Los Angeles
UN honors Cyndi Lauper for human rights and LGBTQ advocacy (interview, photos)
Cyndi Lauper at “Home for the Holidays” in LA Dec 10, 2019. (Photo by Rich Polk/Rich Polk, courtesy True Colors United)
Donald Trump aside, most Americans believe the United Nations tries to peacefully fix global problems. Feminist historians note, for instance, that Eleanor Roosevelt, as the determined chair of the UN Human Rights Commission, crafted the Universal Declaration of Human Rights and wooed and cajoled commission members — despite some members’ deeply held misogynistic attitudes toward women — to accept this still relied-upon model of how human beings should behave toward each other.
It is something of a symbolic marvel, then, that in this Trumpian era — 71 years after the UN General Assembly adopted the Declaration, establishing Dec. 10 as Human Rights Day — that the UN came to Los Angeles to present a prize for LGBTQ advocacy, a component of human rights it took the UN decades to acknowledge.
That’s what happened Dec. 10 when Laurent Sauveur, representing the UN office of Human Rights, flew from Switzerland to Los Angeles to present singer, songwriter, actor and LGBTQ icon Cyndi Lauper with the first High Note Global Prize for her LGBTQ advocacy worldwide. The brief ceremony occurred during Lauper’s annual “Home for the Holidays” all-star concert at The Novo benefiting True Colors United, her non-profit organization advocating for LGBTQ homeless youth.
“Today is a very special day. Today is Human Rights Day,” Sauveur said, noting the adoption of the Universal Declaration of Human Rights by the international community. “This is why it is a beautiful symbol to award, on this very day, the first High Note Global Prize to Cyndi Lauper. Cyndi is an artist who is fiercely dedicated to make the promise of the Declaration – that all human beings are born free and equal — the reality for everyone.”
Musicians, the UN representative said, “hold a very special place in society as they have the ability to inspire people to take action. And we are honored to celebrate one of its greatest tonight – Cyndi Lauper. Throughout her career, Cyndi has been an advocate – a remarkable advocate – for women’s rights, and for the rights of the LGBTQ community. She has written and sung their songs and powerfully embodied the cause of equality, touching the lives of millions through her work with True Colors United.”
Other than outbursts of applause, The Novo Theater was still as Sauveur spoke. Yes, entertainment, laughter, and songs by unlikely duets such as Lauper and Marilyn Manson and with Henry Rollins was the call of the evening. But there was also a sense that this event served a transformative higher cause.
Keish presents Cyndi Lauper with UN High Note Global Prize (Photo by Rich Polk, courtesy True Colors United)
It was there in the catch in Kesha’s voice as she introduced Sauveur before joining him to present the honor. No one who watched the 60th annual Grammy Awards in January 2018 can forget the powerful moment of sisterhood when Lauper and other women clad in suffragette white emotionally backed up a defiant Kesha singing “Praying,” symbolizing the enormity of the #MeToo movement.
“This Global award holds a special place for artists as it’s given to a remarkable person who uses their musical gifts to promote human rights and to speak truth to power,” Kesha said. “As many of you know, Cyndi has spent decades fighting for human rights – for LGBTQ rights – and she has never backed down. A recent example was her testimony to the U.S. Senate in which she secured approximately $250 million in new annual funding to invest in preventing youth homelessness – of which a disproportionate number is LGBTQ youth. Cyndi has stated that ‘we each have a personal responsibility to make sure LGBTQ youth are treated with dignity and respect.’ I couldn’t agree more.”
Laurent Sauveur, Chief External Officer of United Nations Human Rights, and pop superstar Kesha presented Cyndi Lauper with the first-ever High Note Global Prize on December 10, 2019 in Los Angeles. (Photo by David Rose)
Lauper took the large multi-color Venetian plate from Keisha, looked at it, turned to Sauveur and said, “This is like some kind of art! It’s a real piece of art!”
Cyndi Lauper tells the “Home for the Holidays” audience about LGBTQ homeless youth (Photo by David Rose)
Then, in her own passionate fashion, Lauper spiritually channeled human rights activist Eleanor Roosevelt, sharing that her activism is motivated by knowing that 40 percent of the youth among America’s more than 4 million homeless are LGBT kids who are there just because of who they are. But, just as Roosevelt sought a solution for the hatred targeting refugees after World War II, Lauper said she believes the problem of LGBTQ youth homelessness is “fixable.”
Backstage: Chantel Sausedo, Executive Producer of The High Note Global Initiative; Laurent Sauveur, Chief External Officer of UN Human Rights; Cindy Lauper, High Note Global Prize Laureate; superstar Kesha; and David Clark, Creator of The High Note Global Initiative. (Photo by David Rose)
Greyson Chance gave artistic testimony to Lauper‘s power of inspiration. He sang a ballad about loving someone who does not love you back, such as children who love rejecting parents, and told a story of how, at age 13 in 2011, he and Lauper performed at the Human Rights Campaign gala honoring President Barack Obama.
Chance sat between his mother and Lauper when Obama gave an impassioned speech about equality and the work ahead for activists in the civil rights community. Lauper took his shoulder, got New York aggressive and told him to take Obama’s words to heart as the foundation for both his mission in life and of his music. That was a moment of revelation, Chance said, and when he finally did come out as a gay man in Oklahoma and started knocking on doors for Freedom Oklahoma, he thought about Lauper’s inspiration when he felt discouraged and lost. Now 21, he knows he’s one of the lucky ones whose parents did not discard him into the heap of millions of unwanted LGBT youth who live in our streets.
Cyndi Lauper, James Duke Mason, Belinda Carlisle backstage at The Novo at LA Live. (Photo courtesy Duke Mason)
The message resonated. “It was a truly incredible night. Not only for me as the son of one of the performers, but it was amazing as a young gay man to see the outpouring of love and support for the most vulnerable in the LGBTQ community. Incredibly moving and powerful,” longtime West Hollywood activist James Duke Mason told the Los Angeles Blade. Mason’s mother, Belinda Carlisle, sang a duet with Lauper on her LGBTQ anthem “True Colors.”
Belinda Carlisle and Cyndi Lauper sing “True Colors” (Photo by Rich Polk, courtesy True Colors United)
Belinda Carlisle and Cyndi Lauper after singing “True Colors” (Photo by David Rose)
Lauper initially came to the attention of the LGBTQ community in the early 1980s with the playful “Girls Just Want to Have Fun” with a video full of girls of color.
Gay men with AIDS seized the song as a defiantly joyful response to the inevitability of death.
“I saw many of my friends ill. I saw everyone ill. It was unfortunate that at that time the president did not acknowledge AIDS even though his friend Rock Hudson was very ill with it,” Lauper told the Los Angeles Blade in a phone interview. “But yeah, I know that it gave a lot of people joy. I wanted it to.”
And perhaps that’s the simple genius of her soulful connection to humanity: Lauper wants to use her artistic talent to benefit others, as exemplified in this line from “Kinky Boots:” “If your glitter rusts/ Let me raise you up (and up).” In 2013, she made history becoming the first woman to win a Tony Award for best score as a solo female writer for that Broadway hit.
“Kinky Boots” star Billy Porter (Photo by Rich Polk, courtesy True Colors United)
“I’m a friend and family of the community,” Lauper told the Los Angeles Blade. And her life has been enmeshed with the community, through the struggles of her lesbian sister Ellen and her friends, such as her best friend Gregory Natal who had been kicked out of his home at 12 for being gay, survived homelessness on the streets, and subsequently died of AIDS at age 27.
“Blue Angel, Gregory—- his nickname was blue because he had blue eyes,” she said. “We did the ‘She Bop’ video [accidentally inspired by gay porn] together and that was around the time he told me that he had AIDS. And as he got sicker and he was in the hospital, he wanted me to write a song for him like ‘That’s What Friends Are For’ and that’s Burt Bacharach. But I am not Burt Bacharach remotely, one could only aspire to be like that.
“But I wrote about what I knew. So I wrote ‘Boy Blue’ and my grief. And fortunately, that was a song in which I poured out my heart and liver, which is not good for repetitive play,” Lauper said. “I wanted it to be live and I wanted the sound of that drum to have the soul, that archaic part of your soul that you call too, because it was an important song. So I wanted a call to people’s souls and then I wanted to speak to the tender part in their heart. And so that’s why I sung it like that.
“And in the end, it turned out to be just what Gregory wanted because years later I realized that that song helped a lot of people, a lot of different kinds of people, people who were ill, people who were different, people who were so sad,” Lauper said.
Lauper got super creative for her video performance of “The Ballad of Cleo and Joe,” inspired by a “very Fellini-esque” dance troupe of drag performers with whom she’d gone on the road. Very pregnant with her nine pound son, she glued little mirrors on her stomach to make it look like a disco ball and mimed moves while turning on a turntable. “What was I trying to tell my [unborn] son? That it’s an inclusive world and we are who we are and it’s good to embrace who you are and once you accept yourself, you can accept others, too, ” she said.
But it was “True Colors” that brought emails, first one, then another, then an avalanche. “It was all these emails about people who were disenfranchised by their friends, their family, and their jobs. They had nothing, nothing. And they were suicidal and they heard this song and it gave them strength and they were able to not kill themselves. And then I thought, “People killing themselves just because of who they are?” So I called my sister and I talked to her it and I said, “El, when the time comes, you and me, we’ve got to get something about this.” And she said, “Absolutely.” And then when the time came and we did that campaign with PFLAG, Stay Close, we did that together.”
Lauper says her “ah-ha moment” about becoming the kind of artist/activist the UN honors occurred “back in the aughts (2000s) when I heard actually the president at the time speaking as if hate crimes against LGBTs was okay and it’s not okay. And when civil rights was just being pared down and down and down, and that made me first say, ‘You know what? Enough is enough now.’ And anything I could do to use my voice, I felt like, ‘Let’s do this.’”
Cyndi Lauper and Judy Shepard in 2014 (Photo from Lauper’s Twitter page)
Meeting Matthew Shepard’s mom Judy Shepherd — she is on the board of the Matthew Shepard Foundation — and meeting Gregory Lewis and Kathy Nelson through the Human Rights Campaign that “really changed my perspective on things,” Lauper said, “because I, at one point, felt like, ‘What the heck? No matter what we do we’re just still pawns here.’ And then I felt that you can do something. I stepped into it and then before I knew it, things were actually changing. We were doing something. We had the inclusive True Colors tours,” focused on “LGBT homeless youth because this is a fixable situation because they’re only homeless because they’re LGBTQ. And that means that with programs and advocacy and helping people get back on their feet and back into society. And it will help society itself because throwing away youth because of who they are is not a solution of any kind, it’s just a very close-minded ignoramus kind of thing.”
Lauper didn’t want to discuss Donald Trump, whom she knew from New York and for whom she says she did not vote. She had not remembered the ads he took out against the Central Park Five, and while he bad mouthed her dear lesbian friend Rosie O’Donnell, she wanted to use her appearance on Season 9 of the “Celebrity Apprentice” to promote and win money for what was then called her True Colors Fund.
But Lauper’s firing in Episode 9, which aired May 9, 2010, prefigured behavior Americans now see since the Trumps moved into the White House. Lauper was fired “for telling Mr. Trump that the color of the celebrity room, which was the judges’ favorite room and for which Cyndi was given much credit, was actually Holly’s idea. Cyndi was also criticized for bossing around the men who had come to work on the apartment,” according to an analysis on Wikipedia.
Apparently judge Don Jr. wanted to fire Holly Robinson-Peete, until Lauper told the truth, which Trump’s son called a “tactical mistake.” As she exited, Lauper as the experience was “like high school.”
“Well, [Trump’s] son said that it was not easy being his son, which obviously it’s not. But I think that I just would have had no idea. I have no comment on that,” Lauper told the Los Angeles Blade. “I want to stay in the politics of uniting people, not separating them.
“I do believe in the Constitution. I really do,” Lauper said. “I don’t care if you’re Republican or Democrat or liberal – what the heck, we’re all Americans. And as long as we can talk together, we can solve things together and that’s what we’re supposed to do. And we have a Constitution that protects us with checks and balances and that’s what we should believe in and that’s what I believe in. That’s what I was taught since I was a kid.
Cyndi Lauper singing at “Home for the Holidays” concert Dec. 10, 2019 in LA (Photo by Rich Polk, courtesy True Colors United)
“I have nothing to say about the President,” Lauper said. “I only have something to say about what we can fix in this country together and we can help each other. And you don’t throw youth away, ever. And the most fixable, logical fix is the LGBTQ kids because they’re just there because they’re LGBTQ, which is not a problem. The only problem is they’re homeless and they need to be helped. And they’re the most vulnerable, too. Because these youths have other issues. And so once we learn about this most complex issue, we fix that then the others are easier to fix, you understand?…We need the advocacy, the programs, and a helping hand.
“If your glitter rusts, let me raise you up,” Lauper adds, quoting a line from “Kinky Boots.”
One imagines Eleanor Roosevelt would have cheered Cyndi Lauper being awarded a human rights award by the United Nations.
Los Angeles
Nikko LaMere’s photo exhibit “JOY!” documents the euphoria of Black queer nightlife
Now available to view at the LA LGBT Center, “JOY!” is a raw preservation of Black queer nightlife, fantasy and self-discovery.
It’s 2018, inside queer dance party Ostbahnhof, and the floor is packed with a sweaty, hypnotic energy as people groove to the sexy, lush soundscapes of techno and deep house. Photographer and visual artist Nikko Lamere rushes to grab their disposable camera, accidentally spilling some of their whiskey ginger on someone, and snaps a couple of shots of their friends: immortalizing their uninhibited joy and movement forever.
Eight years later, these photos LaMere captured across various local queer dance parties comprise their newest and largest photo exhibition yet: “JOY!” Displayed at the Los Angeles LGBT Center, “JOY!” is a raw documentation of Black queer nightlife, fantasy, and euphoria. It includes two of LaMere’s major bodies of work and follows the artist’s queer journey and creative evolution.
The exhibit’s opening on Feb. 13 is one of two events in the Center’s “Highly Favored” programming series that uplifts Black queer liberation every February. The next event comes this Saturday, and is a celebratory dance party akin to the ones documented in LaMere’s photos.
Prior to this exhibit, LaMere was most known for their saturated and stylized editorial work with contemporary music phenoms like Doja Cat, SZA, Latto, Billie Eilish and Kehlani. Propelled at a young age into flashy spaces with modern-day tastemakers and legends, LaMere sought refuge in photography throughout their adolescence. Their fascination with the camera began in elementary school while growing up in Culver City, when their grandmother gifted them a Nickelodeon-themed camera to take photos with.
Their eye and talent were reinforced with praise, and this love for the craft grew from curiosity to solace in high school. Bullied for being gay and femme, LaMere sought refuge at the library, where they first discovered the technicolor, surreal work of visionary photographer David LaChapelle. This became a direct pathway for LaMere’s own career: one that, though successful and fulfilling in its own way, led to a need for change.
For so long, the camera was a means to fulfill someone else’s vision. Now, LaMere began to use it as a tool for connection and raw documentation. In 2018, they didn’t set out to create what is now their “In the Night” photo series; they were simply trying to explore their own queer journey, and preserve the friendships and environments that made them feel comfortable in their own skin.
That vulnerable process of “becoming” is one they hadn’t touched upon in their previous work. For the first time, they couldn’t carefully and methodically create the shot; whatever they snapped was based purely on instinct, a fleeting moment of true and embodied tenderness, ecstasy, and freedom.
“To have this body of work shot all in black-and-white, for it to be so gay and Black — it feels really affirming,” LaMere said. “These are the most raw images and things I could create. There’s no Photoshop. There’s no retouching. It’s literally straight from the camera. It just is. I think part of joy is being able to just be, and that’s what these images are.”
“JOY!” also includes LaMere’s work, “Queer Fantasy,” a collection of 40 black-and-white film portraits and interviews with local queer performers, artists, and everyday people. This newer project grew from the core of “In the Night,” and is another intentional project focused on highlighting the beauty and individuality of queer Angelenos. Each person is asked: “What is your queer fantasy?,” illustrating that queer fantasy is not only a transformative kind of rebirth: it is a process built by radical efforts to cultivate joy, success, and safety in the face of violence and discrimination.
For LaMere, “JOY!” is about this process and the moments of self-discovery found on the dance floor, where you can really feel tethered to the person you’re becoming while “the world is burning around you.” While speaking with LaMere, I am grounded by the words of DJ, artist and organizer Darryl DeAngelo Terrell.
“Here, in this space we as black people [are] forced to find liberation in our own bodies, it’s in us, deeper than melanin, and it is activated by bodily acts,” Terrell writes. “We Move* in ways that others can not fathom to understand. Through these acts, we find the most beautiful yet temporary forms of true freedom; we find joy, peace in these acts.”
“JOY!” is available to the public on Wednesdays and Thursdays from 11 a.m. to 4 p.m. More information about the exhibit and “Highly Favored” can be found here. This Saturday’s queer dance party will also honor special guests Hailie Sahar, a starlet on the revolutionary FX show Pose, as well as filmmaker and ballroom culture documentarian Elegance Bratton.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
A new “queer summer camp” cycling event rises from the legacy of AIDS/LifeCycle
The LA LGBT Center will host its first ever “Center Ride Out,” a 3-day community cycling adventure from Los Angeles to San Diego.
On April 24, 500 cyclists will meet at Elysian Park before dawn, stretching and preparing for a 110-mile ride through urban scenery and rolling hills. They will be part of the Los Angeles LGBT Center’s inaugural “Center Ride Out,” a 3-day journey that takes riders through Los Angeles and Temecula, reeling to a stop at the San Diego LGBT Community Center.
The cycling adventure is a rejuvenating, communal queer experience that taps into the importance of shared joy and advocacy in the fight to defend LGBTQ+ rights. Its roots are sacred for many queer elders: Center Ride Out rises from the legacy of the cherished AIDS/Life Cycle (ALC), a seven-day cycling adventure from San Francisco to L.A. that formed in 1994 and ended with its last ride in 2025.
In its 31-year run, ALC riders raised over $300 million for HIV and AIDS resources, services, and awareness. This year, Center Ride Out provides a new, exciting extension of this important event, allowing cyclers to raise funds in support of the LA LGBT Center, The San Diego LGBT Community Center, and the LGBTQ Community Center of the Desert.
This support is crucial as LGBTQ+ organizations face a new crisis: widespread defunding. In the last fiscal year, the LA LGBT Center lost $9 million in federal support, according to its CEO Joe Hollendoner. The funding raised by Center Ride Out’s participants will help offset this loss and keep the organization’s various programs and services, from gender affirming care and HIV prevention resources to LGBTQ+ senior and youth support, afloat. “We anticipate further divestment in our work by the Trump administration, [so Center Ride Out] allows people to align their own personal passions with our mission in a broader way,” Hollendoner told the Blade.
Altogether, Center Ride Out participants will cover nearly 200 miles of ground together. At the end of the first 110-mile day from L.A. to Temecula, where riders will get to look at historic landmarks and embark on a museum lunch stop together, the day culminates at campgrounds at Lake Skinner.
Here, riders can take a full rest day at their lakeside camp, where it will exude queer summer camp vibes. There will be massage and medical services, arts and crafts activities, dance parties, and time to relax and connect with the community. “Folks [can] build relationships, have some fun, and feel safe. That’s a feeling a lot of people [need] right now, especially our trans and nonbinary siblings,” Hollendoner said.
Day 3 ends with an 87-mile downhill, coastal ride through the town of Rainbow in northern San Diego County, before ending with a celebratory bash at the San Diego LGBT Community Center.
Hollendoner rode ALC five times while it was active and is excited to be part of this new legacy from its very beginning. “I’ve heard our community elders talk about how powerful it was to be at the start of AIDS/LifeCycle, and the idea that I can be here at the start of Center Ride Out, an event that I hope will go for three decades or longer…It feels really exciting to me,” Hollendoner said.
For newcomers and experienced cyclists alike, Center Ride Out aims to provide an accessible experience: paring down the initial weeklong ALC ride to three days. To take part, cyclists are expected to raise $2,500 by April 10. For those who may struggle to reach this minimum, staff members have established a community fund.
The community fund will also provide scholarships for BIPOC, trans, women, and femme participants — historically underrepresented communities at ALC — as well as microgrants for BIPOC and trans-led teams to encourage a diverse range of cyclists.
Come April, scores of queer cyclists will get to experience this adventure together: one that is both storied and fresh in its purpose, lineage, and joyful expression of queer togetherness. “Center Ride Out is providing an exciting opportunity for people to not only fight back and be in community with one another, but to build resiliency and be surrounded by people who share values around liberation,” Hollendoner said.
To learn how to register, donate to or volunteer for Center Ride Out, more information can be found here. The three-day adventure takes place from April 24 to April 26.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Stonewall Young Democrats bounces back from “quiet year” with Hero Awards
On Saturday, Feb. 7, the Stonewall Young Democrats (SYD), an organization that mobilizes and fosters community for young, LGBTQ+ people, hosted its “Hero Awards” ceremony at Beaches West Hollywood. Under luminous pink light, vibrant crowds of community members showed up to support and celebrate people and organizations spearheading LGBTQ+ visibility, change, and livelihood across L.A. County. Political figures filled the venue wall to wall, including LA Mayor Karen Bass, West Hollywood Mayor John Heilman, West Hollywood Council Member John Erickson, and California Assemblymember Rick Zbur.
Several local advocates and politicians were honored for their queer advocacy and leadership, including City of Los Angeles LGBTQ+ community affairs liaison Carla Ibarra, L.A. Democratic Party Chair Mark Ramos, Congressman Mark Takano, and L.A. County LGBTQ Commission Chair Sydney Rogers. The Los Angeles Blade was also recognized with an Impact Award.
Los Angeles Blade publisher Alexander Rodriguez accepted the award. In his acceptance speech, Rodriguez shared, “We report on and share the struggles of our queer community. We also get to see the resilience and strength our community has, even in the face of adversity. We see firsthand the importance of the Stonewall Young Democrats and the amazing network of people they have put together, as seen here today.”
The Stonewall Young Democrats formed in 2004, immortalizing the 1969 Stonewall riots in its name. The decision to carry the legacies of early gay rights movements is poignant: queer resistance and their enduring battle against political and social marginalization and violence are seared into the organization’s core.
SYD’s President Kanin Pruter is keeping this link to the past alive; it’s a reminder of the interconnectedness of the queer community. “Our history is there for a reason,” Pruter told the Blade. “Without lesbians during the AIDS crisis, we would not be where we are today. And our movement was started by Black trans women.”
This recent Hero Awards marks SYD’s revitalization. After a relatively quiet year, its board is excited to grow its organization, recruit diverse and eager LGBTQ+ folks, and create fruitful opportunities for everyone in the organization to develop their political advocacy and organizing skills.
Most importantly, Pruter hopes that SYD can be a safe, inclusive, and accessible space for any LGBTQ+ person who has felt outcast before. “In a loving and joking way, we’re an island of misfit toys,” Pruter said, who is intentional about creating environments where queer folks who have experienced trauma, isolation, and exclusionary social politics can fit in and belong.
“I want folks to be open, vulnerable and leave any preconceived notions at the door. We come in here [and] we are who we are. We respect each other’s identity, and we’re here to foster a culture where everyone feels welcome.”
Pruter encourages young LGBTQ+ people who are interested in getting involved in SYD, to contact him and learn more about the organization. More information can be found here.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Project Angel Food is now able to feed 10,000 people daily with expanded building
On Thursday, community gathered to celebrate Project Angel Food’s new kitchen and campus building, which allows them to serve more of the county’s critically ill community.
On Feb. 5, community members gathered at 922 Vine Street to celebrate the expansion of Hollywood-based non-profit Project Angel Food. That Thursday morning, the organization cut the ribbon for its Chuck Lorre Family Foundation Kitchen and Campus: one of two new buildings that greatly increase its capacity to provide healthy food and nutritional resources to the county’s critically ill community members.
Project Angel Food was founded in 1989 by author and activist Marianne Williamson and blossomed from a dire need to feed people impacted by HIV/AIDS during the epidemic. Today, the organization cooks and delivers over 1.5 million meals, tailored to specific needs that include chronic illnesses and gastrointestinal issues, to 5,000 people across Los Angeles.
In August 2023, the organization launched its “Rise to the Challenge” campaign, a multi-year expansion and renovation project backed by $51 million. Now, its first phase is complete, and its impact is expected to double.
With the new Chuck Lorre Family Foundation Kitchen and Campus, Project Angel Food’s kitchen staff — which, like the rest of the organization, is majorly powered by volunteers — has access to 16,000 square feet of expanded space, which includes more ovens, walk-in freezers, and hot cook lines than they’ve ever had access to previously. Project Angel Food CEO Richard Ayoub explained today that this will allow staff and volunteers to serve 10,000 people a day.
The organization’s executive chef, John Gordon, explained to the Blade that “space issues” were a major hindrance previously. Before the new kitchen was opened, staff worked out of a much smaller Lincoln Heights facility. “If you didn’t get the rack, you don’t have the sheet pans. If you got the sheet pans, you don’t have the last chiller,” Gordon said, explaining how difficult it was before to balance multiple tasks in the same space. Now, their team of seven chefs, 12 kitchen assistants, dishwashers, and volunteers can work in several cook lines at the same time.
“We’re much more efficient this way,” Gordon continued. In the kitchen, the day begins at 8 a.m. Someone will pick music for the morning, setting a groove for staff as they sync up to review recipes, pack meals prepared from the day before, and cook meals for the next day ahead. After a lunch break, they continue to work until 4 p.m. to make sure they’re meeting the needs of the community they serve.
For locals like Celeste, a Project Angel Food client who is affected by multiple sclerosis, this service is crucial. On days the disability “really takes effect,” being able to receive nutritious meals customized to her needs makes a meaningful difference. “Some days, I’m not able to get up,” Celeste said. “Just that one meal [can] give me an extra boost [and] allow that sun to shine brightly even on my rainy days.”
For advocates and Project Angel Food supporters, Thursday’s celebration was also an act of resistance and a bold declaration against the federal administration. Jamie Lee Curtis, the honorary co-chair of the “Rise to the Challenge” campaign, spoke of the “love” that lay at the core of Project Angel Food’s foundation: a kind of love she finds completely absent in the federal administration.
“We are a community here today the same way they are in Minnesota, and I feel like what they’re doing is what we’re doing,” Curtis said to the crowd, defiance firm in her voice. “And we’re only going to get any shit done if we do it together and defy these motherfuckers.”
County supervisor Lindsey Horvath, a former delivery volunteer at Project Angel Food, affirmed this statement and guaranteed the county’s continued support in the organization. Horvath spoke of the government’s “glaring absence” during the HIV/AIDS epidemic: one that is “eerily similar” to its attitude now.
As the government mobilizes Immigration and Customs Enforcement (ICE) agents, sending immigrant communities spiraling into crisis, on-the-ground organizations like Project Angel Food are standing in firm support of their marginalized and ill community members. Horvath’s confirmation of county support is also rooted in this mission.
The building’s exterior also reflects the organization’s dedication to its residents. On the south side, a new large-scale mural painted by esteemed local muralist Robert Vargas highlights the stories of local volunteers and vendors who live and work in the neighborhood. Vargas explained that seeing these people in action “crystallized” the dedicated service and harmony that exists among the organization’s volunteers, clients, staff, and nearby community members.
Next, the second building of the Chuck Lorre Family Foundation Kitchen and Campus begins construction this summer. This space will house the organization’s nutrition, volunteer, and client services and will also include its first department dedicated to research and policy. There will also be a training kitchen, where clients will be able to learn how to cook meals on their own.
As Project Angel Food’s growth continues, Ayoub hopes community members who are able to pitch in will do so. While public funding can feel unsteady, he explained, community strength and sustainment can fill those gaps of doubt. The organization is $2.3 million away from its goal in securing capital for this second building, and Lorre will match donations up to $1.5 million.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Community members urge city council to invest in trans lives
Advocates introduced the TGI Wellness and Equity Initiative, a campaign that would direct crucial funding to trans, gender expansive and intersex community organizations.
At 9 a.m. on Tuesday, ahead of L.A.’s regular city council meeting, a long procession of people wrapped around the entrance leading into the council chamber. Someone remarked that it was “unprecedented” to see so many people gathered, waiting to get inside. Several housing advocates and legal experts were waiting to make public comments about Measure ULA, otherwise known as the county’s “mansion tax.”
Another fifty or so transgender, gender expansive and intersex (TGI) advocates from the TransLatin@ Coalition (TLC), a long-standing organization that provides housing and meal support, legal services, mental health guidance and peer support groups, showed up to demand real, tangible support on behalf of themselves and their community members as the Mayor prepares the city’s budget on how funds will be allocated.
TLC advocates called on the city council to invest in their TGI Wellness and Equity Initiative (TGI WE), a two-year pilot program that would provide $4 million to five organizations that support the safety and rights of local TGI people. This money would expand each organization’s ability to hire more staff and expand their outreach, resources, and ability to serve a continually underserved community: TGI Angelenos who are multiply marginalized as violence against trans people and immigrants continues to increase.
During public comment, TLC president and CEO Bamby Salcedo requested that the council move forward with the initiative. Aside from general support, she asked that two council members act as co-sponsors and petitioners for the initiative. This way, TGI WE can be added as an official agenda item for future city council meetings, which would get the ball rolling for the initiative’s funding goals.
“Right now is the time to stand in solidarity with our community and stand against the federal government, who is attacking and trying to disappear trans people,” Salcedo told council members. Several other advocates, including TLC policy ambassador ChiChi Navarro, Christopher Street West board member NiK Kacy and Invisible Men director Jovan Wolf delivered passionate statements in support of TGI WE.
“Los Angeles is in a state of crisis, and our communities are running out of time,” Navarro told the council. They also spoke to the county’s growing investment in LAPD, while TGI organizations receive nothing. “This is not a resource shortage. It is a resource allocation choice [that] is costing lives. We need this council to introduce the TGI Wellness and Equity initiative immediately…We cannot wait. We need urgent investment today.”
TGI WE would fund community-run organizations that focus on individualized care that is facilitated with language support and sensitivity training, a kind of care that is crucial for TGI community members who often face criminalization and discrimination at the hands of law enforcement agents.
“We are their lifeline, and we demand your support,” Jovan echoed. “It’s time for the city of L.A. to make good on its promises to be for everyone…You and all of us know that we have been marginalized, pushed to the sidelines, and we continue to be an afterthought in your budgets and your agendas.”
When the meeting concluded, TLC members rallied together for a demonstration, calling out: “Support trans lives!” as council members filed out of the chambers.
On the quiet walk back onto the street outside, Navarro reflected on the importance of this meeting and the effort community members made to be there. “A lot of the time, not just city council, [but] groups in general tend to forget trans people,” Navarro told the Blade. “Trans people are here. You saw today: clearly, we’re not a small pocket. I think we have to show them: we’re here [and] we’re not going anywhere.”
“It’s not great to be left in a place where you’re expected to continue to do the work, but without any actual support,” Navarro continued. Besides concrete funding, official citywide support for TGI WE would affirm that elected officials are willing to take a stance and take meaningful action when it comes to supporting TGI community members. “So it’s not just the money,” Navarro said. “L.A. has a motto, [that] L.A.’s for everyone. But I don’t know how you can say that when you’re not doing everything in your capacity to protect everyone.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
UCLA’s long-standing LGBTQ+ alumni organization welcomes new president
The Blade sat down with paralegal studies professor and local advocate Bobby Rimas to talk about intersectional leadership and his goals for the UCLA Lambda Alumni Association.
As a young student studying history at UCLA, Bobby Rimas was grounded by his growing desire to give back to his community. He worked as a tutor for low-income students and became invested in learning about the ways intersectionality impacts people’s access to education and resources. “My barriers may not be the same as yours, and your barriers may not be the same as mine,” Rimas told the Blade. “How do you apply that in leadership [and] in the classroom?”
After 15 years of service to UCLA’s various alumni networks, first beginning with the Pilipino Alumni Association, Rimas became president of the university’s Lambda Alumni Association on Jan. 1. The UCLA Lambda Alumni Association was formed in 1989 as a way to support LGBTQ+ students and graduates with professional development, scholarship opportunities, mentorship, and other outreach support.
UCLA has long been a local epicenter of queer activism and advancement. Students formed groups like the Gay Student Union and Lesbian Sisterhood in 1969 and 1973, respectively, to empower and connect queer students. Queer art and culture also thrived in this time, as students saw the launches of the queer campus paper, magazine, and a film festival that centered on LGBTQ+ stories.
Administratively, campus officials were taking a stance against LGBTQ+ discrimination. In 1975, UCLA Chancellor Charles E. Young banned departments and programs from discriminating on the basis of sexual orientation.
In the decades since, leaders like Rimas are working to preserve this history and also build upon it. How can we inspire students in and out of the classroom? How do we make sure they have access to valuable resources and can advocate for themselves in places that are not always inclusive of their needs and identities?
Rimas often ponders these questions, both as president of the Lambda Alumni Association and at Cal State LA, where he works as an associate professor of paralegal studies. There is often cross-pollination in the concerns he receives from alumni members as well as his students: How do they find employers who are accepting of LGBTQ+ people? How do they avoid being discriminated against in the workplace?
These are questions Rimas hopes to tackle more in his role as president of the UCLA Lambda Alumni Association and in his continued tenure as an educator. One of his first goals is to expand the board and bring on more diverse perspectives to the organization. “More people means more activity,” Rimas said, who hopes that the combined knowledge and resources of the board can better serve students and alumni.
Rimas also hopes to throw a large Gala event, one that mirrors the extravagant, celebratory 2019 bash he organized for the association when he was first brought onto the team. 100 people attended, creating a wave of awareness for the organization and increasing their scholarship funding.
What’s next? UCLA Lambda Alumni Association’s first board meeting is this upcoming Monday. Rimas hopes to discuss strategies to grow the organization’s presence beyond the campus’ reach, in other queer cornerstones like West Hollywood, elevating diverse LGBTQ+ voices, and improving ways they can professionally support their network’s members.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
South L.A. celebrated Black joy and resistance at yesterday’s Martin Luther King Jr. Day Parade
The Blade also sat with staff from Center South, a community site that champions the safety and health of South L.A.’s LGBTQ+ communities of color.
At 9 a.m. on Monday, Jan. 19, South L.A. community members gathered on the streets, holding onto lawn chairs and the hands of their children and family members. “Good morning,” one greeted. “Are you ready for the parade?” Neighbors laughed and hugged underneath the warm morning sun, staring into the horizon in anticipation of the county’s official Martin Luther King Jr. Day Parade, organized by Bakewell Media and the Los Angeles Sentinel Newspaper.
When the parade began an hour later, organizations like labor union SEIU Local 721, civil rights group Black Lives Matter Los Angeles, and HIV care and advocacy nonprofit AIDS Healthcare Foundation marched to cheers and waves from the crowd. Young musicians, drill and cheer teams from Marcus Garvey School and other schools stepped in unison, performing elaborate routines and sending jolting, infectious waves of drum and trumpet like electricity through paradegoers.
Black liberty and joy coalesced with a call to face injustice at yesterday’s festivities. Black Lives Matter Los Angeles members handed out flyers demanding accountability for Keith Porter, who was killed by an off-duty Immigration and Customs Enforcement (ICE) agent on Dec. 31. Marchers also waved the Iranian flag in solidarity with its people, who have faced increasing state-sanctioned violence after they began protesting the government in the midst of an economic downfall.
Communal care and empowerment remain, for many, the only way forward as trust in broader governmental systems and structures wanes. While celebrating the monumental work of the late civil rights activist, community members yesterday echoed an important, resonant message: The work is not yet done.
This community work is largely supported by local advocates and organizations like Center South: one of the Los Angeles LGBT Center’s community sites. Yesterday morning, ahead of the parade, senior program manager Steven Campa and fellow staff members welcomed people into the space for coffee and pastries.
They also handed out flyers introducing residents to the site’s resources, which include: hygiene kits, HIV testing, a free monthly farmers market and clothing closet, mental health and primary care services, substance use and recovery programs, as well as social groups that prioritize LGBTQ+ people of color living in the neighborhood.
Center South opened six years ago, reclaiming a space that once housed a vibrant jazz supper club. At first, the site focused on providing services specifically for men who have sex with men (MSM), regardless of whether or not they identified as a member of the LGBTQ+ community. Over time, Center South became more inclusive of and responsive to the local community as a whole, becoming a safe space for anyone in South L.A. seeking refuge and care.
Campa, who has been with Center South since its founding, emphasized the constantly-evolving nature of the place as it molds itself to best serve and represent its community. Staff members and clinicians are nurtured by their own personal connections to the neighborhood, yearning to give back to the place that raised them.
And that has an effect. “How does it look to have a provider who’s queer: a provider that looks like folks in the community?” Campa said. “We’re our community. Folks grew up [here]…To speak to the MLK Day parade, this was a holiday for the Center. Folks chose to be here. Understanding that we are on MLK Boulevard, we want to continue to do [show up] every year to provide a safe space for the community.”
Campa, his staff members, and fellow Los Angeles LGBT Center staff want to expand what it means to be safe and healthy — and to see that reflected more broadly in their communities. “A healthy person needs medical care [and more],” said the Center’s chief equity officer, Giovanna Fischer, who showed up on Monday to celebrate the parade with the community. “[They also] need food access, immigration support…That’s definitely going to impact their health and wellbeing,” Fischer told the Blade. “
Campa, Fischer, and other advocates are strategizing for their community in uncertain times, as threats to instrumental funding are seemingly always on the table. But as they “forecast for the future” and continue to build a collective vision that uplifts LGBTQ+ people of color, their fight endures. “We deserve to think about where we want to go,” Fischer said. “We deserve the opportunity to dream and scheme, and so does our community. So until further notice, we’re going to continue to do that.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Advocates demand that trans youth be protected as cases are argued in Supreme Court
This week, LGBTQ+ advocates and legal experts spoke in support of trans youth as two Supreme Court cases challenge their rights and safety.
This Tuesday, the Supreme Court heard oral arguments regarding two cases about transgender girls in sports: Little v. Hecox and West Virginia v. B.P.J.
In 2020, Idaho Governor Brad Little signed into law HB 500, which bans transgender girls and women from participating in school sports. This affected the first case’s respondent: transgender student athlete Lindsay Hecox, who was barred from participating in the track and cross country teams as well as intramural soccer and running clubs.
In 2021, then-governor of West Virginia, Jim Justice, approved HB 3293, which enacts a similar ban. Becky Pepper-Jackson (B.P.J.), now an incoming high school student, opposed the discriminatory policy when it prevented her from joining her then-middle school’s cross country and track and field teams. Pepper-Jackson has also only undergone female puberty due to gender-affirming care, but West Virginia argues that its anti-transgender policies should be upheld because of her assigned sex at birth.
For LGBTQ+ advocates and allies, these cases illustrate the burden and harm transgender people face daily as their rights to privacy, dignity, care, and inclusion are constantly at risk of being eroded and stripped completely.
Experts also wonder if these cases could potentially reshape the Constitution’s Equal Protection Clause as well as the civil rights law, Title IX. The former prohibits discrimination on other factors aside from race, though governments have argued that certain “suspect classifications” can be looked at more closely through “heightened scrutiny.” The latter prohibits sex-based discrimination in federally-funded schools.
What is unfolding and how local advocates are informing change:
The fight ahead is weary, and experts are certain that the states involved will not concede their points. In a webinar organized yesterday by the Williams Institute, several LGBTQ+ policy experts, including Rutgers Law School professor and anti-discrimination scholar Katie Eyer, examined where these cases may be heading, as well as efforts to muddy the arguments.
“It seems possible that the court might try to sidestep that issue here by saying that these laws don’t target transgender people at all,” Eyer said. “I think for most people, this seems bananas: like an upside-down world. We all know these laws were about transgender people.”
Jenny Pizer, an attorney for the LGBTQ+ civil rights legal organization Lambda Legal and a co-counsel member for the B.P.J. case, affirmed this sentiment at a press conference organized Tuesday by Lambda Legal and AIDS Healthcare Foundation affinity group, FLUX. “They’ve gone to great lengths to say there’s no discrimination,” Pizer said. “[They’re arguing] it’s just technicalities or classifications.”
Eyer was one of three Equal Protections scholars who filed an amicus brief to be considered in the Supreme Court cases. An amicus brief is a legal document submitted by someone who is not involved directly in a case but who may offer additional perspectives and information that can inform the ruling process.
Eyer’s brief provided historical context that clarified the disadvantages of blanket sex-based policies. These types of laws, according to Eyer, uphold stereotypes over nuance, truth, and equal protection guidelines. For Pepper-Jackson, who has only undergone female puberty and who does not “benefit” from what dissidents define as a sex-based competitive “advantage,” the state should have provided her the ability to argue that she should have the same rights as other girls.
“Of course, the state hasn’t done that here,” Eyer said. “Under these precedents, the Supreme Court should invalidate the laws as applied to those trans girls who really don’t have a sex-based competitive advantage.”
Who are these bills protecting?
The states argue that their policies are merely “ensuring safety and fairness in girls’ sports.” But queer advocates understand that this is a veneer for the exclusion of transgender people from society. Forcing trans youth out of sports “does not protect anyone,” according to California LGBTQ Health and Human Services Network director Dannie Ceseňa, who spoke at Tuesday’s press conference.
“It encourages the scrutiny of children’s bodies. It fuels gender policing, and it creates hostile school environments — not safer ones,” said Ceseňa. “Our youth should not inherit a world that treats their existence as a threat.”
Transgender people are systemically disempowered
At yesterday’s webinar, Distinguished Visiting Scholar at the Williams Institute Andrew Flores discussed his own amicus brief in support of Pepper-Jackson. The brief highlights the need for “heightened judicial scrutiny” in Pepper-Jackson’s case because the majority of political processes “systemically fail” transgender people.
For example, the transgender community faces substantial barriers in exercising their voter rights because of voter identification laws and other policies that regulate and define identity. “Even being able to gain access to the franchise is a burden for transgender people,” Flores said. “The court does play an important role there. It can grant legitimacy to arguments…or at least [acknowledge] that these issues are more complicated than maybe how they’ll receive them.”
What’s next?
Experts are hesitant about where the cases stand. “Bottom line: I don’t know what the court is going to do in these cases. They may send them back down for further development,” Pizer said, who thinks future rulings will not shift more overarching policies regarding transgender rights. “I think they will probably decide based only on laws about sports, not laws more broadly about the rights of trans folks.”
But whatever is decided, the impacts will trickle down to everyone. While the cases deal specifically with anti-transgender policies, experts warn that LGBTQ+ issues have always been tied to racial, economic, and disability justice. “There’s this looming constitutional campaign to really undermine civil rights,” said Eyer. “That affects LGBTQ people. It affects people of color. It affects people with disabilities. It affects everybody, and it really is concerning.”
As transgender inclusion and safety are being argued on the largest legal stage, advocates are asking: “When are you going to step up?” They are also sending a direct message to transgender youth: “We see you, we believe in you, and we are fighting for you,” said Ceseňa. “You deserve joy, community, and care. You deserve a future that reflects who you are and not who anyone or any politician demands you to be. Trans youth deserve better.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
AIDS Healthcare Foundation will celebrate its legacy of food relief at the New Year’s Rose Parade
This Thursday, AHF will march at the Rose Parade in celebration of its “Food for Health” program: an initiative that has fed community members in need for five years.
This Thursday, the AIDS Healthcare Foundation (AHF) will march in the highly-anticipated Rose Parade in Pasadena. AHF will present a Jack and the Beanstalk float with the titular character climbing amongst ginormous tomatoes, eggplants, strawberries, and tomato plants. It’s befitting of this year’s parade theme: “The Magic in Teamwork,” which celebrates the power of collective effort and unity.
The whimsical design also honors the organization’s “Food for Health” program, an initiative that began in 2021 to respond to food insecurity across the U.S. For nearly five years, “Food for Health” has hosted free food pantries and farmers’ markets, providing hot meals and fresh groceries nationally for families and veterans in need of food assistance.
“Food for Health” was also crucial in the wide-sweeping emergency response various nonprofits were trying to organize after the devastating Palisades and Eaton Fires in January. AHF’s program delivered over 75,000 hot meals to evacuees and Los Angeles Fire Department (LAFD) first responders.
The float also honors the individuals fueling these on-the-ground efforts, like Janet and Christy Lee, the sisters behind Altadena’s Fair Oaks Burger. For eight months after these major fires broke out, the Lee sisters worked closely with “Food for Health” to host free weekly farmers’ markets in the parking lot of their restaurant to support community members who had been displaced and impacted by the wildfires.
Both sisters will join fellow local advocates and leaders like labor activist Dolores Huerta, LAFD Captain Thomas ‘Kit’ Kitahata, Champions of Caring Connections executive director Bettye Randle, and “Food for Health” directors Carlos Marroquin and Tara O’Callaghan as riders on the AHF float.
The Rose Parade begins at 8 a.m. on Thursday morning, marching through 5 miles of Colorado Blvd. Now in its 137th year, the parade’s inaugural event was held in 1890 and continues to delight local residents and usher in the new year with illustrious musical performances and grand floats. More information about tickets and parade guidelines can be found on Pasadena’s Tournament of Roses website.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Recent L.A. County report reveals record number of hate crimes against transgender and nonbinary community members
The county’s Commission on Human Relations (LACCHR) released its annual hate crime analysis, revealing a rising violence against LGBTQ+ Angelinos.
Last Thursday, Los Angeles County’s Commission on Human Relations (LACCHR) released its 2024 Hate Crime Report, which analyzes data compiled from over 100 reporting groups, including local law enforcement agencies, educational institutions, and community-based organizations like the TransLatin@ Coalition. In its 45-year history of compiling these reports, the LACCHR recorded an “unprecedented” amount of hate crimes in this most recent analysis.
The report states that there were 102 anti-transgender crimes, “the largest number ever documented in this report.” 95% of these reported incidents were violent.
Part of the reason for this increase in reported crimes is the expanding outreach LACCHR is trying to create with partner organizations, ensuring that queer community members feel increasingly safe in reporting crimes that have been committed against them. These “grassroots efforts” have proven invaluable in building community trust, according to Dr. Monica Lomeli, who leads the production of LACCHR’s annual hate crime report.
“For the LGBTQ community, [there’s] a history of not being heard, not being believed or being misgendered,” Lomeli told the Blade. “I remember us working with a lot of different law enforcement agencies [and] victims would tell us: ‘They keep misgendering me. They don’t believe me. They keep having me make different reports.”
Lomeli stresses that, for those who feel unsafe reporting hate crimes to law enforcement agents, there are other options. One of these pathways is the commission’s community-centered initiative and reporting system, LA vs Hate, which allows people to report hate crimes and access resources like multilingual reporting guides. There is also 211 LA, a program funded by the commission that provides free, confidential support in 140 languages.
The report is instrumental to the formation of initiatives focused on queer safety and is also a resource to various LGBTQ+ organizations as they track violence committed against their community members. But the collection of this data has not been smooth, especially in this current administration.
Lomeli explained that, earlier this year, the now-defunct Department of Government Efficiency (DOGE) reached out to various human rights organizations, including the LACCHR, and was aiming to gain access to and shut down the commission’s hate crime database. “There was an attempt to bring down our data,” said Lomeli, who described these attempts as an infringement on the general public’s ability to access the report’s findings.
Moving forward, the commission’s Network Against Hate Crime, which hosts quarterly meetings with leaders from law enforcement agencies, advocacy groups, educational institutions, and social services providers, will hold a briefing on the report and discuss collaborative solutions to support community members.
Lomeli hopes to bring LGBTQ+ issues to the “forefront” of one of these upcoming meetings, given the high number of hate crimes committed against queer community members that were highlighted in the report. LA vs Hate will also continue to host campaigns, marketing efforts, and awareness events to promote the equitable treatment and safe existence of queer and other marginalized Angelinos.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
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