are doing this are hell-bent.”

In Duran’s case, the criminal defense attorney and West Hollywood mayor also says he didn’t do what’s alleged, nor did he know Jason Tong. Duran told the investigator that the alleged incident happened 15 minutes before the curtain, five witnesses can attest to not knowing Tong or if Tong was even present and that they did not see Duran supposedly tuck his fingers’ into Tong’s waistband.

When the investigator pointed out that Duran had five witnesses, Tong apparently recanted and withdrew his complaint before resigning.

The LA Times subsequently reported that two more people had come forward—but neither of them had filed a complaint with the GMCLA board or HR or gone through any of the procedures outlined to the membership.

Much has been made of the one filed complaint against Duran (later withdrawn) juxtaposed against the backdrop of the City of West Hollywood’s settlement of a lawsuit filed by his former deputy, Ian Owens, as if the settlement alone suggests guilt. However, as the LA Times reported after the verdict in Michelle Rex’s trial in May 2017, jury found Rex’s allegation of being fired because she supported Owen’s claim to be unsubstantiated. Duran and Owen both took the stand in that trial.

“I was called to the stand and testified under oath in the Rex trial where the Owens claim was resurrected.  And Owens also testified at that trial,” Duran told the Los Angeles Blade. “Owens testified that I NEVER touched him or sexually assaulted him.   His testimony was that I showed him pictures of men that I had been intimate with and that he found it objectionable.

“I testified that was true but that Owens also showed me pictures of men he was sleeping with. We were friends before he worked at city hall and what we did by sharing photos of men we had been with – was true,” Duran said. “The difference was that I said he did not find it objectionable and that he never complained about it with HR.  Ever.

“Remember that Owens had NEVER filed a claim with the city about sexual harassment until he was walked out of city hall for unlawfully eavesdropping on his colleague.  Once that happened, he raised the issue of sexual harassment for the first time,” Duran said.

The bigger issue, Duran said, is the culture clash happening right now. Older gay men who lived through the sexual liberation movement of the 1960s and 1970s are rooted in finally being free to no longer being ashamed of their desires as if they were perverse and evil and were emboldened to experience and express their sexuality in drag or leather or through safer sex during the AIDS crisis. They could flaunt their sexuality in the same way heterosexuals have flaunted their sexuality as the norm for years.

But today, with the MeToo movement re-shaping the culture, that open expression of sexuality has to be negotiated in many new ways.

“We haven’t figured out how to talk to each other about it yet,” Duran said. “We have to recalibrate and step up. But the younger generation never had to fight for their lives or fight for the right to sexual identity and culture. It is critical that we figure this out or we’ve going to have one generation constantly at the throats of another.”

And meanwhile, with the loss of due process where an accusation is given more weight that the conclusion of an independent investigation, the Gay Men’s Chorus is facing its final curtain.
Duran, who credits GMCLA for saving his life after he got sober in 1996 and joined the chorus in 1998, may be leaving before the end of his term this summer.

After years of being in the spotlight as a community leader or as an attorney representing an important client in a highly publicized case, Duran enjoyed being “one among many” as a member of the chorus. But the value of his fundraising, his board participation, and his membership has been besmirched by an accusation that was discredited and withdrawn but lives on in the rumor-mongering of those who wish him gone.

They may get their way—and with him goes several board members. And Weedman may also depart, taking with him several board members.

And then there is the expected decision by many foundations and corporate sponsors not to invest in an organization with any kind of controversy.

So that leaves GMCLA without a board chair, without a number of board members, without an executive director or Artistic Director and around $180,000 in debt with upcoming fundraisers, like the Voice Awards (the group’s largest fundraiser) that will no doubt have to be cancelled.

And right now it appears that the 50 or so members leading this ouster, what Duran called a “coup d’etat,” apparently have no plan other than to “burn it down and start all over. Well, it doesn’t work that way.”

Years ago, GMCLA stood up to AIDS and the hate-mongers but today, members apparently cannot stand up to or for their own.

– Troy Masters contributed to this story.

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Los Angeles

Anger, resistance and unity coursed through L.A. City Hall “No Kings” protest

The Blade photographed Saturday’s demonstration as thousands mobilized and marched

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Protestors joined in chants and made calls for community action (Blade photo by Kristie Song)

On Oct. 18th, a mosaic of Angelinos across generations and cultural backgrounds gathered outside of city hall as they proudly lifted handmade signs decrying President Trump and the current administration. This march was one of several rallies organized just within the city, and one of thousands others organized across the nation.

The protest was packed, with people standing nearly shoulder to shoulder as a number of local leaders including Black Women for Wellness Action Project policy analyst LaKisha Camese, TransLatin@ Coalition president Bamby Salcedo and Assemblymember Isaac Bryan, made rousing speeches and led passionate chants before the march began. Speakers like political commentator Brian Tyler Cohen did not hold back when they addressed the crowd. “[They are] so desperate to rebrand this thing as a ‘Hate America’ rally. But do you know what hating America looks like?,” asked Cohen.

Image captures by Blade reporter Kristie Song

“It looks like sending secret police accountable to no one into our cities…It looks like keeping the government closed because you are so hell bent on stripping away health care from 24 million Americans and trying to get their costs to double, triple or quadruple. So if you’re looking for the ‘Hate America’ rally, might I suggest the White House.”

Protestors cheered at the top of their lungs with each passing speech, and each clear and explicit denouncement of the current administration. “There’s no rally like what’s happening here in Los Angeles,” said Assemblymember Bryan. “This is where Black, brown, poor, indigenous, everyday people come together…Washington D.C. doesn’t care about us, and we know that. But, we care about each other, don’t we? We believe that health care is a human right, don’t we? We believe that housing is a human right, don’t we? We will stand up to authoritarianism, won’t we? Because when we fight together, what happens? We win!”

As people began to grow restless, the march finally began, taking them to a highway overpass.

As residents boarded a bus at Cesar E. Chavez and Broadway, they were halted by blocked roads as large congregations marched by. Transit riders looked on into the crowds, their faces mere inches from some of the passing protestors. Separated by a layer of window glass, one nodded along as protestors lifted their signs above their heads and chanted “ICE out of LA!” Some waved to people inside the stalled bus, inviting solidarity from those who weren’t marching alongside them.

When the road cleared, their calls could still be heard for a little longer.

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Los Angeles

L.A. County Supervisors vote to declare local emergency in support of immigrant community members

What does this declaration mean, and what’s next?

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Community advocates heard from Supervisors Horvath and Hahn before the Board of Supervisors meeting on Oct. 14th (Blade photo by Kristie Song)

On Tuesday morning, a downpour loomed heavy over the Kenneth Hahn Hall of Administration as leaders and supporters from grassroots coalitions like Immigrants are LA and the TransLatin@ Coalition gathered inside Room 140C. They were present for a press conference with County Supervisors Lindsey P. Horvath and Janice Hahn, who together co-authored a motion to proclaim a local emergency in Los Angeles County in regards to the federal government’s actions targeting immigrant communities. 

The press conference offered a moment of solidarity before the Board of Supervisors meeting happening immediately after, where the motion would be voted upon. “One of the grounds for declaring this emergency is that we can’t do it alone, and we know that county government cannot protect our residents alone,” Horvath told the Blade. “We need our cities to join with us. We need the state to join with us. That’s why declaring the state of emergency is so critical. That way, they know this isn’t business as usual. We need help.”

In the last four months, immigration operations and raids have become widespread in Los Angeles and throughout the country. In January, President Trump declared a national emergency targeting a “catastrophic immigration crisis” before issuing a proclamation “restricting the entry of foreign nationals” on the basis of national security in June. Three months later, the Supreme Court voted to pause restraining orders that would have limited immigration operations that, as advocates argued, violated civil rights.

In response to this, Supervisors Horvath and Hahn deemed it necessary to move forward with a proclamation of their own. But what does codifying and declaring a local emergency do?

“Clearing a local emergency allows the county to promulgate orders and regulations to provide for the protection of life and property,” explained Senior Assistant County Counsel Thomas J. Faughnan at the Board of Supervisors meeting. “It allows the county to request assistance from the state. It permits mutual aid to any affected area. It provides the county with certain legal immunities for emergency actions taken, and it permits the county to obtain vital supplies and equipment needed for the protection of life and property and the ability to require emergency services of county personnel.”

Supervisor Horvath also stressed that the declaration would allow local officials to accelerate various processes in locating and delivering support services to immigrant community members. “This is about action and speed. It means Los Angeles County can move faster. We can coordinate better. We can use every tool available to support and stabilize our communities,” Horvath said at the press conference. “Today, we declare an emergency — not from a place of panic, but from a place of purpose.” 

It would be several hours before the proclamation was addressed at the board meeting. Still, over 10 people were waiting to be patched through on the phone so they could voice their opinions. Over 10 more people waited in person, and 79 others submitted their public comments online.

Many residents who spoke voiced their support for the declaration, echoing the importance of providing protections to their immigrant neighbors. There were also a few individuals who expressed opposition and hesitation about the potential consequences of relief efforts. One person, who only identified themself as “Doreen,” opposed potential eviction relief that could follow the declaration’s passing. “I disagree with the consideration of an eviction moratorium for those who are vulnerable. I truly believe the Board of Supervisors is operating on emotions and retaliation,” said Doreen. “So you mean to tell me that you would like to bend the law to conform to those who are here illegally?” 

Amongst the five supervisors, there was general support for the declaration — but also some apprehension about what would come from it. “We see citizens and municipalities taking real, meaningful, tangible action against these federal agents being in their communities,” said Supervisor Holly J. Mitchell. “Is there anything in this declaration that would empower us to take similar action?” 

While these actions can only become clearer with the passing of the declaration, other matters were clarified through this discussion. For one, the declaration will not lead to requests to the federal government for mutual aid. Additionally, the Constitution’s Supremacy Clause — which states that, if conflicting with one another, federal laws take precedence over state laws — will not hold up in the instance of illegal actions committed by federal agents during their immigration operations. 

After deliberation, the motion was passed, with the only “no” vote coming from Supervisor Kathryn Barger. This declaration of local emergency remains in effect until terminated by the Board of Supervisors, and a press release from Supervisor Horvath’s office states that county departments will be able to take “necessary emergency actions to protect and stabilize” impacted communities. 

The Blade will follow up with further stories as these emergency actions are developed and rolled out.

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Los Angeles

Trans and nonbinary immigrants experience greater levels of poverty, new report finds

A recent study looks into the disproportionate rates of homelessness and poverty trans and nonbinary immigrants face in L.A.

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(Blade file photo by Michael Key)

In a new report published by the Williams Institute, a local research center focused on conducting studies around LGBTQ+ communities and public policy, analysts reviewed data from the 2023-2024 L.A. County Trans and Nonbinary Survey and concluded that transgender and nonbinary immigrants face significantly greater rates of unemployment and homelessness than trans and nonbinary Angelinos who are not immigrants. 

Created in partnership with the TransLatin@ Coalition (TLC), an organization that works to defend and advance the rights of trans, gender-expansive, and intersex (TGI) community members, and co-authored by TLC president Bamby Salcedo, the report looks more deeply into the 98 trans and nonbinary immigrants surveyed from a broader pool of 322 respondents in the initial 2023-2024 survey. 

What were the key findings?

73% of the trans and nonbinary immigrants — and 80% of trans Latine immigrants — who were surveyed live at or below the federal poverty level, compared to 44% of trans and nonbinary non-immigrants surveyed. These numbers are not meant to pit these communities against one another, but rather to highlight the disproportionate amounts of poverty that trans and nonbinary people of color and immigrants face in the city.

39% of the trans and nonbinary immigrants polled also reported being unhoused, compared to 19% of the non-immigrant participants. 47% of the immigrant participants reported that they were unemployed, compared to 22% of non-immigrant participants. 

Another wide discrepancy is revealed in access to educational resources. 30% of the TGI immigrant respondents, including 41% of TGI Latine immigrants, reported having less than a high school or GED level of education, compared to 8% of non-immigrants. Nearly half of the trans and nonbinary immigrants surveyed reported that they were unemployed, and 30% reported that they lacked health insurance and thus delayed seeking necessary medical care over the last year.

“It is essential that these communities are included in county-wide problem-solving and policymaking,” said Salcedo, in a press release about the study. Last month, the Blade reported on the TLC’s launch of its TGI: Housing Initiative, a campaign that would allow the organization to work with the county’s affordable housing solutions agency, LACAHSA, to invest funds into homelessness prevention resources for transgender, gender-expansive, and intersex community members. TLC members advocated for the initiative at LACAHSA’s board meeting on Sept. 17th. There have yet to be updates on whether or not the agency will support the initiative. 

Another related Williams Institute report is set to be published later this month.

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Los Angeles

The TransLatin@ Coalition campaigns for $20 million to support new housing initiative

If approved, the funds will go towards homelessness prevention

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ChiChi Navarro speaks at the TransLatin@ Coalition's press conference on Sept. 17. (Blade photo by Kristie Song)

On Wednesday afternoon, over 50 people gathered in the heat outside the Metropolitan Water District. They waved large transgender pride flags and chanted at the top of their lungs: “Aquí está la resistencia trans!” Here is the trans resistance.

Leaders of the TransLatin@ Coalition (TLC), an organization formed by transgender, gender-expansive and intersex (TGI) Latine immigrants to support their fellow community members, led these jubilant calls for action at their press conference yesterday. 

TLC organized this event to announce the launch of their new campaign, the TGI: Housing initiative. The group hopes to partner with the Los Angeles County Affordable Housing Solutions Agency (LACAHSA), an organization that was established in 2023 after the passing of SB 679: a bill aimed to increase affordable housing in the region.

What is TLC asking for? $20 million to invest into their communities. If approved, the funds would be allocated towards homelessness prevention resources like housing rental assistance and legal support clinics, specifically for TGI system-impacted individuals, seniors, transitional age youth, disabled community members and immigrants. “We are investing in people, not just programs,” said Queen Victoria Ortega at the press conference. Ortega is a chief visionary officer for the Connie Norman Transgender Empowerment Center

“Housing is the foundation for opportunity,” Ortega continued. “When you are able to be in a safe, warm home, you’re able to take your medications. You’re able to take a respite. You’re able to think about the next step that you’re going to take. And really, why wouldn’t you want that for your neighbor? I end with saying: invest in trans lives.” 

Authors of a June 2024 report published by the Williams Institute, a research center that informs public policy for LGBTQ+ communities, found that 47% of trans and nonbinary adults in the county live below 200% of the federal poverty level and face significant food insecurity and housing instability.

TLC is calling upon LACAHSA to utilize money from Measure A, a countywide half-cent sales tax that went into effect this April. The measure, meant to address the county’s homelessness crisis, generates over $1 billion annually and 33.75% of these funds are provided to LACAHSA. This amounts to over $380 million for the organization.

“Right now is the time for us to be invested in. We have a federal government who is trying to erase our existence,” said Bamby Salcedo, president and CEO of TLC, to the crowd. “That is why we’re calling on the LACAHSA board to commit to community engagement and partnership to ensure that this funding is community-led and that it is invested in all of us.”

Then, Salcedo led another chant. “Can we do it? When I say ‘People,’ you say ‘Power!’ People!” “Power!” Their voices carried like bells across the courtyard: a loud, clear and unbroken chorus.

As the press conference came to an end, TLC leaders encouraged community members to attend the LACAHSA board meeting happening right after, at 1 p.m. ChiChi Navarro, an active local advocate and a policy intern at TLC, explained how to make the most of their allotted minute during public comment. “Focus on your experiences,” said Navarro. “Focus on what you’ve gone through whenever you’ve tried to acquire housing. We understand that as a community, sometimes we’re affected simply for being who we are — and they need to listen to that. We are here in numbers so we won’t be silenced. Aquí está la resistencia trans!”

Many walked into the board room together at the Metropolitan Water District. Over ten community members took to the podium to share their personal experiences with homelessness, in both Spanish and English.

“As transgender, non-conforming and intersex individuals, we face unique challenges, especially those of us who are people of color, disabled or trans women who’ve experienced violence,” said Arianna Taylor, who was unhoused for three years. “$20 million allocated for TGI housing represents more than just funding. It represents hope, dignity and safety for people who, like me, have been forced to navigate a world of violence, stigma and exclusion.” 

As Salcedo and her fellow TLC staff wait to hear more updates from LACAHSA, they will return to their work: empowering their community. “I’m really grateful that people are understanding that they have to advocate for themselves,” Salcedo told the Blade. “It is important for us to speak about what our needs are, and also try to find a solution. And please do come to our organization and see how we can support you.”

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Los Angeles

LGBTQ+ proponents respond to “devastating” Supreme Court ruling

Supreme Court allows “unlawful” immigration operations to continue

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(Blade file photo by Michael Key)

Since June, federal agencies began conducting mass immigration operations in Los Angeles and other major cities. For just as long, local residents, leaders, and advocacy groups have challenged their arrest and detainment practices, citing that their methods have violated constitutional rights. 

In July, individual workers were joined by organizations like the Los Angeles Worker Center Network and the Coalition for Humane Immigrant Rights in filing a lawsuit against the Department of Homeland Security (DHS), arguing that federal agents had been illegally arresting people based on their perceived race, language and work — a violation of the Fourth Amendment.

As a result, two temporary restraining orders were issued, barring federal agents from stopping individuals without reasonable suspicion. DHS was also ordered to provide access to legal counsel for detainees.

On Monday, the Supreme Court voted to end this and granted the federal government’s application for a stay — or pause — of the temporary restraining orders. This will allow immigration operations to continue, and how they will proceed worries local leaders. 

“This Supreme Court ruling strikes at the heart of who we are as a nation—allowing immigration agents to stop and detain people for little more than speaking Spanish or having brown skin,” wrote District 51 Assemblymember Rick Chavez Zbur, a longtime advocate for LGBTQ+ civil liberty. “This endangers our communities, undermines our democracy, and erodes constitutional rights.” 

Some city officials hope to continue providing resources and support to affected community members. “As the raids were taking place across the region and in our own City, we took immediate action to ensure there are adequate resources to care for and support immigrants and their families,” wrote West Hollywood mayor Chelsea Byers. “This work will continue.”

West Hollywood was one of several Los Angeles county municipalities that filed a motion to intervene in the ongoing lawsuit, calling for the court to stop the federal government from conducting unlawful stops and searches that were based on assumed race and not on probable cause. It also activated its West Hollywood Responds program to raise awareness on available services like legal toolkits and training, consultations, access to free meals and more.

Local organizations are also extending their support. “The Supreme Court’s ruling is a devastating setback for Latine and immigrant communities, especially LGBTQ+ people who already face immense barriers to safety and belonging,” wrote Terra Russell-Slavin, the Los Angeles LGBT Center’s chief strategy officer. Russell-Slavin explained that the center has expanded free legal clinics both virtually and throughout the city to provide Know Your Rights workshops and other immigration and asylum support services.

“You are not alone,” Russell-Slavin continued. “And the Center will continue to stand with you.” 

On September 24, the federal district court will hold a hearing to consider additional evidence and a possible preliminary injunction that will pause this most recent ruling.

Kristie Song reports for the Blade courtesy of the California Local News Fellowship

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California

Williams Institute reports impact of deportations on LGBTQ immigrants

Latest report suggests transgender, nonbinary and intersex immigrants face significantly higher safety risks

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Williams Institute at UCLA has released its latest report, highlighting the intersection between LGBTQ and immigration issues and the impact of the U.S. Customs and Immigration Enforcement (ICE) raids across Los Angeles on LGBTQ people. 

According to the brief, LGBTQ immigrants who hold legal status, but who are not naturalized citizens may also face challenges to their legal right to reside in the U.S. 

Recent reports indicate that non-citizens with legal status are being swept up in immigration operations and several forms of legal status which were granted at the end of the Biden administration are being revoked. Those include: Temporary Protected Status (TPS) for some Venezuelan immigrants, as well as those from Afghanistan and Cameroon, while Haitian nationals are now facing shortened protection periods, by up to six months. 

The Justice Department has proposed a new rule which grants the government border authority to revoke green card holders’ permanent residency status at any time. This rule is currently under review by the Third Circuit Court of Appeals, which could significantly affect non-citizens who are currently documented to reside in the county legally. 

Supervisorial District 1, under Supervisor Hilda L. Solis, and Supervisorial District 2, under Supervisor Holly J. Mitchell would particularly be affected as it contains the city center of Los Angeles and nearly 29,000 LGBTQ, noncitizens would face the harshest impact. Those two districts contain many of the county’s historically Black, Latin American and Asian, Pacific Islander neighborhoods. 

For transgender, nonbinary and intersex immigrants arrested or detained by ICE, there are additional impacts regarding how federal law defines biological sex and gender identity. The Trump administration has signed an executive order which redefines “sex” under federal law to exclude TGI individuals. This adds an extra thick layer of possible violence when TGI individuals are placed in detention centers or in holding that does not correspond to their identity.

According to the report, ‘transgender, non-binary, and intersex immigrants must navigate an

immigration and asylum system without information about how federal agents will respond to their gender identity and with the risk of greater violence if placed in detention centers, given the effects of this executive order.’

The brief estimates the number or foreign-born adults in Los Angeles County who will be potentially affected by the Trump administration’s executive orders on mass deportations. 

Graphic courtesy of Williams Institute at UCLA.

Using previous data from other Williams Institute Studies and reports from the University of Southern California Dornsife Equity Research Institute and data from the Pew Research Center, the latest brief states that there are over 1.35 million LGBTQ-identifying people across the U.S., with 30% of them residing in California. 

The report further points to 122,000 LGBTQ immigrants who reside within LA County specifically, making Los Angeles County home to about 10% of all LGBTQ adult immigrants in the U.S. 

While 18% of those Angelenos are foreign-born, only around 7%, or 49,000 of them do not hold legal status. 

Using research from the Pew Center and applying an estimate, that means that there are approximately 23,000 undocumented LGBTQ across LA County and the remaining 26,000 LGBTQ immigrants in the county have some form of legal status. 

Among the LGBTQ population of adult immigrants in California, approximately 41,000 are transgender or nonbinary. That figure also points toward approximately 5,200 of them residing in LA County. According to the proportions applied for this estimate, the Williams Institute approximates that around 3,100 transgender and nonbinary immigrants in LA County are naturalized citizens, over 1,100 have legal status and just under 1,000 are undocumented. 


According to a brief released in February by the Williams Institute, ‘mass deportations could impact 288,000 LGBTQ undocumented immigrants across the U.S.

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Los Angeles

LA Black Pride: ‘We are no longer waiting to be seen’

Joy as power, presence as protest, visibility that refuses to be diminished

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As Los Angeles Black Pride (LABP) gears up for another saucy season of celebration, culture, and resistance, we are proud to announce a new six-week media partnership between LABP and the Los Angeles Blade. This collaboration is not just promotion but intention. It is about making sure Black queer voices are not just heard, but honored and amplified.

To kick it off, we are excited to announce that Saucy Santana will headline LABP’s Saturday night main stage. Known for their unapologetic energy, queer-centric bops, and fearless showmanship, Santana represents exactly what LABP is about — joy as power, presence as protest, and visibility that refuses to be diminished.

The theme for LABP 2025 is “Black Queer Futures Are Now: We Are No Longer Waiting to Be Seen.” Our partnership sets the tone for what’s to come. It is a shared commitment to telling Black queer stories, past and present, and investing in what’s to come.

What started as a party born out of necessity has now become a full-scale movement. LABP Executive Director Brandon Anthony, who began his journey throwing parties like Ice Cream Thursdays, recounts the roots of this project:

“It started off as something I felt was missing… a space that felt like us: where the music hit right, where the energy felt familiar, and where we could just be,” he says. “What began as a vibe we needed grew into a platform. Now, it’s a business, a brand, a movement, but at the heart of it, I’m still just someone who wanted to create space for my community to feel good, feel seen, and feel proud.”

From nightlife to nationwide recognition, LABP is proof that when Black queer folks create for themselves, the result is not just representation, it’s revolution. In a landscape where many Pride events still sideline Black and Brown voices, LABP has become a necessary act of reclamation.

“Because if we don’t, who will?” Anthony asks. “Too often we get left out or placed in the background. Our energy, our style, our voices — we drive the culture. When we center ourselves, it gives others permission to do the same. Joy is more than a feeling, it’s a form of resistance.”

That resistance has never been more needed. From limited funding to systemic erasure, LABP continues to thrive against the odds. But the message is clear: thriving should never necessitate struggle.

“We’re not just asking for visibility — we’re asking for the tools to thrive,” he explains. “Now more than ever, we need partners who are aligned with the people, not just the optics.”

With the 2025 theme of “Legacy and Leadership in Action,” LABP honors the trailblazers who paved the way. Icons like Jewel Thais-Williams, founder of the legendary Catch One, are celebrated annually through the Jewel Thais-Williams Award.

“Catch One wasn’t just a nightclub, it was a safe haven,” Anthony shares. “Legacy isn’t just about the past. It’s about lifting up the folks doing the work right now and keeping that energy alive.”

LABP continues that work through programming that extends far beyond June. Year-round initiatives include pop-up markets, health services, creative workshops, and political advocacy.

“One of the moments that really showed what we stand for was the All Black Lives Matter march in 2020,” he says. “We co-led it alongside Gerald Garth, and it was powerful to see thousands show up for Black Trans lives. That wasn’t just a moment – it was a movement.”

Whether it’s showcasing emerging artists on stage, uplifting Black trans creatives, or building platforms for new leaders, LABP is focused on making sure the next generation has room to grow.

“When people are given a platform to show what they can do, it creates more than visibility, it creates momentum,” he says. “That’s what keeps everything moving forward.”

And with names like Saucy Santana taking center stage, that movement is gaining speed. Santana’s headlining performance isn’t just a concert — it’s a declaration. It says that Black queer talent is main-stage worthy, every time. This partnership is not performative – it’s purposeful. It’s a bridge between platforms, audiences, and shared values.

“LA Blade has a huge reach, and by choosing to amplify Black queer voices, they’re helping bridge gaps and build deeper understanding,” says Anthony. “This isn’t about charity or tokenism. It’s about showing the world who we are, what we’re building, and why it deserves to be seen.”

In the words of LABP’s ongoing mission: We are no longer waiting to be seen. We are building what’s next.

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Cumbiatón returns to Los Angeles right in time for Pride season

‘Que viva la joteria,’ translates roughly to “Let the gayness live”

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Healing and uplifting communities through music and unity is the foundation of this event space created by Zacil “DJ Sizzle Fantastic” Pech and Norma “Normz La Oaxaqueña” Fajardo. 

For nearly a decade DJ Sizzle has built a reputation in the queer POC and Spanish-speaking undocumented communities for making the space for them to come together to celebrate their culture and partake in the ultimate act of resistance — joy. 

Couples, companions, comadres all dance together on the dancefloor at Cumbiatón. (Photo courtesy of Cumbiatón).

Cumbiatón was created during the first Trump administration as a direct response to the erasure, racism, homophobia and xenophobia that was engrained into the administration’s mission for those first four years. Now that the second Trump administration is upon us, the racism, homophobia, transphobia and xenophobia are tenfold.

This event space is a ‘party for the hood, by the hood.’ It is led by women, queer and trans people of color in every aspect of the production process.

The recent fires that burned through Altadena and Pacific Palisades made DJ Sizzle decide to step back from marketing the event in Los Angeles, an area where people had just lost their businesses, homes and where their lives were completely thrown for a loop. 

Now they’re back, doubling-down on their mission to bring cumbias, corridos and all the music many of us grew up listening to, to places that are accessible and safe for our communities. 

“I started Cumbiatón back in 2016, right after the election — which was weirdly similar because we’re going through it again. And a lot of us come from the Deferred Action for Childhood Arrivals (DACA) movement. We were the ones to really push for that to happen along with the DREAM Act.”

DJ Sizzle says that she wanted to create a space out on the streets to celebrate life and come together, because of how mentally and physically taxing it is to be a part of the marginalized communities that were and still are, a major target for ongoing political attacks.

Edwin Soto and Julio Salgado pose for a photo at a Cumbiaton event in 2024. (Photo courtesy of Cumbiatón).

“We need these spaces so that we can kind of refuel and rejoice in each other’s existence,” said DJ Sizzle. “Because we saw each other out on the street a lot, but never did we really have time to sit down, have a drink, talk, laugh. So I found that music was the way to bring people together and that’s how Cumbiatón got started. It was honestly like a movement of political resistance through music.”

DJ Sizzle is an undocumented community organizer who aims to not only bring awareness to the issues that her communities face, but also to make space to celebrate the wins and bond over the music that brings people in Latin America, East L.A., Boyle Heights and the Bay area together.  

Julio Salgado, a queer, visionary artist and migrant rights activist from Ensenada, Baja California with roots in Long Beach and the Bay Area, connected with DJ Sizzle over their shared passion in advocating for immigrant rights. 

“Cumbiatón was created during the first [Trump] administration, where you know, a lot of people were really bummed out and so what Sizzle wanted to create was a place where people could come together and celebrate ourselves,” said Salgado. “Fast-forward to the second [Trump] administration and we’re here and feel a little bit more like: ‘oh shit, things are bad again.’ But, things have always been bad.”

Salgado is involved with Cumbiatón through his art. He is a mixed-media artist who creates cartoons using his lived experience with his sobriety journey, undocumented status and queer identity.

With a background in journalism from California State University, Long Beach, Salgado documents what activists do in the undocumented spaces he has been a part of throughout his life. 

In 2017, Salgado moved back to Long Beach from the Bay Area, and at the time he started doing political artwork and posters for protests against the first Trump administration, but because the nature of that work can be very tiring, he says that he turned to a more uplifting version of his art where he also draws the joy and unity in his communities. 

When he and Sizzle linked up to collaborate during that time, he thought he could use his skills to help uplift this brand and bring it to the forefront of the many events that saturate the party landscape. 

DJ Sizzle doing her thing on stage, giving the crowd the music they went looking for. (Photo courtesy of Cumbiatón).

“We are familiar with using the dance floor as a way to kind of put the trauma a little bit away just for one night, get together and completely forget,” said Salgado. 

Coming from an undocumented background, Salgado and Sizzle say that their experience with their legal status has made them very aware of how to go about the ID-check process at the door for their events. 

“When you’re undocumented, you have something called a [High Security Consular Registration (HSCR)] and it’s kind of like your ID and many of these heterosexual clubs would see that and say it was fake,” said Salgado. “But at the gay club, they didn’t care.” 

Just being conscious of what that form of ID looks like and knowing that it’s not fake, helps many of the hundreds of people who come through for Cumbiatón, feel just slightly more at ease. 

Edwin Soto, who is another community activist and leader in the undocu-queer community, is also involved in the planning and organizing of the event. 

In the long journey of making Cumbiatón what it is now, they say that they have all been very intentional about who they bring in, making sure that whoever they are, they also understand the experience of being undocumented and accepted anyway. 

“Something that Sizzle and the team have been very intentional about is making sure that [the security at the door] knows that someone might be using their consulate card,” said Soto. 

Bringing together this event space is no easy task, considering the fact that their events are deeply thought out, intentional and inclusive of not just people of color, but also people with differing abilities and people who do not reflect the norm in West Hollywood clubs. 

“We created the space that we were longing for that we did not see in West Hollywood,” he said. “[Cumbiatón] is what life could really be like. Where women are not harassed by men. Where people are not body-shamed for what they’re wearing.” 

When it comes to their lives outside of Cumbiatón and partying, Sizzle says that it does get exhausting and planning the event gets overwhelming. 

“It is really difficult, I’m not going to lie,” said DJ Sizzle. “We are at a disadvantage being queer and being undocumented because this administration triggers us to a point that, anyone who is not a part of those identities or marginalized communities would ever be able to understand,” said Sizzle. “There are times where I’m just like: ‘I’m going to cocoon for a little bit’ and then that affects the marketing and the communication.” 

Usually, the events bring in hundreds of people who are looking for community, safety and inclusion. (Photo courtesy of Cumbiatón).

That’s a little bit about what goes on behind the scenes — which really shouldn’t come as a surprise for anyone who is out there fighting for basic human rights, while also making the space to party and enjoy themselves.

“I’m really trying to find balance and honestly my life raft are my friends and my community,” she said. “Like, being able to share, being able to have this plática, and be like ‘bitch, I see you and I know its fucked up, but we got each other.’”

Cumbiatón was made with the purpose of making space to include and invite the many different people in these communities who are otherwise sidelined in broader conversations and in party scenes where they are not as inclusive or thoughtful about their attendees. 

“How beautiful is it to be queer and listen to rancheras and to norteñas and cumbia, and to just own it,” said Soto. 

To join Cumbiatón at their next party, visit their Instagram page.

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California

LA Pride 2025 announces grand marshals and parade theme

The parade will also pay tribute to the city’s first responders, relief organizations, agencies, officials and others who stepped up during the January fires

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The theme for the parade set to take place on Sunday June 8, at 11 a.m., will fittingly be “Pride Marches On,” and this year’s parade grand marshals will be Niecy Nash-Betts and wife Jessica Betts, Andrew Rannells, and Trino Garcia and Adam Vasquez, who are also known as ‘TrinoxAdam.’

Rannells, a Grammy-winning, two-time Tony-nominated actor celebrated for his work on stage, screen, and television, is this year’s LA Pride Celebrity Grand Marshal. 

“I’m truly honored to be this year’s Celebrity Grand Marshal of LA Pride,” said Rannells. “I don’t take it lightly and I just hope in some small way I can reflect the strength and resilience of the queer community, especially in times like these.”

Rannells made his TV directorial debut with Amazon’s “Modern Love” and is widely recognized for his role as Elijah Krantz on HBO’s “Girls,” which garnered a Critics Choice nomination. He recently appeared on Hulu’s “Welcome to Chippendales” and Showtime’s “Black Monday,” earning him yet another Critics Choice nomination. Rannells is also an author, director and Broadway actor. 

Nash-Betts, one-half of this years Vanguard Marshals, is a multi-talented Emmy Award-winning actress, producer and director who has captivated audiences on many projects across the big screens. Soon, she will be making a big appearance starring opposite Kim Kardashian, Naomi Watts, Sarah Paulson, Teyana Taylor and Glenn Close, in Ryan Murphy’s “All’s Fair” Hulu TV series about an all-female legal firm. 

Chicago native Betts will join her wife Nash-Betts as the other half of this years Vanguard Grand Marshal’s of the parade. Betts is an acclaimed singer-songwriter known for her original electric and acoustic rock and soul music. The two have been married since 2020 and in 2022, they made history as the first same-sex couple to grace the cover of Essence magazine, receiving a nomination for a GLAAD Media Award.

“We are thrilled to have Niecy Nash and Jessica Betts as this year’s Vanguard Grand Marshals,” said Gloria Bigelow, CSW board member. “As individuals and as a couple, they exemplify the beauty of living authentically and embracing love in all its forms. Their presence serves as a shining example for our community, reminding us to celebrate who we are, love fiercely and never back down from our Pride.”

TrinoxAdam will be this years Community Grand Marshals. The two are a loving gay couple who have dazzled the queer, Latin community with their content showcasing how they reclaim the cholo, or ‘xolo’ identities. They went viral on social media after sharing a romantic kiss on a bridge overlooking the 110 Freeway in Los Angeles. Now famous on social media, the two make content about their love, challenging traditional perceptions of masculinity, sexuality and Chicano culture. 

“Pride is about loving yourself and accepting yourself for who you truly are,” said Trino Garcia and Adam Vasquez. “Being this year’s LA Pride’s Community Grand Marshals is the biggest honor and our greatest accomplishment, knowing we’ve made an impact and helped people find acceptance within themselves and finally feel the true meaning of Pride.”

This year, the parade will also pay tribute to the city’s first responders, relief organizations, agencies, officials and others who stepped up during the fires that devastated Altadena and Pacific Palisades, in a special “Heroes of the Wildfires” section in the lineup. 

Los Angeles County Fire Department marches in the 2024 LA Pride Parade. (Photo courtesy of LA Pride)

“This year LA Pride marks a pivotal moment for both the Los Angeles and LGBTQ communities,” said Gerald Garth, CSW board president. “Despite facing unimaginable challenges, our community has always emerged stronger. This year’s theme, ‘Pride Marches On,’ symbolizes the strength of our community, and no matter the fire, hate or fear, Pride will always forge ahead. We look forward to embodying this spirit while celebrating resilience, hope and togetherness.”

The parade will be hosted by “Good Morning America” Saturday and Sunday co-anchor and ABC News transportation correspondent Gio Benitez and “ABC7 Eyewitness News” anchors Ellen Leyva and Coleen Sullivan. 

After the Parade, LA Pride will host LA Pride Village on Hollywood Boulevard. Now in its fourth year, this free street festival will feature programming on two stages, welcome over 80 booths with local vendors and nonprofits, dozens of sponsor activations, giveaways, games, scores of food trucks, and two 21+ full-service bars.

For the third year in a row, LA Pride will also be featuring “Ballroom Battle,” the voguing competition created by New York City’s Black and Brown LGBTQ+ communities made famous by the documentary, “Paris is Burning,” Madonna, and the FX show “Pose.” LA’s premiere ballroom houses such as House of Miyake Mugler, House of Ninja, and House of Gorgeous Gucci will compete in front of celebrity judges, including Margaret Cho, who will also be in the parade, riding with longtime LA Pride alumni Project Angel Food.

A curated art exhibition called “Bring the T” will feature works in multiple media by trans artists that represent and explore themes around trans discrimination and erasure but also activism, determination and fearlessness.

The parade is set to broadcast live on Sunday, June 8, from 11 a.m. to 1 p.m. PDT on ABC7/KABC-TV Los Angeles. 

The live broadcast will include comprehensive coverage from ABC7 news reporters David González, Sophie Flay and Kevin Ozebek, who will be reporting directly from the parade route, capturing all the festivities.

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Features

Meet the new co-presidents of the NLGJA LA Chapter

The National Lesbian Gay Journalists Association’s LA Chapter under new leadership

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Canva graphic by Gisselle Palomera. Photos courtesy of Hansen Bursic and Katie Karl.

An award-winning documentary filmmaker and a news producer make up the dynamic duo who now run the Los Angeles chapter of the NLGJA: The Association of LGBTQ+ Journalists. 

NLGJA is a nationally recognized affinity group meant to unite journalists from dozens of different industries, who identify as members of the LGBTQ community. 

The national chapter recognizes the work and contributions of LGBTQ journalists who work to further the narratives by queer, trans and gender non-conforming people. 

Hansen Bursic, 27, pisces, is one half of the dynamic duo who now run the L.A chapter. 

Katie Karl, 30, gemini, forms the other half. 

Last year, Bursic and Karl took over as interim co-presidents and have been able to grow the local chapter to include a diverse and wide range of voices on the Board of Directors and on the membership list. 

The chapter has hosted a long list of events that include collaborations with other local and national organizations with roots in Los Angeles, such as GALECA: Society of LGBTQ Entertainment Critics and the Asian American Journalists Association. 

It became the first time in the Los Angeles chapter’s history that there was such a shift in leadership, with two people taking over the leading role. 

“It was just too big of a job for one of us to do, especially in rebuilding. So we decided to get together and come on as co-president’s, which was recommended by the national president, Ken Miguel,” said Karl. 

When it comes to the chapter’s mission, Bursic says it’s a two-fold goal. 

“We want to build a sense of community for queer and trans journalists in Southern California and we also want to advocate for those journalists any chance we get by building the spaces where journalists can meet each other, breaking down barriers and trying to reduce gatekeeping of opportunities for our members so they can thrive and find a place in Southern California newsrooms,” he said. 

Many of the events that are hosted by the NLGJA LA Chapter are free and open to the general public through RSVP. One of the common misconceptions the affinity group faces, is that many people feel as though their work may not directly correspond to the work pursued by current members of the group. However, that is not the case. 

“Together, we really want to make sure that everyone feels included,” said Karl. “I’m in broadcast and Hansen is in documentary and together we really push to make sure that no matter what kind of journalist you are, you know there is a space for you and you feel welcomed.” 

The organization welcomes members and people to attend their public events, who work in industries that are adjacent to the work journalists do and those who might just be creatives with multi-hypenated titles. 

Bursic has a full-time day job in communications for a nonprofit, but his creative work extends far beyond his work in communications. His energy and passion lie in documentary filmmaking. Bursic recently directed and produced “Trans Heaven Pennsylvania” (2024). The 12-minute documentary is about the 2010s in Pennsylvania, where each year, a group of trans women would take over a small American town for a week-long party. The documentary was funded through the Creative Hope Initiative, an incubator for emerging LGBTQ filmmakers sponsored by Traverse32 and Outfest Film Festival. 

The film most recently screened internationally in London, at the Bethnal Green Working Men’s Club. Its next screening will be at the Grandview Theater Drafthouse & Cinema in Columbus, Ohio on May 3rd. 

Bursic has a notable list of accomplishments, including making the 30 under 30 list at Temple University in 2023. He has also been named a DOC NYC Documentary New Leader, has had a spot in the Ford Foundation Rockwood Documentary Leadership Fellowship and Sundance Film Festival Press Fellowship.

Karl was born and raised in the Greater Los Angeles area, is a dedicated news producer with extensive experience in live news coverage and team coordination. Currently a freelance writer and producer at KABC, she brings years of experience from her work at stations like KPNX, KHQ and KEYT. 

Karl, says the experience of connecting with the members more, has been really rewarding. 

“Going forward, my goal is to grow the chapter in name and recognition,” said Karl. “I want our [reach to get] across other organizations in other areas of journalism and that’s why I joined the board in the first place.”

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