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Ari Getty and a Camelot of her own creation

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Ariadne Getty. Photo courtesy Ariadne Getty Foundation by Ricky Middlesworth)

Heads turned. Conversations stopped, then started up again as whispered buzzing: who are those people, resplendent, wildly colorful, statuesque, square jawed, proudly wearing the weight of some mythical legacy while gliding into new spaces and creating their own? If pop culture America had royalty, it would be these Gettys – haute couture fashion designer August, street designer Nats and bubbly-beautiful social media star Gigi Gorgeous, escorting into the LGBTQ charity event Ari Getty and Louie Rubio, her partner of 12 years.. Nonprofit CEOs and glamorous drag queens delight in recognition as Ari and her entourage are seated at the majestic center roundtable as if, for this night, in this place, a new Camelot community has come together to celebrate protecting the disadvantaged and pledging to work hard on problems yet to come.  

Ari Getty’s broad smile reveals her secret: the wealthy heiress is a momma bear in real life. It’s as if her shyness provides protective boundaries containing an abundance of love and joy that she heaps on her LGBTQ children and their friends and that she shares through her Ariadne Getty Foundation (ariadnegettyfdn.org). She’s donated millions to the Los Angeles LGBT Center and GLAAD to protect and create a better community for LGBTQ people. It is that contribution that prompted the Los Angeles Blade to give Getty this year’s Hero Award.

Ariadne Getty (Photo courtesy of Getty)

“Ari is an incredibly authentic person through and through. In November, I had a family crisis that included both my mom and I having COVID. She heard about it and decided she wanted to make sure the papers were OK and that I could focus on my health. I didn’t ask her to do that,” says LA Blade publisher Troy Masters. “That’s pretty Heroic.” 

She also facilitated the creation of the Ariadne Getty Foundation Youth Academy and the Ariadne Getty Foundation Senior Housing complex at the Los Angeles LGBT Center’s Anita May Rosenstein Campus in Hollywood.

“I don’t say this very often, especially in this town, but Ari Getty is the real deal,” Los Angeles LGBT Center CEO Lorri Jean told Variety about her friend in 2019 when Getty received Variety’s Philanthropist of the Year Award. “She gives because she sees that there are important needs that must be met and she wants to help. She gives because her heart is filled with compassion and empathy. She gives because she feels she has a responsibility to make a difference.”

Ariadne Getty and Lorri Jean. (Photo by Getty Images)

“I’ve been very close with the Center and very, very close with Lorri. She’s been gracious enough to have us to her house with her wife, Gina, and cook steaks for us. I love our friendship and the work that she does at the Center is unparalleled. I always thought that the Center of Los Angeles should be the model for most large cities to basically be the same format and provide the same services — everything from meals to the health services,” Getty tells the LA Blade. “They have a huge industrial kitchen there for the youth to make food so they’re a learning skill, so they can go out and apply for jobs.”

Rendering of the Ariadne Getty Foundation Senior Housing Complex. (Photo courtesy LA LGBT Center)

The Senior Center will open when COVID is controlled. “I’m particularly excited about the seniors,” Getty says. “My heart goes out to them so much because they’ve lost lots of their friends and they’re lonely and the Center provides such a hub of activity. And I love the fact that we’re going to be joining the youth with the seniors, because the seniors will be able to educate the youth about really the history and the hardships of getting to where we are today, where we still have so far to go. But this is a far cry from being gay in the ’40s or the ’50s — let alone during the ’80s with AIDS. I think people, as they get older, get afraid of new things like technology and I think that the youth can help the seniors with just staying up to date and feeling a part of that side. That’s definitely the thing that makes me the happiest: they’re in a Center where they’re surrounded by people. There’s no room for loneliness.”

So much is expected of Ari Getty, it’s hard to imagine how she became the person she is today. It’s surprising to hear that, while Hillary Clinton may have written the rhetorical ideal that “it takes a village” to raise a child — Ari actually experienced it.

“I grew up in a really unusual household, you could say,” Getty says, “very close to my siblings. It was just an unusual upbringing. We had a house in the countryside in Italy, and it didn’t have electricity. So my chore was to go and start the generator every night with my stepfather and go to the vegetable patch and pick out the vegetables. It was kind of the most ideal. It’s like a fantasy. It’s like a storybook.

“Basically everybody in the village was elderly,” she continues. “So I would go after I finished my chores at home, I would walk down to the village, which was two miles, and I had all of my senior friends that I would help. One summer it would be making Bic pens. I would put the ink stick into the plastic receptacle. And then another summer, I would be attaching the leather strap to the wood scholls. Scholls aren’t around anymore, but they were sandals. I had a very close relationship with them. I really was raised by a village, in the true sense of the word. I literally was raised by a village.”

The villagers would make the young girl lunch. “I would grate the cheese while they were making the pasta and I would go from house to house. Sometimes they would give me a little glass of wine at the tender age of seven. “And we would play with the hay on the haystacks at the dairy farm. There was everything you could do without having toys. Even the youngest people, they took to me. I think I’ve always had that connection. And my mother still lives in that town. It’s about 60 people, if that, maybe 40. But I just always knew that I wanted to help. It’s just been in my nature, I think, having the goal to help.”

Ari Getty had a dream. “My goal has always been that I’ll be somebody that would give to community, to be a part of philanthropy on a larger scale,” she says. “It’s been many years that I’ve known that — I can’t shy away from the question completely — that I would inherit money. And the first thing that I did was set up the foundation and that’s become my passion.” 

Getty has always been highly aware of the need for community, including how LGBTQ people rejected by their own families created their own sense of community during the AIDS crisis.

“COVID is not nearly as scary to me as AIDS,” Getty says. “When my sister [Aileen Getty] was diagnosed HIV positive and I had just lost my best friend, Darryl — Nats was two weeks old when my sister was in the hospital. She had something like 7 T-cells. I remember calling my pediatrician saying, ‘Is it safe for me to go and see her with Nats being a baby?’ And he was like, ‘Go. She’ll be fine.’ Those were really scary days — really, really scary days. The landscape is somewhat different today, luckily.”

(Photo by Troy Masters)

Ari Getty has not only loved and empowered her gay children August and Nats but rejoiced and welcomed transgender activist and social media star Gigi Gorgeous into the family when Nats and Gigi married. There was no hand wringing. No fuss. No hysterics about what the neighbors and the world would think. Just love.

Ariadne Getty, Nats Getty and Louie Rubio pictured here at the 2019 wedding of Nats and Gigi Gorgeous.

“It’s so easy,” Getty says. “I gave birth to two children, two individuals, two babies, and I made sure that they learned their ABCs. I made sure that they were fed, cleaned, and loved more than anything. We didn’t have a television. We spent our time playing together. And I’ve always trusted them to make the right choices because they never gave me any indication that they weren’t able to do something unsafely. When August told me that he was going out with someone from the room service staff at this hotel we were living at — I just went to West Hollywood, found one of those vans that are on the street at night and have all of the information and I got all of the packets of information and the condoms — I just wanted to be extra careful — and gave it all to August.

https://www.instagram.com/p/B0J0jhppNkk/

“As long as they’re informed and what they need to do to feel like they’re their true essential selves, I encourage 100%,” Getty says. “Nats went public with a statement letting everybody know that they had top surgery done and I couldn’t be more proud of the decision that they made to actually go ahead and do it, rather than wait 10 more years feeling uncomfortable in the body that was. So, I trust them to govern themselves.”

https://www.instagram.com/p/Bw56eqUH85F/

Getty is also aware that coming out is difficult and parents might feel shame themselves or be afraid for their children’s safety.

“I understand because that’s a real fear and it was one of mine when they were younger and going out. Nats got yelled at because there was a public display of affection somebody yelled in a restaurant — which isn’t acceptable at all,” she says. “But what I would say to any parent is, ‘You gave birth to a child. It’s not for you to decide the nature of the child. You actually gave birth to a human being who has their own identity.’ I would honestly just say, ‘Please love your children, because you have them and you’re not going have any more probably, and love them as much as you can, because it’s a relationship. You can’t deny all the years of taking care of them as babies — and there’s love there. And don’t think about the neighbors or what the neighbors have to say — they mean nothing. They’re inconsequential to the whole topic. It’s just, ‘Love your children over opinion.’”

Interestingly, as creative and thoughtful as she is, Ari Getty would not do a do-over of her life if given the chance.

“I’m in exactly the life that I want to be living in — all through the struggles and trauma and the joy and the happiness — I wouldn’t change a thing because I wouldn’t be at where I am right now,” Getty says. “I’m in a really amazing place. I have a partner who I’ve been with for 12 years, and my children are living their truth, and I can look them in the eye and be really proud of them as human beings and the work that they do. They do philanthropic work, and I’m so proud of that…We’ve talked about when I’m too old to make decisions, we’ve talked about how the foundation is going to be run, and they’ll take over. But they have their own foundations — and I have a life of purpose and a life filled with wonderful friends and wonderful people that I meet, and I couldn’t be luckier.”

Ari Getty is also grateful to be receiving the Hero Award from her friend Troy Masters.

“I love Troy. He’s an angel,” she says. “I actually don’t really have words. I’m just sort of blown away. I don’t think that I could imagine that I would get a Hero Award. But it’s on my counter and it’s not going anywhere. But obviously with the work that I do, it’s not necessarily me that wants to get recognized — it’s the work. And if I’m able to influence anybody else that has income, extra income, disposable income, if I can be an example to anybody, that’s the bonus, and I’m incredibly honored to receive the award. It means the world.”

Ariadne Getty is Los Angeles Blade’s 2021 Hero Award. (Photo by Arturo Jimenez)

The Camelot legend refers to the myth about the idyllic world of King Arthur and the Knights of the Roundtable who pledged to do good work to benefit the people and their happiness. Jacqueline Kennedy revived the myth when talking about the legacy of her assassinated husband, John F. Kennedy, and the world he inspired during his too-short presidency. West Hollywood was joyfully dubbed the “gay Camelot” after its founding in 1984. Today, the roving band of philanthropists under the loving tutelage and gaze of Ari Getty brings that shiny spot of possibility, creativity, freedom of expression, and abundant love to whatever space they enter. They were brought up that way.  

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Hollywood’s Peter Kallinteris Agency launching LGBTQ dreams

“It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader”

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Hollywood sign courtesy of the City of Los Angeles

HOLLYWOOD – Whether they’d admit to it or not the aspiration for most actors is to be sitting in the Dolby Theatre at some point in their careers, dressed in their finest fashion ensemble at the most prestigious event of the year and hear, “and the Oscar goes to [insert their name].” Conversely also true for the Emmy awards or the Tony awards, yet for many LGBTQ artists the path to that goal is fraught with obstacles and difficulties.

In 2018, a young Black actor from Atlanta, Georgia, was given a supporting role as Ethan in the surprise hit film Love Simon. That actor, Clark Moore, in interviews with host Rob Watson, journalists Dawn Ennis and Brody Levesque on RATED LGBTQ RADIO and separately with Teen Vogue’s Shammara Lawerence spoke of the difficulty landing roles like that of Ethan, but also the conflict inherent with how the film and television industry has seen LGBTQ actors.

Answering a question by Teen Vogue’s Lawerence centered on that conflict, Moore bluntly assessed the landscape telling her; “Historically, I think the reason why there haven’t been more gay roles or more gay actors playing roles that have lots of layers to them and lots of depths to them is because for whatever reason, people think that the story is done. We’ve seen the gay character. We know what he says. We know what he thinks. We don’t need to tell that story anymore, but if you think about it, we’ve had a full canon of stories about straight white men that stretch back millennia, and so we’re only scratching the surface,” Moore pointed out.

“If we can have stories about people all the way back thousands of years ago and we can still be telling the same story now about straight white men and their journey to self-discovery or redemption, there’s plenty of stories to tell of people of color and LGBTQ people and anybody who falls in the intersection of those two identities,” he added.

Yet in the age of digital moving beyond the traditional film and television as more and more content is streamed online- and there’s insatiable need by casting agencies for a wider diverse spectrum of actors, there are still obstacles in the path for LGBTQ actors, especially trans and disabled LGBTQ actors.

Enter Peter Kallinteris, who with his broad based knowledge and understanding of the critical needs of the LGBTQ actor community decided that the time has arrived to have specialized representation for that community.

“Looking to the past, Hollywood hasn’t been very kind to the Queer community. Throughout the history of cinema gay men were either played as effeminate, weak, airheads, and lesbians as tough softball or gym coaches, who are often played by straight people,” Kallinteris said. “Within the the broader culture, there are subcultures, just as within any community. They are nuances within each that will never find its way between the pages of a table read.”

“To create an authentic moment the space has to be made for those who’ve lived that life every day. Gay, Black, White or Straight ect, our experiences of the world are different depending on how we show up. In many cases that will determine our outcomes,” he noted. “Specialized representation is so important because without the lingering trauma, and continued hatred & fear toward our community the Queer division of PKA wouldn’t exist, we’d just be accepted. We have important stories to tell and will continue to be telling them. PKA is just the begging for all to feel safe and thrive.”

In a statement issued from his offices at the Sunset-Gower Studios, the former historic home of pioneering Columbia Pictures founded in 1918, Kallinteris reflected, “When I was a young Actor being gay was career ending.”

“Today it’s celebrated. It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader because I can.”

To accomplish this he launched the Queer Division of his PKA agency. “The Queer Division of  PKA was inevitable, a natural outgrowth of my own personal evolution first by coming out as gay man, from Artist to Agent. The timing was right to make an impact with talent,” he said.

“As my Agency grew I was able to gleam that there was a space beginning to open up by which I could represent the full spectrum of Queer humanity & sexuality within the arts. Not as one dimensional static caricatures, but as beings who’s emotions run the full gamut of the human experience. This was very exciting to me, I have a opportunity to effect change. I wanted to be apart of history Pioneering a movement,” he added. 

He said that his message to LGBTQ artists is simple. “I want talent to know they will be given the opportunity to be who they are, live their truth and work for who they are without rejection, humiliation, fear, or hopelessness. People perform at their best, live at their best. And do their best when they are happiest.  PKA is not just a brand, we are the LGBTQIA community. If life imitates art, then let’s represent it boldly!”

His expectations of the film and television industry’s reaction? “My inspiration to launch the Q.D. is truthfully representing talent that reflects the current needs for the industry, and to remain a permanent fixture within the industry that continues to grow stronger. I want the industry to understand I’ve created this environment specifically for the Queer community. I’m happy & honored to be the first Agency that represents this community in this way,” Kallinteris said.

Last week, PKA, whose clients include, Justin Jedlica (TV personality), Steven James Tingus (President George W. Bush’s lead for disability research and policy for eight years), Kate Linder (The Young and the Restless), Albert Lawrence (IMDB Host), Deric Battiste aka DJ D-Wrek (MTV’s Wild ‘N Out), and Leslie Stratton (The Swing of Things, Truth or Dare), announced the launch of the Queer Division in a video.

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Julia Scotti, the movie, is just Funny That Way

Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point

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Graphic courtesy of Susan Sandler

WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut.  Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.

With Julia Scotti, the surprises never end.

Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way.  It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.

Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans  folk is still at 41%.”

Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti.  Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.

Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film.  “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times.  It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.

Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed.  “The impetus behind this film was falling in love with Julia, her, then and now.  If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”

Susan took five years to research, document and interact with Julia’s past.  She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.

Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma.  A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away.  Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way.  Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”

Dan and Emma were onboard, however.  Also on board, albeit only by phone, was Kate. Kate was  Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process.  One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship.  Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.

Susan captured many live moments of Julia’s evolving life.  She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced.  Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines.  One such performance  takes Julia by surprise—it was a routine that she had not remembered ever doing.  It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms.  Julia sat shocked.

“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end.  Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”

“I knew it was me. I knew I was there. But I don’t feel a connection with that person.  That is the truth.”

The film does not dwell long on the past shames and regrets.  It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.

Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy.  Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.

The film will make you laugh, and cry, and laugh again.  New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.

The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty.  But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.”  But, life is funny that way—not working out quite the way we thought it would.   And that is ultimately the point.

Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.

Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.

Here’s the full list of where you can find it. 

DIGITAL

iTunes
Amazon
Google Play
Xbox
VUDU
FandangoNow
Vimeo On Demand

CABLE / SATELLITE

iN Demand Movies
Verizon
AT&T
Vubiquity
DirecTV
Dish
Telus

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Greyson Chance: A Butterfly’s Journey from Holy to Hell and Back

A decade ago there was a boy made famous by a pop song and a viral video. Today, there is an artistic, powerful singer song writer

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Greyson Chance (Photo Credit: Broderick Bauman)

HOLLYWOOD – Many want to saddle singer Greyson Chance with the label “comeback” or having a “return from retirement.”  It is an understandable mistake as the “fame to disaster” narrative IS there. The real story is about one of the most exciting new artists of today.  One that speaks to not only the LGBTQ youth of today, but of their entire generation.

Over a decade ago, there was a boy.  The boy was very gifted at the piano, and at singing. He entered a talent contest and belted out a well known pop song by one of the trendiest artists of the day.  Of course, there was a video.  Social media was itself an infant, and as such, started launching like videos into the stratosphere.  His video was one of the first to be seen gazillion of millions of times.  Then there was the Ellen show, then the record contracts and a music video where he was Ariana Grande’s love interest.

Life would never be the same again.  It would not be the same as Greyson Chance would be forever entwined with Lady Gaga and Paparazzi.  It would not be the same as when his voice changed and it all came crashing down. “The second that the momentum stopped, you know, I truly was just sort of thrown to the curb when I was 15. I, all in the same day,  got dropped by my record label, my management, my publicist, and my agent.  It was the ultimate for me, as a child musician.” Greyson told me.

The real story however, is of a fantastic singer/songwriter who hit the industry in a big way with a debut album of his own work in 2019. He emerged then as a honed artist who had already been educated on the workings of the industry, and as a professional who knew how to walk in with his own vision and make it happen.

“It is a machine and, when I when I came on the scene originally, I had this huge viral video and with that, a lot of money coming around, and big players kind of involved in the industry,” he says.  He made music their way.  He did the songs they wrote, and played the part of the person they wanted him to be.

(Photo Credit: Broderick Bauman)

He learned how to be the kind of artist he did not want to be.  The young artist went back to Oklahoma and enveloped himself in the cocoon of normalcy.  He incubated there, fell in love, and had his heart broken by someone he thought he was going to hold onto forever.  At that point, he emerged from the cocoon, with a full self-written album in hand, a musical butterfly spreading his wings.

“I’m 23 years old right now. And I started off with my first record deal when I was 12 years old. There was so much of my adolescence, in my childhood in music, where I wasn’t given the chance to not only make music that I really wanted to do, but also to be writing. I was being forced to do records,  I didn’t have a huge artistic involvement in anything I was doing. So when I came back into music, I really wanted to finally show the world that I was a songwriter, that I had a unique voice. That I had some unique things to say.   I really emphasize authenticity. These are stories that are coming from the heart. These are things that are coming from my own life. It’s not even really a choice that I have anymore.  It is honest, from a place that’s true and genuine,” Greyson states.

Greyson represented not only with a new thematic “voice”, but an actual new physical voice as well.  “It was interesting, what I went through, they always tell you that when your voice changes, it’s going to be sort of a tough go and that is such an understatement. It was so hard for me for a few years to really kind of find comfortability in my physical voice again. I mean, I really struggled through my voice change. But ultimately, I learned as a kid when I was on the road that in a way, when you’re a touring musician, you’re sort of like an athlete. My muscle is, is my voice.”  Greyson’s new voice is far superior to his belting-out-broadway boy voice.  He has a harmonic high register, and a sultry deep one. It copies no one else’s, this voice is uniquely his own.

In 2019, Greyson came out with his launch album “Portraits”.  The stories of the album gave vision to the various personas he saw of himself as he navigated an ill fated romance.  One week,  he was looking at engagement rings, the next week, out of the blue, “the man of his dreams” left him without explanation.  Greyson works each personal portrait into the prism of a beautiful, musically shiny diamond. “Portraits for me was truly my reinvention piece. And what I mean by that is, at the time before I put out that album, you know, I couldn’t even get a meeting in LA with anybody. You know, no one wanted to touch me, no one wanted to be involved in in my project and involved in my music. So I told myself, You know what, I’m going to write a record, and I’m going to write a full album. I’m going to give this one last shot, and see, see what happens. And, fortunately, it went over very, very well.”

In 2019 he filled 109 venues performing the songs from Portraits.  He publicly came out as gay in response to a fan during a conversation about living authentically.  He has also been transparent about his personal challenges, including his on-going battle with anorexia.  “It was truly very, very difficult to diagnose it. I had come off of this really bad breakup that I wrote my album Portraits about, and I was developing habits of not eating and not taking care of myself. I blamed it on the sadness I was feeling at the time. Then, as things became a little more normal, and I became a bit more stable, I noticed that I still had had this issue and things that were going on. For me, I had to work through a lot of therapy,   to get a grasp on it. I brought it public because it was so stigmatized, and still is.   I like to think that I have my life together. But here’s  the deep issue that I struggle with, and I go through. I’m  on a road to recovery, it’s never ending when you are battling with an eating disorder, but I’m doing very, very well right now. I’m staying on top of it. Through my disclosure, there was such an amazing and beautiful dialogue that keeps happening, people reaching out to me and sort of sharing their own struggles and battles with it as well.   I’m working on trying to be the best version of myself that I can be.”

(Photo Credit: Broderick Bauman)

After a forced lockdown during the pandemic of 2020, Greyson is ready to move into the next phase of his butterfly trajectory.  He has released two singles off his next EP, Trophies, and he is in love again.  The songs on the EP will be in a thematic composition.  The two first released create a spiritual arc from the heavenly rich ballad-like Holy Feeling to the high-pop danceable hedonistic Hell Boy. 

He says of the new material, “My boyfriend and I just celebrated our one year anniversary yesterday.   Trophies, is really expressing the fear of now losing love, and sort of that fear that was created in the old relationships that I’ve had. It is the desire for my fans and queer people around the world to know what  truly being in love is. We’re constantly told as, as queer people that, our relationships are always going to be rocky, they’re never going to be sort of American Dream type relationships. Because we’re different, these relationships are going to be different, because we’re inherently different. That is just absolutely BS.   Regardless of how you identify who you love, you can totally have all of this stereotypical white picket fence, you know, dog in the backyard green grass type of thing. It is so within your wheelhouse. It’s not out of reach. This record is emotionally going through all those those things, and talking about them in the music.”

A decade ago there was a boy made famous by a pop song and a viral video.  Today, there is an artistic, powerful singer song writer who sings the authenticity of his generation.  The rush you feel is the wind from rainbow colored butterfly wings taking flight, and the knowledge that the most famous Greyson Chance is the one yet to come.

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