Local
José Julio Sarria joins the 16th Class of the California Hall of Fame
San Francisco has many overlapping histories. Military history, LGBTQ+ culture, immigrant stories +more. For Sarria, all the above applied
SACRAMENTO – Governor Gavin Newsom, First Partner Jennifer Siebel Newsom, and the California Museum today announced the 16th class of trailblazers in public service, sports, music, entertainment, and more into the California Hall of Fame.
This posthumous class will be inducted into the California Hall of Fame on Tuesday, August 22nd in a virtual ceremony – joining over 100 inspirational Californians previously inducted for embodying the state’s innovative spirit.
Joining the venerable list of inductees is José Julio Sarria, a celebrated Bay Area LGBTQ+ icon and the first openly gay candidate for public office in the United States, who sought a seat on San Francisco’s Board of Supervisors in 1961.
In 1964 he created a non-profit organization called the Imperial Court System, which is now one of the oldest and largest LGBTQ+ drag organizations worldwide. The court continues to be a major LGBTQ philanthropic group with chapters throughout North America.
His charitable contributions and political LGBTQ+ activism won him multiple honors and accolades during his lifetime and including, in June 2019, as one of the inaugural fifty American “pioneers, trailblazers, and heroes” inducted on the National LGBTQ Wall of Honor within the Stonewall National Monument (SNM) in New York City’s Stonewall Inn.
Sarria died of adrenal cancer on August 19, 2013, at his home in Los Ranchos de Albuquerque, New Mexico.
California Hall of Fame 16th Class Inductees:
Carrie Fisher: Actress and Screenwriter
Maggie Gee: Pilot and Physicist
Etta James: Singer
Jose Julio Sarria: LGBTQ Rights Activist and Pioneer
Vin Scully: LA Dodgers Broadcaster
Shirley Temple Black: Actress and Public Servant
Archie Williams: Olympic Gold Medalist and Educator
Governor Newsom noted: “We are thrilled to announce the newest class of inductees joining some of our state’s most revolutionary, innovative, and brightest in the California Hall of Fame. The outstanding legacy of this group has and will continue to embody what it means to be a Californian. There is no doubt their legacies will continue to live on and inspire millions across our state for generations to come.”
“The Governor and I are delighted to honor the contributions of this remarkable group of visionaries. Each one of these pioneers has uniquely impacted California through their boundless creativity, perseverance, and courage – encapsulating the California dream through their lives and legacies,” First Partner Siebel Newsom said.
California State Senator Scott Wiener (D-San Francisco) said in a statement:
“This recognition of Jose Sarria’s contributions to California and to the LGBTQ community is long overdue. As the founder of the Imperial Court System, Her Royal Majesty, Empress of San Francisco, José I, The Widow Norton worked endlessly to support and uplift LGBTQ people and to make San Francisco a better and more inclusive city.
“As the first gay man in United States history to run for public office, he created space for people like me to run and hold office. During the worst periods of LGBTQ persecution, Jose fought back against discriminatory treatment and advocated for the equal protection of LGBTQ people.
“His courage is a reminder of the critical role that drag performers have played in the movement for LGBTQ rights, and of the power of living unapologetically as one’s authentic self. What better represents California’s values than that?”
Virtual Induction Ceremony Details:
WHEN: Tuesday, August 22, 2023 at 6:00 p.m.
LIVESTREAM: Governor’s Office Twitter | California Museum’s YouTube
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A brief biography of José Julio Sarria courtesy of the U.S. National Park Service, Golden Gate National Recreation Area, U.S. Department of the Interior:
San Francisco has many overlapping histories. Military history, LGBTQ+ culture, immigrant stories, and much more make up its roots. For José Sarria, a LGBTQ+ activist in San Francisco, all the above applied.
Early Life
José Sarria was born in 1922 in the Bay Area to a single mother from Colombia. Sarria was bilingual and became proficient in language when he began learning German and French in high school. Though it was never outwardly spoken, Sarria’s family was always accepting of his sexuality and partners. Sarria planned to become a teacher, until December 7th 1941. The attack on Pearl Harbor by the Japanese Army, forced the United States to enter World War II. Entering military service to protect your country became a widely held feeling amongst young men. There was a stigma against being rejected from the military, especially for homosexuality. The challenges Sarria faced upon enlisting however stemmed from his Latinx heritage in an all white military unit.
After first serving at the Cooks and Bakers school, Sarria was assigned to drive Major Mataxis around, and the pair became good friends. Eventually Mataxis was promoted to colonel, providing both men with respect from their company. Sarria went to Europe with the colonel and was promoted to staff sergeant. He was stationed in Berlin after the German surrender. He found himself in a newly bustling LGBTQ+ scene. He formed a relationship with a famous opera costume designer and cabaret performer named Andre.
“I was going to stay in Berlin with Andre, but there was no way I could explain to the colonel or to the Army that I needed to stay. I couldn’t bring [Andre] home…”
Honorable Discharge
Sarria was discharged from the military when he returned to San Francisco in 1947. Afterwards he continued his plan to become a teacher, using his skills in language and music. Sarria used his GI Bill to return to school, and to support himself he became a waiter. One day, Sarria spent his night sitting at a bar. In the restroom another man began to flirt with Sarria, and two undercover police officers arrested both men. Sarria had not reciprocated the other man’s advances, but it did not matter. Due to his arrest, he could not get a teaching credential and the opera wouldn’t hire him.
José Sarria began working at the Black Cat Cafe as a waiter and host. The Black Cat first opened in 1906 and for a long time was considered a “bohemian haven”. In its early days it was frequented by artists and activists. As more service members came into San Francisco during the war, the Black Cat started to draw a more LGBTQ+ oriented crowd. José Sarria said, “I was more of a hostess, greeting people, and I would sing a song now and then… I started performing more, and I started doing female impersonation. I began opera parodies. I became very popular. I became the Black Cat.” Sarria performed alongside Hazel the pianist. He brought tremendous business to the Black Cat, using his vocal talents and quick wit to make people feel comfortable and entertained.

José Sarria stands on stage in a black dress and curly blonde wig. Image courtesy of The José Sarria Foundation
Black Cat Cafe
The military did not want its service members visiting LGBTQ+ establishments. The Armed Forces Disciplinary Control Board put the Black Cat on its list of “off limits and out of bounds” establishments. This meant that any military personnel was barred from visiting the Black Cat in or out of uniform. The Black Cat was also required to put an “off limits” sign in their window. In many cases distinguishing the bar in this way actually attracted curious soldiers to the bar. It told LGBTQ+ military personal exactly where to go if they wanted to be with their community. A veteran, and fan of Sarria’s said: “The Navy would publish a list of bars that were forbidden and why. That’s how I found the Black Cat and José. It was the early fifties. José was the first person to ever tell me that I was okay, that I wasn’t a second-class citizen.”
In 1949 the Board of Equalization indefinitely suspended the Black Cat’s liquor license because it was “a hangout for persons of homosexual tendencies.” Owner of the bar and Holocaust survivor, Sol Stoumen, fought this decision and hired an attorney named Morris Lowenthal. He argued that LGBTQ+ people had the right to assemble. The case made it all the way to the California Supreme Court. In 1951 the Court ruled in favor of the Black Cat and ordered that their liquor license be reinstated. An early decision that declared LGBTQ+ people had rights to be protected.
“Even habitual or regular meetings may be for purely social and harmless purposes, such as the consumption of food and drink, and it is to be presumed that a person is innocent of crime or wrong and that law is being obeyed.” — California Supreme Court
Board of Supervisors
Between 1951 and 1955 The Black Cat and José Sarria experienced great success with less police harassment. José became famous for his outrageous routines but also for his inspiring declarations of pride. At the end of his shows he would sing God Save Us Nelly Queens to the tune of God Save the Queen. Sarria said, “I sang the song as a kind of anthem, to get them realizing that we had to work together, that we were responsible for our lives. We could change the laws if we weren’t always hiding. God Save Us Nelly Queens, that’s what you are, be proud of it… ” Sarria performed all over the city for a diverse group of people, even being invited to perform at the American Legion in full drag.
In 1955 San Francisco elected a new mayor and the state of California created the Alcoholic Beverage Control Board. The new mayor and organization worked with the military and local police to develop a tougher strategy to shut down LGBTQ+ establishments. The police increased undercover cops in bars, used stereotypes to arrest individuals, and falsify evidence to close bars/clubs. This discrimination and harassment galvanized Sarria to do more. He decided to run for one of the five seats on the Board of Supervisors in 1961. He was the first openly gay person to run for public office. Campaigning around the district, and on the radio. Speaking multiple languages made him popular amongst diverse communities.
“There were nine people running. My chances for winning were very very good… twelve hours before the filing was to close, the people who didn’t want me running went out and got almost thirty people to apply for the office. Now the field was large, and they made my position weak… But that didn’t stop me. I still campaigned. I came ninth in that whole field. I proved my point. From that day, at every election, the politicians in San Francisco have talked to us.”

José Sarria wears a suit and top hat. He stands in front of a crowd and a sign that reads, “Campaign Headquaters. José Sarria for Supervisor.” Image courtesy of The José Sarria Foundation
Legacy
The Black Cat continued to fight, but the Alcoholic Beverage Control Board revoked the Black Cat’s liquor license on Halloween in 1963. A very important night for the LGBTQ+ community because it was the only time of year that a person could not be arrested for being in drag. Halloween was always the largest party of the year for the Black Cat. Stoumen decided to stay open and serve soft drinks for the bars last big event. Over two thousand people come to the event, dressed in all different costume and genderbending fashion. José finished his act that night as he always did, singing God Save Us Nelly Queens. He closed the show and the Black Cat’s legacy with, “United we stand. Divided, they will catch us one by one.”
José Sarria continued to be an important figure in the San Francisco LGBTQ+ community. The Tavern Guild, a group of LGBTQ+ establishments in San Francisco, wanted to honor Sarria at their Halloween ball in 1964. After that night José Sarria became: Empress José the First, the Widow Norton1. With his new status Sarria created a non-profit organization called the Imperial Court System, which is now one of the oldest and largest LGBTQ+ organizations worldwide. The Court System crowned regional empresses and queens and held balls to raise money for charitable causes. José Sarria passed away in 2013 and is buried at Woodlawn Memorial Park.
José Sarria utilized his platform at the Black Cat to advocate for and uplift his community. He was able to succeed in a military structure that was increasingly discriminatory against LGBTQ+ people. He saw this same structure lead to a loss in career and the closing of his beloved establishment. Despite the challenges he faced, he was able to create a legacy that inspired his community to uplift and love itself.
[1] Joshua Norton was a San Francisco merchant who lost his fortune during the Gold Rush. In 1859 Norton marched into a newspapers office in a feathered hat and blue military style coat, declaring himself “Joshua Norton the First, the Emperor of North America and Protector of Mexico.” The city of San Francisco embraced their “emperor” and he became a beloved public figure until his death in 1880. In 1965, José Sarria officially became the Emperor’s loving “widow”.
Sources:
Nan Alamilla Boyd. Wide-Open Town : A History of Queer San Francisco to 1965. Berkeley, Calif. ; London, University Of California Press, 2003.
Michael Robert Gorman. The Empress Is a Man : Stories from the Life of José́ Sarria. 1998. New York, Routledge, 2013.
Los Angeles
Recent L.A. County report reveals record number of hate crimes against transgender and nonbinary community members
The county’s Commission on Human Relations (LACCHR) released its annual hate crime analysis, revealing a rising violence against LGBTQ+ Angelinos.
Last Thursday, Los Angeles County’s Commission on Human Relations (LACCHR) released its 2024 Hate Crime Report, which analyzes data compiled from over 100 reporting groups, including local law enforcement agencies, educational institutions, and community-based organizations like the TransLatin@ Coalition. In its 45-year history of compiling these reports, the LACCHR recorded an “unprecedented” amount of hate crimes in this most recent analysis.
The report states that there were 102 anti-transgender crimes, “the largest number ever documented in this report.” 95% of these reported incidents were violent.
Part of the reason for this increase in reported crimes is the expanding outreach LACCHR is trying to create with partner organizations, ensuring that queer community members feel increasingly safe in reporting crimes that have been committed against them. These “grassroots efforts” have proven invaluable in building community trust, according to Dr. Monica Lomeli, who leads the production of LACCHR’s annual hate crime report.
“For the LGBTQ community, [there’s] a history of not being heard, not being believed or being misgendered,” Lomeli told the Blade. “I remember us working with a lot of different law enforcement agencies [and] victims would tell us: ‘They keep misgendering me. They don’t believe me. They keep having me make different reports.”
Lomeli stresses that, for those who feel unsafe reporting hate crimes to law enforcement agents, there are other options. One of these pathways is the commission’s community-centered initiative and reporting system, LA vs Hate, which allows people to report hate crimes and access resources like multilingual reporting guides. There is also 211 LA, a program funded by the commission that provides free, confidential support in 140 languages.
The report is instrumental to the formation of initiatives focused on queer safety and is also a resource to various LGBTQ+ organizations as they track violence committed against their community members. But the collection of this data has not been smooth, especially in this current administration.
Lomeli explained that, earlier this year, the now-defunct Department of Government Efficiency (DOGE) reached out to various human rights organizations, including the LACCHR, and was aiming to gain access to and shut down the commission’s hate crime database. “There was an attempt to bring down our data,” said Lomeli, who described these attempts as an infringement on the general public’s ability to access the report’s findings.
Moving forward, the commission’s Network Against Hate Crime, which hosts quarterly meetings with leaders from law enforcement agencies, advocacy groups, educational institutions, and social services providers, will hold a briefing on the report and discuss collaborative solutions to support community members.
Lomeli hopes to bring LGBTQ+ issues to the “forefront” of one of these upcoming meetings, given the high number of hate crimes committed against queer community members that were highlighted in the report. LA vs Hate will also continue to host campaigns, marketing efforts, and awareness events to promote the equitable treatment and safe existence of queer and other marginalized Angelinos.
California
Ricardo Lara, John Heilman inducted into Victory Institute’s Hall of Fame
Induction took place in D.C. on Saturday
The LGBTQ+ Victory Institute on Saturday inducted California Insurance Commissioner Ricardo Lara and West Hollywood Vice Mayor John Heilman into its LGBTQ+ Political Hall of Fame.
The inductions took place during the Victory Institute’s annual International LGBTQ+ Leaders Conference in D.C.
U.S. Rep. Robert Garcia (D-Calif.), San Diego Mayor Todd Gloria, San Leandro Councilmember Victor Aguilar Jr., are among those who attended the conference. Evan Low, the LGBTQ+ Victory Institute’s president, served in the California State Assembly from 2014-2024.
Former state Senate President Pro Tempore Toni Atkins, former Assembly Speaker John Pérez, former state Sen. Christine Kehoe, former Palm Springs Mayor Ron Oden, Harvey Milk, a member of the San Francisco Board of Supervisors who was the state’s first openly gay elected official, and José Sarria, who ran for the San Francisco Board of Supervisors in 1961, have also been inducted.
West Hollywood
Administration refused to honor World AIDS Day; residents gathered with defiance, grief and love
Yesterday, members of the APLA Health Writers Group read moving stories to a large group of locals gathered at the AIDS monument.
On Monday, the federal administration did not honor World AIDS Day, for the first time since the international awareness day was created in 1988. In addition to significant funding cuts to organizations focusing on HIV preventative treatment and care, the government’s halting of this commemoration perpetuates a dismissive system of inaction against LGBTQ+ people.
And yet, over 50 community members filled the empty spaces of West Hollywood’s AIDS monument yesterday evening, waiting in the night chill as city officials delivered impassioned statements and writers from APLA Health read personal pieces that centered a grief and love for those lost to the epidemic.

Before the readings began last night, West Hollywood vice mayor John Heilman asked for residents to join him in a righteous rage against administrative apathy. “I want to ask us all to reflect for just a moment about all of the people we lost…I want us to reflect and get angry,” said Heilman. “We have a fucking president who won’t even recognize World AIDS Day.”

Irwin Rappaport, board chair for STORIES: the AIDS monument, echoed this immense disappointment. “Many of us here tonight lived through the 1980s, so we know what that’s like,” Rappaport said. “We also know that because of that neglect, because of that lack of caring from the federal government, we have to care for one another — and we know how to do that. When we don’t have recognition from others, we know how important it is to preserve our own history, to tell our own stories.”
Through heavy silence, five writers from APLA Health’s writers group stood tall before a podium and shared intimate writings they created about the epidemic and its personal impact on them. The collective was established in 1989 to provide an inclusive, expressive space for HIV-positive writers and allies to work on their writing and learn how to share their stories.
Writer Brian Sonia Wallace, who served as West Hollywood’s poet laureate from 2020 to 2023, has been working with the writers group for the last four years to help them hone and refine their narrative voices as they share their heaviest grief and the depths of their love for the people they lost to HIV and AIDS.

Hank Henderson, one of these writers, read from a diary entry from November 29, 1991. His voice, clear and strong, wavered as he shared about the death of his dear friend Richard. In a piece filled with lush, rich detail, painted clearly with a strong and loving voice, Henderson recounted a memory with Richard during the latter’s last years.
“The Santa Barbara sky is clear blue forever today…Yesterday came and went like a half-remembered dream between snooze alarms,” Henderson recited. “Last year, we walked to the beach. We spent hours there, played frisbee ourselves, brought the dog. Richard even yelled out 30-minute tanning turnover alarms. Yesterday, he took tiny, labored steps back to the car, used my shoulder to keep himself from falling over. Nobody said anything. We just pretend it’s normal.”
Another writer, Austin Nation, shared the story of being told he was HIV-positive at 26 years old. As a young nurse, he remembered the shock of seeing “young, beautiful men” arriving at the hospital covered in “purple, blotchy sores.” When he received his own test results, a paralyzing terror washed over his body. An incredulity followed the fear: why was this happening to him? “I got this thing for what?” Nation spoke. ”For having fun? For making love? And now it’s gonna cost me my life?”
But as he stood before the crowd, now 63 years old, he was met with applause and joy as he stated and repeated: “I’m still here. I’m still here.” The writers, in their grief and loss, have come to a place where they are able to share these stories, empowered and held. “In a world that writes off people with stories like mine,” Nation said. “It’s a hell of a good day to be alive.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
West Hollywood
West Hollywood kicks off community-focused programming for World AIDS Day
Since 1988, queer communities have come together on Dec. 1st to honor siblings and allies lost to the AIDS epidemic.
Since 1988, LGBTQ+ communities have come together on Dec. 1st to commemorate queer siblings and allies lost to the AIDS epidemic. This year’s World AIDS Day follows the theme “Overcoming disruption, transforming the AIDS response” and highlights the substantial funding cuts to research, health services, and community initiatives that have prioritized the safety of people with HIV and AIDS. The theme challenges people to think about “radical” ways to organize together and ensure that those who are impacted are able to access the care, treatment, and awareness that they need.
Beginning today, the City of West Hollywood is kicking off programming to recognize the historical transformation that local queer communities experienced during the AIDS epidemic. A panel from the AIDS Memorial Quilt will be available for viewing at the City’s Council Chambers at 625 N. San Vicente Boulevard through Monday, Dec. 15th.
Known as the largest community arts project in history, the Quilt is a powerful memorialization of loved ones who died during the epidemic. Each panel of the Quilt contains a story of remembrance, immortalizing a life cut short during the crisis. The project currently contains over 50,000 panels dedicated to over 110,000 people, all woven together in a 54-ton tapestry piece.
If you’re visiting the panel today, there will be an additional gathering opportunity tonight at the West Hollywood Park for STORIES: the AIDS Monument. From 5:30 to 8:30 p.m., members from the HIV-positive writers collective APLA Health Writers Group will present intimate readings that reflect on their experiences. Community members will be allowed time to wander through the monument and also preview the new Herb Ritts: Allies & Icons exhibition at ONE Gallery after the program. The art show includes striking black and white portraits of activists who stood in alliance with those most impacted during the AIDS epidemic.
Additionally, fresh flowers will be placed on the bronze plaques that line the City’s AIDS Memorial Walk. During the AIDS epidemic, West Hollywood was at the center of a rampant grief and loss that juxtaposed vibrant programming and efforts that boosted healing and fought against stigma and violence. It continues to be a vibrant space that houses various organizations and memorial spots that continue to uphold the revolutionary history and advocacy work that has continued since the epidemic’s beginnings.
Today, West Hollywood is in the process of executing its HIV Zero Strategic Plan, an initiative that began in 2015. Its goals include: expanding healthcare access for people living with HIV and AIDS, reducing the rate of infections, lessening health disparities and inequities for those impacted, and slowing the disease’s progress from advancing to AIDS.
According to West Hollywood mayor Chelsea Byers at a recent Cityhood event, the initiative carries forth the City’s “bold vision” and commitment to ensuring marginalized community members living with HIV do not face the life-threatening discrimination and health barriers that their elders experienced.
To learn more about the City’s programming, read here.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
West Hollywood
Today, West Hollywood celebrates 41 years of queer cityhood
WeHo’s city officials are trying to preserve the fight for queer safety and rights that began decades before.
On Nov. 29th, 1984, West Hollywood was incorporated as an independent City, making its sovereignty official and solidifying it further as a sanctuary for LGBTQ+ community members, their stories, and their freedoms. Inspired by other prominent gay neighborhoods like New York’s West Village and San Francisco’s Castro District, West Hollywood was established by local queer advocates and residents. Their first city council was made up of a majority gay governing body — the first in the world, according to the West Hollywood History Center.
This political legacy, and the city’s vibrant and proudly queer history, continues to be preserved. On Monday’s celebratory event, West Hollywood mayor Chelsea Byers announced that the City’s current council “continues to be a majority-LGBTQ+ body,” holding tightly onto a “spirit” that reflects, prioritizes, and fights for Los Angeles’ queer community.
West Hollywood has been through various transformations, cocooning and revitalizing itself through the country’s evolving political and cultural upheavals. It has long been home to a ravishing nightlife that celebrates LGBTQ+ expression, and was a focal point for queer-led liberation and activism in the late 1960s and early 1970s. Trailblazers like Morris Kight led the first gay pride march through West Hollywood’s streets in 1970 and opened the Los Angeles LGBT Center to nourish the City’s robust and blossoming queer communities.
Today, West Hollywood continues to be the place where queer organizers and residents plant roots. Earlier this month, STORIES: the AIDS monument opened up in the City’s park after over a decade of work, shining a light on the legacies of gay activists, artists, historians, and community members who fought to survive as anti-gay stigma led to the erasure of their rights and lives.
As waves of anti-LGBTQ+ hate and violence continue to surge through the country, West Hollywood elected officials aim to continue doing the critical work that began decades before them: the work that protects the ability of queer residents to advocate for themselves, to live with protections and dignity, and to relish in joy. Mayor Byers is inspired by the resilience of the community members who stood together to establish this independent City in 1984. “The people who lived here…wanted a city with strong protections for renters, with progressive policies, and with a local government that would actually reflect and protect the people who call this place home,” said Byers, at the Nov. 24th celebration.
Over 40 years later, these needs have not changed. The way forward? Remembering and fighting for that initial promise and hope. “We are a chorus. We are a tapestry,” said Byers. “We are the product of thousands of people who, for more than four decades, have dared to say: We can build something better here.”
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
LGBTQ+ community calls out Radio Korea over host’s homophobic comments; station acknowledges but skirts accountability
On Nov. 3rd, Radio Korea host Julie An claimed that “gay people began the spread of AIDS” on a talk show broadcast by the station.
On Monday, Nov. 3rd, Radio Korea aired its regular morning talk show program, where one of its hosts, Julie An, discussed her lack of support for the LGBTQ+ community, citing her religious beliefs. She also went on to comment that gay people spread HIV and AIDS, and that conversation therapy — which has been linked to PTSD, suicidality, and depression — is a viable practice. Clips of this have since been taken down.
Radio Korea offers Korean language programming to engage local Korean American and Korean immigrant community members. Its reach is broad, as Los Angeles is home to the largest Korean population in the U.S, with over 300,000 residents. As An’s words echoed through the station’s airwaves, queer Korean community members took to social media to voice their concern, hurt, and anger.
In a now-deleted Instagram post, attorney, activist, and former congressional candidate David Yung Ho Kim demanded accountability from the station. Writer and entertainer Nathan Ramos-Park made videos calling out Radio Korea and An, stating that her comments “embolden” people with misinformation, which has the ability to perpetuate “violence against queer people.”
Community health professional Gavin Kwon also worries about how comments like An’s increase stigma within the Korean immigrant community, which could lead to increased discrimination against queer people and their willingness to seek health care.
Kwon, who works at a local clinic in Koreatown, told the Blade that comments like An’s prescribe being gay or queer as a “moral failure,” and that this commonly-held belief within the Korean immigrant community, particularly in older generations, strengthens the reticence and avoidance clients hold onto when asked about their gender or sexual orientation.
“When you stigmatize a group, people don’t avoid the disease — they avoid care,” Kwon explained. “They avoid getting tested, avoid disclosing their status, and avoid talking openly with providers. Stigma pushes people into silence, and silence is the worst possible environment for managing any infectious disease.”
For weeks, Radio Korea did not offer a direct response to the public criticism. Its Instagram feed continued to be updated with shorts, featuring clips of its various hosts — including An.
On Friday, Radio Korea CEO Michael Kim released an official statement on the station’s YouTube page. In this video, Kim stated that An’s comments “included factual inaccuracies” and that the station “does not endorse or share the personal opinions expressed by individual hosts.” Kim also stated that Radio Korea “welcomes members of the LGBT community to share their perspectives” in order to deepen understanding through dialogue.
Afterwards, Kim continued that though he acknowledges the “pain” felt by queer community members, he concluded: “I don’t think Radio Korea needs to apologize for what was said any more than Netflix should apologize for what Dave Chappelle says, or any more than Instagram or TikTok should apologize for what people say on their platforms.”
Kim then offered a justification that An’s statements were “not part of a news report,” and that he was “disappointed” that David Yung Ho Kim, specifically, had been vocal about An’s comments. Kim stated that he was the first person to interview David in 2020 during his congressional campaign, and that he had provided the candidate a platform and opportunity to educate listeners about politics.
“After all these years, the support Radio Korea has given him,” said Kim, “the support I personally gave him, even the support from other Radio Korea members who donated or even volunteered for him — he dishonestly tried to portray Radio Korea as being an anti-gay organization.”
Kim went on to criticize David’s purported “hurry to condemn others,” and also questioned if David has disowned his father, who he states is a pastor. “What kind of person is David Kim, and is this the kind of person we want in Congress?” Kim asked viewers, noting that Koreatown is “only about three miles from Hollywood, and some people just like to perform.”
At the end of the video, Kim stated that his duty is to guard the legacy of the station. “My responsibility is to protect what was built before me and ensure that Radio Korea continues serving this community long after today’s momentary controversies disappear,” Kim said.
For community members and advocates, this response was unsatisfactory. “The overall tone of the statement felt more defensive than accountable,” Kwon wrote to the Blade. “Instead of a sincere apology to the LGBTQ+ community that was harmed, the message shifts into personal grievances, political dynamics, and side explanations that don’t belong in an official response.”
Kim’s portrayal of the criticism and calls to action by community members as a “momentary controversy” paints a clearer picture of the station’s stance — that the hurt felt and expressed by its queer community members is something that will simply pass until it is forgotten. An continues to be platformed at Radio Korea, and was posted on the station’s social media channels as recently as yesterday. The station has not outlined any other action since Kim’s statement.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
Forgetting queer pioneer Morris Kight is “impossible”: Advocates and friends share stories at remembrance
On Saturday, Nov. 22nd, Kight’s ashes were interred at Hollywood Forever Cemetery.
Over 50 people made their way to the rooftop chapel at Hollywood Forever Cemetery’s Gower Mausoleum on Saturday afternoon, taking in sweeping views of the city as a gentle wind began to envelop the space — a wind that some thought signaled the presence of Morris Kight. Hosted by local nonprofit AIDS Healthcare Foundation (AHF), this reception provided longtime friends, fellow activists, and anyone else impacted by Kight’s legacy with the opportunity to share some of their most memorable stories about the LGBTQ+ vanguard.

Kight died on January 19, 2003, after decades of leading peaceful, bold, and outspoken action against oppressive systems that targeted marginalized communities. As Congresswoman Maxine Waters declared at the remembrance event: “You have to be a hell of somebody to be memorialized 22 years after.”
Kight co-founded the Los Angeles LGBT Center in 1969, first known as the Gay Community Services Center, where so many queer youth and adults found the courage and empowerment to seek education, resources, and comfort. It became the place where they could fully embrace themselves.
At 19, AHF president Michael Weinstein found himself at the front steps of the Center, afraid but compelled. This is where his and Kight’s lives would intertwine, setting him on his own path of liberatory leadership. This first encounter and relationship “cemented” his identity, Weinstein told the crowd, after an arduous search for belonging and internal understanding.
The impact Kight had on Weinstein and innumerable other queer folks was not just a consequence of his work, but the purpose for it all. “We were his payment. We were his reward,” said Miki Jackson, Kight’s longtime friend and another instrumental voice in early LGBTQ+ movements. “Morris cared that we were loud enough, we were out enough, we were visible enough that a child in Kansas in elementary school would know about it. He cared about where people were wounded the most.”
Kight projected his voice in hopes it would reach those who were silenced, becoming the face of several important movements, including the Gay Liberation Front. He raised money for people with AIDS, co-founded the Stonewall Democratic Club, and pushed for L.A.’s first pride parade in 1970 — unabashedly fighting for the visibility of LGBTQ+ people as they were met with societal violence and rejection.

“The idea of forgetting a Morris Kight is basically impossible,” said Terry DeCrescenzo, one of the founders of the Gay Academic Union. She recounted fond memories with Kight, including a story tied with her roots of protesting. Together, they blocked the streets of Sunset and Larrabee and sang the civil rights anthem “We shall overcome.” At first, DeCrescenzo was in disbelief. “I thought, ‘I went to Catholic school for 17 years to sit on the sidewalk singing We shall overcome?’ And the answer is yes. He showed me a way of doing things — of approaching life — that I didn’t dream I was capable of. So I thank you, Morris. I love you. I miss you.”
Kight’s ashes have been officially interred at Hollywood Forever Cemetery, granting him a final resting place. In life, he built sites of belonging for queer people, and today, this ground joins a tender catalog of spaces that contains a trace of what his loved ones hope he is remembered for: the fierce kindness with which he led his life. His endless stories. His desire to be with and fight for the people he loved.
Saturday’s remembrance event also offered a moment of deep reflection for the future of local queer activism. “We’re what we have left,” said Jackson, a queer elder who marched alongside Kight in the country’s early days of LGBTQ+ protesting — and who paved a path for younger advocates like Congressman and Equality Caucus Chair Mark Takano to continue the fight. “May we honor Morris by carrying his fire forward until every LGBTQ+ person in this country can live safely, open and unafraid,” said Takano.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Los Angeles
The Los Angeles LGBT Center has reopened and upgraded its community tech hub
The David Bohnett CyberCenter provides free access to important tech resources for LGBTQ+ community members.
On Thursday, community leaders and advocates gathered at the Los Angeles LGBT Center for a joyous ribbon-cutting event that ushered in the organization’s revamped tech hub. For 27 years, the organization’s David Bohnett CyberCenter has provided local residents a safe space to utilize computers, printers, scanners, and attend workshop opportunities to build their tech literacy skills, stay connected, discover joy, and research important opportunities.
Here, individuals can safely surf the web, complete online benefits and services forms, apply for jobs, as well as make progress towards educational programs. It’s a safe space where LGBTQ+ community members can reliably use technology that can provide them with vital avenues into improving and living their lives.
The CyberCenter is funded by the David Bohnett Foundation, which provides grants to various LGBTQ+ initiatives and social programs nationally in order to improve equity for different marginalized communities. In 1998, the foundation established its first tech hub at the Los Angeles LGBT Center, so that queer community members would not be shut away as technological advancements made online access increasingly necessary. “The idea was simple but urgent,” Bohnett said at yesterday’s ceremony. “[It was meant] to ensure that LGBTQ+ people had access to the technology that could open doors to education, employment, and connection.”

Yesterday, this CyberCenter’s updated facilities were welcomed with warm applause, cheer, and a celebratory banner that was cut by Bohnett himself. It marked an evolving growth towards the foundation and the Center’s shared commitment to the hub’s initial promise: to guarantee equitable technological access to the county’s queer residents.
“Our community members regularly share how missing even one piece of access—a computer, a quiet place to work, a stable connection—can stall their progress,” said Sydney Rogers, senior program manager at the Trans Wellness Center. “For so many, technology isn’t just a tool—it’s the gateway to opportunity. Résumés, job searches, online trainings, interview prep—all of it depends on having access to reliable equipment and an environment where people feel safe and supported.”
For Bohnett, what began as a room with a “handful of computers” has grown into over 60 CyberCenters nationwide — and they are all “rooted in the belief that digital access is not a luxury, but a lifeline,” said Bohnett. “Every time I’m back here, I’m reminded that the Los Angeles LGBT Center was the first to bring that vision to life.”
The David Bohnett CyberCenter is open from Tuesdays to Thursdays, from 10 a.m. to 1 p.m., and from 2-5 p.m. More information about its location and services can be found here.
West Hollywood
From nickname to reality, the Rainbow District is made official by the City of West Hollywood
The mile along Santa Monica Boulevard from N. Doheny Drive to N. La Cienega Boulevard welcomes residents and visitors to come as they are
Even in today’s political climate, we will not be hidden.
The vibrant stretch on Santa Monica Blvd of over 50 local businesses, representing the full spectrum of LGBTQ+ expression, from N Doheny Dr to N La Cienega, has had the loving nickname of the Rainbow District for decades. Well, now it’s official. From nightlife to restaurants to community organizations, the City of West Hollywood has formally designated the space as such, honoring the neighborhood’s legacy as a safe haven for the queer community and beyond.
In addition to making the name official, the Rainbow District is being launched with a full range of social media, including Instagram, TikTok, and Facebook, keeping the residents and visitors updated on all upcoming events and happenings in the neighborhood.
Long known as a beacon of acceptance, inclusion, and visibility, where everyone is welcome, this iconic mile-long corridor is now formally recognized for what it has always been: a place where people from every walk of life can come together, be themselves, and celebrate the beauty of diversity.
City of West Hollywood Mayor Chelsea Lee Byers states, “For generations, the City of West Hollywood’s Rainbow District has been a place where LGBTQ+ people take their first steps into living openly, where the warm embrace of community is found at every turn, and where the joy of living out, loud, and proud fills the streets. The City’s official designation of the Rainbow District honors both the legacy and the future of this vibrant neighborhood, home to beloved entertainment venues, bars, and restaurants that have long served as cornerstones of LGBTQ+ life. Today, the Rainbow District is more alive than ever, and it will always stand as a beacon of hope, pride, and belonging and as a reminder that everyone deserves a place to celebrate joy, to be seen, and to be supported.”
The Rainbow District officially joins a nationwide list of iconic LGBTQ+ landmarks. West Hollywood will not be hidden amid political backlash and will continue to protect queer spaces, uplift queer voices, and foster a safe and joyful environment for all.
“This designation is not only a celebration, but it also serves as a promise,” said Visit West Hollywood President & CEO Tom Kiely. “A promise to keep LGBTQ+ spaces visible, valued, and vibrant for generations to come. As the Rainbow District continues to evolve, it will remain a place where locals and visitors alike can connect through culture, creativity, and community. The City’s formal designation affirms its significance and highlights The Rainbow District as the ultimate playground for travelers seeking a unique, inclusive, and authentic experience.”
The Rainbow District will be home to upcoming community events that include:
- Winter Market & Ice Skating Rink — December 2025
- Go-Go Dancer Appreciation Day — March 2026
- Harvey Milk Day — May 22, 2026
- WeHo Pride Weekend & the OUTLOUD Music Festival at WeHo Pride — June 5–7, 2026
Follow the Rainbow District on socials to discover local happenings, support small businesses, and be part of a neighborhood that celebrates every person for exactly who they are.
Instagram: @RainbowDistrictWeHo TikTok: @RainbowDistrictWeHo
Facebook: facebook.com/rainbowdistrictweho More Info: visitwesthollywood.com/rainbowdistrict
West Hollywood
West Hollywood’s AIDS Monument preserves the pain and power of people lost to the crisis
STORIES: The AIDS Monument is now available to view at West Hollywood Park, 15 years after its conception.
It was 1985, at the height of the AIDS crisis, when Irwin Rappaport came out as gay. As he came to terms with his identity, he witnessed people around him grow weaker: their faces becoming gaunt, painful lesions developing on their bodies. Five years later, he began volunteering as a young lawyer at the Whitman-Walker Clinic, a community health hotspot in Washington, D.C. that created the first AIDS hotline in the city, opened homes for patients with AIDS, and distributed materials that promoted safe sex.
The work being done at the clinic was instrumental, essential, and deeply painful. “When you see that sickness and experience that death among your friends and people you know, and when you’re writing wills for people who are much too young in ordinary times — it has an impact,” Rappaport told the Blade. “And even though in 1996 we saw life-saving medications come around, you never forget the sense of fear that permeates your life. The sense of loss.”
Determined to honor and share the legacies of people who died from AIDS, Rappaport joined the Foundation for the AIDS Monument (FAM) board to work towards the organization’s goal of creating a physical monument dedicated to memorializing these histories. FAM treasurer Craig Dougherty first conceived of this project in 2010 and, after 15 years, STORIES: The AIDS Monument is now available to the public for viewing.

Created in collaboration with the City of West Hollywood, STORIES: The AIDS Monument is composed of 147 vertical bronze pillars known as “traces.” Designed by artist Daniel Tobin, 30 of these traces are engraved with words like: activism, isolation, compassion, and loss, which correlate to the over 125 audio stories collected and archived on the foundation’s website. This multimodal storytelling allows people who come across the monument to engage more intimately with the people represented by these physical pillars.
At nighttime, lights transform the monument into a candlelight vigil, providing a warm glow to a wanderer’s journey through the structure.
When people were able to walk around the traces at Sunday’s grand opening ceremony at the Pacific Design Center, the last remnants of the weekend’s rainstorm created a kind of “spiritual” and reverent atmosphere for those gathering, according to Rappaport. “I think there’s a certain peacefulness and serenity about the design, an opportunity for reflection,” he continued. “For some, it may bring back incredibly painful memories. It might bring back wonderful times with friends who are no longer here. It might remind them of their own caregiving or activism, or the sense of community that they felt in striving with others to get more attention to the disease.”
Now that the monument has been built, FAM has passed the mantle of management and programming to One Institute, a nonprofit that engages community members with queer history through panels, screenings, and other educational initiatives. One Institute plans to host monthly docent tours, art installations, and other special events during various LGBTQ+ national awareness days, including the upcoming World AIDS Day in December.
Rappaport also hopes to do outreach with local schools, so that young students are able to engage with the monument, learn about the people who were affected by the AIDS crisis, and interact with the ripples of transformation that this time period sparked in politics, research, the arts, and within society. “For younger people, I think [this is] an invitation for them to understand how they can organize about issues that they care about,” Rappaport said. “[So] they can see what the HIV and AIDS community did as a model for what they can do to organize and change the world, change culture, change law, change politics, change whatever they think needs to be changed. Because we had no other choice, right?”
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