a&e features
2018 Best of Gay LA Awards
All of your favorites, from bartenders to activists and more
Best of Gay LA
Welcome to the inaugural Best Of Gay LA Awards presented by the Los Angeles Blade. There were hundreds of nominations in 25 categories and thousands of votes. Here we present your picks for the best LA has to offer along with editors’ choices in most categories.
LOCAL HERO: JON DAVIDSON
Jon Davidson (Photo courtesy of Davidson)
Jon Davidson has been fighting for the rights of the underdog for most of his adult life.
An attorney focused on the LGBTQ community and people living with HIV, virtually since graduating from Yale Law School in 1979, Davidson has fought and won some of the most important cases facing LGBT Americans. But, as he says, ultimately it’s not whether you win or lose, but how you play the long game.
“What I’ve learned is that one of the realities of doing the LGBT rights litigation that I’ve spent most of my career doing, is that sometimes you can lose the case, but still win. Because those sorts of cases end up educating people about the things that are wrong,” Davidson told the Los Angeles Blade.
He became interested in politics in high school, around the time of Stonewall. He was boycotting grapes and lettuce in support of California farm workers and he protested the Vietnam War. He says he was excited about political change. He started taking cases pro bono.
His first big case was no small potatoes. He sued the city of Los Angeles on behalf of homeless people. Not long after, he says, in 1985 a lot of his friends started to get sick. He started looking for a way he could help.
Davidson teamed up with attorney and activist Susan McGreevy, who was at the ACLU at the time. She enlisted his help in writing the first brief to the U.S. Supreme Court about AIDS. It was about whether people with contagious diseases could be considered disabled and protected against discrimination under a law called the Rehabilitation Act of 1973. The goal was to convince the courts that AIDS was a disabling condition.
“At the time, the Reagan administration was arguing that contagious diseases couldn’t be considered disabilities because that would mean that people with AIDS would be protected from discrimination,” Davidson says.
Another local case got a lot of attention when Davidson was working with a gay rights organization that no longer exists, on behalf of a man threatened with eviction for hanging a gay Pride flag off his apartment’s balcony. The building’s argument was that people would think it was a “gay building.” Davidson argued that people put American flags on their balconies, so why not a Pride flag?
Davidson left private practice in 1988 to work for the ACLA of Southern California. He was there for eight years, and then joined Lambda Legal, where he worked for more than 20 years.
It was Davidson’s work on a case against the Boy Scouts of America that brought much national acclaim. He was the lead lawyer on the Curran v. Mount Diablo Council of the Boy Scouts of America, a case that went to California Supreme Court. He lost the case, but it was part of the fight to get people to understand that the Boy Scouts were engaging in discrimination.
Davidson also helped out on the Dale case, in which the U.S. Supreme Court held that the constitutional right to freedom of association allows a private organization like the Boy Scouts, to exclude a person from membership when “the presence of that person affects in a significant way the group’s ability to advocate public or private viewpoints.” In a 5-4 decision, the Supreme Court ruled that opposition to homosexuality is part of BSA’s “expressive message” and that allowing homosexuals as adult leaders would interfere with that message. It reversed a decision of the New Jersey Supreme Court, which had determined that New Jersey’s public accommodations law required the BSA to readmit James Dale, who the BSA expelled after Dale went public about being gay.
Davidson says despite losing those cases, the suits against the Boy Scouts outed the organization as discriminatory and ultimately led to a lot of pressure on them to change their position – both social and financial pressure.
“I used to joke that I’ve spent the bulk of my career fighting for LGBT people to serve in the military, get into the Boy Scouts, serve in the Los Angeles Police Department, and to get married, but I didn’t want to do any of those things. But those are four of the most conservative institutions we have in this country and they all in many ways epitomize being an American citizen,” Davidson says.
He and his longtime partner celebrated their 13th anniversary this year, which they count from the time they moved in together.
“I believe that an attack on any member of this nation or the world is an attack on all of us. But I decided more than 30 years ago I wanted to put my professional energies into and work on behalf of my community, which I define as the LGBT community and those living with HIV. That’s what spoke to me and where I felt there was a need,” he says. But, he adds, “A big part of the battle is also to remember that our community also includes several other groups who’ve been targets of the Trump administration – poor people, people of color, Muslims, people from other countries, you name it – it’s frightening. Our community needs to address the fact that many of the gains we made didn’t really help those most marginalized in our community.” (REBEKAH SAGER)
BEST BARTENDER: ANTHONY SALDANA
Anthony Saldana (Photo by Brett Saari Photography)
He prefers to be called a bartender rather than a mixologist, but Anthony Saldana is Micky’s top man behind the bar.
“We are more fine-tuned for speed and agility than mixing fancy drinks, because it’s always so busy,” Saldana told the Los Angeles Blade.
Born and raised in Ontario, in the inland empire, Saldana has lived in LA for the last 10 years, and worked at Micky’s for most of that time.
His first job after finishing UC Riverside was at Target as an executive manager. He says he was making $70,000 but on his first visit to Weho, a friend came running out of Micky’s with his shirt off, and told him they were hiring.
“I went in and spoke with the manager, who tore my shirt off in the office. He takes one look at me, and says I can start Monday. I told him about my Target gig and what I was making. He laughed at me and said I’d make double that,” he says.
Saldana waxes poetic about the days before the straight crowd discovered Weho.
He explains that straight guys come in to hit on drunk girls, but they don’t drink as much.
Trained using YouTube videos, this is the fourth year he’s won a Best Bartender title. In 2013, Grindr awarded him Best Bartender. He was flown to Vegas to receive the award.
“I don’t know why I keep winning, because I’m kind of an asshole,” he admits sheepishly. He adds, “If you come into my bar, and you act shitty I’m going to call you out on it. I’m very protective of my customers. I’ve jumped over the bar and thrown people out. I take shots with all of my customers. They literally love it.”
Saldana left home at 17 to “do his own thing.”
Now fairly distant from his family he says people don’t get to choose to be born into a family. “I want to choose who I love. I don’t want to be forced to love people I don’t even get along with. I travel a lot, and I take my friends wherever I go.”
His family found out about his being gay via social media. He almost married a girl. He has some complicated views on being gay, and says he gets pretty deep with customers about them all the time.
“I was born a straight man. I was in love with this female, it wasn’t until my sophomore year I had my first gay experience. I think as a child something very small could alter your thought process. I feel like the gay community always says ‘oh, you’re born gay,’ but if 10 percent of the community is born different than the other 90 percent, then that would make it a disability. I would hate to think that being gay is a disability. Personally I don’t want to be thought of as born gay… But, I’m gay now.
“I definitely appreciate a beautiful female though… and have this girl Natalie in my life that I call my wife. We’re inseparable and we do everything together, and I swear she would get married in a heartbeat, but sexually I just can’t do it. I associate with being gay,” Saldano says.
Single and dating, he has a staunch rule about never dating customers. He’s pressured a lot by men, and says he’s had to tell people he’s straight because it’s easier than telling men he’s not interested.
Despite turning a few guys away, Salgado gets gifts — lots of them. At Christmas he received a Cartier love band worth $10,000. “I mentioned that I’d always wanted one, and the next thing you know it’s getting screwed on my wrist,” he says. He’s been given a Mercedes, taken on trips, and even had someone give him money for his sick father.
“I mean people will give 10 to 20 percent to a church, whereas in the gay community they’ll give 20, 30 or 40 percent to the bars,” he says.
Although he’s known by the tattoo inked on his flat stomach, complete with washboard abs, the days of bartending shirtless are over.
A gym rat, Saldano says to keep his liver from completely failing, he only does shots of tequila, and his favorite is Don Julio anejo – always with a slice of orange. (REBEKAH SAGER)
MICKY’S
8857 Santa Monica Blvd.
310-657-1176
BEST BARTENDER, EDITORS’ CHOICE: CORY ZWIERZYNSKI
Cory Zwierzynski (Photo courtesy of Zwierzynski)
Bartender and star of “What Happens at The Abbey,” Cory Zwierzynski is the editors’ pick for Best Bartender. For nearly 25 years, The Abbey has dominated gay nightlife in West Hollywood. And Cory is almost as famous, thanks to his starring role on “What Happens at The Abbey.”
“When you start working at The Abbey,” Corey told the Los Angeles Blade, “it’s like joining a big family. We don’t just work together; we have a good time together. We have so many regulars at The Abbey that they are all part of the family too.”
Corey’s favorite moment at The Abbey so far? “People dancing to Diana Ross’ music on the dance floor with Diana Ross. It doesn’t get more memorable than that.”
THE ABBEY
692 N Robertson Blvd.
310-289-8410
BEST DJ: STEVE AOKI
Steve Aoki (Photo courtesy of Aoki)
Steven Hiroyuki (Aoki) is one of the world’s most influential DJs. He certainly has the whole EDM circuit world jumping at venues around the world. But he’s really just an ordinary guy who grew up Newport Beach and attended USCB.
He holds degrees in feminist studies and sociology. But while in college, a spark captured his imagination when he produced a do-it-yourself record and began running underground concerts at Isla Vista, a section of residential land adjacent to UCSB. The venue became known as The Pickle Patch and it changed Aoki’s life.
In his early 20s, Aoki built his own record label, which he named Dim Mak – a reference to his childhood hero, Bruce Lee.
Aoki has won and been nominated for a number of industry awards, both in annual competitions and in magazine rankings. In 2007, he was named Best Party Rocker DJ by BPM Magazine, Best DJ of the Year by Paper Magazine, and Best Set of the Season at the Ibiza Awards. Several years later, in 2012, he was named #15 in the Top 100 DJs in DJ Magazine, and was named America’s #2 Best DJ. Also in 2012, he won an
EDM Effect Woodie Award by MTVu, and the following year he was nominated for his first Grammy.
In 2014, Aoki was awarded two Guinness World Records, one for the “longest crowd cheer,” and also for the “most amount of glow sticks for thirty seconds.” Aoki performed at the 2015 Ultra Music Festival in Miami Beach on May 21. He also earned the Guinness record for “most traveled musician in one year,” with 161 shows in 41 countries in 2014.
To say he has been successful is an understatement.
He is the founder of the Steve Aoki Charitable Fund, which raises money for global humanitarian relief organizations and medical research. In 2015, he was named Global Ambassador for the Best Buddies program, a non-profit devoted to young people with developmental and intellectual disabilities. Learn more at steveaoki.com
BEST DJ, EDITORS’ CHOICE: SHANE IVAN NASH
Shane Ivan Nash (Photo courtesy of Nash)
As a transgender activist and talented musician, Nash has consistently shared his story and his music, helping to inspire others. When asked what he loves most about DJing, Nash said, “Your profession requires you to party, dance and create a collected consciousness. The nightlife is the release from life—we’re all on the same beat, in the same moment.”
Of his work with the LGBT community, Nash said, “I’ve helped countless people in the community start their endeavors including Trans Chorus LA and as a board member for LA Pride, I fought for the trans representation.” Learn more at ShaneIvanNash.com.
BEST CHEF: STUART O’KEEFFE
If you haven’t heard of chef Stuart O’Keeffe, then you clearly haven’t been invited to the right A-list Hollywood dinner parties.
A small town Irish hottie, who now lives in West Hollywood, O’Keeffe made a name for himself on the Food Network’s “Private Chefs of Beverly Hills.”
“I was always obsessed with America and always wanted to be on TV,” O’Keeffe told the Los Angeles Blade.
His first gig in the U.S. after culinary school in Ireland was in Napa Valley working at Meadowood Napa Valley. But restaurants didn’t suit him. He says he didn’t like the way people were treated.
“I knew I was destined to do what I wanted without the stress. I thought there must be another way, and I kind of started doing dinner parties in my apartment for friends, and they’d tell people about them. I was also working as an executive assistant, and started getting hired for private parties.
O’Keeffe can’t talk a lot about who he works for, but will mention a few celebs he says have “eaten at his tables” – stars such as Sharon Stone, Jennifer Aniston, Justine Bateman, Harrison Ford, Cindy Crawford, Jane Fonda and Christina Aguilera.
O’Keeffe has been at his job long enough and has become well known enough that he doesn’t suffer fools and although his clients tend to be high-maintenance, he lives to cook for others.
“I want people to be nice. I’m not going to bow down to people. I’m well equipped to do this. I won’t stand for people being rude. I’m fair. I mean, how much do you value yourself really,” he says.
So, why do celebs keep calling him back? He says straight up, it’s the way he looks. “I’m a cute guy from Ireland. A lot of women, I overhear them asking if I’m straight or gay. It can be funny in a really sweet way,” O’Keeffe says laughing.
He’s currently single and dating. He likes to meet guys through friends or at a bar. He says his favorites are the Abbey, Revolver and Chapel. He meets people through friends mostly, and doesn’t do the app thing. He says he’s tried it, but it’s not personal enough and he’s too old school.
O’Keeffe says the “power gays” don’t hire him much.
“They have their set people they use… I think people think that I don’t do this anymore because I do so much TV, or because they think I’m above it. But, if I have time in my schedule, I’ll do it. I don’t really turn down things. I like to keep busy. I’d like to do more things,” O’Keeffe says.
His goal is to have his own TV show on the Food Network. He has another cookbook coming out later this year, and he wants to open a restaurant in the next year or two.
He envisions a show where he can travel around the U.S. — a kind of Irish guy fish out of water. He says he loves rural America, and thinks the people are funny and sweet. They remind him of the small town he grew up in — Nenagh, not far from Limerick.
He says Irish food is different than people think. “We have some of the best meat and fish in the world where we are,” he says.
His signature dishes are chicken cacciatore, short ribs, individual baked Alaska, and a killer flourless cake – “Jennifer Aniston told me my cake was good, so it must be badass.”
For a guy that makes his living off people who don’t cook for themselves, O’Keeffe believes a major problem with Americans in general is that they don’t cook at home enough.
“People need to get back in the kitchen and start cooking. There’s so much joy in that. And it’s healthier,” he says. He adds though that he actually hates to shop. “One of the most annoying thing about cooking is going to the store and shopping for the ingredients. I tell people to go shopping one day, and cook the next day. Cooking can be stressful if you don’t know how to do it.”
When O’Keeffe isn’t cooking for actors and Hollywood executives, you can find him on Mondays at the farmer’s market, on Gardner and Fountain streets, or at his local Whole Foods.
He lists Jar, Rossoblu, and Cecconi’s as his favorite restaurants in LA.
As for his TV aspirations that dream has certainly come true, if you count Food Network, “Stuart’s Kitchen” which aired in Ireland and New Zealand, appearances on Marie, CBS’s “The Talk,” “The Home and Family Show,” and Republic of Telly and Asiana Airlines featured Stuart in its national “Fly with Color” campaign.
EDITORS’ CHOICE, BEST CHEF: SUZANNE TRACT
Suzanne Tracht (Photo courtesy Tracht)
Chef and owner of the critically acclaimed Jar Restaurant, Suzanne Tracht has won international praise for her culinary adventures at Jar. Her countless appearances on the “Today” show, Food Network, and Extra, as well as her multiple awards led her to be inducted into the Fine Dining Hall of Fame and participating in Fortune magazine’s Most Powerful Women Summit.
“Relating to people and making them feel warm and welcome isn’t hard and you can do it in many ways, which is why I cook,” Tracht said. “I like feeding people and making them happy.”
JAR
8225 Beverly Blvd.
323-655-6566
BEST BUSINESSPERSON: BRAD LAMM, BREATHE LIFE HEALING CENTER
Brad Lamm (Photo courtesy of Lamm)
Fifteen years ago Brad Lamm was a self-proclaimed total mess. He was bulimic. He smoked two packs of cigarettes a day. He was an alcoholic, addicted to meth, and he supplemented all of this by taking Xanax. In 2002, he got clean.
Lamm’s journey to help others grew into an empire with two treatment centers that have helped numerous people in the LGBTQ community get clean and sober.
“I knew I was gay at 5 years old,” he says. “When I took my first drink at 15, I was deliciously soothed. By the time my first partner died in 1989, I was 19 years old and convinced not only was I going to die, but we were all going to die.”
He added, “We were part of this sad infected class with no upside… Gay men in my generation, pre-HIV cocktail, it was more than a death sentence, it was a shame sentence. It was a downward spiral. It was a grizzly and gruesome death. And I’d already been cast out of my family.”
ACT UP became Lamm’s upside. Although he was still getting high at the time, he fell into a clan he calls “purposeful,” working to make progress and trying to save his life.
“I found a place for my rage, but I thought I was going to die from alcohol and drugs, so when I didn’t, it was an amazing ‘ah-ha’ coupled with helping others, and it was all congruous with my trauma survival and being a gay man,” Lamm says.
It was in Lamm’s search for what to do with his life after getting clean that he found doctor Dr. Judith Landau, a South African psychiatrist focused on “invitational intervention,” a trauma-informed approach to helping families help their families.
“Essentially you invite your family to an intervention and the work starts from there. It suited me and it coincided with enormous energy I had around, never thinking I’d stop this litany of things that were killing me,” he says.
Lamm’s entre into the work Landau was doing eventually led to starting an intervention practice himself in New York, 13 years ago, and it really took off thanks to contacts he’d made in his former life as a TV weatherman.
“Some of the same skills I had as a journalist and some of the people I grew up in that industry with were now in TV running shows, and they knew about my remarkable turnaround.
“The ‘Today’ show said come and do a show on recovery, and Oprah said come and do a docu-series on food and that became “Addicted to Food,” an eight-part series produced for her. Then Dr. Oz said come help launch the show. And I did like 30 stories. That was the rocket fuel to this mission of helping my recovery community and their families reduce its suffering,” Lamm says.
Five years ago, Lamm opened a trauma-informed treatment center that would accept health insurance, Breathe Life Healing Center in Los Angeles.
“Meth and alcohol was my struggle, drug and hurt, so to see treatment in my community is powerful,” he says.
He and Scott Sanders, a Tony, Grammy and Emmy winning television, film and theater producer (Sanders produced the musical “The Color Purple” for Broadway), were married and it was the first gay wedding Oprah attended.
He says he sees so much of himself in the Celie character from “The Color Purple.”
“You’re at the end of the rope and you’re so beaten down, and then all of a sudden instead of cutting Mister’s throat, you choose grace and find your way. And part of that is forgiveness. But forgiveness doesn’t mean I need to live up to anyone’s version of who I need to be,” Lamm says.
Lamm says the headline of his life continues to be defined by something famed author, Alice Walker said to him 13 years ago.
“She told me that ‘the power of you is not your story, but that you’re a ‘bodhisattva.’ I was like, what’s that? She told me to go and look it up. It means, the one who goes into the lake of fire to help another out. That’s the beauty of every person to help another. The very wreckage of my past becomes the crown jewel of my ability to help another,” Lamm says.
BREATHE LIFE HEALING CENTER
8730 Sunset Blvd.
800-929-5904
EDITORS’ CHOICE, BEST LGBT BUSINESSPERSON: OLIVER ALPUCHE, REDLINE
Oliver Alpuche (Photo courtesy of Alpuche)
When asked what inspired the business venture that led to the opening of this premier gay bar in DTLA, Oliver Alpuche said, “I’ve lived downtown for eight years and noticed that the LGBTQ community was growing, but we had nowhere to go and meet each other. Downtown deserves a dedicated queer space 365 days a year.”
That paved the way for the DTLA Proud Festival, which Oliver created. “DLTA Proud is committed to celebrating everyone’s story, to spreading optimism, to growing our community and to expanding our definition of diversity,” he said. “I love Los Angeles because of how diverse it is.”
REDLINE
131 E 6th St.
BEST LAWYER: S. CHRISTOPHER WINTER
S. Christopher ‘Kit’ Winter (Photo courtesy of Winter)
S. Christopher (“Kit”) Winter didn’t always want to be a lawyer.
“I wasn’t one of those kids who had a clear idea of what I wanted to be when I grew up,” he said. “I could envision myself doing a lot of different things. It all seemed interesting.” That curiosity is reflected in his varied career in New York between graduating from Yale in 1987 and starting law school at UCLA in 1994. “I had a little bit of career ADD after college,” Winter said. “I worked in advertising sales, graphic design, desktop publishing – and I always had a side gig.”
Those side gigs included promoting parties at Limelight, Sound Factory and other New York nightclubs featuring DJs such as Frankie Knuckles, Little Louie Vega, and Junior Vasquez; bartending at various restaurants in the West Village and Chelsea; and working catering jobs for clients including Madonna.
“I think people were surprised when I decided to go to law school,” Winter laughs. “It wasn’t something that you would have necessarily thought was in my future.”
Surprising or not, Winter excelled at law school, graduating UCLA law in 1997 in the top 10 percent of his class and winning numerous academic honors. For more than two decades since then, Winter has been practicing law in Los Angeles, in settings ranging from large national law firms to his current solo practice.
“I don’t believe in fighting for the sake of fighting,” Winter says about his philosophy. “My goal as a lawyer is to help my clients navigate their legal challenges as quickly and affordably as possible.”
Winter’s practice is focused on serving as outside general counsel to small-to-medium sized companies, encouraging his clients to take a proactive approach to avoiding legal problems and crafting effective strategies to address problems. His legal background includes experience in litigation, intellectual property and general business law, and he has authored portions of treatises relating to privacy law and technology transactions.
Winter doesn’t specifically target his practice to the LGBT community, although he says he represents a diverse group of clients.
“I’m a ‘gay lawyer’ because I’m gay and I’m a lawyer,” he jokes. “I’ve been out of the closet since I was a teenager.”
Indeed, Winter has a long history of LGBT activism extending back more than 30 years. As an undergraduate at Yale, he was the co-chair of the Gay & Lesbian Co-op (with the late Sarah Pettit, a founding editor of OUT magazine), and part of a group of students who successfully lobbied the Yale Corporation to include “sexual orientation” in the university’s non-discrimination policy in 1986.
“I was sort of a big gay on campus,” Winter recalls, “writing op-eds in the Yale Daily News, arranging protests, that kind of thing.” Asked whether he contributed to the environment that led the Wall Street Journal to label Yale the “Gay Ivy” in 1987, Winter laughs, “I’d like to think so. I definitely left Yale a gayer place than I found it.”
Winter moved to New York City in 1987, in the middle of the AIDS crisis and shortly after the founding of ACT UP. “It was a terrifying time,” Winter says. “While my straight friends from college were starting their careers or heading to graduate school, gay men were trying to survive an apocalypse.”
Winter became involved in ACT UP and found a home in gay publishing, working first at the New York Native, New York’s gay newspaper, and later serving as the founding advertising director of Outweek magazine.
He later served as the production manager of QW, a gay newsweekly (Troy Masters, Los Angeles Blade publisher was a founder and publisher of QW) for which he also briefly penned the advice column under the moniker “Queer Abby.” “I don’t think we thought much about trademark law back then,” Winter laughs. After working as a freelance desktop publisher at various Conde Nast titles including Mademoiselle, Allure, and Details, Winter decided to pursue the challenge of a career in law, and hasn’t looked back since.
“I love being a lawyer,” Winter says. “Legal issues can be overwhelming to people, and can be fatal to businesses. Helping my clients get through that successfully is very rewarding.”
Winter is married to Patrick Jensen, a Licensed Marriage and Family Therapist. They live in Silver Lake and have two dogs and two cats.
This year will mark Winter’s fourth time riding in AIDS/Lifecycle to raise money for the Los Angeles LGBT Center.
EDITORS’ CHOICE, BEST LAWYER: LAURA W. BRILL, KENDALL BRILL & KELLY LLP
Laura W. Brill (Photo courtesy of Brill)
A lifetime focus on cases that promote equal rights, make Laura Brill a force in the fight against discrimination.
“One of my briefs in the early 1990s argued in the case of Lawrence v. Texas (a challenge to a state anti-sodomy statute) that discrimination based on sexual orientation was a type of sex discrimination and that the statute should be ruled unconstitutional on that basis. That same argument has been made many times over the years…this theory is now gaining recognition by courts and administrative agencies, including most prominently, in cases relating to employment discrimination.”
In the case Colin v. Orange Unified School District, Brill helped pave the way for Gay Straight Alliances. Brill discussed this significant moment: “We got the first preliminary injunction requiring the school to allow the club to meet and use school facilities just like any other club. One of my favorite moments since then has been going to gay Pride events more recently and seeing the huge numbers of wonderful high school students marching with their Gay Straight Alliance banners. I’m so happy to have had a part in helping kids have a safe environment at schools.”
“My New Year’s resolution is to do all I can to increase voter registration rates, especially among young people and especially in the LGBTQ community. Many people don’t know that young people can pre-register to vote when they are 16 or 17. Then when they turn 18 they will be automatically registered to vote,” Brill said. “Most people don’t know about pre-registration, but we need everyone registered so we can make sure government policies reflect our priorities, instead of the opposite.”
Kendall Brill & Kelly LLP
10100 Santa Monica Blvd
310-556-2700
BEST ALLY: MAYOR ERIC GARCETTI
LA Mayor Eric Garcetti in his office (Photo by Karen Ocamb)
EDITORS’ CHOICE, BEST ALLY: LISA VANDERPUMP
Lisa Vanderpump (Photo by Toglenn; courtesy Wikimedia Commons)
As an entrepreneur, avid activist, author, television personality, and restaurant owner of LA staples such as Pump and SUR, Lisa Vanderpump is an LA icon. She has consistently stood up for the LGBT community, having worked as a spokesperson for GLAAD, led the AIDS Walk Los Angeles, served as grand marshal of 2017 Long Beach Pride, worked with Desert AIDS Project, The Trevor Project, the LA Gay & Lesbian Center and more.
In addition to advocating for the LGBT community, Vanderpump created The Vanderpump Dog Foundation, working to help end animal abuse. She somehow also found time to produce “Vanderpump Rules,” the smash reality TV show. She’s the ultimate philanthropist who really does it all. Vanderpump has a love for all living creatures that shines through in her humanitarian efforts, making her a model ally.
BEST DRAG SHOW: LEGENDARY BINGO AT HAMBURGER MARY’S
Jeffery Bowman and cast members from Legendary Bingo. (Courtesy Legendary Bingo)
Beautiful drag queens, fantastic food, money, charities…Bingo! Legendary Bingo at Hamburger Mary’s is not just a great drag show, it’s a fantastic and sometimes wild night out. Jeffery Bowman is almost as legendary as Hamburger Mary’s.
HAMBURGER MARY’S
8288 Santa Monica Blvd
323-654-3800
EDITORS’ CHOICE, BEST DRAG SHOW: LYRIC HYPERION, GREEN EGGS AND GLAM
Lyric Hyperion Theatre & Café
2106 Hyperion Ave.
323-928 2299
BEST BAR: THE ABBEY
Where else are you going to see Diana Ross or Elon Musk tear up the dance floor? The Abbey is arguably the best-known gay bar in all of the U.S. and always a fun night out with your besties. It’s a treasured LA icon and so is owner David Cooley.
THE ABBEY
692 N. Robertson Blvd.
310-289 8410
EDITORS’ CHOICE, BEST BAR: REVOLVER
WeHo loves the oversized drinks and darts in the back at this famous video bar.
REVOLVER
8851 Santa Monica Blvd.
310-694 0430
BEST RESTAURANT: SUR RESTAURANT AND LOUNGE
“Real Housewives” star Lisa Vanderpump’s SUR is a great place for people watching, and the upscale food is, well, impressive. It’s definitely a see-and-be-seen scene that can’t be missed.
SUR
606 N. Robertson Blvd.
310-289 2824
EDITORS’ CHOICE, BEST RESTAURANT: Cecconi’s West Hollywood
The Northern Italian cuisine is spectacular, the decor a kind of elegant retro Roman-chic with outdoor seating. True luxe.
CECCONI’S
8764 Melrose Ave.
310-432 2000
BEST GROCERY STORE: TRADER JOE’S
Quite simply, the best place to go shopping for unique, curated food brands.
TRADER JOE’S
7310 Santa Monica Blvd.
323-969-8048
EDITORS’ CHOICE, BEST GROCERY STORE: PAVILIONS
Extensive selections of the highest-quality foods. And, at least in WeHo, it’s where the boys are.
PAVILIONS
8969 Santa Monica Blvd.
310-595-1730
BEST REAL ESTATE AGENCY: THE COLLECTIVE REALTY
Experienced real estate agents who negotiate well for their clients. One reader said, “The Collective is the concierge service of boutique realty. And Andy Vulin is the best real estate investment teacher I ever met.”
EDITORS’ CHOICE, BEST REAL ESTATE AGENCY: BERKSHIRE HATHAWAY
Find the most luxurious West Hollywood or Beverly Hills home of your dreams and call Berkshire Hathaway, because no one can close it faster or more fairly. Readers praised their attentiveness to detail.
BERKSHIRE HATHAWAY
131 S. Rodeo Dr.
310-844-6434
BEST STYLISTS: SHORTY’S BARBER SHOP
Whatever level of service you require for your coif, Shorty’s is the place to go. It’s the very best place in West Hollywood for a drop in fade. People travel from all over Los Angeles to the unmistakable storefront on Fairfax.
SHORTY’S
755 N. Fairfax Ave.
323-297-0554
EDITORS’ CHOICE, BEST STYLIST: MARCO PELUSI
Celebrity hairstylist Marco Pelusi has the best tips for looking great. “Ask your stylist to do a gloss or a shine treatment when you’re next at the salon,” he recommended. “Your hair can often dry out and look dull, lifeless, and frizzy during winter months; the added shine treatment will boost the condition of your hair and make it look healthy.”
MARCO PELUSI
636 N. Robertson Blvd.
310-967-0999
BEST CAR DEALERSHIP: BEVERLY HILLS BMW
One reader commented, “At Beverly Hills BMW, I walked through and decided what I wanted and with no pressure at all I left with the $90,000 ride of my dreams. No hassles, no pressure. Just great service and a brilliant ride.”
BEVERLY HILLS BMW
5070 Wilshire Blvd.
877-794-4678
EDITORS’ CHOICE, BEST CAR DEALERSHIP: HONDA OF HOLLYWOOD
Honda of Hollywood has one of the best full-service shops of any dealership in Los Angeles. Our favorites are the 2018 CRVs and HRV. Great quality SUVs at a realistic price.
HONDA OF HOLLYWOOD
6511 Santa Monica Blvd.
323-466-3247
BEST MEDICAL PROVIDER: CEDARS SINAI URGENT CARE
World-class urgent care from one of the world’s leading medical institutions.
EDITORS’ CHOICE, BEST MEDICAL PROVIDER: SOUTHERN CALIFORNIA MEN’S MEDICAL GROUP
Doctors you can talk to and advice that’s easy to take because they are just like you. Comprehensive, fully loaded and state of the art.
SOUTHERN CALIFORNIA MEN’S MEDICAL GROUP
9201 Sunset Blvd.
310-550-1010
BEST FITNESS FACILITY: 24 HOUR FITNESS
One of the busiest places in WeHo, 24 Hour Fitness is as much a family for some as it is a gym.
24 HOUR FITNESS
8612 Santa Monica Blvd.
310-652-7440
EDITORS’ CHOICE, BEST FITNESS: EQUINOX FITNESS
A little bit of luxury goes a long way during a hard workout. Outstanding, modern and clean facilities are what make Equinox worthy of Editors’ Choice.
EQUINOX FITNESS
8590 Sunset Blvd.
310-289-1900
BEST MARIJUANA DISPENSARY: MEDMEN
Since Jan. 1, MedMen has experienced lines down the block and its fans are true believers in the almost Apple Store experience of boutique weed products of every kind. Founder Andrew Modin, almost overnight, has become a business sensation in West Hollywood and is now ramping up to take it national.
MEDMEN
8208 Santa Monica Blvd.
323-848-7981
EDITORS’ CHOICE, BEST DISPENSARY: ZEN HEALING WEST HOLLYWOOD
Some say it has one of the highest-grade selections of any store in Los Angeles. Its edibles and medicinal choices are outstanding.
ZEN HEALING
8464 Santa Monica Blvd.
323-656-6666
BEST HOTEL: WALDORF-ASTORIA
One of the world’s leading hotel names is now at home along Santa Monica and Wilshire Boulevard in Beverly Hills. Unprecedented luxury is just the tip of the iceberg of the Waldorf experience. After watching it soar skyward during construction, you know you want to spend the weekend there. Staycation!
WALDORF-ASTORIA
9850 Wilshire Blvd.
310-860-6666
EDITORS’ CHOICE, BEST HOTEL: JEREMY HOTEL
Soon to experience a name change — think One Hotel — The Jeremy, as everyone now calls it, is an astounding architectural gem and gorgeous hotel overlooking Rainbow City. It’s not only a great place to stay, it’s also a destination.
JEREMY HOTEL
8490 Sunset Blvd.
310-424-1600
BEST HOUSE OF WORSHIP: FOUNDERS METROPOLITAN COMMUNITY CHURCH
The house that MCC founder Troy Perry built is a rollicking, down home gospel of faith and a beacon in the fight and one of the most consequential cornerstone establishments of LGBT history in LA.
FOUNDERS
4607 Prospect Ave.
323-669-3434
EDITORS’ CHOICE, BEST HOUSE OF WORSHIP: KOL AMI
One of the most significant Reform synagogues in America is also one of the most innovative. A powerhouse of Jewish tradition and thought, Rabbi Denise Eger is devoted to community and social justice.
KOL AMI
1200 N. La Brea Ave.
323-606-0996
BEST LGBT SOCIAL GROUP: IMPULSE GROUP LA
Impulse Group is an international group that advocates change toward healthier sexual lifestyles among gay men in 18 cities around the world, based in Los Angeles. Founder Jose Ramos felt stronger community bonds and family building among peers can reduce HIV rates and save lives. Turns out he was right.
EDITORS’ CHOICE: BEST LGBT SOCIAL GROUP: VARSITY GAY LEAGUE
California’s largest LGBT recreational sports league is celebrating 10 gay years! A robust and well-organized calendar of Kickball, Dodgeball, Bowling, Tennis, Soccer and Volleyball. Who says gays don’t do sports? Will Hackner and Andrew Miller want to know.
BEST MUSEUM: LOS ANGELES COUNTY MUSEUM OF ART
LACMA is a world-class museum and with its expansion, including an incorporation of Hollywood movie and Oscar history, it’s unrivaled. Many outstanding collections and community events, like outdoor films, make it a treasured institution.
LACMA
5905 Wilshire Blvd.
323-857-6000
EDITORS’ CHOICE, BEST MUSEUM: THE BROAD
One of the most important modern museums in the western United States is also one of the most iconic landmarks in DTLA. Eli Broad’s massively important contemporary art collection almost wound up in a building that would have been where the new Waldorf is today.
THE BROAD
221 S. Grand Ave.
213-232-6200
BEST NON-PROFIT: AIDS HEALTHCARE FOUNDATION
AHF provides services to more than 600,000 HIV+ individuals in 15 U.S. states and 36 countries worldwide and is the largest AIDS service organization in the world. Michael Weinstein founded the agency as a hospice when no hospital would care for AIDS patients and since then has grown it into a billion-dollar non-profit.
AIDS HEALTHCARE FOUNDATION
6255 W. Sunset Blvd.
323-860-5200
EDITORS’ CHOICE, BEST NON-PROFIT: LOS ANGELES LESBIAN & GAY CENTER
Founded by Morris Kight in 1969, LA’s LGBT Center is now the world’s largest LGBT social service agency and community center and is in the middle of an expansion that will revolutionize its reach. Lori Jean, its CEO, has become one of the most important LGBT non-profit leaders in the U.S.
LGBT CENTER
1625 N. Schrader Blvd.
323-993-7400
BEST VET: LAUREL PET HOSPITAL
A truly empathic provider of outstanding medical services for generations of LGBT community members in West Hollywood.
LAUREL PET HOSPITAL
7970 Santa Monica Blvd.
323-654-7060
Dr. Mark Nunez
EDITORS’ CHOICE, BEST VET: Dr. MARK NUNEZ, formerly of VETERINARY CARE CENTER, now Medical Director of VCA Miller-Robertson Animal Hospital.
Dr. Mark Nunez was previously Veterinary Care Center’s go-to doctor, known for going the extra mile to save your pet. Dr. Nunez recently accepted a new position as Medical Director of VCA Miller-Robertson Animal Hospital
VCA Miller-Robertson Animal Hospital
8807 Melrose Ave, Los Angeles, CA 90069
310-657-7050.
BEST LA ATTRACTION: GRIFFITH OBSERVATORY
The go-to place for all family visits and the south-facing slope of Mount Hollywood offers views that just can’t be beat.
GRIFFITH OBSERVATORY
2800 E. Observatory Rd.
213-473-0800
EDITORS’ CHOICE, BEST LA ATTRACTION: HOLLYWOOD BOWL
The iconic outdoor theater celebrates everything about Los Angeles and features some of the greatest names in music, under the stars.
HOLLYWOOD BOWL
2301 N. Highland Ave.
323-850-2000
BEST RED CARPET EVENT: HRC LA DINNER
The Human Rights Campaign brings out the star power each year in Los Angeles and is famous for an exuberant red carpet experience. On March 10, 2018 you have your next chance to take a walk.
EDITORS’ CHOICE, BEST RED CARPET: OUTFEST
The world’s most important LGBT film festival is also becoming one of LA’s most anticipated events.
(Mary Jo De Silva contributed to this article)
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C’mon, Dallas! Wesley Smoot brings Unleashed LGBTQ+ queer business conference & festival to the Lone Star State
Unleashed LGBTQ+ creator Wesley Smoot spills the (sweet) tea on organizing a queer cultural movement deep in the heart of Texas.
The Los Angeles Blade is trading palm trees for cowboy boots as Publisher Alexander Rodriguez heads deep into the heart of Texas for Unleashed LGBTQ+, Dallas’s unapologetically queer answer to your typical business and entertainment conference (queue Chappell Roan’s Pink Pony Club dance remix). Founded by the ever-hustling and ever-bustling Wesley Smoot, Unleashed is where LGBTQ+ thought leaders, disruptors, celebs, and creatives kiki and coalesce to mix strategy with sass, all while redefining what it means to lead and live ever-loud and ever-proud in today’s rather regressive social climate. At a time when queerness is still being legislated, debated, and silenced, Unleashed LGBTQ+ is jacking up the volume full blast. And the Blade is here and queer for it. Let’s get a little unleashed with Wesley Smoot.
Unleashed is quite the queer powerhouse. What was the moment or impetus that birthed the idea to create Unleashed LGBTQ?
I saw so many impressive queer artists and entrepreneurs doing amazing work, and I felt that if there was a platform to amplify all their latest projects, how impactful that would be. It was around 2019, and I was writing a review about a vodka brand, and it hit me – let’s work to feature all these people in one place. We can learn about these projects, products, and ideas, and attendees can connect with one another at the same time.
How does Unleashed challenge the narrative of what it means to be queer in Texas, especially in a city like Dallas, which has such a unique queer history?
Dallas really does have a history! And I think it’s great to pull people in to see what a vibrant queer history that is. Places like S4 and Round Up Saloon have been around forever! As for Unleashed, many of the people coming into Dallas for the event are not aware that it has the sixth-largest LGBTQ+ population in the nation. When they see the scene, they’re often surprised. When they hear a lot of our stories, I think they’re surprised but also inspired.
You’ve made yourself quite committed to championing underserved communities. How do you incorporate that passion into Unleashed’s programming and partnerships?
We aim to host discussions about things we feel are relevant. I think this can be tough because when it comes to equality, some of these conversations can be depressing. No less, there are issues we need to address and conversations we need to have. Discussions about marketing, media, culture, and entertainment can be educational and entertaining. We always make sure to include non-profit organizations like HRC and The Trevor Project.
Unleashed was created as a virtual event during the pandemic, then became an in-person festival in Dallas in September 2023. What lessons did you learn from that virtual-to-live transition?
I had more experience with live events. I actually had to teach myself how to run the back-end of a virtual event – this was a very intense crash course. Learning many new skills in a very short amount of time was difficult, but it’s funny how much confidence that can give you moving forward. I do think that starting with virtual gave me a much clearer idea of how I wanted to format the programming.
Half of 2025 ticket revenue is going to the Human Rights Campaign. What motivated this charitable move?
I have always admired the work HRC does. But really, I think when people see that there is a fun, cool event that is benefiting a cause that they believe in, it makes it a lot easier to get their attention and motivate them to join us for a fabulous event.
As we touched on, the Dallas–Fort Worth area has a strong LGBTQ+ history, with roots dating back to early pride parades and growing grassroots activism. How does Unleashed add to or impact the local Queer community and scene?
I think we add to it by sparking conversations on live stages through panel discussions. Some of those conversations have a lot to do with LGBTQ+ history, non-profits and the impactful work they do, queer artists and the new projects they want to promote. We bring a lot of these people together, whether local or flying them in or getting the locals involved. Dallas has so many heavy-hitters in the non-profit and entertainment sectors.
Unleashed combines business networking, entertainment, advocacy, and culturally relevant brand activations. Why is it important to have this intersectional space, especially in today’s intense political climate?
I think it’s important to talk about how this political climate is affecting us all, even if we are in different industries. LGBTQ+ is the common thread at Unleashed, and when attendees connect at our events, they can see and share their experiences with each other. I know a lot of people have found business opportunities at Unleashed, but also support systems.
Queer folks in the South have always had a different kind of resilience. How does Unleashed highlight the Southern queer spirit that often gets overlooked?
I feel like there has been some representation in the media to show the rest of the world about the gay South when you look at Drag Race, True Blood, and other television programs, but I would love to see more. So much of that resilience comes from queer folks who grew up in small towns and had to deal with bullies, their parents’ expectations, or the church. Those experiences stay with us forever. They contribute to making us who we are, for better or worse. I like to think the events we host have plenty of that southern flavor. It’s more important than ever to feel that we have a safe space.
Texas has not always been seen as the most welcoming place for LGBTQ+ folks and yet here we are, throwing a super queer extravaganza in the heart of it. What does that say about where we are as a culture and where we are headed?
That’s a tough one. I got chewed out in the comments section on Linkedin, someone telling me: “How dare you throw this event in Texas with everything going on there?!!” I replied, “Because of everything going on, it’s more important now than ever to host these events in Texas, or Florida, or anywhere else that people may need a safe place to get together and connect.”
I live in Texas. Should I plan an event of this size in a place I don’t live? Seems counterproductive to me, but we are very proud to host this in Texas. I have met people from all over Texas and the surrounding states. Since we do so much with entertainment, it is great to see the people who come in from New York and LA as well. I hope Unleashed LGBTQ+ can continue to grow as an event and as an organization, and I hope the tolerance and acceptance in the Lone Star State continue to grow with us. We’re not going anywhere.
The Los Angeles Blade will be on site for Unleashed LGBTQ SEPTEMBER 19-21, 2025 | DALLAS, TX Get your tickets here
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Sandra Bernhard unpacks her anecdotal “Shapes & Forms” live show and why it’s more important than ever to reach straight audiences
“Everybody’s just sort of fried and burned out, and it’s only been five or six months since this all sort of cracked open,” Bernhard says of Trump’s presidency
Sandra Bernhard knows there’s nothing quite like the power of live performance. And with her upcoming Sept. 29 stop at Oscar’s in Palm Springs on her Shapes & Forms tour, she knows she has plenty of material to work with, given the current state of the world.
“It’s that fine line and balance between really entertaining people, bringing them up and also still reminding everybody of the times we’re living in,” Bernhard tells the Blade. “I edit carefully because everybody’s just sort of fried and burned out, and it’s only been five or six months since this all sort of cracked open. So the whole thrust of the show is to bring people up and have it be more upbeat, personal, anecdotal.”
Bernhard’s upcoming live appearance comes after a banner year for the GLAAD-award winning actor, with notable roles in the breakout second season of Severance, RuPaul’s Drag Race and an upcoming performance in Josh Safdie’s Marty Supreme, which is already receiving early Oscar buzz.
Bernhard’s performances blend music and singing in a unique, eclectic way, with the band Sandyland Squad Band continuing to perform. “I’m not saying I was the first to do it, but I certainly was one of the first people to do it in a post-modern way. So I try not to really look around and see what other people are doing. It’s not helpful for me,” she says. “I don’t know if people are inspired by me, but I can only inspire myself.”
Returning to California with decades of success in her career makes this stop personal for Bernhard. “I worked in Beverly Hills as a manicurist on Canon and North Canon Drive, and I also first started performing at a place called the Ye Little Club, which isn’t there anymore. So while I was supporting myself by doing this day gig, and then I started doing my night gig, it was sort of a funny little insular world,” Bernhard says. “And I still have friends, women that I did their nails back in the ‘70s. Some of them are still around and I have lunch with them when I’m in town. It’s a really wonderful continuum of where I’ve come from and where I’m going.”
Bernhard first broke out as an actor in Martin Scorsese’s 1982 classic The King of Comedy. She starred in the dark comedy alongside Robert de Niro and received a coveted National Society of Film Critics Award.
“It was way ahead of the curve — very prescient about fame and people doing anything to be famous. And certainly we’ve gone over the top of that. I mean, it’s insane,” she says. “Social media influencers, people that really don’t have anything specific or important to say, have managed to forge careers for themselves in ways that almost don’t make any sense to me.”
She continues, not mincing words: “I think you have to roll up your sleeves and go into life as a young person and work … But with all these people who just seem to lay around all day on the internet and social media, I don’t have much respect for that. I think it’s lazy, ignorant, stupid. You’re not reading, you’re not elevating yourself or your intellect. I don’t find it in any way, shape or form inspiring.”
The King of Comedy not only put Bernhard on the map for on-screen roles, but also helped her expand into live performance. And as she prepares to take this next stop after bringing Shapes & Forms to New York and Massachusetts, she has her priorities set on which audiences she needs to reach.
“It’s more important for me to reach the straight audience than it is the gay audience in terms of opening them up to thinking about things in a new way. I mean, it’s a given that my gay following loves me and gets me and understands all the aspects of what I do and the nuances,” she says. “[People] connect with me because of my humanity, and it’s my humanity that means the most to me — especially right now — with people being snatched off the streets, being sent down to South America in violent situations, where people are dying in Gaza.”
Sandra’s SoCal dates:
September 27
Carpenter Center
Long Beach, CA
September 29
Oscar’s
Palm Springs, CA
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Get swept away by ‘Sparks Camp,’ the Philippines’ first gay dating show
The team behind this landmark series discusses its impact on LGBTQ+ representation in the country.
Whether it be iconic crashouts or jaw-dropping moments of drama, reality television has always had a tremendous impact on queer culture — but few shows have done as much in the fight for global liberation as Sparks Camp.
This series has awed since its premiere, with U.S. audiences discovering Sparks Camp when the first episode dropped for free on YouTube back in 2023. Focusing on a group of “Campers” who participate in romance-themed challenges while exchanging the titular “sparks of love,” the program made history as the Philippines’ first ever gay dating show. It was a landmark production for a country that still struggles with widespread prejudice against the LGBTQ+ community. Yet with each season comes increasing viewership and more people (both within the country and across the world) learning from the love on display and the many messages of queer self-acceptance featured in each episode. The Los Angeles Blade sat down with the cast and creatives behind this series as they wrap up their third season, with the Sparks Camp team breaking down what this groundbreaking show has done for LGBTQ+ representation in the Philippines — and how they plan to do even more going forward.
“The journey [to] Sparks camp hasn’t been easy,” said Creative Head Hyro Aguinaldo, as he spoke to the Blade alongside Director Theodore Boborol. The pair detailed the many difficulties they faced in getting greenlit by ABS-CBN — one of the Phillipine’s biggest TV networks — and their fight against an entertainment industry that had never given LGBTQ+ stories the platform they deserve. “Most queer individuals here in the Philippines are tolerated, but not accepted,” explained Boborol. “Queer people are usually only relegated to [comic relief], never [portrayed] in any serious way…and that includes, of course, reality shows.” He describes how impossible it once seemed that they’d actually get to create the program and, now that they’re wrapping up its third season, how heartwarming it’s been to see LGBTQ+ audiences fall in love with the project. It’s not always a great experience, as the series has been the victim of countless discriminatory attacks online. But it’s undeniable that Sparks Camp has become one of the most educational, authentic portrayals of what it truly means to be LGBTQ+ in the Philippines today…but what is it like to actually be on the show?
While reality series can skyrocket contestants to internet fame, none elevate their cast to international icon status like Sparks Camp does for its ensemble. Season 3 stars Andrew, Kim, and Edward spoke about how thrilling it felt to have their attempts at romance get filmed on camera, with Kim saying, “Being there in the camp with nine other strangers, where I have to be as vulnerable as I can!? It was very challenging!” From half-naked mud wrestling tournaments to discussions about healing from trauma, the experience is intense enough on its own, yet it wasn’t until their installment began airing that the men realized just how influential these moments would be in the Philippines’ ongoing fight for queer rights. These were narratives that the heterosexual members of their audience (a demographic that has steadily increased since season one) weren’t used to, with Andrew detailing, “One of the reasons why a lot of people are unaware [about LGBTQ+ issues] is because we’ve been restricted from talking about these very normal topics.” They all explained how mainstream Filipino culture often discourages discussions about sexual safety and LGBTQ+ romance, meaning not only are people disallowed from learning about these identities, but young queer folk aren’t able to see themselves represented onscreen. “Moving forward,” said Edward. “I want queer boys and girls to see their stories reflected in ours.”
Representing your community on such a large scale can be daunting, but these campers take pride in using every scene to show their audience what it means to be gay in the Philippines today. It’s a heavy responsibility for many, but luckily, this show is hosted by someone who truly knows what it means to fight for your found family: “Mother Sparker” herself, Mela Habijan.
When she isn’t advocating for transgender rights or winning international pageants, Habijan acts as the host of Sparks Camp, moderating the series and imbuing each episode with her unique brand of self-love. It’s a role she does not take lightly, emphasizing, “Whenever I spend time with [the campers], there’s an assurance that their stories are safe, that this isn’t just a mere reality show about finding love— it’s [a space] for them to find value in themselves.” It’s an assurance that shows through the screen; whether it’s witty banter at challenges or reminding Campers to love themselves above all else, she brings a level of care to her role unusual for your typical reality host. She describes how this kind of openness is sadly missing in the Philippines, with the country’s deep roots in Catholicism meaning anti-LGBTQ+ discrimination is the norm in many areas and that there are few laws safeguarding queer rights. It’s because of this that she recognizes just what a huge impact Sparks Camp has on their local communities, saying, “I take pride in being ‘Mother Sparker’ because once a young trans person [watches the show], they can say: my future can be in front of the camera.” Habijan, who’d spent her entire career fighting to make easier pathways for other trans artists, emphasized how essential it is for people to see her and her campers being their truest selves onscreen. “The future is bright for [young people], because if they see more and more people who reflect [their] same experiences, then they’ll gain the courage [they need].”
Sparks Camp stands out not only for its historical impact, but because it does something that few reality shows are able to: it offers an amazing show, with an even better message. As each of the team expressed in their interviews with the Los Angeles Blade, this program and the few others like it are bringing LGBTQ+ stories to the Philippines like the country has never seen before. It’s helping to not only start vital conversations surrounding the respect and rights of queer communities, but fosters a kind of inclusive, love-filled influence that any viewer, no matter what country they’re watching from, can benefit from. In the last few moments of her interview, Mela Habijan perfectly encapsulated the core of what Sparks Camp is truly about.
“The value of their being queer…that’s what matters most. When you create and enrich the love that [the Campers] have within [them] — even if they don’t find the spark at the end of the series — they will end their journey at Sparks Camp with so much pride in themself.”
It’s a pride that LGBTQ+ people worldwide can use now more than ever, and luckily for all, it’s a pride that anyone can watch three seasons of for free online right now.
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John Waters dishes on upcoming Unleashed LGBTQ+ appearance and connecting with new generations on the road
“Humor is how we win,” says the GLAAD-award winning filmmaker and cultural legend
John Waters lives on the road for most of the year, and he likes it that way.
The iconic GLAAD-award winning filmmaker behind cult classics like Serial Mom and Female Trouble (just to name a few!) has already done 51 live shows this year, and next he is appearing at the Unleashed LGBTQ+ festival in Dallas, Texas on Sept. 19 for a conversation with Brad Pritchett at the Warwick Melrose, which will allow for audience participation. Waters will also be receiving the Unleashed LGBTQ+ Lifetime Achievement Award.
“I like the attitude of that title, and I think we need to be more unleashed today,” Waters tells the Blade. “I’m excited that I continue to be in touch with my audience. It seems to get younger and younger, which is just amazing to me. It’s like being a politician. You know, you always tour, you always meet your audience, and that always gives me the reason to keep going and making new stuff.”
While Waters has long been recognized as an unfiltered legend within the LGBTQ+ community, he admires that labels have fallen away: “The new generation — they’re not even queer, they’re all new everything. They’re not that limiting. They’re gay, or straight or just everything … It’s a new world out there. But I survived the first sexual revolution. Now I’m going through a new one, which is even more surprising.”
Waters’ first feature film starring Divine, Mondo Trasho, released back in 1969, so he’s seen “half a century” of different audiences connect with his work. “I think the key was I was never mean spirited, that I made fun of the rules that liberals live by, not our parents,” he reflects. “I made fun of hippie rules and then punk rules and politically correct rules. And now there’s more rules in that world that my parents had that I rebelled from. So I’ve always made fun of things I love, and I think that has been the key to my longevity.”
Just last year, the Academy Museum dedicated an entire exhibit to Waters’ filmography, appropriately titled Pope of Trash. “That gives hope to anybody that anything can happen,” Waters says. “For those movies that were universally hated when they first came out by critics — not by audiences — and to end up at the Academy Awards, giving me nine rooms, it’s just amazing. [And] a gift shop that sold T-shirts that said, ‘He’ll make you sick.’ You know, how did that ever happen? I don’t know.”
Outrageous humor and political satire are key to Waters’ filmography, and it’s that same sense of humor he sees as key to winning today’s many fights.
“Let’s pick our battles and win them and use humor,” Waters says. “Don’t preach to people. Don’t tell people they’re stupid, even if they are. You got to make them think that they’re smart and listen to you … You have to use politics. Humor is politics. Freud even wrote a book about the psychoanalysis of jokes. Humor is how we win, and we have to pick our battles. And I don’t think we did last time.”
The Los Angeles Blade will be on site for Unleashed LGBTQ SEPTEMBER 19-21, 2025 | DALLAS, TX Get your tickets here
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CinePride Film Festival highlight: Director Nate Gualtieri on his erotic trans short and Cate Blanchett’s executive producer credit
With “Queerbait,” Nate Gualtieri flips the switch on the professor-student dynamic.
CinePride’s inaugural year kicks off with a fresh erotic short titled Queerbait, executive produced by Cate Blanchett and written and directed by one of Hollywood’s most exciting up-and-coming talents, Nate Gualtieri (Desire Lines, Gotham Knights).
Queerbait features a new spin on the professor-student dynamic. Sydney Mae Diaz plays a trans student who has recently undergone top surgery and is drawn into the world of his classics professor, played by Matthew Floyd Miller, who sees great potential in his talented pupil. But the line between professor and student soon blurs, and tensions build up as the two get stuck together during a major rainstorm.
Gualtieri discusses with the Blade how Queerbait has developed throughout multiple fellowship programs, what he wants to see more of from trans storytelling, and his hopes for a festival like CinePride to rebuild the queer creative community in Los Angeles. (This interview has been edited and condensed for clarity.)
I’m really excited to chat with you today. I know Queerbait went through a proof of concept program, and Cate Blanchett is attached as an executive producer. I’d love to hear how that whole process has been because I believe your goal is to turn this into a feature-length project.
We’re in the middle of financing the feature version right now. But just to go back to where it all started was actually a bit earlier. I was in the Film Independent Project Involve Fellowship, and that interestingly reoriented my career toward film. When I was in that program, I actually met one of my now producers, Jesus Garcia, and he was the first person I ever pitched this project to. Originally just as a short for their program, and they didn’t select it, but I really liked this idea and kept working on it. And so we submitted to this Proof of Concept Fellowship, it’s the first year of the program, and Netflix financed a bunch of short films at $30,000 each. Cate Blanchett’s company Dirty Films was then attached as producers, and they helped guide the projects along.
The whole point of that program was to support women, trans and non-binary directors. The USC Annenberg School of Communication was also involved because they put out numbers every year on how many female directors are working, how many trans films are getting made — which, sometimes there’s zero. To apply to that program, we also had to have a feature script ready, so that was always the intention for us. Regardless if we had gotten into the program, I really wanted to do a proof of concept that was the basis for a feature script or film. The biggest thing I got out of Film Independent was that so many collaborators and people in my cohort ended up working on this film. It just feels like I’ve met people where I’m like, “I hope we can do every film together!”
We shot in October 2024 and a few weeks after that, we applied to the Sundance Screenwriting Lab with the same feature and got in. That happened in March 2025, so that was all virtual. Andrew Ahn and Laura Moss ended up being my mentors, and they’re still very invested in how I’m doing, which is lovely. The script’s gone through a couple revisions since then, and now we’re ready to take it out to market. We’re going to the Gotham Project Market at the end of September, and that’s going to be some of the first steps of financing. Right now, I really do feel it’s a question of when it happens and not if.
That’s all super exciting. Talking more about cinematic inspirations and representation, I saw very few trans films in high school and middle school.
There are some great trans films that I wouldn’t say are touchstones for this piece at all, but I really want to build on that lexicon of what a great trans film is and can be. I really tend to shy away from the coming out narrative. I’ve written pieces like that before, but I think we can do something more intriguing and more interesting. My real goal is to bridge that gap between seeing a film with trans people as niche, and particularly what we’re doing with Queerbait is leaning into that erotic thriller genre and playing off films like Dressed to Kill or The Crying Game, where the trans woman is the murderer. I think there’s an interesting flipping we’re doing where the trans person is the victim, but they can also be the perpetrator as well.
With the premise of this project featuring trans chasers, what void in trans/queer storytelling are you hoping Queerbait might fill?
With a lot of the work that I do it’s like, “Yeah, you could put a cis guy in it.” But there wouldn’t be the same impact. There’s such a specific perspective of masculinity that I bring to the work. In terms of trans films, people are a little afraid to make a movie that’s really complicated and honestly dark, and I want to bridge that gap. We get so caught up in these gentle, indie romances. And I think that’s great, and there’s a place for that too. But what I want to do is something more challenging, where it almost forces you to look at trans people without othering them. I just want the film to be great, and the main character’s trans. There’s not a separation that I’m making in that sense. But I don’t think enough trans films really leave an impression on me, and really have something to say that I haven’t seen before. I think I just want it to be a good film first, but its transness is kind of irremovable from it. It’s called Queerbait, the people know!
It’s a great title! And this is the opening night selection at this year’s CinePride festival. Could you speak about what led you to apply to that festival, which I know is hoping to fill the void left by Outfest.
That’s actually part of why I reached out to CinePride, because the last short I directed played at Outfest. One, they had Outfest and Outfest Fusion, which immediately othered any people of color that submitted, so that was a little bit unusual. They were running on a huge deficit, I want to say a quarter of a million, so anyway, that’s just why they fell apart. So I was really excited when I saw that there was going to be another L.A.-based festival because there really was a void. Outfest was a large event for the community. I’ve also been told we’re the very first film that’s screening at the festival, which is crazy. I’m just really excited to see the turnout and attendance. I hope that this is an opportunity to build something a little bit better. I like being on the ground floor of things I find promising. I don’t think it’s worth waiting to see, “Is this going to be the next big thing?” I appreciate the people who were there from the start.
As the big day approaches, is there anything else you want to add about Queerbait or anything you’re particularly looking forward to?
It’s an erotic thriller, and we’re really looking to do something commercial, or as commercial as possible. I appreciate you reaching out. It’s always flattering! When I say it’s weird, it’s like, again, not bad, it’s just like, “Wow! This is so crazy. People are watching stuff I put on the internet!”
CinePride runs September 11 – 14, 2025 at Landmark Theatres Sunset.
For more information, visit CinePride.org
a&e features
The queerest moments of the VMAs 2025
LGBTQ+ artists proved to be a central part of the music industry at this year’s award show.
Whether it be sultry Frank Ocean performances or Madonna reminding everyone that drag queens run the world, the MTV Video Music Awards (VMAs) have always been an unofficial honoring of the LGBTQ+ community’s contributions to music. Yet many fans were nervous going into the 2025 ceremony; during a time when marginalized voices are being attacked across the country, would there still be a queer presence at this historic award show? Luckily, they weren’t disappointed, as the VMAs quickly reminded everyone of a very important fact: there is no music industry without queer artists.
And with that in mind, let’s take a closer look at the moments that made the 2025 VMAs one of the gayest award shows ever!
Before it even began, the ceremony’s red carpet hosted some of the entertainment industry’s biggest queer stars (and their impeccable fashion choices). Whether it be the eviscerating Law Roach, hilarious comedian Megan Stalter, or renowned drag queens like Lexi Love and Symone, this crimson runway was a space for these icons to strut their stuff.
The invite list alone made it clear that LGBTQ+ artists would continue being an integral part of the VMAs — a fact that was taken to unimaginable heights when Lady Gaga won the award for ‘Best Artist of the Year!’
Even after countless wins, it can’t be overstated just how important a triumph for Lady Gaga is for the LGBTQ+ community, especially when she’s being awarded for the massive amount of work she’s done this year. Not only has her new album, Mayhem, been the soundtrack for every gay bar, but in the face of rising discrimination, she is constantly speaking up for queer and trans individuals across the country. It was so cathartic for her LGBTQ+ fans to watch Mother Monster accept the award, starting the show with an uplifting, quintessential queer energy that would only get better from there.
Not only did numerous LGBTQ+ artists perform — a huge shoutout to Lola Young and Conan Gray — but a portion of the night was focused on rewarding gay trailblazer Ricky Martin with the first-ever Latin Icon Award. He used his speech to encourage unity during this time of division, reminding listeners that music should be what brings us together during a time when people are literally trying to tear us apart. And he wouldn’t be the only LGBTQ+ artist going home with a Moon Man! Stans across the globe cheered when KATSEYE won the VMA for Push Performance of the Year, the inaugural award for a global girl group that is revolutionizing what it means to be an idol today. Not only are they breaking barriers, but with members Lara Raj and Megan Skiendiel, KATSEYE makes history as one of the only idol groups to openly feature two queer women!
Halfway through the VMAs, this award ceremony was already shaping up to be one of the queerest yet…but someone wanted to bring even more to the stage. Someone who used every moment she had to amplify LGBTQ+ artists and call for the respect these communities deserve. She was already regarded as an icon before the show, but with her performance and acceptance speech, Sabrina Carpenter solidified herself as one of the biggest advocates in music today.
While every VMAs performer brings a unique concept to their performance, few are as instantly captivating as Carpenter’s performance of “Tears.” The faux-city streets of her stage bring to mind moments from history like the Stonewall Riots, acts of resistance that fueled LGBTQ+ liberation and made the modern music industry possible. Then, as the camera panned out, audiences learned that Carpenter brought queer royalty onstage with her: Drag Race queens Denali, Willam, Symone, Lexi Love, and Laganja Estranja, along with Ballroom legends Dashaun Wesley and Honey Balenciaga. The entire group took part in some visually stunning choreography before each held up a cardboard sign, with their sayings ranging from “Protect trans rights” to “In trans we trust” and “Support local drag.” With this song, Carpenter fought transphobia and called for equity with more bravery than anyone else that night — and she wasn’t done.
“I do want to say: to my incredible cast and dancers and queens on stage with me tonight…this world, as we all know, can be so full of criticism and discrimination and negativity,” said Carpenter, as she accepted the award for “Best Album.” “So to get to be part of something so often, more than not, that is something that can bring you light, make you smile, make you dance, and make you feel like the world is yours…I am so grateful.” It’s an unfortunate truth that, while many celebrities enjoy featuring queer performers in their acts, too often these folks are treated as props rather than actual artists. Carpenter used every minute onscreen to show her love for these LGBTQ+ artists and grant them the national applause they deserve. It created many jaw-dropping, utterly LGBTQ+ moments throughout the night, and it gave everyone watching an exceptional model for how to be a true ally today.
There were so many amazing moments at the 2025 VMAs, it’s unfair to label one as the best! From Eyekons to short n’ sweet activists, the award ceremony was stacked with reminders to everyone that queer people built the music industry they love — and that we’re not going anywhere. But, while each of these resonated with different fans for different reasons, there was a single instant that touched every queer person watching.
When Ariana Grande accepted her award for “Video of the Year,” she succinctly surmised her appreciation for the LGBTQ+ community in a way that truly anyone can understand: “Thank you to my therapists, and gay people. I love you.”
a&e features
CinePride Film Festival highlight: Filmmaker Alicia Coppola explores identity, memory, and trans representation in ‘And You Are?’
In And You Are, Alicia Coppola tells a touching story of a trans man navigating love and recognition alongside a family member experiencing dementia.
As part of CinePride’s inaugural year, filmmaker Alicia Coppola brings a deeply emotional and heartfelt short film, And You Are?, to the spotlight. The film explores the intersection of queerness, memory, and identity through the lens of a trans man and a loved one battling with dementia. Drawing from her own family experiences, Coppola crafts a narrative that is both intimate and universally resonant, challenging mainstream portrayals of aging, gender, and familial acceptance. And You Are? stands as a powerful testament to the kinds of stories CinePride seeks to share with the world – authentic, complex, and unapologetically human.
What prompted you to create such an intimate story about experiencing the queerness of a loved one through the lens of dementia in your short film And You Are?
The film is really a love letter to two of my family members. I found it so interesting that one of them, despite struggling with memory loss, completely and totally accepted the other without hesitation. She never once misgendered her, not even once. Meanwhile, everyone else, occasionally including myself even, did at some point. But she never did. And I just found that remarkable. She couldn’t remember what she had for breakfast, but that stuck.
Misgendering happens more often than we’d like to admit, so that kind of unwavering respect is deeply moving. And your film is part of the inaugural CinePride Film Festival in Los Angeles. How does it feel to be part of CinePride’s inaugural year?
I’m beyond honored to be part of CinePride’s first year. I think this will be the beginning of many, many years to come. It’s time. Personally, I believe we shouldn’t have to silo these stories into their own festivals. I get why we do. It’s to ensure they’re seen, but it’s also sad that a separate space is still necessary. Why do I have to be labeled a “woman filmmaker”? I’m a filmmaker. Why is a trans person labeled first and foremost as trans? They’re a person. We don’t say “my gay daughter,” we just say “my daughter.” Why do some people need a preamble while others don’t?
That leads into another question, how do you feel labels affect creators in the entertainment industry?
Until we come up with something better, we have to keep saying: people are people. I’m a woman, yes, but I’m also just a filmmaker, an actor, and a damn good one. Why do we never hear “male doctor” or “male filmmaker”? It’s always the marginalized who get the descriptor. And that’s part of the problem.
It’s all based on the assumption that the white, cis, straight male identity is the default.
Exactly. And not to get too political, but I don’t understand why we have old, wealthy white men trying to legislate everything- our bodies, our bedrooms, our kids’ lives. They have no right to dictate the lives of anyone who isn’t just like them.
Back to your film, what was the most emotionally challenging scene for you to write/shoot?
Writing it was hard. I started with one script and ended up with something completely different. I just wasn’t ready. It took three years to finally sit down and say, “This is the story I want to tell.” If I could open someone’s mind, open their heart, maybe we could start a dialogue. As for filming, when I saw Jane Seymour transform on set, especially since we shot in my family member’s actual room, it hit me emotionally. She inhabited that space and role so completely. I was looking at a movie star. I consider myself a good actress, but Jane blew me away. She’s like a storm. You know the moment she enters the room, nothing will be the same.
If your character Max wrote a memoir, what would it be called and what would Nana’s chapter be titled?
The memoir would be See, I Told You My Name Was Jake. Nana’s chapter? I Already Told You That, Nana.
How do you think identity is affected when someone from an older generation forgets – or never quite understood – it?
In our family, the ones who struggled most were the middle generation. People my age couldn’t quite rewire their brains. But kids? They get it instantly. And the elderly? They don’t miss a beat. So the ones stuck in the middle are the most resistant. They’ve already learned a certain language and worldview, and they just can’t, or sometimes even won’t, adjust.
Do you think it’s more about inability or willful ignorance?
Both. There’s fear. People are terrified of the LGBTQ+ community and even more so of the trans community. Much like men fear women because we hold the power of sex and creation. It’s all rooted in ignorance, hypocrisy, and control. Trans people are being scapegoated, but they’re not the reason eggs cost $15. The 1% of the population that’s trans isn’t wrecking the world. The other 1%, the wealthy elite, is.
With legislation regressing across the country, what’s your biggest fear, having a daughter who happens to be gay?
I’m terrified of what happens when healthcare is taken away, especially life-affirming care for LGBTQ+ youth. Denying them that is basically saying, “We’ll choose how your kids die.” Suicide? Fine. School shootings? Fine. Just don’t choose abortion, because that they want to control. My family has felt the impact firsthand. Children’s Hospital L.A. shut down their entire transgender division. It’s reprehensible.
Do you think festivals like CinePride help shift the narrative about whose stories get shared and who controls that narrative?
Every story deserves to be told. Women, men, Black, queer, everyone. CinePride is important because it’s archival. It’s a museum for our children’s children. With people trying to erase history, from the Trans-Atlantic Slave Trade to Stonewall, we need to preserve these stories. I hope one day kids ask, “Why is this film in a special category? Isn’t this just life?”
Your film challenges sanitized portrayals of queerness and aging. How do you think the film community can push for more authentic, complex storytelling?
We need to be brave. Take off the filters. Women age. Show it. Dementia isn’t pretty. Show it. I think we showed the first testosterone shot on film. Zach Barack, our incredible actor, actually saved his T-shot to do it on camera. We didn’t fake it. We showed what it’s really like. And when you show truth, you create empathy. That opens minds, hearts, and hopefully, conversations.
What conversations do you hope this film sparks?
I hope people leave the film with questions. Maybe even realizations. One character has only the past to prove she exists; the other wants to erase the past because it never reflected who he truly was. How many of us do that? Reinvent ourselves, try to escape something? And how many of us are lucky enough to have support when we do? If this film can create understanding, if even one person watches and thinks, “Oh, I get it now,” then we’ve done something meaningful. One of my producers said he learned more about Alzheimer’s in the first minute of the film than he ever had before. That meant the world to me.
CinePride runs September 11 – 14, 2025 at Landmark Theatres Sunset.
For more information, visit CinePride.org
a&e features
The Angels In Los Angeles
In West Hollywood, Mike Pingel’s Charlie’s Angels collection will be on full display on MeTV’s Collector’s Call this Sunday, September 7th.
Los Angeles may be the “City of Angels,” but if there were one man who could claim the title of Angel-in-Chief, it’s Mike Pingel. On Sunday, September 7, Collector’s Call on MeTV spotlights his “heavenly” collection of Charlie’s Angels memorabilia. This is not just a story of a man coming across a few Charlie’s Angels magazines or dolls. Pingel’s collection includes more than 2,000 items spanning from rare scripts and dolls to a pinball machine. If God had a giftshop, Pingel is the one who has the spare key.
For Pingel – writer, publicist, and lifelong superfan – Charlie’s Angels has always been more than nostalgic TV. It is a culturally iconic masterpiece with deep resonance for LGBTQ+ audiences who saw glamour on-screen. The glamour was undeniable, even though each episode was basically an EPA violation caused by too much hairspray.
“Us queers love our beautiful, strong women, and Charlie’s Angels fits that bill on and off the TV screen,” Pingel tells the Blade. “The world fell in love with Charlie’s Angels as soon as it hit the airwaves on ABC-TV on September 21, 1976.” For Pingel, that love affair was fueled by the cast itself: “Farrah Fawcett, Kate Jackson, Jaclyn Smith, Cheryl Ladd, Shelley Hack, and Tanya Roberts are timeless beauties… The Angels got through it together just like the LGBTQ+ does together as a group, as we have always fought for our rights together – we got each other’s backs!”
The origin story of Pingel’s collection (or should we say addiction?) started with a few allowance dollars burning a hole in his pocket in San Francisco’s Chinatown. “I’ve been collecting since 1977!” Pingel explains, “I think the very first item I bought with my allowance was a few packets of Charlie’s Angels Topps trading cards.”
Since then, Pingel has amassed just about everything you can imagine the Charlie’s Angels series producing – games, puzzles, posters, and personal gifts from the actresses themselves. It’s still a smaller collection than Cher’s wigs, but it’s impressive nonetheless. Out of the thousands of items, Pingel has a favorite: “The Kris Munroe Business card Cheryl Ladd gave me for my 30th Birthday. She used them in the show as her character. Now that’s pretty cool!”
Mike Pingel & his Angels / Photo courtesy of Mike Pingel
Like many LGBTQ+ kids of the ’70s, Pingel fell in love with one of the lead actresses in Charlie’s Angels, Farrah Fawcett. Unlike most people, he ended up working for her. “Being Farrah’s assistant was something I never thought I would be doing,” he recalls. “She was so sweet but also the smartest businesswoman.”
As Fawcett’s personal assistant, Pingel tells the Blade something most might not know about her: “One thing people might not know is she liked her cookies more on the burnt side! … Farrah called me on the intercom [picture how Charlie calls the Angels on the show]. She said ‘Mike, can you cook these a bit more – I like them a little burnt!’ It broke my heart a bit but I have to do what an Angel asks!” Only Farrah could make burnt cookies sound glamorous. If Martha Stewart did it, we’d just call it a parole violation.
When asked if he considers himself a preserver of LGBTQ+ pop culture as well as TV history, Pingel laughs: “I never thought of it that way! I guess I am!” He tells the Blade that everyone is an expert in something. “I just happen to be that for Charlie’s Angels.” And he’s not shy about sharing it. “If you’re in the West Hollywood area, hit me up. I love sharing my Charlie’s Angels collection.” As of now, this is officially the gayest Airbnb listing in recorded history.
Pingel speaks of filming for Collector’s Call – the episode which will be released on September 7th. “One thing that did surprise me was once they arrived at 7am (they were a bit early) in the morning. I did not have time to shower or shave for the show! They were here and boom right into production.” And then came the surreal moment: the host, Lisa Whelchel – the actress who played Blair Warner from The Facts of Life – getting her makeup and hair done in his bathroom. “I could not believe Blair Warner was in my apartment! Now that was some Facts of Life!”
Collector’s Call team / Photo: MeTV
Though Charlie’s Angels first appeared in the 70’s, with a few movie sequels in recent years, it is easy to assume that Charlie’s Angels might be too dated. But with a new Brazilian Charlie’s Angels series on the way, Pingel is confident the Angels’ mission is eternal. Specifically, the mission being independence for all: “Girl Power. Outside the glamour and adventure lies the power of women. Charlie’s Angels showed how woman can do anything without the help of men.”
Before you dismiss Pingel’s Charlie’s Angels as just another quirky collection, remember what it really preserves: a world where beauty, camp, and solidarity gave LGBTQ+ kids the courage to see themselves differently. Pingel leaves the Blade with a final comment: “Together we can conquer anything and that includes all of us LGBTQ+ Angels!”
Mike Pingel’s episode of Collector’s Call airs Sunday, September 7, at 6:30/5:30c p.m. on MeTV.
a&e features
“Dear queer cinema, thank you:” Mark A. Dahl on queer belonging at CinePride
‘Wee Willie Winky’ is the dark comedy that shares the story of two siblings who return home after discovering their dad, who they thought died twenty-five years ago, has just died again. What follows is a twisted, über-funny unraveling of family drama, sibling dysfunction, and obviously unresolved grief.
CinePride is more than a film festival, it serves as a reminder that queer storytelling refuses to be put in a box. CinePride celebrates creators who color outside the lines and push stories to the emotional edge. It’s the type of platform where visibility becomes prioritized and where chosen family sits front row. And among the standouts: a sibling story that checks all of the following boxes – hilarious, heartbreaking, and (w)holly unhinged.
We (heart emoji) Wee Willie Winky, the wickedly sharp short film from writer-director Mark A. Dahl, which playfully untangles family dysfunction with a cocktail in one hand and a raised eyebrow in the other. When two estranged siblings discover their allegedly long-passed father is actually recently deceased, chaos and comedy are not far behind the news. Think The Royal Tenenbaums meets John Waters on a psilocybin trip through the Hollywood Hills.
With biting wit, a tickle of trauma, and a mother who can easily outdo the entire Real Housewives franchise and then some, Dahl delivers a proof-of-concept that demands more. Preferably a full series. Fingers (and toes) crossed…
Let’s start with the basics. For those who haven’t seen your short film Wee Willie Winky yet, can you describe it for us in one sentence?
Two pretty horrible kids go visit their mother when they find out their father died, who they thought died twenty-five years earlier, to find out what the hell actually happened.
Speaking of Daddy, uh, there’s clearly some pointed and also playful daddy issues at play with this film. Is this theme personal?
That’s a really interesting question. You know, my sister and I, we both have daddy issues. . My dad died when I was six. She was estranged from her father as well. And I think that’s kind of a common thread with the LGBT community, especially gay men. I don’t wanna speak for anyone else. I am a gay man. There’s a lot of family with this piece that I found really cool.
In the film we have some conniving siblings, a twice dead father and a mother standing in their way. What drew you to explore this kind of dysfunctional family dynamic? And were there any specific films or creators that influenced your tone here?
I’ve always been a really big fan of dark humor in all of its forms. I love dark comedy, and I would say the House of Yes is a very big influence. I don’t know if you’ve ever seen it with Parker Posey. It’s twisted, twisted, twisted, and we love Parker. And that’s definitely a big influence on the writing. And then what was the other half?
I’m a huge fan of John Waters, and that was always massive family dysfunction, which I always found hilarious. You know, every movie of his, the kids are screaming at the parents. And there’s just nothing more fun than a f*cked up family to watch. There really isn’t.
On your Instagram, I may have peaked at the John Waters Walk of Fame Star on there…
Yes. I went to see him get his star. That was so cool, because I remember seeing Hairspray in the eighties in the movie theater in the West Village. I remember it was pouring rain, and I saw that film. I had seen all the others on videotape, but that was the first one I saw in a movie theater. And I was like, these can be in movie theaters! These kinds of crazy stories can be in movie theaters!
And to see him get his star was also the same kind of feeling. I was like, wow. Someone like us, someone that demented and twisted could end up on Hollywood Boulevard. That’s incredible. So, it was a really cool day.
We tackled daddy issues. And now it’s time to discuss mommy. The mother in your film is a knockout character, and her rendition of Gwen Stefani’s “Chala Bread Girl“ was pretty epic. Was this character inspired by anyone from your actual life or pop culture?
100% inspired by Jena’s actual mother in real life. She is a sun-bunny, and even down to the voice and intonation and the way she just says things is 100% inspired by my sister from another, Jena’s mother.
Los Angeles plays a huge role in the tone of your film, with all of its grittiness and glamor. What does LA represent to you and how did you want to capture it visually?
When we first moved here – and I say “we” because my sister and her producers were scouting places for her to live – she was about to shoot a movie she had written, loosely based on her life. Joey King plays her in it, and it’s called Smartass.
They were moving us around different neighborhoods, kind of testing out where she might want to settle. So we spent a month here, a month in WeHo, then a month downtown, and eventually they put us up in the Hills for a month.
That was absolutely mind-blowing. There we were, the two of us, from basically the middle of nowhere, living in this massive, dilapidated, falling-down mansion in the Hollywood Hills. It was owned by a costume designer, and they had rented it from her. The place was packed with antiques and strange old clothes. It felt like stepping into another world.
Every day, I’d be dressing up in turbans, looking out at the city, it honestly felt like a dream. It was that Hollywood dream. That’s actually what inspired the idea for Wee Willy Winkie. We thought, what if these two kids, because that’s really what we were, what if they ended up in Hollywood?
Everything felt so beautiful back then, just looking out over the city and feeling the magic of it. That’s the feeling we wanted to capture. You’d look down the street, see a line of palm trees, and think, Oh my God, I’m really in California. I’m really in Hollywood.
That was the vibe we were chasing, something magical, a little surreal. Visually, we were heavily influenced by The Royal Tenenbaums, that kind of aesthetic really shaped the look and feel we were going for.
On your socials you refer to yourself as a “high school drama queen.” Can you tell us a little bit about your theatrical background and how that bleeds into your filmmaking style?
Actually, that’s a really good question. I think I was on stage for the first time when I was five. I come from a very religious family—I was a church singer growing up. I remember my first play in kindergarten was The Boy Who Cried Wolf, and I played the boy. During the actual performance, the kid opposite me forgot his lines. And I totally lost it—went a little ape, honestly—in front of all the parents.
I said, “I know your lines!” and I just did them for him. I finished the scene while he stood there watching. So I ended up playing both characters. And then I said something like, “I know your lines and my lines—I don’t know why you can’t learn them!” That was probably my first diva fit—my first full-on drama queen moment.
After that, I really leaned into being a drama kid. Even as a young teenager, I was acting in college plays. So my entire foundation for performance came from theater and its visual storytelling.
Eventually, we started our own non-profit film and theater company in Philadelphia, which we ran for 15 years. We just wanted to tell stories. None of us had really made films before. I mean, I had a silent Super 8 camera when I was a kid and a little video camera, but we’d never made a real movie.
So we basically created our own school, we just started doing it. We didn’t know we “weren’t supposed to” or that it wasn’t how things were done. We just wanted to make stuff, so we did. We put on a full season of live shows, and we also made music videos and short films on weekends, gathering everyone we could to help.
How do you think that background influences your storytelling style or your filmmaking approach?
It’s 100% guerrilla filmmaking. Just get it done—by any means necessary. That’s really our style. I don’t know all the technical terminology. I never went to film school. I just wanted to create. We’ve always loved the process, and that’s what kept us doing it.
With your title. Wee Willie Winky, was there any intentional nod to the 1937 Shirley Temple film where she plays a daughter of a widowed mother?
100%. And you know, the Wee Willie Winky is a child’s nursery rhyme in London, so it’s actually a little key into the father’s life. We wrote it actually as a series, a full series. So, and this is the proof of concept sort of for that series about these two estranged kids who end up back together in London, owners of a big antique shop, and then they’re discovering their own lives through their father, who has passed away. So they learn a whole new family and a whole new life about themselves.
Do you think that entertainment has a responsibility to be political? Or do you think it is also a means of escapism from politics? Or can it be both?
It can absolutely be both. Sometimes I go to the movies because I just wanna watch sh*t blow up. I go to the movies at least once a week, and I have for a very long time. It’s my favorite place in the world, and my mind is constantly worried about things in this world. If I could quote that whole Nicole Kidman thing, it’s 100% true. You sit down, the lights go down, the magic happens and you can forget about your life for a while, whatever that was. That thing cracks me up so hard.
But also sometimes you really want to watch work that is moving you. It has the power to change people. It has the power to shed light on situations that people don’t know about or have never thought about. And it really has the power to make people think. So 100% it can be both.
The matriarch of our story is no stranger to pina coladas. based on their personality types and respective quirks. What would be Len and Mark’s cocktails of choice?
Well, I think Len would drink anything bubbly. I think Mark would drink anything that was free, a free cocktail. Mark’s favorite cocktail is a free cocktail.
What do you hope audiences walk away with after watching Wee Willie Winky?
I hope they learn to laugh at dark stuff if they haven’t before. I hope they can find humor in pain. And I hope they want to know what happens next, and that someone else wants to know what happens next. Because I certainly want to, Jena and I certainly want to show you what happens next.
We started with one sentence and we’re going to end with one sentence. If you could write a one sentence love letter to queer cinema, what would that one sentence be?
This might make me cry because I remember the first gay movie I saw… Dear Cinema, thank you for… Hold on. Dear Cinema, thank you for showing me onscreen that I was okay, and that me being in the world was not an abomination, and for showing me that I have a place in the world. Yeah…
CinePride runs September 11 – 14, 2025 at Landmark Theatres Sunset.
For more information, visit CinePride.org
a&e features
Shaking up West Hollywood: Prince Joshua drops new single, ‘QUAKE’
The go-go personality and local music favorite celebrates self-expression and queer joy with a bold new release
In the vibrant heart of West Hollywood’s nightlife, one name has become synonymous with electric performances and fearless self-expression: Prince Joshua. Known for his jaw-dropping gogo routines at world-famous venues like The Abbey, Joshua has long captivated queer bar-goers up and down the West Coast. But lately, it is not just his moves turning heads, it is his music.
Fresh off a double win at the Los Angeles Blade’s Readers Choice Awards, where he was named “Go-Go of the Year” and “Local Music Artist of the Year,” Joshua is keeping the momentum alive with his latest release, “QUAKE.” Dropping on his birthday, August 20, the high-energy single and self-directed music video are a celebration of individuality, confidence, and shaking off insecurities.
“‘QUAKE’ is for the bad bitches,” Joshua says with a smile. “It is about owning what makes you unique, living for your own approval, and letting go of anything that holds you back.”
This release follows the success of his debut EP Crowned, which dropped in January and offered a raw yet playful exploration of queer nightlife, dating, and self-love. The project’s six tracks and three music videos blended club-ready beats with deeply personal lyrics, marking Joshua’s arrival as a recording artist with something to say.
Joshua’s artistry is rooted in his background as a performer. Originally from a small conservative town, his move to Los Angeles was an act of both self-preservation and self-celebration. “I grew up in a world that wasn’t made for someone like me,” he says. “But West Hollywood was made for people who express themselves through fashion, who are unapologetically queer. Here, the things I was bullied for are the things that are celebrated.”
He brings that same spirit to the stage, whether performing at WeHo Pride, SUMMERTRAMP, or in intimate club settings. His shows mix choreography, stunts, toe touches, splits, and costume changes, proving that gogo dancing is performance art at its finest. “While I respect the sex work industry, what I do is different. My performances come from a cheer background and combine music, movement, and fashion into one high-energy package.”
With “QUAKE,” Joshua takes his vision even further. He wrote, produced, directed, and styled the project himself, weaving together elements of cheerleading, twerking, and bold visuals that radiate Leo-season confidence. It is a one-man production that showcases his versatility and commitment to his craft.
As he looks ahead to his next EP and more collaborations with fellow queer artists, Joshua’s message remains consistent. “Every day you get a chance to be yourself and inspire others to do the same,” he says. “This world is not always kind to us, but we have each other. So take up space, use your voice, share your art, and never let anyone dim your light.”
With moves that dazzle, bars that bite, and a creative vision that refuses to be boxed in, Prince Joshua is proving there is more than one way to rule the stage. And with “QUAKE,” he is making sure everyone feels the aftershocks.
Watch “QUAKE”
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