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Quarantine Queen Rhea Litre’s new album gives a ‘Buck’



Album Cover Art courtesy of Rhea Litre

LAS VEGAS – On January 22, just two days after a new presidential administration began to make good on their pledge to Make America America Again, drag and recording artist Rhea Litre made a public declaration of her own, with the release of “BuckBonkey.”  

The six-track album was mostly recorded and engineered in Las Vegas, after pandemic protocols compelled the sudden closure of the bars, clubs, and cabarets that drive our great drag queen economic engine. But as ancient Greek philosopher and party promoter Aristotle observed, “Nature abhors a vacuum.” As such, “BuckBonkey” is the rowdy, sweaty, sexy caulking that expands to fill that void, by inviting you to recreate the dance floor debauchery of old in the privacy of your own home, until we meet again in public.

Just prior to its release, the Los Angeles Blade spoke with “BuckBonkey” driving force Rhea “Drag’s Baddest Bitch” Litre, the drag daughter of Raja and Mayhem Miller who bet the house with a move to Las Vegas, after COVID-19-necessitated closures put the kibosh on her Los Angeles live performance life. The gamble paid off: Rhea embraced the land of neon and sand, and still managed to win two categories in the Los Angeles Blade’s Best Of LGBTQ LA Reader’s Choice Awards 2021 (Best Drag Queen and Best Live Queer-Friendly COVID Programming).

Rhea gave back as good as she got, when she hosted the Jan. 28 awards show via Instagram Live. A mixture of music, audience interaction, recorded segments, live performance, guest presenters, and giveaways done in just over an hour (take notes, Academy Awards ceremony!), the breezy evening benefitted from the same scrappy, anything-goes presentational style Rhea and company dish out every week on :Quarantine Queen,” which herstory records as the First Digital Drag Show of the Pandemic Era (March 16, 2020, 8PM Pacific Time).

“What Rhea did so well, that set her apart from other digital entertainers,” noted Los Angeles Blade publisher and editor Troy Masters, “was to take the intimacy and energy and defiant spirit of drag that you could only find in clubs and bars—and turn that into something that everyone could enjoy.”

And as outrageous as Rhea can be, said Masters, “There’s just something sweet about her. You see it in the way she relates to her co-hosts and her guests—always propping them up, never tearing them down. That’s why we wanted Rhea to host our awards show. We’re inviting the whole world to understand a little bit more about our community, and we’re telling our community that until we return to those places we’ve always gathered at to feel safe and loved, we’ll have that here, online.”

But enough about her hosting prowess. Girl’s got an album to plug—and after her solid showing at our awards show, we’re happy to help spread the word about “BuckBonkey.” 

The Los Angeles Blade: What are some of the album’s notable themes, and do they relate to your non-musical work on the stage or Instagram Live?

Rhea Litre: Everything I do is pure sex. I’ve always wanted to make you horny, but as I’m growing and learning as a person I also want you to think. Know why you’re horny. Ya know?

Blade: The name of the album—where does it come from, and what does it mean?

Rhea: It comes from the south, like buck baked or buck wild. When you put those two things together, you get a BuckBonkey, a naked party. While searching for the title of the song, I came across a synonym for “Naked Party/Orgy” called BUCKBONKEY, I was like, “HELL YA! This is it!”

Blade: Was the whole thing written during the pandemic?

Rhea: SamJGarfield and I started writing this project before the pandemic, during a very transitional period in my life—realizing Nightlife would not be my bread and butter, moving to Las Vegas, making new friends, and learning how to adapt. 

Blade: How was the album produced?

Rhea: SamJGarfield is a genius. We met in Palm Springs over Molly in 2012 and have been inseparable ever since. When Sam decided to make music his full time gig I was ecstatic! I knew we would create something dope together. I believe we accomplished much more than we anticipated. Every song and lyric takes me somewhere. I hope you enjoy the ride. 

Blade: There are some great guest drag performers on “BuckBonkey.” Tell us about one of them.

Rhea: Alaska Thunderfuck is a pro when it comes to drag music. She knows what’s up. After all, she did snatch that [RuPaul’s Drag Race] All Stars trophy! I was completely gagged when she said she was interested in being on the album. “Viva Las Vegas (Diva Las Rhea)” was perfect for her. She slays in her authentic Alaska Thunderiffic Voice. 

Blade: Take us through the “BuckBonkey” tracklist: What styles, who performed it, etc.

Rhea: “H.O.L.E.” – RHEA LITRÉ x SAM J GARFIELD x JOJO GUADZ x NYX LITRÉ: Stands for #HausOfLitre Entertainment. My kids are so talented and I’m so proud of every single one of them. Our Haus is strong. We love hard, support and lift each other up. This track really gives you an idea to who we individually are and how we fit together.

“BUCKBONKEY” – RHEA LITRÉ x SAM J GARFIELD: BUCKBONKEY was the first track we worked on—an original track produced by SamJGarfield and written by him and myself. This song definitely went on a journey. I told SamJGarfield, “I’m throwing a BUCKBONKEY and everyone is coming.”

“VEGAS INTERLUDE” – RHEA LITRÉ x WILLAM: During the Pandemic I relocated to Las Vegas to work in a live Drag Rock Show Residency at the Fremont Experience called, “Dragapalooza” starting 2021. It wasn’t until I walked into The Garden Las Vegas that Vegas felt like home! Willam came to Las Vegas for Pride and this conversation took place.

“VIVA LAS VEGAS (DIVA LAS RHEA)” – RHEA LITRÉ x ALASKA THUNDERFUCK: I live for Las Vegas and obsess over Elvis Presley. This was a gay combo and what an iconic song. I met Alaska back in the day club ratting around and there is not a soul on this planet like Alaska! She is THE QUEEN and we are not worthy!

“CLOUDS” – RHEA LITRÉ x MAYHEM x VELO x TAYLOR XO: SamJGarfield was playing this track to me as helicopters were circling due to protests and emotions were overwhelming. I wanted to write a love letter to every race, every gender and every minority that hadn’t felt seen or heard. My drag mother Mayhem Miller came in and killed the chorus.  Taylor XO and VELO magically turned into exactly what the song was meant to be, a melting pot of love and understanding and diversity.

Clouds has a sample from one of my favorite rap songs of all time, “Love Is Blind,” by EVE. 

“TUCK IT” – RHEA LITRÉ x 6 x CAZWELL: Now you know I picked track 6 for my feature with HBO’s “Were Here” Superstar, “6”! This throwback ’90s parody of Salt & Pepa’s, “Push It” is a banger. This is what it was like to go out to my Wednesday Night Party @TheAbbeyWeHo! LGBT Icon, DJ Cazwell jumped on and I felt like I was back on the dance floor. 

Blade: Does your in-studio performance style or intensity differ from stage work? 

Litre: Everything I do, I do it BIG! I say, Show Up n Show Out because, after all, you don’t have to get ready… if you stay ready. 

Blade: What kind of hours did you work in the studio or writing sessions?

Litre: I work fast! I write a song in a couple hours, max. Sam has the hardest job, producing and engineering. This record was a complete joy to make, sure there were some hurdles, but it wouldn’t be a Haus Of Litre project if there wasn’t. 

Blade: What is the ratio of stuff you create vs. what ends up out there for the world? 

Litre: EVERYTHING I CREATE, people will see. It’s all about content, growing and learning from mistakes. Get into my flaws, Get into my beauty, Get into this body, Let’s Have a BuckBonke



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Everything you need to know about WorldPride 2021

Party in Scandinavia with the happiest people on Earth



Confetti rained down in New York’s Times Square at Stonewall 50 WorldPride New York’s closing ceremony two years ago. (Blade photo by Lou Chibbaro, Jr.)

By Mikey Rox| NEW YORK – It’s been two years since Stonewall 50 – WorldPride NYC 2019 became the largest international Pride celebration in history, but the “bye” year of 2020 wasn’t due to the pandemic. 

The global celebration has been held every odd-numbered year since 2017 given its massive logistical undertaking (with sporadic celebrations in 2006, 2012 and 2014 before then), and WorldPride Copenhagen – Malmö 2021 couldn’t have come at a better time. 

Hundreds of thousands of cooped-up queer revelers and allies will flock to the twin host cities in Denmark and Sweden, respectively, from Aug. 12-22, to party with the happiest people on the planet, a delightful distinction provided to the Scandinavian countries by the United Nations’ famous World Happiness Report. (The United States ranked No. 19 in the most recent report, FYI.) 

So what’s in store for this year’s all-out progressive-flag-flying festival? Read on for more.

Two LGBTQ anniversaries in Denmark

If you can believe it, it’s been 70 years since Danish doctors in 1951 performed the world’s first successful genital reconstruction surgery, a medical marvel that provided hope to transgender people the world over. This year is also the 50th anniversary of the founding of the Gay Liberation Front’s Danish chapter, which has been instrumental in blazing trails toward equality for the country. Look how far it’s come.

Opening ceremonies kick off in Copenhagen

In conjunction with Copenhagen Pride, WorldPride will officially start late afternoon on Aug. 13, but in adherence with COVID-19 protocols the opening ceremony won’t be held in WorldPride Square (at least not as of press time; things could – and probably will – change). That potential snafu notwithstanding, Denmark welcomes vaccinated U.S. travelers, and if any testing is needed, both PCR and antigen tests will be available free to everyone, including tourists, 24/7. Copenhagen is OPENhagen again.

WorldPride Square will be open for the rest of the fest

WorldPride Square, a makeshift village of sorts (similar to the Olympics) located within Copenhagen’s main square, will provide a gathering place for all attendees that have traveled far and wide. LGBTQ+ and non-governmental organizations spanning the globe will set up shop in the square to greet pedestrians, provide information, and invite folks to get involved. Art exhibits also will be a centerpiece of the village, alongside a street-food market and bars with plenty of space to relax. 

EuroGames will be held simultaneously

If you enjoy watching athletes compete in variety of sports that range from boxing and badminton to dancing and dodgeball, add the spectator-friendly EuroGames to your list of to-dos while you’re in Copenhagen. If you want to get hands-on, consider signing up to become a volunteer at the games, to be held Aug. 18-20; EuroGames’ website is currently accepting those applications. 

Spread out and explore other WorldPride villages

While WorldPride Square will serve as the jump-off for the 10 days of festivities, other available villages will allow crowds to spread out and explore their individual interests. In addition to Sports Village for EuroGames athletes and fans, other villages will focus on kids and families, youth, women, and the queer community, among others. Programs and content of these villages will be target-audience specific but open to everyone.

You might have a brush with royalty

Mary, Crown Princess of Denmark, Countess of Monpezat, is patron of Copenhagen 2021, making her the first-ever royal to serve in the role for a major LGBTQ+ event. Say hi if you spot her; she knows a queen when she sees one.

Despite pandemic protocol, the show will go on

Organizers have said in an official statement that despite some COVID-19 restrictions, they’re “continuing to plan for full delivery of all Copenhagen 2021 events taking into account the guidance and recommendations” of government agencies. Doubling down, organizers have promised they will not cancel or postpone events. 

Now there’s only one thing left to do: Let’s go!

Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has been published in more than 100 outlets across the world. Connect with Mikey on Instagram @mikeyroxtravels)

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Hollywood’s Peter Kallinteris Agency launching LGBTQ dreams

“It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader”



Hollywood sign courtesy of the City of Los Angeles

HOLLYWOOD – Whether they’d admit to it or not the aspiration for most actors is to be sitting in the Dolby Theatre at some point in their careers, dressed in their finest fashion ensemble at the most prestigious event of the year and hear, “and the Oscar goes to [insert their name].” Conversely also true for the Emmy awards or the Tony awards, yet for many LGBTQ artists the path to that goal is fraught with obstacles and difficulties.

In 2018, a young Black actor from Atlanta, Georgia, was given a supporting role as Ethan in the surprise hit film Love Simon. That actor, Clark Moore, in interviews with host Rob Watson, journalists Dawn Ennis and Brody Levesque on RATED LGBTQ RADIO and separately with Teen Vogue’s Shammara Lawerence spoke of the difficulty landing roles like that of Ethan, but also the conflict inherent with how the film and television industry has seen LGBTQ actors.

Answering a question by Teen Vogue’s Lawerence centered on that conflict, Moore bluntly assessed the landscape telling her; “Historically, I think the reason why there haven’t been more gay roles or more gay actors playing roles that have lots of layers to them and lots of depths to them is because for whatever reason, people think that the story is done. We’ve seen the gay character. We know what he says. We know what he thinks. We don’t need to tell that story anymore, but if you think about it, we’ve had a full canon of stories about straight white men that stretch back millennia, and so we’re only scratching the surface,” Moore pointed out.

“If we can have stories about people all the way back thousands of years ago and we can still be telling the same story now about straight white men and their journey to self-discovery or redemption, there’s plenty of stories to tell of people of color and LGBTQ people and anybody who falls in the intersection of those two identities,” he added.

Yet in the age of digital moving beyond the traditional film and television as more and more content is streamed online- and there’s insatiable need by casting agencies for a wider diverse spectrum of actors, there are still obstacles in the path for LGBTQ actors, especially trans and disabled LGBTQ actors.

Enter Peter Kallinteris, who with his broad based knowledge and understanding of the critical needs of the LGBTQ actor community decided that the time has arrived to have specialized representation for that community.

“Looking to the past, Hollywood hasn’t been very kind to the Queer community. Throughout the history of cinema gay men were either played as effeminate, weak, airheads, and lesbians as tough softball or gym coaches, who are often played by straight people,” Kallinteris said. “Within the the broader culture, there are subcultures, just as within any community. They are nuances within each that will never find its way between the pages of a table read.”

“To create an authentic moment the space has to be made for those who’ve lived that life every day. Gay, Black, White or Straight ect, our experiences of the world are different depending on how we show up. In many cases that will determine our outcomes,” he noted. “Specialized representation is so important because without the lingering trauma, and continued hatred & fear toward our community the Queer division of PKA wouldn’t exist, we’d just be accepted. We have important stories to tell and will continue to be telling them. PKA is just the begging for all to feel safe and thrive.”

In a statement issued from his offices at the Sunset-Gower Studios, the former historic home of pioneering Columbia Pictures founded in 1918, Kallinteris reflected, “When I was a young Actor being gay was career ending.”

“Today it’s celebrated. It’s important to me to actively participate with a platform and space for the LGBTQ community. I want to make a difference and be a leader because I can.”

To accomplish this he launched the Queer Division of his PKA agency. “The Queer Division of  PKA was inevitable, a natural outgrowth of my own personal evolution first by coming out as gay man, from Artist to Agent. The timing was right to make an impact with talent,” he said.

“As my Agency grew I was able to gleam that there was a space beginning to open up by which I could represent the full spectrum of Queer humanity & sexuality within the arts. Not as one dimensional static caricatures, but as beings who’s emotions run the full gamut of the human experience. This was very exciting to me, I have a opportunity to effect change. I wanted to be apart of history Pioneering a movement,” he added. 

He said that his message to LGBTQ artists is simple. “I want talent to know they will be given the opportunity to be who they are, live their truth and work for who they are without rejection, humiliation, fear, or hopelessness. People perform at their best, live at their best. And do their best when they are happiest.  PKA is not just a brand, we are the LGBTQIA community. If life imitates art, then let’s represent it boldly!”

His expectations of the film and television industry’s reaction? “My inspiration to launch the Q.D. is truthfully representing talent that reflects the current needs for the industry, and to remain a permanent fixture within the industry that continues to grow stronger. I want the industry to understand I’ve created this environment specifically for the Queer community. I’m happy & honored to be the first Agency that represents this community in this way,” Kallinteris said.

Last week, PKA, whose clients include, Justin Jedlica (TV personality), Steven James Tingus (President George W. Bush’s lead for disability research and policy for eight years), Kate Linder (The Young and the Restless), Albert Lawrence (IMDB Host), Deric Battiste aka DJ D-Wrek (MTV’s Wild ‘N Out), and Leslie Stratton (The Swing of Things, Truth or Dare), announced the launch of the Queer Division in a video.


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Julia Scotti, the movie, is just Funny That Way

Life is funny that way—not working out quite the way we thought it would. And that is ultimately the point



Graphic courtesy of Susan Sandler

WHITING, NJ. – “You are a piece of work, Julia!” Simon Cowell blurted during her landmark America’s Got Talent debut.  Julia Scotti had just completed her audition for the show that ended not only with a standing ovation, but with the revelation that she had once upon a time been a stand-up comedian named Rick. As that news crossed the faces of the four judges, their collective jaws dropped. “I mean like you come out as the nice little granny school teacher all sweet and then you go into your routine and like WHOA. Talk about surprises – they are never ending with you, are they?” Cowell finished.

With Julia Scotti, the surprises never end.

Her latest surprise for the public is a gem of a film, Julia Scotti: Funny That Way.  It is a documentary of her journey from the days of Rick, the up and coming comic who performed on bills with Chris Rock and Jerry Seinfeld to Julia, who is wowing millions.

Of her transition, Julia has remarked. “It is NEVER an easy process whether you’re a public figure or not. You are essentially killing your old self and ending your old life. And with that comes the history you’ve built with friends and family. Some are very accepting, but most are not. That is why the suicide attempt rate for Trans  folk is still at 41%.”

Funny That Way does not spare us the heart-breaking fallout from the virtual “death’ of Rick Scotti.  Filmmaker Susan Sandler weaves Julia’s story, the losses and damage, to her rebirth, healing and the reuniting with her kids after a 15-year estrangement.

Julia and Susan sat down with us on the podcast Rated LGBT Radio to talk about the film.  “This is a story and like all stories, there is a beginning and a middle and an end. In the end, I want the audience to know there is HOPE. It is bumpy at times, joyous at times.  It is not just isolated to my life. You can have that in your life when you walk through that door of your own truth and come out the other side and when you look back on all you went through, you go ‘what the hell was I so afraid of?’ Look how happy I am.” Julia explains.

Susan had never directed a documentary before, but as one of Hollywood’s master story tellers, and a Golden Globe nominee, she was unfazed.  “The impetus behind this film was falling in love with Julia, her, then and now.  If you are working from a really rich, complex, compelling character –which is Julia—that is the GIFT. All of my nerve endings, my story telling, told me this was dynamic documentary, and that’s the form in which I wanted to tell it.”

Susan took five years to research, document and interact with Julia’s past.  She went through old footage of Rick Scotti’s stage acts and restored many of them so they could be used in the film. She brought on composer Matt Hutchinson for a beautiful score, and animator Sam Roth for whimsical cartoons that tie the story together.

Before the filming started, Julia had just re-connected with her son Dan, and daughter Emma.  A decade and a half ago, when Julia announced to her then spouse that she was in fact a woman transitioning, her then-wife retaliated by taking their kids away.  Dan and Emma spent their whole adolescence not knowing Julia at all. The story of that pain is told in Funny That Way.  Susan wanted to show the relationships real-time in the film as they came to reconnect with Julia. “We were just at the beginning stages of reconciling,” recounts Julia. “I did not want them feeling like I was just reconnecting with them because I wanted them in this film. I did not want to distance them even more.”

Dan and Emma were onboard, however.  Also on board, albeit only by phone, was Kate. Kate was  Julia’s last wife, described as Julia’s “love of her life”. Kate supported Julia emotionally and spiritually through out the entire transition process.  One of the most poignant moments in the film was Julia hearing Kate describe the end of their relationship.  Kate’s support was significant, but once Julia became fully Julia, it was evident to both that their relationship had changed and they had to let it go.

Susan captured many live moments of Julia’s evolving life.  She caught the very first time that son Dan ever called Julia “his mother” and the effect was pronounced.  Also caught in the film was a moment when Julia and Dan are watching Rick’s old stand up routines.  One such performance  takes Julia by surprise—it was a routine that she had not remembered ever doing.  It was a set where then Rick expressed his revulsion to transgender women in no uncertain terms.  Julia sat shocked.

“My sensibilities have been ‘woked’, I think that is the term for it.” She told me about that experience. ”Thinking back, I was going through issues and aware that something was not right internally. It frightened me to no end.  Looking at that clip, I am totally ashamed of what I did. It embarrassed me.”

“I knew it was me. I knew I was there. But I don’t feel a connection with that person.  That is the truth.”

The film does not dwell long on the past shames and regrets.  It arcs to the present where an adult daughter gets to see her parent’s comedy routine for the very first time.

Some of the greatest joy in the film is witnessing the growing relationship between Julia and son Dan. Dan is sweet and compassionate, and they both have a deep love of comedy.  Through their discussions and collaboration on things funny, we witness something decidedly not funny, the deep re-kindling love they have for each other.

The film will make you laugh, and cry, and laugh again.  New clips of Julia’s now famous turn on America’s Got Talent shows her more personal reflective moments over a life changing triumph.

The only regret director Sandler has about the film is how it will be brought to the public. “I am happy to be brining the film now for the people who have an appetite for it. For the truth, the humor, the complete emotional honesty.  But I mourn. I mourn the moments not being able to sit with you in a theater. And experiencing the film with you. It was supposed to be seen by audiences, and then give them the opportunity to go down the street and see Julia live at a club.”  But, life is funny that way—not working out quite the way we thought it would.   And that is ultimately the point.

Editor’s Note: The film was originally slated for theatrical release which was delayed then put off by the coronavirus pandemic.

Julia Scotti: Funny That Way is available now on digital platforms! That means you can rent or buy it online, at places like iTunes, Apple TV, Amazon, Google Play and more.

Here’s the full list of where you can find it. 


Google Play
Vimeo On Demand


iN Demand Movies

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