On Thursday, August 28th, 6 pm at the Abbey in West Hollywood, the business, political, and entertainment community will come together to celebrate queer joy and the cannabis culture for “Loud and Proud.” The event is free.

The connection between cannabis and the LGBTQIA+ community is rooted in activism, care, and survival. During the height of the AIDS crisis in the 1980s and ’90s, queer activists and allies fought to decriminalize and legalize medical cannabis as a vital tool for pain relief, appetite stimulation, and quality of life for those living with HIV/AIDS. Figures like Brownie Mary and Dennis Peron risked arrest to provide cannabis to patients, sparking the movement that led to California’s Proposition 215 — the first law in the U.S. legalizing medical marijuana.

This evening will also celebrate the “Loud & Proud” digital docuseries produced by
Culture Machine, in collaboration with The Last Prisoner Project, spotlighting the intersection
of queer identity, activism, and cannabis culture — celebrating joy as resistance and honoring the communities that built the movement. Featuring prominent voices such as Laganja
Estranja, Jorgeous, Justin Simien, Luke Anderson, and other leaders in the space, “Loud &
Proud” blends history, storytelling, and cultural commentary to highlight how cannabis has been used as a tool for healing, protest, and liberation.

This event at The Abbey brings that mission to life, with live performances, a panel discussion, and a community gathering, to celebrate the past, uplift the present, and inspire the future of cannabis justice.

The evening will feature live performances by Maris and S.I.A.T. Los Angeles Blade publisher Alexander Rodriguez will moderate the evening and feature panelists Andrés Rigal (co-founder of Green Qween), Maha Haq (cannabis educator, consultant, and activist, founder of UCLA’s Cannaclub, Head Coach for Social Equity Development at the LA Department of Cannabis Regulation), Vanessa Oliver (CEO of Cloud9 Studios and founder of the Cannabis Wedding Expo), and West Hollywood City Councilman John Erickson.

The event is FREE, RSVP HERE.

“Loud and Proud,” Thursday, August 28th, 6 – 9 pm,

The Abbey: 692 N ROBERTSON BLVD, WEST HOLLYWOOD

It is rare to step into a room where the walls ripple with Icelandic wind, hum with the volcanic heat of Hawaii, and pulse with a wide-eyed color of an Amsterdam trip. This June, West Hollywood becomes a gateway to this world with the arrival of Through the Brush, a pop-up solo exhibit by Los Angeles-based painter Andrew Max Modlin.

The show, curated by renowned critic Peter Frank, opens Saturday, June 7, with an artist’s reception from 4 p.m. to 9 p.m. and runs through June 21 in a studio located at 411 N. La Cienaga Blvd.

Expectations are high — featuring large-scale landscapes, a DJ set, libations and above all, the possibility of escape.

The paintings themselves are immersive 60” x 72” dreamscapes that pull directly from Modlin’s travels to Iceland, Hawaii, Mexico and Amsterdam. They serve as both visual memories and portals to another place in the world, inspired by his travels.

“Traveling is one of the most important things to me because it allows you to see outside your bubble and understand how diverse the world really is,” said Modlin.

He considers the places he visits as extensions of home.

“I immerse myself in what palette the location makes me feel and that immediately comes out in my drawings. It’s bringing that experience back to my studio that makes each painting so diverse because it really has the essence of that location in it.” As the show coincides with Amsterdam’s 750-year anniversary, Modlin says many of the works will be grounded in the city’s distinctive atmosphere.

To understand the intention behind Modlin’s paintings, it helps to understand the artist himself. Modlin is an openly queer artist best known as the co-founder and brand designer behind the cannabis dispensary MedMen and Kreation Organic Juicery. Though successful in business, the pull towards painting never left.

“The fact that I wasn’t painting haunted me all those years because I always felt like that was my life calling,” he said. For a change of pace, Modlin made a drastic change and relocated to Amsterdam. “In that time, I developed how I draw digitally on the iPad.”

That iPad plays an essential role in Modlin’s creative process. His digital sketches are more than rough drafts — they are explosive playgrounds.

“The iPad is where I get to be reckless,” said Modlin. “There’s something precious about a blank canvas but that sense of preciousness doesn’t exist on the iPad.” Without the fear of failure, Modlin can “rapidly sketch with colors that would take much longer to mix by hand,” pushing beyond the limits of traditional materials.

Back in Los Angeles, he focused on translation — how to bridge the digital and physical. “Once I move to the canvas,” explained Modlin. “The process shifts. It becomes more about the physicality of the paint and the act of painting itself than the original composition.”

That act is deliberate and cumulative. “My paintings are a slow, layered process where each brushstroke is a response to the one before it,” said Modlin. “The final piece becomes a record of that dialogue between gesture, surface, and duration.” His works aren’t meant to be consumed all at once — they reveal themselves slowly. Up close, hidden details emerge; from afar, emotions stir. “I hope the viewer starts by getting lost within the painting,” stated Modlin.

Modlin doesn’t see painting as a hobby — it’s a deep expression of self as his work resonates with lived experience. “I’ve always believed in the power of starting things within our own community.” That ethos led Modlin to open MedMen in West Hollywood, making him the first queer dispensary owner in the neighborhood. “With my debut solo exhibition,” said Modlin. “It felt just as important to me that it take place in West Hollywood, the community I live in and care deeply about.”

Through the Brush may feel like a breakthrough, but for Modlin, it’s just the beginning. “For me, success now means seeing my work shown around the world, in spaces that elevate and challenge it.” As Modlin imagines his next chapter, the invitation is clear: “I’d love for that visibility to open the door to working even larger on a scale that allows for something deeply expressive and immersive.”

This Pride Month, we’re turning up the volume and the visibility with Loud & Proud — a bold new campaign from Culture Machine in collaboration with Last Prisoner Project, produced by Izzi Cavotta, Kaylen Ng and Merari Chavarría. Featuring beloved drag artists like LaGanja Estranja, Jorgeous, Sabiyana and many others, Loud & Proud celebrates the queer legacy of cannabis activism while demanding a future where no one is incarcerated for a plant and no one is punished for being proud.

At first glance, it might seem that the cannabis legalization movement and the LGBTQ rights movement are two separate struggles. But when you trace the smoke back to its source, you’ll find that queer liberation and cannabis justice have long burned from the same flame.

Before California became the first state to legalize medical marijuana in 1996 through Prop 215, its roots of resistance began with queer activists who were already leading the charge. Prop 215 would not have passed without the efforts of HIV/AIDS activists, many of them queer, who demanded compassionate access to cannabis as medicine. Dennis Peron, a gay man who lost his partner to AIDS, co-authored Prop 215. His earlier work on San Francisco’s Prop P in 1991 helped pave the way, allowing doctors to recommend cannabis for medical purposes.

But the history runs deeper. In 1978, Harvey Milk — California’s first openly gay elected official — pushed a ballot initiative urging the San Francisco District Attorney to stop prosecuting marijuana possession. This was decades before either movement found mainstream support, but Milk and Peron knew what too many still forget: the systems that criminalize queerness and cannabis use are one and the same.

Today, more than 575 pieces of anti-LGBTQ legislation are circulating in statehouses across the country. And while cannabis is legal in some form in most U.S. states, the criminalization of the plant still ensnares marginalized communities — especially queer and trans people.

LGBTQ folks have always had to navigate systems that criminalize their survival. Often shut out of traditional employment and housing due to stigma and discrimination, many have turned to criminalized economies — including cannabis — for community, income and healing. As a result, they’ve been disproportionately policed, prosecuted and punished.

According to the Prison Policy Initiative, in 2019 gay, lesbian, and bisexual individuals were more than twice as likely to be arrested as their straight peers. One in five trans women has been incarcerated. Nearly half of all Black trans people have faced imprisonment. And while hard data on cannabis-specific charges is limited (a data gap that speaks volumes), we know anecdotally and statistically that LGBTQ folks are overrepresented in the system.

To this day, mainstream cannabis rhetoric rarely accounts for these intersectional realities. And when queer folks are included, it’s often in tokenized marketing — not in leadership, policy spaces, or commutation campaigns.

The Loud & Proud campaign isn’t just about rainbow-wrapped pre-rolls and glittery photo ops (though we love those, too). It’s about honoring the queer elders, like Brownie Mary, who fought for our rights to exist and medicate. It’s about amplifying the voices of those still behind bars. And it’s about claiming space — in the streets, on the stage, and in the industry — for those who’ve been systematically shut out.

From drag stages to protest marches, from poetry to policy, our community has always used creativity as a form of resistance. This campaign is no different. Together, we’re using joy as protest. We’re using glamour as grit. And yes, we’re putting our lighters up — for every queer person who’s ever been arrested for weed, every trans woman locked away for surviving, and every drag artist who uses cannabis as both healing and defiance.

Cannabis companies: if you’re profiting off Pride or cannabis, you need to be funding queer liberation and cannabis clemency work. Consumers: ask who’s on the board, who’s in leadership and who’s still in prison. And to everyone: show up, not just during Pride month, but all year long.

As we celebrate how far we’ve come, we must remember who helped get us here — and who’s still waiting for their freedom.

This Pride, let’s be LOUD & PROUD. Let’s put our lighters up in their honor. Let’s fight for their release. Let’s demand justice, together.

Stephen Post is a Strategic Communications Manager at the Last Prisoner Project (LPP), a national, nonpartisan nonprofit dedicated to freeing everyone still incarcerated for cannabis and helping them rebuild their lives. He also serves the City of West Hollywood as a Public Safety Commissioner.