Los Angeles
UN honors Cyndi Lauper for human rights and LGBTQ advocacy (interview, photos)

Cyndi Lauper at “Home for the Holidays” in LA Dec 10, 2019. (Photo by Rich Polk/Rich Polk, courtesy True Colors United)
Donald Trump aside, most Americans believe the United Nations tries to peacefully fix global problems. Feminist historians note, for instance, that Eleanor Roosevelt, as the determined chair of the UN Human Rights Commission, crafted the Universal Declaration of Human Rights and wooed and cajoled commission members — despite some members’ deeply held misogynistic attitudes toward women — to accept this still relied-upon model of how human beings should behave toward each other.
It is something of a symbolic marvel, then, that in this Trumpian era — 71 years after the UN General Assembly adopted the Declaration, establishing Dec. 10 as Human Rights Day — that the UN came to Los Angeles to present a prize for LGBTQ advocacy, a component of human rights it took the UN decades to acknowledge.
That’s what happened Dec. 10 when Laurent Sauveur, representing the UN office of Human Rights, flew from Switzerland to Los Angeles to present singer, songwriter, actor and LGBTQ icon Cyndi Lauper with the first High Note Global Prize for her LGBTQ advocacy worldwide. The brief ceremony occurred during Lauper’s annual “Home for the Holidays” all-star concert at The Novo benefiting True Colors United, her non-profit organization advocating for LGBTQ homeless youth.
“Today is a very special day. Today is Human Rights Day,” Sauveur said, noting the adoption of the Universal Declaration of Human Rights by the international community. “This is why it is a beautiful symbol to award, on this very day, the first High Note Global Prize to Cyndi Lauper. Cyndi is an artist who is fiercely dedicated to make the promise of the Declaration – that all human beings are born free and equal — the reality for everyone.”
Musicians, the UN representative said, “hold a very special place in society as they have the ability to inspire people to take action. And we are honored to celebrate one of its greatest tonight – Cyndi Lauper. Throughout her career, Cyndi has been an advocate – a remarkable advocate – for women’s rights, and for the rights of the LGBTQ community. She has written and sung their songs and powerfully embodied the cause of equality, touching the lives of millions through her work with True Colors United.”
Other than outbursts of applause, The Novo Theater was still as Sauveur spoke. Yes, entertainment, laughter, and songs by unlikely duets such as Lauper and Marilyn Manson and with Henry Rollins was the call of the evening. But there was also a sense that this event served a transformative higher cause.

Keish presents Cyndi Lauper with UN High Note Global Prize (Photo by Rich Polk, courtesy True Colors United)
It was there in the catch in Kesha’s voice as she introduced Sauveur before joining him to present the honor. No one who watched the 60th annual Grammy Awards in January 2018 can forget the powerful moment of sisterhood when Lauper and other women clad in suffragette white emotionally backed up a defiant Kesha singing “Praying,” symbolizing the enormity of the #MeToo movement.
“This Global award holds a special place for artists as it’s given to a remarkable person who uses their musical gifts to promote human rights and to speak truth to power,” Kesha said. “As many of you know, Cyndi has spent decades fighting for human rights – for LGBTQ rights – and she has never backed down. A recent example was her testimony to the U.S. Senate in which she secured approximately $250 million in new annual funding to invest in preventing youth homelessness – of which a disproportionate number is LGBTQ youth. Cyndi has stated that ‘we each have a personal responsibility to make sure LGBTQ youth are treated with dignity and respect.’ I couldn’t agree more.”

Laurent Sauveur, Chief External Officer of United Nations Human Rights, and pop superstar Kesha presented Cyndi Lauper with the first-ever High Note Global Prize on December 10, 2019 in Los Angeles. (Photo by David Rose)
Lauper took the large multi-color Venetian plate from Keisha, looked at it, turned to Sauveur and said, “This is like some kind of art! It’s a real piece of art!”

Cyndi Lauper tells the “Home for the Holidays” audience about LGBTQ homeless youth (Photo by David Rose)
Then, in her own passionate fashion, Lauper spiritually channeled human rights activist Eleanor Roosevelt, sharing that her activism is motivated by knowing that 40 percent of the youth among America’s more than 4 million homeless are LGBT kids who are there just because of who they are. But, just as Roosevelt sought a solution for the hatred targeting refugees after World War II, Lauper said she believes the problem of LGBTQ youth homelessness is “fixable.”

Backstage: Chantel Sausedo, Executive Producer of The High Note Global Initiative; Laurent Sauveur, Chief External Officer of UN Human Rights; Cindy Lauper, High Note Global Prize Laureate; superstar Kesha; and David Clark, Creator of The High Note Global Initiative. (Photo by David Rose)
Greyson Chance gave artistic testimony to Lauper‘s power of inspiration. He sang a ballad about loving someone who does not love you back, such as children who love rejecting parents, and told a story of how, at age 13 in 2011, he and Lauper performed at the Human Rights Campaign gala honoring President Barack Obama.

Chance sat between his mother and Lauper when Obama gave an impassioned speech about equality and the work ahead for activists in the civil rights community. Lauper took his shoulder, got New York aggressive and told him to take Obama’s words to heart as the foundation for both his mission in life and of his music. That was a moment of revelation, Chance said, and when he finally did come out as a gay man in Oklahoma and started knocking on doors for Freedom Oklahoma, he thought about Lauper’s inspiration when he felt discouraged and lost. Now 21, he knows he’s one of the lucky ones whose parents did not discard him into the heap of millions of unwanted LGBT youth who live in our streets.

Cyndi Lauper, James Duke Mason, Belinda Carlisle backstage at The Novo at LA Live. (Photo courtesy Duke Mason)
The message resonated. “It was a truly incredible night. Not only for me as the son of one of the performers, but it was amazing as a young gay man to see the outpouring of love and support for the most vulnerable in the LGBTQ community. Incredibly moving and powerful,” longtime West Hollywood activist James Duke Mason told the Los Angeles Blade. Mason’s mother, Belinda Carlisle, sang a duet with Lauper on her LGBTQ anthem “True Colors.”

Belinda Carlisle and Cyndi Lauper sing “True Colors” (Photo by Rich Polk, courtesy True Colors United)

Belinda Carlisle and Cyndi Lauper after singing “True Colors” (Photo by David Rose)
Lauper initially came to the attention of the LGBTQ community in the early 1980s with the playful “Girls Just Want to Have Fun” with a video full of girls of color.
Gay men with AIDS seized the song as a defiantly joyful response to the inevitability of death.
“I saw many of my friends ill. I saw everyone ill. It was unfortunate that at that time the president did not acknowledge AIDS even though his friend Rock Hudson was very ill with it,” Lauper told the Los Angeles Blade in a phone interview. “But yeah, I know that it gave a lot of people joy. I wanted it to.”
And perhaps that’s the simple genius of her soulful connection to humanity: Lauper wants to use her artistic talent to benefit others, as exemplified in this line from “Kinky Boots:” “If your glitter rusts/ Let me raise you up (and up).” In 2013, she made history becoming the first woman to win a Tony Award for best score as a solo female writer for that Broadway hit.

“Kinky Boots” star Billy Porter (Photo by Rich Polk, courtesy True Colors United)
“I’m a friend and family of the community,” Lauper told the Los Angeles Blade. And her life has been enmeshed with the community, through the struggles of her lesbian sister Ellen and her friends, such as her best friend Gregory Natal who had been kicked out of his home at 12 for being gay, survived homelessness on the streets, and subsequently died of AIDS at age 27.
“Blue Angel, Gregory—- his nickname was blue because he had blue eyes,” she said. “We did the ‘She Bop’ video [accidentally inspired by gay porn] together and that was around the time he told me that he had AIDS. And as he got sicker and he was in the hospital, he wanted me to write a song for him like ‘That’s What Friends Are For’ and that’s Burt Bacharach. But I am not Burt Bacharach remotely, one could only aspire to be like that.
“But I wrote about what I knew. So I wrote ‘Boy Blue’ and my grief. And fortunately, that was a song in which I poured out my heart and liver, which is not good for repetitive play,” Lauper said. “I wanted it to be live and I wanted the sound of that drum to have the soul, that archaic part of your soul that you call too, because it was an important song. So I wanted a call to people’s souls and then I wanted to speak to the tender part in their heart. And so that’s why I sung it like that.
“And in the end, it turned out to be just what Gregory wanted because years later I realized that that song helped a lot of people, a lot of different kinds of people, people who were ill, people who were different, people who were so sad,” Lauper said.
Lauper got super creative for her video performance of “The Ballad of Cleo and Joe,” inspired by a “very Fellini-esque” dance troupe of drag performers with whom she’d gone on the road. Very pregnant with her nine pound son, she glued little mirrors on her stomach to make it look like a disco ball and mimed moves while turning on a turntable. “What was I trying to tell my [unborn] son? That it’s an inclusive world and we are who we are and it’s good to embrace who you are and once you accept yourself, you can accept others, too, ” she said.
But it was “True Colors” that brought emails, first one, then another, then an avalanche. “It was all these emails about people who were disenfranchised by their friends, their family, and their jobs. They had nothing, nothing. And they were suicidal and they heard this song and it gave them strength and they were able to not kill themselves. And then I thought, “People killing themselves just because of who they are?” So I called my sister and I talked to her it and I said, “El, when the time comes, you and me, we’ve got to get something about this.” And she said, “Absolutely.” And then when the time came and we did that campaign with PFLAG, Stay Close, we did that together.”
Lauper says her “ah-ha moment” about becoming the kind of artist/activist the UN honors occurred “back in the aughts (2000s) when I heard actually the president at the time speaking as if hate crimes against LGBTs was okay and it’s not okay. And when civil rights was just being pared down and down and down, and that made me first say, ‘You know what? Enough is enough now.’ And anything I could do to use my voice, I felt like, ‘Let’s do this.’”

Cyndi Lauper and Judy Shepard in 2014 (Photo from Lauper’s Twitter page)
Meeting Matthew Shepard’s mom Judy Shepherd — she is on the board of the Matthew Shepard Foundation — and meeting Gregory Lewis and Kathy Nelson through the Human Rights Campaign that “really changed my perspective on things,” Lauper said, “because I, at one point, felt like, ‘What the heck? No matter what we do we’re just still pawns here.’ And then I felt that you can do something. I stepped into it and then before I knew it, things were actually changing. We were doing something. We had the inclusive True Colors tours,” focused on “LGBT homeless youth because this is a fixable situation because they’re only homeless because they’re LGBTQ. And that means that with programs and advocacy and helping people get back on their feet and back into society. And it will help society itself because throwing away youth because of who they are is not a solution of any kind, it’s just a very close-minded ignoramus kind of thing.”
Lauper didn’t want to discuss Donald Trump, whom she knew from New York and for whom she says she did not vote. She had not remembered the ads he took out against the Central Park Five, and while he bad mouthed her dear lesbian friend Rosie O’Donnell, she wanted to use her appearance on Season 9 of the “Celebrity Apprentice” to promote and win money for what was then called her True Colors Fund.
But Lauper’s firing in Episode 9, which aired May 9, 2010, prefigured behavior Americans now see since the Trumps moved into the White House. Lauper was fired “for telling Mr. Trump that the color of the celebrity room, which was the judges’ favorite room and for which Cyndi was given much credit, was actually Holly’s idea. Cyndi was also criticized for bossing around the men who had come to work on the apartment,” according to an analysis on Wikipedia.
Apparently judge Don Jr. wanted to fire Holly Robinson-Peete, until Lauper told the truth, which Trump’s son called a “tactical mistake.” As she exited, Lauper as the experience was “like high school.”
“Well, [Trump’s] son said that it was not easy being his son, which obviously it’s not. But I think that I just would have had no idea. I have no comment on that,” Lauper told the Los Angeles Blade. “I want to stay in the politics of uniting people, not separating them.
“I do believe in the Constitution. I really do,” Lauper said. “I don’t care if you’re Republican or Democrat or liberal – what the heck, we’re all Americans. And as long as we can talk together, we can solve things together and that’s what we’re supposed to do. And we have a Constitution that protects us with checks and balances and that’s what we should believe in and that’s what I believe in. That’s what I was taught since I was a kid.

Cyndi Lauper singing at “Home for the Holidays” concert Dec. 10, 2019 in LA (Photo by Rich Polk, courtesy True Colors United)
“I have nothing to say about the President,” Lauper said. “I only have something to say about what we can fix in this country together and we can help each other. And you don’t throw youth away, ever. And the most fixable, logical fix is the LGBTQ kids because they’re just there because they’re LGBTQ, which is not a problem. The only problem is they’re homeless and they need to be helped. And they’re the most vulnerable, too. Because these youths have other issues. And so once we learn about this most complex issue, we fix that then the others are easier to fix, you understand?…We need the advocacy, the programs, and a helping hand.
“If your glitter rusts, let me raise you up,” Lauper adds, quoting a line from “Kinky Boots.”
One imagines Eleanor Roosevelt would have cheered Cyndi Lauper being awarded a human rights award by the United Nations.
Los Angeles
Anger, resistance and unity coursed through L.A. City Hall “No Kings” protest
The Blade photographed Saturday’s demonstration as thousands mobilized and marched
On Oct. 18th, a mosaic of Angelinos across generations and cultural backgrounds gathered outside of city hall as they proudly lifted handmade signs decrying President Trump and the current administration. This march was one of several rallies organized just within the city, and one of thousands others organized across the nation.

The protest was packed, with people standing nearly shoulder to shoulder as a number of local leaders including Black Women for Wellness Action Project policy analyst LaKisha Camese, TransLatin@ Coalition president Bamby Salcedo and Assemblymember Isaac Bryan, made rousing speeches and led passionate chants before the march began. Speakers like political commentator Brian Tyler Cohen did not hold back when they addressed the crowd. “[They are] so desperate to rebrand this thing as a ‘Hate America’ rally. But do you know what hating America looks like?,” asked Cohen.
Image captures by Blade reporter Kristie Song

“It looks like sending secret police accountable to no one into our cities…It looks like keeping the government closed because you are so hell bent on stripping away health care from 24 million Americans and trying to get their costs to double, triple or quadruple. So if you’re looking for the ‘Hate America’ rally, might I suggest the White House.”

Protestors cheered at the top of their lungs with each passing speech, and each clear and explicit denouncement of the current administration. “There’s no rally like what’s happening here in Los Angeles,” said Assemblymember Bryan. “This is where Black, brown, poor, indigenous, everyday people come together…Washington D.C. doesn’t care about us, and we know that. But, we care about each other, don’t we? We believe that health care is a human right, don’t we? We believe that housing is a human right, don’t we? We will stand up to authoritarianism, won’t we? Because when we fight together, what happens? We win!”

As people began to grow restless, the march finally began, taking them to a highway overpass.

As residents boarded a bus at Cesar E. Chavez and Broadway, they were halted by blocked roads as large congregations marched by. Transit riders looked on into the crowds, their faces mere inches from some of the passing protestors. Separated by a layer of window glass, one nodded along as protestors lifted their signs above their heads and chanted “ICE out of LA!” Some waved to people inside the stalled bus, inviting solidarity from those who weren’t marching alongside them.
When the road cleared, their calls could still be heard for a little longer.

Los Angeles
L.A. County Supervisors vote to declare local emergency in support of immigrant community members
What does this declaration mean, and what’s next?
On Tuesday morning, a downpour loomed heavy over the Kenneth Hahn Hall of Administration as leaders and supporters from grassroots coalitions like Immigrants are LA and the TransLatin@ Coalition gathered inside Room 140C. They were present for a press conference with County Supervisors Lindsey P. Horvath and Janice Hahn, who together co-authored a motion to proclaim a local emergency in Los Angeles County in regards to the federal government’s actions targeting immigrant communities.
The press conference offered a moment of solidarity before the Board of Supervisors meeting happening immediately after, where the motion would be voted upon. “One of the grounds for declaring this emergency is that we can’t do it alone, and we know that county government cannot protect our residents alone,” Horvath told the Blade. “We need our cities to join with us. We need the state to join with us. That’s why declaring the state of emergency is so critical. That way, they know this isn’t business as usual. We need help.”
In the last four months, immigration operations and raids have become widespread in Los Angeles and throughout the country. In January, President Trump declared a national emergency targeting a “catastrophic immigration crisis” before issuing a proclamation “restricting the entry of foreign nationals” on the basis of national security in June. Three months later, the Supreme Court voted to pause restraining orders that would have limited immigration operations that, as advocates argued, violated civil rights.
In response to this, Supervisors Horvath and Hahn deemed it necessary to move forward with a proclamation of their own. But what does codifying and declaring a local emergency do?
“Clearing a local emergency allows the county to promulgate orders and regulations to provide for the protection of life and property,” explained Senior Assistant County Counsel Thomas J. Faughnan at the Board of Supervisors meeting. “It allows the county to request assistance from the state. It permits mutual aid to any affected area. It provides the county with certain legal immunities for emergency actions taken, and it permits the county to obtain vital supplies and equipment needed for the protection of life and property and the ability to require emergency services of county personnel.”
Supervisor Horvath also stressed that the declaration would allow local officials to accelerate various processes in locating and delivering support services to immigrant community members. “This is about action and speed. It means Los Angeles County can move faster. We can coordinate better. We can use every tool available to support and stabilize our communities,” Horvath said at the press conference. “Today, we declare an emergency — not from a place of panic, but from a place of purpose.”
It would be several hours before the proclamation was addressed at the board meeting. Still, over 10 people were waiting to be patched through on the phone so they could voice their opinions. Over 10 more people waited in person, and 79 others submitted their public comments online.
Many residents who spoke voiced their support for the declaration, echoing the importance of providing protections to their immigrant neighbors. There were also a few individuals who expressed opposition and hesitation about the potential consequences of relief efforts. One person, who only identified themself as “Doreen,” opposed potential eviction relief that could follow the declaration’s passing. “I disagree with the consideration of an eviction moratorium for those who are vulnerable. I truly believe the Board of Supervisors is operating on emotions and retaliation,” said Doreen. “So you mean to tell me that you would like to bend the law to conform to those who are here illegally?”
Amongst the five supervisors, there was general support for the declaration — but also some apprehension about what would come from it. “We see citizens and municipalities taking real, meaningful, tangible action against these federal agents being in their communities,” said Supervisor Holly J. Mitchell. “Is there anything in this declaration that would empower us to take similar action?”
While these actions can only become clearer with the passing of the declaration, other matters were clarified through this discussion. For one, the declaration will not lead to requests to the federal government for mutual aid. Additionally, the Constitution’s Supremacy Clause — which states that, if conflicting with one another, federal laws take precedence over state laws — will not hold up in the instance of illegal actions committed by federal agents during their immigration operations.
After deliberation, the motion was passed, with the only “no” vote coming from Supervisor Kathryn Barger. This declaration of local emergency remains in effect until terminated by the Board of Supervisors, and a press release from Supervisor Horvath’s office states that county departments will be able to take “necessary emergency actions to protect and stabilize” impacted communities.
The Blade will follow up with further stories as these emergency actions are developed and rolled out.
Los Angeles
Trans and nonbinary immigrants experience greater levels of poverty, new report finds
A recent study looks into the disproportionate rates of homelessness and poverty trans and nonbinary immigrants face in L.A.
In a new report published by the Williams Institute, a local research center focused on conducting studies around LGBTQ+ communities and public policy, analysts reviewed data from the 2023-2024 L.A. County Trans and Nonbinary Survey and concluded that transgender and nonbinary immigrants face significantly greater rates of unemployment and homelessness than trans and nonbinary Angelinos who are not immigrants.
Created in partnership with the TransLatin@ Coalition (TLC), an organization that works to defend and advance the rights of trans, gender-expansive, and intersex (TGI) community members, and co-authored by TLC president Bamby Salcedo, the report looks more deeply into the 98 trans and nonbinary immigrants surveyed from a broader pool of 322 respondents in the initial 2023-2024 survey.
What were the key findings?
73% of the trans and nonbinary immigrants — and 80% of trans Latine immigrants — who were surveyed live at or below the federal poverty level, compared to 44% of trans and nonbinary non-immigrants surveyed. These numbers are not meant to pit these communities against one another, but rather to highlight the disproportionate amounts of poverty that trans and nonbinary people of color and immigrants face in the city.
39% of the trans and nonbinary immigrants polled also reported being unhoused, compared to 19% of the non-immigrant participants. 47% of the immigrant participants reported that they were unemployed, compared to 22% of non-immigrant participants.
Another wide discrepancy is revealed in access to educational resources. 30% of the TGI immigrant respondents, including 41% of TGI Latine immigrants, reported having less than a high school or GED level of education, compared to 8% of non-immigrants. Nearly half of the trans and nonbinary immigrants surveyed reported that they were unemployed, and 30% reported that they lacked health insurance and thus delayed seeking necessary medical care over the last year.
“It is essential that these communities are included in county-wide problem-solving and policymaking,” said Salcedo, in a press release about the study. Last month, the Blade reported on the TLC’s launch of its TGI: Housing Initiative, a campaign that would allow the organization to work with the county’s affordable housing solutions agency, LACAHSA, to invest funds into homelessness prevention resources for transgender, gender-expansive, and intersex community members. TLC members advocated for the initiative at LACAHSA’s board meeting on Sept. 17th. There have yet to be updates on whether or not the agency will support the initiative.
Another related Williams Institute report is set to be published later this month.
Los Angeles
The TransLatin@ Coalition campaigns for $20 million to support new housing initiative
If approved, the funds will go towards homelessness prevention
On Wednesday afternoon, over 50 people gathered in the heat outside the Metropolitan Water District. They waved large transgender pride flags and chanted at the top of their lungs: “Aquí está la resistencia trans!” Here is the trans resistance.
Leaders of the TransLatin@ Coalition (TLC), an organization formed by transgender, gender-expansive and intersex (TGI) Latine immigrants to support their fellow community members, led these jubilant calls for action at their press conference yesterday.
TLC organized this event to announce the launch of their new campaign, the TGI: Housing initiative. The group hopes to partner with the Los Angeles County Affordable Housing Solutions Agency (LACAHSA), an organization that was established in 2023 after the passing of SB 679: a bill aimed to increase affordable housing in the region.
What is TLC asking for? $20 million to invest into their communities. If approved, the funds would be allocated towards homelessness prevention resources like housing rental assistance and legal support clinics, specifically for TGI system-impacted individuals, seniors, transitional age youth, disabled community members and immigrants. “We are investing in people, not just programs,” said Queen Victoria Ortega at the press conference. Ortega is a chief visionary officer for the Connie Norman Transgender Empowerment Center.
“Housing is the foundation for opportunity,” Ortega continued. “When you are able to be in a safe, warm home, you’re able to take your medications. You’re able to take a respite. You’re able to think about the next step that you’re going to take. And really, why wouldn’t you want that for your neighbor? I end with saying: invest in trans lives.”
Authors of a June 2024 report published by the Williams Institute, a research center that informs public policy for LGBTQ+ communities, found that 47% of trans and nonbinary adults in the county live below 200% of the federal poverty level and face significant food insecurity and housing instability.
TLC is calling upon LACAHSA to utilize money from Measure A, a countywide half-cent sales tax that went into effect this April. The measure, meant to address the county’s homelessness crisis, generates over $1 billion annually and 33.75% of these funds are provided to LACAHSA. This amounts to over $380 million for the organization.
“Right now is the time for us to be invested in. We have a federal government who is trying to erase our existence,” said Bamby Salcedo, president and CEO of TLC, to the crowd. “That is why we’re calling on the LACAHSA board to commit to community engagement and partnership to ensure that this funding is community-led and that it is invested in all of us.”
Then, Salcedo led another chant. “Can we do it? When I say ‘People,’ you say ‘Power!’ People!” “Power!” Their voices carried like bells across the courtyard: a loud, clear and unbroken chorus.
As the press conference came to an end, TLC leaders encouraged community members to attend the LACAHSA board meeting happening right after, at 1 p.m. ChiChi Navarro, an active local advocate and a policy intern at TLC, explained how to make the most of their allotted minute during public comment. “Focus on your experiences,” said Navarro. “Focus on what you’ve gone through whenever you’ve tried to acquire housing. We understand that as a community, sometimes we’re affected simply for being who we are — and they need to listen to that. We are here in numbers so we won’t be silenced. Aquí está la resistencia trans!”
Many walked into the board room together at the Metropolitan Water District. Over ten community members took to the podium to share their personal experiences with homelessness, in both Spanish and English.
“As transgender, non-conforming and intersex individuals, we face unique challenges, especially those of us who are people of color, disabled or trans women who’ve experienced violence,” said Arianna Taylor, who was unhoused for three years. “$20 million allocated for TGI housing represents more than just funding. It represents hope, dignity and safety for people who, like me, have been forced to navigate a world of violence, stigma and exclusion.”
As Salcedo and her fellow TLC staff wait to hear more updates from LACAHSA, they will return to their work: empowering their community. “I’m really grateful that people are understanding that they have to advocate for themselves,” Salcedo told the Blade. “It is important for us to speak about what our needs are, and also try to find a solution. And please do come to our organization and see how we can support you.”
Los Angeles
LGBTQ+ proponents respond to “devastating” Supreme Court ruling
Supreme Court allows “unlawful” immigration operations to continue
Since June, federal agencies began conducting mass immigration operations in Los Angeles and other major cities. For just as long, local residents, leaders, and advocacy groups have challenged their arrest and detainment practices, citing that their methods have violated constitutional rights.
In July, individual workers were joined by organizations like the Los Angeles Worker Center Network and the Coalition for Humane Immigrant Rights in filing a lawsuit against the Department of Homeland Security (DHS), arguing that federal agents had been illegally arresting people based on their perceived race, language and work — a violation of the Fourth Amendment.
As a result, two temporary restraining orders were issued, barring federal agents from stopping individuals without reasonable suspicion. DHS was also ordered to provide access to legal counsel for detainees.
On Monday, the Supreme Court voted to end this and granted the federal government’s application for a stay — or pause — of the temporary restraining orders. This will allow immigration operations to continue, and how they will proceed worries local leaders.
“This Supreme Court ruling strikes at the heart of who we are as a nation—allowing immigration agents to stop and detain people for little more than speaking Spanish or having brown skin,” wrote District 51 Assemblymember Rick Chavez Zbur, a longtime advocate for LGBTQ+ civil liberty. “This endangers our communities, undermines our democracy, and erodes constitutional rights.”
Some city officials hope to continue providing resources and support to affected community members. “As the raids were taking place across the region and in our own City, we took immediate action to ensure there are adequate resources to care for and support immigrants and their families,” wrote West Hollywood mayor Chelsea Byers. “This work will continue.”
West Hollywood was one of several Los Angeles county municipalities that filed a motion to intervene in the ongoing lawsuit, calling for the court to stop the federal government from conducting unlawful stops and searches that were based on assumed race and not on probable cause. It also activated its West Hollywood Responds program to raise awareness on available services like legal toolkits and training, consultations, access to free meals and more.
Local organizations are also extending their support. “The Supreme Court’s ruling is a devastating setback for Latine and immigrant communities, especially LGBTQ+ people who already face immense barriers to safety and belonging,” wrote Terra Russell-Slavin, the Los Angeles LGBT Center’s chief strategy officer. Russell-Slavin explained that the center has expanded free legal clinics both virtually and throughout the city to provide Know Your Rights workshops and other immigration and asylum support services.
“You are not alone,” Russell-Slavin continued. “And the Center will continue to stand with you.”
On September 24, the federal district court will hold a hearing to consider additional evidence and a possible preliminary injunction that will pause this most recent ruling.
Kristie Song reports for the Blade courtesy of the California Local News Fellowship
California
Williams Institute reports impact of deportations on LGBTQ immigrants
Latest report suggests transgender, nonbinary and intersex immigrants face significantly higher safety risks
Williams Institute at UCLA has released its latest report, highlighting the intersection between LGBTQ and immigration issues and the impact of the U.S. Customs and Immigration Enforcement (ICE) raids across Los Angeles on LGBTQ people.
According to the brief, LGBTQ immigrants who hold legal status, but who are not naturalized citizens may also face challenges to their legal right to reside in the U.S.
Recent reports indicate that non-citizens with legal status are being swept up in immigration operations and several forms of legal status which were granted at the end of the Biden administration are being revoked. Those include: Temporary Protected Status (TPS) for some Venezuelan immigrants, as well as those from Afghanistan and Cameroon, while Haitian nationals are now facing shortened protection periods, by up to six months.
The Justice Department has proposed a new rule which grants the government border authority to revoke green card holders’ permanent residency status at any time. This rule is currently under review by the Third Circuit Court of Appeals, which could significantly affect non-citizens who are currently documented to reside in the county legally.
Supervisorial District 1, under Supervisor Hilda L. Solis, and Supervisorial District 2, under Supervisor Holly J. Mitchell would particularly be affected as it contains the city center of Los Angeles and nearly 29,000 LGBTQ, noncitizens would face the harshest impact. Those two districts contain many of the county’s historically Black, Latin American and Asian, Pacific Islander neighborhoods.
For transgender, nonbinary and intersex immigrants arrested or detained by ICE, there are additional impacts regarding how federal law defines biological sex and gender identity. The Trump administration has signed an executive order which redefines “sex” under federal law to exclude TGI individuals. This adds an extra thick layer of possible violence when TGI individuals are placed in detention centers or in holding that does not correspond to their identity.
According to the report, ‘transgender, non-binary, and intersex immigrants must navigate an
immigration and asylum system without information about how federal agents will respond to their gender identity and with the risk of greater violence if placed in detention centers, given the effects of this executive order.’
The brief estimates the number or foreign-born adults in Los Angeles County who will be potentially affected by the Trump administration’s executive orders on mass deportations.

Graphic courtesy of Williams Institute at UCLA.
Using previous data from other Williams Institute Studies and reports from the University of Southern California Dornsife Equity Research Institute and data from the Pew Research Center, the latest brief states that there are over 1.35 million LGBTQ-identifying people across the U.S., with 30% of them residing in California.
The report further points to 122,000 LGBTQ immigrants who reside within LA County specifically, making Los Angeles County home to about 10% of all LGBTQ adult immigrants in the U.S.
While 18% of those Angelenos are foreign-born, only around 7%, or 49,000 of them do not hold legal status.
Using research from the Pew Center and applying an estimate, that means that there are approximately 23,000 undocumented LGBTQ across LA County and the remaining 26,000 LGBTQ immigrants in the county have some form of legal status.
Among the LGBTQ population of adult immigrants in California, approximately 41,000 are transgender or nonbinary. That figure also points toward approximately 5,200 of them residing in LA County. According to the proportions applied for this estimate, the Williams Institute approximates that around 3,100 transgender and nonbinary immigrants in LA County are naturalized citizens, over 1,100 have legal status and just under 1,000 are undocumented.
According to a brief released in February by the Williams Institute, ‘mass deportations could impact 288,000 LGBTQ undocumented immigrants across the U.S.
Los Angeles
LA Black Pride: ‘We are no longer waiting to be seen’
Joy as power, presence as protest, visibility that refuses to be diminished
As Los Angeles Black Pride (LABP) gears up for another saucy season of celebration, culture, and resistance, we are proud to announce a new six-week media partnership between LABP and the Los Angeles Blade. This collaboration is not just promotion but intention. It is about making sure Black queer voices are not just heard, but honored and amplified.
To kick it off, we are excited to announce that Saucy Santana will headline LABP’s Saturday night main stage. Known for their unapologetic energy, queer-centric bops, and fearless showmanship, Santana represents exactly what LABP is about — joy as power, presence as protest, and visibility that refuses to be diminished.
The theme for LABP 2025 is “Black Queer Futures Are Now: We Are No Longer Waiting to Be Seen.” Our partnership sets the tone for what’s to come. It is a shared commitment to telling Black queer stories, past and present, and investing in what’s to come.
What started as a party born out of necessity has now become a full-scale movement. LABP Executive Director Brandon Anthony, who began his journey throwing parties like Ice Cream Thursdays, recounts the roots of this project:
“It started off as something I felt was missing… a space that felt like us: where the music hit right, where the energy felt familiar, and where we could just be,” he says. “What began as a vibe we needed grew into a platform. Now, it’s a business, a brand, a movement, but at the heart of it, I’m still just someone who wanted to create space for my community to feel good, feel seen, and feel proud.”
From nightlife to nationwide recognition, LABP is proof that when Black queer folks create for themselves, the result is not just representation, it’s revolution. In a landscape where many Pride events still sideline Black and Brown voices, LABP has become a necessary act of reclamation.
“Because if we don’t, who will?” Anthony asks. “Too often we get left out or placed in the background. Our energy, our style, our voices — we drive the culture. When we center ourselves, it gives others permission to do the same. Joy is more than a feeling, it’s a form of resistance.”
That resistance has never been more needed. From limited funding to systemic erasure, LABP continues to thrive against the odds. But the message is clear: thriving should never necessitate struggle.
“We’re not just asking for visibility — we’re asking for the tools to thrive,” he explains. “Now more than ever, we need partners who are aligned with the people, not just the optics.”
With the 2025 theme of “Legacy and Leadership in Action,” LABP honors the trailblazers who paved the way. Icons like Jewel Thais-Williams, founder of the legendary Catch One, are celebrated annually through the Jewel Thais-Williams Award.
“Catch One wasn’t just a nightclub, it was a safe haven,” Anthony shares. “Legacy isn’t just about the past. It’s about lifting up the folks doing the work right now and keeping that energy alive.”
LABP continues that work through programming that extends far beyond June. Year-round initiatives include pop-up markets, health services, creative workshops, and political advocacy.
“One of the moments that really showed what we stand for was the All Black Lives Matter march in 2020,” he says. “We co-led it alongside Gerald Garth, and it was powerful to see thousands show up for Black Trans lives. That wasn’t just a moment – it was a movement.”
Whether it’s showcasing emerging artists on stage, uplifting Black trans creatives, or building platforms for new leaders, LABP is focused on making sure the next generation has room to grow.
“When people are given a platform to show what they can do, it creates more than visibility, it creates momentum,” he says. “That’s what keeps everything moving forward.”
And with names like Saucy Santana taking center stage, that movement is gaining speed. Santana’s headlining performance isn’t just a concert — it’s a declaration. It says that Black queer talent is main-stage worthy, every time. This partnership is not performative – it’s purposeful. It’s a bridge between platforms, audiences, and shared values.
“LA Blade has a huge reach, and by choosing to amplify Black queer voices, they’re helping bridge gaps and build deeper understanding,” says Anthony. “This isn’t about charity or tokenism. It’s about showing the world who we are, what we’re building, and why it deserves to be seen.”
In the words of LABP’s ongoing mission: We are no longer waiting to be seen. We are building what’s next.
a&e features
Cumbiatón returns to Los Angeles right in time for Pride season
‘Que viva la joteria,’ translates roughly to “Let the gayness live”
Healing and uplifting communities through music and unity is the foundation of this event space created by Zacil “DJ Sizzle Fantastic” Pech and Norma “Normz La Oaxaqueña” Fajardo.
For nearly a decade DJ Sizzle has built a reputation in the queer POC and Spanish-speaking undocumented communities for making the space for them to come together to celebrate their culture and partake in the ultimate act of resistance — joy.

Couples, companions, comadres all dance together on the dancefloor at Cumbiatón. (Photo courtesy of Cumbiatón).
Cumbiatón was created during the first Trump administration as a direct response to the erasure, racism, homophobia and xenophobia that was engrained into the administration’s mission for those first four years. Now that the second Trump administration is upon us, the racism, homophobia, transphobia and xenophobia are tenfold.
This event space is a ‘party for the hood, by the hood.’ It is led by women, queer and trans people of color in every aspect of the production process.
The recent fires that burned through Altadena and Pacific Palisades made DJ Sizzle decide to step back from marketing the event in Los Angeles, an area where people had just lost their businesses, homes and where their lives were completely thrown for a loop.
Now they’re back, doubling-down on their mission to bring cumbias, corridos and all the music many of us grew up listening to, to places that are accessible and safe for our communities.
“I started Cumbiatón back in 2016, right after the election — which was weirdly similar because we’re going through it again. And a lot of us come from the Deferred Action for Childhood Arrivals (DACA) movement. We were the ones to really push for that to happen along with the DREAM Act.”
DJ Sizzle says that she wanted to create a space out on the streets to celebrate life and come together, because of how mentally and physically taxing it is to be a part of the marginalized communities that were and still are, a major target for ongoing political attacks.

Edwin Soto and Julio Salgado pose for a photo at a Cumbiaton event in 2024. (Photo courtesy of Cumbiatón).
“We need these spaces so that we can kind of refuel and rejoice in each other’s existence,” said DJ Sizzle. “Because we saw each other out on the street a lot, but never did we really have time to sit down, have a drink, talk, laugh. So I found that music was the way to bring people together and that’s how Cumbiatón got started. It was honestly like a movement of political resistance through music.”
DJ Sizzle is an undocumented community organizer who aims to not only bring awareness to the issues that her communities face, but also to make space to celebrate the wins and bond over the music that brings people in Latin America, East L.A., Boyle Heights and the Bay area together.
Julio Salgado, a queer, visionary artist and migrant rights activist from Ensenada, Baja California with roots in Long Beach and the Bay Area, connected with DJ Sizzle over their shared passion in advocating for immigrant rights.
“Cumbiatón was created during the first [Trump] administration, where you know, a lot of people were really bummed out and so what Sizzle wanted to create was a place where people could come together and celebrate ourselves,” said Salgado. “Fast-forward to the second [Trump] administration and we’re here and feel a little bit more like: ‘oh shit, things are bad again.’ But, things have always been bad.”
Salgado is involved with Cumbiatón through his art. He is a mixed-media artist who creates cartoons using his lived experience with his sobriety journey, undocumented status and queer identity.
With a background in journalism from California State University, Long Beach, Salgado documents what activists do in the undocumented spaces he has been a part of throughout his life.
In 2017, Salgado moved back to Long Beach from the Bay Area, and at the time he started doing political artwork and posters for protests against the first Trump administration, but because the nature of that work can be very tiring, he says that he turned to a more uplifting version of his art where he also draws the joy and unity in his communities.
When he and Sizzle linked up to collaborate during that time, he thought he could use his skills to help uplift this brand and bring it to the forefront of the many events that saturate the party landscape.

DJ Sizzle doing her thing on stage, giving the crowd the music they went looking for. (Photo courtesy of Cumbiatón).
“We are familiar with using the dance floor as a way to kind of put the trauma a little bit away just for one night, get together and completely forget,” said Salgado.
Coming from an undocumented background, Salgado and Sizzle say that their experience with their legal status has made them very aware of how to go about the ID-check process at the door for their events.
“When you’re undocumented, you have something called a [High Security Consular Registration (HSCR)] and it’s kind of like your ID and many of these heterosexual clubs would see that and say it was fake,” said Salgado. “But at the gay club, they didn’t care.”
Just being conscious of what that form of ID looks like and knowing that it’s not fake, helps many of the hundreds of people who come through for Cumbiatón, feel just slightly more at ease.
Edwin Soto, who is another community activist and leader in the undocu-queer community, is also involved in the planning and organizing of the event.
In the long journey of making Cumbiatón what it is now, they say that they have all been very intentional about who they bring in, making sure that whoever they are, they also understand the experience of being undocumented and accepted anyway.
“Something that Sizzle and the team have been very intentional about is making sure that [the security at the door] knows that someone might be using their consulate card,” said Soto.
Bringing together this event space is no easy task, considering the fact that their events are deeply thought out, intentional and inclusive of not just people of color, but also people with differing abilities and people who do not reflect the norm in West Hollywood clubs.
“We created the space that we were longing for that we did not see in West Hollywood,” he said. “[Cumbiatón] is what life could really be like. Where women are not harassed by men. Where people are not body-shamed for what they’re wearing.”
When it comes to their lives outside of Cumbiatón and partying, Sizzle says that it does get exhausting and planning the event gets overwhelming.
“It is really difficult, I’m not going to lie,” said DJ Sizzle. “We are at a disadvantage being queer and being undocumented because this administration triggers us to a point that, anyone who is not a part of those identities or marginalized communities would ever be able to understand,” said Sizzle. “There are times where I’m just like: ‘I’m going to cocoon for a little bit’ and then that affects the marketing and the communication.”

Usually, the events bring in hundreds of people who are looking for community, safety and inclusion. (Photo courtesy of Cumbiatón).
That’s a little bit about what goes on behind the scenes — which really shouldn’t come as a surprise for anyone who is out there fighting for basic human rights, while also making the space to party and enjoy themselves.
“I’m really trying to find balance and honestly my life raft are my friends and my community,” she said. “Like, being able to share, being able to have this plática, and be like ‘bitch, I see you and I know its fucked up, but we got each other.’”
Cumbiatón was made with the purpose of making space to include and invite the many different people in these communities who are otherwise sidelined in broader conversations and in party scenes where they are not as inclusive or thoughtful about their attendees.
“How beautiful is it to be queer and listen to rancheras and to norteñas and cumbia, and to just own it,” said Soto.
To join Cumbiatón at their next party, visit their Instagram page.
California
LA Pride 2025 announces grand marshals and parade theme
The parade will also pay tribute to the city’s first responders, relief organizations, agencies, officials and others who stepped up during the January fires
The theme for the parade set to take place on Sunday June 8, at 11 a.m., will fittingly be “Pride Marches On,” and this year’s parade grand marshals will be Niecy Nash-Betts and wife Jessica Betts, Andrew Rannells, and Trino Garcia and Adam Vasquez, who are also known as ‘TrinoxAdam.’
Rannells, a Grammy-winning, two-time Tony-nominated actor celebrated for his work on stage, screen, and television, is this year’s LA Pride Celebrity Grand Marshal.
“I’m truly honored to be this year’s Celebrity Grand Marshal of LA Pride,” said Rannells. “I don’t take it lightly and I just hope in some small way I can reflect the strength and resilience of the queer community, especially in times like these.”
Rannells made his TV directorial debut with Amazon’s “Modern Love” and is widely recognized for his role as Elijah Krantz on HBO’s “Girls,” which garnered a Critics Choice nomination. He recently appeared on Hulu’s “Welcome to Chippendales” and Showtime’s “Black Monday,” earning him yet another Critics Choice nomination. Rannells is also an author, director and Broadway actor.
Nash-Betts, one-half of this years Vanguard Marshals, is a multi-talented Emmy Award-winning actress, producer and director who has captivated audiences on many projects across the big screens. Soon, she will be making a big appearance starring opposite Kim Kardashian, Naomi Watts, Sarah Paulson, Teyana Taylor and Glenn Close, in Ryan Murphy’s “All’s Fair” Hulu TV series about an all-female legal firm.
Chicago native Betts will join her wife Nash-Betts as the other half of this years Vanguard Grand Marshal’s of the parade. Betts is an acclaimed singer-songwriter known for her original electric and acoustic rock and soul music. The two have been married since 2020 and in 2022, they made history as the first same-sex couple to grace the cover of Essence magazine, receiving a nomination for a GLAAD Media Award.
“We are thrilled to have Niecy Nash and Jessica Betts as this year’s Vanguard Grand Marshals,” said Gloria Bigelow, CSW board member. “As individuals and as a couple, they exemplify the beauty of living authentically and embracing love in all its forms. Their presence serves as a shining example for our community, reminding us to celebrate who we are, love fiercely and never back down from our Pride.”
TrinoxAdam will be this years Community Grand Marshals. The two are a loving gay couple who have dazzled the queer, Latin community with their content showcasing how they reclaim the cholo, or ‘xolo’ identities. They went viral on social media after sharing a romantic kiss on a bridge overlooking the 110 Freeway in Los Angeles. Now famous on social media, the two make content about their love, challenging traditional perceptions of masculinity, sexuality and Chicano culture.
“Pride is about loving yourself and accepting yourself for who you truly are,” said Trino Garcia and Adam Vasquez. “Being this year’s LA Pride’s Community Grand Marshals is the biggest honor and our greatest accomplishment, knowing we’ve made an impact and helped people find acceptance within themselves and finally feel the true meaning of Pride.”
This year, the parade will also pay tribute to the city’s first responders, relief organizations, agencies, officials and others who stepped up during the fires that devastated Altadena and Pacific Palisades, in a special “Heroes of the Wildfires” section in the lineup.

Los Angeles County Fire Department marches in the 2024 LA Pride Parade. (Photo courtesy of LA Pride)
“This year LA Pride marks a pivotal moment for both the Los Angeles and LGBTQ communities,” said Gerald Garth, CSW board president. “Despite facing unimaginable challenges, our community has always emerged stronger. This year’s theme, ‘Pride Marches On,’ symbolizes the strength of our community, and no matter the fire, hate or fear, Pride will always forge ahead. We look forward to embodying this spirit while celebrating resilience, hope and togetherness.”
The parade will be hosted by “Good Morning America” Saturday and Sunday co-anchor and ABC News transportation correspondent Gio Benitez and “ABC7 Eyewitness News” anchors Ellen Leyva and Coleen Sullivan.
After the Parade, LA Pride will host LA Pride Village on Hollywood Boulevard. Now in its fourth year, this free street festival will feature programming on two stages, welcome over 80 booths with local vendors and nonprofits, dozens of sponsor activations, giveaways, games, scores of food trucks, and two 21+ full-service bars.
For the third year in a row, LA Pride will also be featuring “Ballroom Battle,” the voguing competition created by New York City’s Black and Brown LGBTQ+ communities made famous by the documentary, “Paris is Burning,” Madonna, and the FX show “Pose.” LA’s premiere ballroom houses such as House of Miyake Mugler, House of Ninja, and House of Gorgeous Gucci will compete in front of celebrity judges, including Margaret Cho, who will also be in the parade, riding with longtime LA Pride alumni Project Angel Food.
A curated art exhibition called “Bring the T” will feature works in multiple media by trans artists that represent and explore themes around trans discrimination and erasure but also activism, determination and fearlessness.
The parade is set to broadcast live on Sunday, June 8, from 11 a.m. to 1 p.m. PDT on ABC7/KABC-TV Los Angeles.
The live broadcast will include comprehensive coverage from ABC7 news reporters David González, Sophie Flay and Kevin Ozebek, who will be reporting directly from the parade route, capturing all the festivities.
Features
Meet the new co-presidents of the NLGJA LA Chapter
The National Lesbian Gay Journalists Association’s LA Chapter under new leadership
An award-winning documentary filmmaker and a news producer make up the dynamic duo who now run the Los Angeles chapter of the NLGJA: The Association of LGBTQ+ Journalists.
NLGJA is a nationally recognized affinity group meant to unite journalists from dozens of different industries, who identify as members of the LGBTQ community.
The national chapter recognizes the work and contributions of LGBTQ journalists who work to further the narratives by queer, trans and gender non-conforming people.
Hansen Bursic, 27, pisces, is one half of the dynamic duo who now run the L.A chapter.
Katie Karl, 30, gemini, forms the other half.
Last year, Bursic and Karl took over as interim co-presidents and have been able to grow the local chapter to include a diverse and wide range of voices on the Board of Directors and on the membership list.
The chapter has hosted a long list of events that include collaborations with other local and national organizations with roots in Los Angeles, such as GALECA: Society of LGBTQ Entertainment Critics and the Asian American Journalists Association.
It became the first time in the Los Angeles chapter’s history that there was such a shift in leadership, with two people taking over the leading role.
“It was just too big of a job for one of us to do, especially in rebuilding. So we decided to get together and come on as co-president’s, which was recommended by the national president, Ken Miguel,” said Karl.
When it comes to the chapter’s mission, Bursic says it’s a two-fold goal.
“We want to build a sense of community for queer and trans journalists in Southern California and we also want to advocate for those journalists any chance we get by building the spaces where journalists can meet each other, breaking down barriers and trying to reduce gatekeeping of opportunities for our members so they can thrive and find a place in Southern California newsrooms,” he said.
Many of the events that are hosted by the NLGJA LA Chapter are free and open to the general public through RSVP. One of the common misconceptions the affinity group faces, is that many people feel as though their work may not directly correspond to the work pursued by current members of the group. However, that is not the case.
“Together, we really want to make sure that everyone feels included,” said Karl. “I’m in broadcast and Hansen is in documentary and together we really push to make sure that no matter what kind of journalist you are, you know there is a space for you and you feel welcomed.”
The organization welcomes members and people to attend their public events, who work in industries that are adjacent to the work journalists do and those who might just be creatives with multi-hypenated titles.
Bursic has a full-time day job in communications for a nonprofit, but his creative work extends far beyond his work in communications. His energy and passion lie in documentary filmmaking. Bursic recently directed and produced “Trans Heaven Pennsylvania” (2024). The 12-minute documentary is about the 2010s in Pennsylvania, where each year, a group of trans women would take over a small American town for a week-long party. The documentary was funded through the Creative Hope Initiative, an incubator for emerging LGBTQ filmmakers sponsored by Traverse32 and Outfest Film Festival.
The film most recently screened internationally in London, at the Bethnal Green Working Men’s Club. Its next screening will be at the Grandview Theater Drafthouse & Cinema in Columbus, Ohio on May 3rd.
Bursic has a notable list of accomplishments, including making the 30 under 30 list at Temple University in 2023. He has also been named a DOC NYC Documentary New Leader, has had a spot in the Ford Foundation Rockwood Documentary Leadership Fellowship and Sundance Film Festival Press Fellowship.
Karl was born and raised in the Greater Los Angeles area, is a dedicated news producer with extensive experience in live news coverage and team coordination. Currently a freelance writer and producer at KABC, she brings years of experience from her work at stations like KPNX, KHQ and KEYT.
Karl, says the experience of connecting with the members more, has been really rewarding.
“Going forward, my goal is to grow the chapter in name and recognition,” said Karl. “I want our [reach to get] across other organizations in other areas of journalism and that’s why I joined the board in the first place.”
-
U.S. Supreme Court3 hours agoFederal judge strikes down Biden rule protecting transgender health care rights
-
a&e features4 days agoPride & protest in Palm Springs: Behind the man who crafts queer joy as resistance
-
Bars & Parties4 days agoLos Angeles partners with Hyperion LA and LatiNation to present a free, entertainment industry mixer for the queer community
-
Los Angeles4 days agoAnger, resistance and unity coursed through L.A. City Hall “No Kings” protest
-
Music & Concerts1 day agoThe ‘Monsters’ are coming out: Pickle’s Halloween drag anthem
-
a&e features2 days agoBest of LA DJ of the Year & queer creative Cazwell gets candid on & embracing his Daddy Era
-
a&e features3 days agoHarvey Guillén gets honest about ‘What We Do in the Shadows’ acting snub, fashion double standards and queer representation
-
West Hollywood4 hours agoCaptain Fanny Lapkin wants more “transparency” between officers and WeHo residents
-
California4 hours agoNewsom announces $140 million will go towards state’s Planned Parenthood centers
-
Virginia4 hours agoConservative group’s anti-transgender ad targets Va. gubernatorial candidate
