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Nats Getty unmasked

An artist for a new generation

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Nats Getty. (Photo courtesy Getty)

Nats Getty was an artist long before she knew it.

Her soul was forged in the fight between the fire of freedom and the cold dictates of a society she tried mightily to understand and follow, only to fail and fall into rebellion, a fury of authenticity that still feeds her art and serves her independent, progressive, philanthropic spirit today.

Of course, it took the model, design and social justice activist much of her young lifetime to realize that real freedom and the path to true self-esteem results from a healthy dose of “fuck them” thinking.

Born Natalia Williams on Nov. 30, 1992, the month Bill Clinton was elected president, ushering into power the Boomer Generation and the promise to end AIDS, Nats was a skateboarding, surfing tomboy in Santa Monica before being sent to a boarding school in Oxford, England. Her creative brother August (featured here), who used to design dresses for his Barbie dolls, was sent to England, as well.

Nats was 9. She tried to be a good kid and got straight A’s and but with the low drinking age in England and lots of freedom, she also got into trouble. Nats was also bullied as an outsider from the US and had no one to talk to about her growing attraction to other girls.

Nats dropped out and moved back to LA at 16. Her mother, Ariadne Getty, with whom she is extremely close, tells the story of how Nats came to her one day, extremely nervous, itching to reveal a secret. Ariadne prayed that it wasn’t asking permission to get a tattoo. Soon Nats came out with it, disclosing that she was gay. Ariadne was relieved. “Of course, I know you’re gay,” she said. Nats wished she had said that sooner.

But that was that. Nats was gay. August was gay. And Ariadne became the loving, protective momma bear. It remains that way still.

Nats turned tomboy into a punk androgynous look and flexed her authentic artistic ability to relax and kick back with the family or strike a photographic pose. She took her mother’s last name, learned the family history and embarked on the life of a socially conscious philanthropist with her own art studio and street wear clothing line ironically called Strike Oil.

“Nats has an unmistakable energy, kind of a magnetic force, that makes her seem exciting and a bit dangerous: Come too close and you might get zapped, for better or worse. Tattoos on her arms read, ‘Forgive me father, for I have sinned’ and ‘Things turned out so evil,’” reads an excerpt from a June 23, 2018 New York Times Style article intended to counterbalance the film and TV shows capitalizing on the famous Getty name, fortune and mythology.

The Times also took note of Nats’ engagement to Gigi Gorgeous, “who became a YouTube star by documenting her gender transition.”

Nats started modeling in 2013 as something she would try. She was signed up right away and requested for numerous events. But she actually wound up in her brother August Getty Atelier’s high end fashion show with David LaChapelle by accident.

“David didn’t know I was related to August, and he didn’t see a professional headshot picture of me. He just saw a selfie of me by mistake when they were showing him the models to pick from. He said I want to base the show around this girl, around her hair and her look. August said ‘Wait, that is my sister, that picture wasn’t supposed to be in there.’ I didn’t even know I was in the show at that point. He ended up picking me and having me be the core of it,” Nats told Black Chalk Magazine in 2015.

Nats married trans activist and social media influencer Gigi Gorgeous in 2019, with a lavish and adoring engagement party in Paris, documented and posted on YouTube. An unhighlighted subtext is Ariadne Getty’s unconditional love and acceptance for her daughter’s new spouse.

This family of four – Ariadne, August, Nats and Gigi now think how best, wisely and responsibly to contribute the family fortune to good, worthy causes. They have been major donors to GLAAD, the Los Angeles LGBT Center, the Trevor Project – and they have contributed to the Blade Foundation.

“During the last few months, Gigi and I have been unified in our views and passion for the issues that we’ve all been trying to navigate. We’ve been each other’s rock,” Nats told the Los Angeles Blade. “There are so many important issues that have been pushed to the forefront, and Gigi and I have looked at ways to use our platform for good, to offer comfort and influence positive change.”

They are particularly disgusted by the Trump Administration’s efforts to roll back LGBTQ rights, especially targeting trans rights.

“It’s appalling,” says Nats. “Systemic intolerance of the trans community has plagued this country for too long and this presidency has done nothing but further that. Trans people, especially trans people of color, have been vilified and faced terrible discrimination that has led to horrific violence within this community.”

Nats Getty is also horrified by the systemic racism exposed by the murders of Black men by police and the inequities in healthcare exposed by the coronavirus pandemic. She has created artwork, street war and most recently, COVID-19 masks to benefit Black Lives Matter and the Los Angeles Regional Food Bank.

“Trump’s actions have made it easier for this discrimination and violence to exist. It’s time for change, and it’s time for every human to be treated as equal,” Nats says about her United Against Racial Injustice initiative.

“I wanted to give back and support my community,” she noted. “Philanthropy — and advocacy — is something that is very important to me. I made 600 masks that were donated to hospitals and nursing homes on the frontlines, and 400 masks for the Strike Oil website, where 100 percent of proceeds have gone to the Los Angeles Regional Food Bank,” she says. Nats also participates in “Wellness Wednesdays” events with LA CAN, creating/distributing 1000 masks along with hygiene kits. “Our plan is to continue making masks for 100 per cent non-profit, so we’re able to raise funds and support the organizations that matter to us,” Nats says.

From the Strike Oil Collection. (Photo courtesy Getty)

“Everything I create from a jacket to an art piece has a story and serves a purpose in my personal journey,” Nats tells the Los Angeles Blade. “I’m currently designing new pieces for my collection, producing a photoshoot, and planning a trip to England. I will be shooting content while I’m there for an exciting new venture I can’t disclose just yet,” she says.

“I’m working on some new designs that are more pointed and focused on the current social issues we are all living through,” Nats says. “My pieces represent a social commentary, inspired by the injustices we fight every day. I’m also mindful of utilizing left-over fabrics from previous garments to create something new, so we minimize waste. I love to breathe new life into something old.”

Meanwhile, before Pride Month slips completely by, Nats has some thoughts.

“For me, Pride means self-love and self-acceptance,” she says. “When I was younger, I felt shame and self-loathing about my sexuality. I wasn’t at a place to embrace it and be confident in who I am. But eventually, through personal growth and the people I surrounded myself with, especially my wife Gigi with her infectious positive influence, I have found my community, ‘my tribe,’ and I am proud of who I am.”

Nats continues: “Being gay is a political statement, it should have nothing to do with politics, but sadly it does. Getting out and voting and using my platform to encourage others to go and vote is something else I am very passionate about.”

Nats is also passionate about Gigi. “We’re approaching our first-year anniversary of being married and continuing to live our authentic life together,” she says. “We want to start a family someday and be positive role models for our community.”

 

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TO THE PERSON I LOVE THE MOST. HAPPY NEW YEAR. HAPPY NEW DECADE. SO HAPPY TO START IT WITH YOU MY WIFE @gigigorgeous

A post shared by Nats Getty Gorgeous (@natsgetty) on

— Susan Hornik contributed to this article

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Julia Scotti, the movie, is just Funny That Way

Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point

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Graphic courtesy of Susan Sandler

WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut.  Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.

With Julia Scotti, the surprises never end.

Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way.  It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.

Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans  folk is still at 41%.”

Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti.  Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.

Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film.  “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times.  It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.

Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed.  “The impetus behind this film was falling in love with Julia, her, then and now.  If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”

Susan took five years to research, document and interact with Julia’s past.  She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.

Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma.  A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away.  Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way.  Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”

Dan and Emma were onboard, however.  Also on board, albeit only by phone, was Kate. Kate was  Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process.  One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship.  Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.

Susan captured many live moments of Julia’s evolving life.  She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced.  Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines.  One such performance  takes Julia by surprise—it was a routine that she had not remembered ever doing.  It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms.  Julia sat shocked.

“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end.  Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”

“I knew it was me. I knew I was there. But I don’t feel a connection with that person.  That is the truth.”

The film does not dwell long on the past shames and regrets.  It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.

Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy.  Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.

The film will make you laugh, and cry, and laugh again.  New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.

The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty.  But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.”  But, life is funny that way—not working out quite the way we thought it would.   And that is ultimately the point.

Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.

Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.

Here’s the full list of where you can find it. 

DIGITAL

iTunes
Amazon
Google Play
Xbox
VUDU
FandangoNow
Vimeo On Demand

CABLE / SATELLITE

iN Demand Movies
Verizon
AT&T
Vubiquity
DirecTV
Dish
Telus

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Greyson Chance: A Butterfly’s Journey from Holy to Hell and Back

A decade ago there was a boy made famous by a pop song and a viral video. Today, there is an artistic, powerful singer song writer

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Greyson Chance (Photo Credit: Broderick Bauman)

HOLLYWOOD – Many want to saddle singer Greyson Chance with the label “comeback” or having a “return from retirement.”  It is an understandable mistake as the “fame to disaster” narrative IS there. The real story is about one of the most exciting new artists of today.  One that speaks to not only the LGBTQ youth of today, but of their entire generation.

Over a decade ago, there was a boy.  The boy was very gifted at the piano, and at singing. He entered a talent contest and belted out a well known pop song by one of the trendiest artists of the day.  Of course, there was a video.  Social media was itself an infant, and as such, started launching like videos into the stratosphere.  His video was one of the first to be seen gazillion of millions of times.  Then there was the Ellen show, then the record contracts and a music video where he was Ariana Grande’s love interest.

Life would never be the same again.  It would not be the same as Greyson Chance would be forever entwined with Lady Gaga and Paparazzi.  It would not be the same as when his voice changed and it all came crashing down. “The second that the momentum stopped, you know, I truly was just sort of thrown to the curb when I was 15. I, all in the same day,  got dropped by my record label, my management, my publicist, and my agent.  It was the ultimate for me, as a child musician.” Greyson told me.

The real story however, is of a fantastic singer/songwriter who hit the industry in a big way with a debut album of his own work in 2019. He emerged then as a honed artist who had already been educated on the workings of the industry, and as a professional who knew how to walk in with his own vision and make it happen.

“It is a machine and, when I when I came on the scene originally, I had this huge viral video and with that, a lot of money coming around, and big players kind of involved in the industry,” he says.  He made music their way.  He did the songs they wrote, and played the part of the person they wanted him to be.

(Photo Credit: Broderick Bauman)

He learned how to be the kind of artist he did not want to be.  The young artist went back to Oklahoma and enveloped himself in the cocoon of normalcy.  He incubated there, fell in love, and had his heart broken by someone he thought he was going to hold onto forever.  At that point, he emerged from the cocoon, with a full self-written album in hand, a musical butterfly spreading his wings.

“I’m 23 years old right now. And I started off with my first record deal when I was 12 years old. There was so much of my adolescence, in my childhood in music, where I wasn’t given the chance to not only make music that I really wanted to do, but also to be writing. I was being forced to do records,  I didn’t have a huge artistic involvement in anything I was doing. So when I came back into music, I really wanted to finally show the world that I was a songwriter, that I had a unique voice. That I had some unique things to say.   I really emphasize authenticity. These are stories that are coming from the heart. These are things that are coming from my own life. It’s not even really a choice that I have anymore.  It is honest, from a place that’s true and genuine,” Greyson states.

Greyson represented not only with a new thematic “voice”, but an actual new physical voice as well.  “It was interesting, what I went through, they always tell you that when your voice changes, it’s going to be sort of a tough go and that is such an understatement. It was so hard for me for a few years to really kind of find comfortability in my physical voice again. I mean, I really struggled through my voice change. But ultimately, I learned as a kid when I was on the road that in a way, when you’re a touring musician, you’re sort of like an athlete. My muscle is, is my voice.”  Greyson’s new voice is far superior to his belting-out-broadway boy voice.  He has a harmonic high register, and a sultry deep one. It copies no one else’s, this voice is uniquely his own.

In 2019, Greyson came out with his launch album “Portraits”.  The stories of the album gave vision to the various personas he saw of himself as he navigated an ill fated romance.  One week,  he was looking at engagement rings, the next week, out of the blue, “the man of his dreams” left him without explanation.  Greyson works each personal portrait into the prism of a beautiful, musically shiny diamond. “Portraits for me was truly my reinvention piece. And what I mean by that is, at the time before I put out that album, you know, I couldn’t even get a meeting in LA with anybody. You know, no one wanted to touch me, no one wanted to be involved in in my project and involved in my music. So I told myself, You know what, I’m going to write a record, and I’m going to write a full album. I’m going to give this one last shot, and see, see what happens. And, fortunately, it went over very, very well.”

In 2019 he filled 109 venues performing the songs from Portraits.  He publicly came out as gay in response to a fan during a conversation about living authentically.  He has also been transparent about his personal challenges, including his on-going battle with anorexia.  “It was truly very, very difficult to diagnose it. I had come off of this really bad breakup that I wrote my album Portraits about, and I was developing habits of not eating and not taking care of myself. I blamed it on the sadness I was feeling at the time. Then, as things became a little more normal, and I became a bit more stable, I noticed that I still had had this issue and things that were going on. For me, I had to work through a lot of therapy,   to get a grasp on it. I brought it public because it was so stigmatized, and still is.   I like to think that I have my life together. But here’s  the deep issue that I struggle with, and I go through. I’m  on a road to recovery, it’s never ending when you are battling with an eating disorder, but I’m doing very, very well right now. I’m staying on top of it. Through my disclosure, there was such an amazing and beautiful dialogue that keeps happening, people reaching out to me and sort of sharing their own struggles and battles with it as well.   I’m working on trying to be the best version of myself that I can be.”

(Photo Credit: Broderick Bauman)

After a forced lockdown during the pandemic of 2020, Greyson is ready to move into the next phase of his butterfly trajectory.  He has released two singles off his next EP, Trophies, and he is in love again.  The songs on the EP will be in a thematic composition.  The two first released create a spiritual arc from the heavenly rich ballad-like Holy Feeling to the high-pop danceable hedonistic Hell Boy. 

He says of the new material, “My boyfriend and I just celebrated our one year anniversary yesterday.   Trophies, is really expressing the fear of now losing love, and sort of that fear that was created in the old relationships that I’ve had. It is the desire for my fans and queer people around the world to know what  truly being in love is. We’re constantly told as, as queer people that, our relationships are always going to be rocky, they’re never going to be sort of American Dream type relationships. Because we’re different, these relationships are going to be different, because we’re inherently different. That is just absolutely BS.   Regardless of how you identify who you love, you can totally have all of this stereotypical white picket fence, you know, dog in the backyard green grass type of thing. It is so within your wheelhouse. It’s not out of reach. This record is emotionally going through all those those things, and talking about them in the music.”

A decade ago there was a boy made famous by a pop song and a viral video.  Today, there is an artistic, powerful singer song writer who sings the authenticity of his generation.  The rush you feel is the wind from rainbow colored butterfly wings taking flight, and the knowledge that the most famous Greyson Chance is the one yet to come.

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Gaga announces special ‘Born This Way’ reissue for iconic album’s 10th

The announcement comes with the drop of a new recording of ‘Judas’ by Big Freedia, one of 6 reimagined covers included

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Lady Gaga, gay news, Washington Blade
Lady Gaga on Tour 2017 (Blade file photo)

NEW YORK – It’s been a decade since Lady Gaga gave her Little Monsters a gift for the ages with the album “Born This Way” – hard to believe, but it’s true – and we’ve all been grateful ever since.

It turns out Gaga is grateful to her fans, too, and to show it, the legendary diva has announced the release of a new special edition “Born This Way: The Tenth Anniversary” album, to be released via Interscope on June 18.

The new release will feature new packaging and include all of the 14 iconic songs from the original 2011 release of the “Born This Way” album, alongside six “reimagined” versions of songs from the album. Each of these new cuts have been created by artists who represent and advocate for the LGBTQIA+ community, whose identities will be revealed over the next few weeks.

Fortunately, we don’t have to wait for all of them. In celebration of Gaga’s announcement, the first reimagined track dropped today – “Judas,” by Bounce music icon Big Freedia. It’s now available on all music platforms, and you can watch the video below.

Of the recording, Big Fredia says: “‘Judas’ was my favorite song when it came out originally, so I really wanted to cover it. I am beyond excited that it’s the first to drop from this project. To me, ‘Judas’ is a love song about when someone does you dirty. I’ve sure had my experience with that. Who can’t relate?”

Besides “Judas,” the other tracks to be covered on “Born This Way: Reimagined” are “Marry the Night,” “Highway Unicorn (Road to Love),” “Yoü and I,” “The Edge of Glory,” and the tantalizingly titled “Born This Way (The Country Road Version).”

The new anniversary edition comes on the heels of Lady Gaga celebrating the 10-year anniversary of the original album and its legacy last week in West Hollywood, where a proclamation was issued naming May 23 as “Born This Way Day” and the beloved icon received the keys to the city.

“Through her music and activism, Lady Gaga has become a cultural icon for our generation,” said WeHo Mayor Lindsey P. Horvath, who announced the new holiday and presented the Lady with the key. “The anthem ‘Born This Way’ has become an out-and-proud declarative stance for countless LGBTQ people. The Born This Way Foundation [co-founded by Gaga and her mother, Cynthia Germanotta] fosters honest conversations about mental health with young people and seeks to eradicate the stigma around mental health struggles.”

In addition to the special album edition, Lady Gaga has launched a special “Born This Way” merchandise collection, with the brand new designs now available at shop.ladygaga.com.

As for the album, it’s available for pre-order right now. What are you waiting for?

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