Features
Harry Belafonte, ‘King of Calypso’ & LGBTQ+ ally passes at 96
He used his fame and fortune for the public good throughout his extraordinary career. He became a powerful ally for those less fortunate
LOS ANGELES – A rainbow banner slung over his right shoulder proudly proclaimed the spry octogenarian a ‘Grand Marshal 2013’ of the New York City LGBT Pride March, joining another vibrant octogenarian, Edith “Edie” Windsor, who was also a ‘Grand Marshal 2013,’ that bright sunny June day.
Between the two of them, the honor was an acknowledgement of a long journey not only for LGBTQ rights, but for Harry Belafonte, the beloved African American actor, singer, humanitarian, and the acknowledged “King of Calypso” especially, an honored recognition of his decades of accomplishments and commitment to the civil rights movement and allyship to the LGBTQ+ community.
Thank you, Mr. B, for all of your years of mentorship, guidance, & lifetime of activism fighting for a better future for all of us. You will be missed by many, but your memory & impact live on. Rest in Power.
— Colin Kaepernick (@Kaepernick7) April 25, 2023
“Movements don't die, because struggle doesn't die.”
-Harry Belafonte pic.twitter.com/bCArTOtCC2
Born March 1, 1927 in New York, Belafonte was the son of Caribbean-born immigrants, and, growing up, he split his time between Harlem and Jamaica. Dropping out of high school in New York City to enlist in the U.S. Navy, he went on to contribute to the war effort from 1944 to 1945.
At the time, the military services were segregated. Belafonte, a Jamaican American, was assigned to Port Chicago, California, 35 miles from San Francisco.
During World War II, Black service members were not normally assigned to frontline fighting units. Rather, they were assigned mostly to supporting specialties. His job was to load military ships bound for the Pacific theater.
Just before Belafonte arrived in Port Chicago, California, a massive explosion took place, involving military ships loaded with ammunition. About 320 people were killed — two-thirds of them Black sailors.
“It was the worst homefront disaster of World War II, but almost no one knows about it or what followed,” he said.
Discharged in 1945, Belafonte returned home to New York City. He used his GI Bill benefits to pay for his acting classes at Erwin Piscator’s The New School Dramatic Workshop, alongside future actors Marlon Brando, Rod Steiger, Walter Matthau, and what was to develop into lifelong friendship, actor Sidney Poitier.
He performed with the American Negro Theater while studying at the Dramatic Workshop. It was a singing role that resulted in a series of cabaret engagements, and eventually, Belafonte even opened his own club. In 1949, he launched his recording career on the Jubilee label, and in 1953, he made his debut at the legendary jazz club, the Village Vanguard.
He also appeared on Broadway in the 1953 “John Murray Anderson’s Almanac,” a performance that won him a Tony Award.
Belafonte’s first widely released single, which became his signature audience participation song in virtually all of his live performances, was “Matilda,” recorded on April 27, 1953.
With a lead role in the film adaptation of Oscar Hammerstein’s Carmen Jones, Belafonte shot to stardom. After signing to the RCA label, he released Mark Twain and Other Folk Favorites, which reached the number three slot on the Billboard charts.
His breakthrough third studio album “Calypso” (RCA Victor-1956) became the first long-playing record in the world to sell over 1 million copies within a year. The album introduced American audiences to calypso music and Belafonte was dubbed the King of Calypso.
Besides calypso, he also recorded blues, folk, gospel, show tunes and American standards from “The Great American Songbook‘ as it is known that included works from George Gershwin, Irving Berlin and Cole Porter.
During the late 1950’s he performed during the so-called Rat Pack-era in Las Vegas. He and pianist Liberace, musician and singer Ray Vasquez, and singer Sammy Davis Jr. were featured at the Sands Hotel and Casino and the Dunes Hotel.
Belafonte also became television’s first African-American producer, and his special “Tonight with Harry Belafonte” won an Emmy award in 1960. It was during this time period that he became proactively engaged in the civil rights movement in the 1950s and 1960s including the1963 Freedom March in Washington, D.C..
Belafonte befriended the leader of the movement, Dr. Martin Luther King Jr., with whom he maintained close ties until King’s assassination in Memphis, Tennessee on April 4, 1968.
When I was a child, #HarryBelafonte showed up for my family in very compassionate ways.
— Be A King (@BerniceKing) April 25, 2023
In fact, he paid for the babysitter for me and my siblings.
Here he is mourning with my mother at the funeral service for my father at Morehouse College.
I won’t forget…Rest well, sir. pic.twitter.com/31OC1Ajc0V
He was also friends with New York Senator Robert F. Kennedy, often spending time with Kennedy during the latter’s run for the U.S. Senate and also during the 1968 presidential campaign, which ended tragically after Kennedy was shot in the kitchen pantry area at the Los Angeles Ambassador Hotel on June 5, 1968. Kennedy died the next day on June 6, 1968, at Good Samaritan Hospital.
Prior to RFK’s assassination, on April 24, 1968, Belafonte interviewed Kennedy while guest hosting for Johnny Carson on the Tonight Show.
During the 1970s and 1980s, Belafonte refocused his efforts toward humanitarian causes, including joining with famed producer Quincy Jones and singer Michael Jackson on the USA for Africa’s “We Are the World,” project on March 7th, 1985. Rolling Stone magazine wryly noted in its article about the recording and humanitarian fundraiser, that the 46 star vocalists who showed up may have formed the ultimate musical supergroup of all time.
First Lady Barbara Bush, standing in for her husband President George Herbert Walker Bush, presented the 12th Annual Kennedy Center Honors to Belafonte, along with his fellow honorees actress Mary Martin, dancer Alexandra Danilova, actress Claudette Colbert and composer William Schuman during a White House East Room ceremony on December 3, 1989.
Two years previously, in 1987, he was appointed as a UNICEF Goodwill Ambassador, replacing Danny Kaye as UNICEF’s Goodwill Ambassador. His appointment as Goodwill Ambassador came 27 years after then President John F. Kennedy appointed Belafonte the first member of the entertainment industry to serve as cultural advisor to the Peace Corps.
In 1994, he received the National Medal of the Arts from President Bill Clinton. He has also been awarded the Ronald McDonald House Charities’ Award of Excellence in recognition of his humanitarian work and the Audrey Hepburn Humanitarian Award for 25 years of service to UNICEF.
In October of 2017 he was awarded the Franklin D. Roosevelt Freedom Medal by the Roosevelt Institute in New York, the citation reading in part:
“In the decades since, you have been involved in campaigns to fight apartheid and bring relief to the world’s poorest. You founded We Are the World, which brought together some of the
greatest talents in music to draw attention to and take on the scourge of famine in Africa. You
have always used your platform to call out injustice and violence and make sure we never
stopped believing that a more just, beautiful world was possible. Your voice—your life—has
been a beacon of hope, comfort, and inspiration to generations.”
Belafonte also served on the board of Americans for the Arts (formerly known as the American Council for the Arts) for many years. He has four children — Shari, Adrienne, Gina and David — and three grandchildren — Rachel, Brian and Maria. He lived with his wife photographer Pamela Frank who he had married in 2008.

(Photo Courtesy of AHF)
“The world is a little dimmer today in losing such a legendary entertainer as Harry Belafonte but so much richer for having had such a tireless, lifelong humanitarian and activist for so many years. Rest easy, kind sir, after a job well done,” said Michael Weinstein, President of the AIDS Healthcare Foundation.
“Belafonte leveraged his considerable and deserved celebrity for a myriad of causes over his lifetime, including the fight against HIV and AIDS. It was both humbling and a privilege for AHF to thank and honor him in person for his lifetime of activism and compassion.”

In 2016, AHF honored Belafonte with its Lifetime Achievement Award during its “Keep the Promise” World AIDS Day Concert and March in Hollywood, CA.
Ever the activist, Belafonte, then 89, joined marchers for a brief but poignant portion of the march down Hollywood Boulevard.
The march commemorated the millions who have died of AIDS while also serving as a reminder to the world that of the then 36.7 million people living with AIDS worldwide, only 17 million had access to lifesaving antiretroviral treatment.
Belafonte received the AHF award during the concert that followed at the Dolby Theater featuring Patti LaBelle, Common, and others who also paid tribute to the humanitarian icon.
Harry Belafonte was a barrier-breaking legend who used his platform to lift others up. He lived a good life – transforming the arts while also standing up for civil rights. And he did it all with his signature smile and style. Michelle and I send our love to his wife, kids, and… pic.twitter.com/g77XCr9U5b
— Barack Obama (@BarackObama) April 25, 2023
The White House issued a statement from President Joe Biden on Belafonte’s death:
“Jill and I are saddened by the passing of a groundbreaking American who used his talent, his fame, and his voice to help redeem the soul of our Nation.
Harry Belafonte was born to Caribbean parents in Harlem, New York on March 1, 1927, when segregation was the order of American society. To our Nation’s benefit, Harry never accepted those false narratives and unjust boundaries. He dedicated his entire life to breaking barriers and bridging divides.
As a young man motivated to find his purpose, he became mesmerized by theater when he saw a performance of the American Negro Theater in Manhattan. As one of America’s original breakthrough singers and performers, he would go on to garner a storehouse of firsts—the first Black matinee idol, the first recording artist to sell over a million records, the first Black male Broadway actor to win a Tony award, the first Black producer to win an Emmy award, and one of the highest paid entertainers of his time, among other accolades.
But he used his fame and fortune for the public good throughout his extraordinary career. He became a powerful ally of Dr. Martin Luther King Jr. and other giants of the Civil Rights Movement. He raised money and donated resources to post bail for activists jailed for acts of civil disobedience. He provided the critical funds to launch the Freedom Rides.
He lobbied against apartheid in South Africa, for the release of Nelson Mandela, and was one of the visionaries behind “We Are the World,” an innovative record released to raise millions of dollars to support humanitarian aid in Sudan and Ethiopia. For these and other humanitarian and artistic efforts he was conferred with a Kennedy Center Honor, the National Medal of the Arts, and a Grammy lifetime achievement award.
Harry Belafonte’s accomplishments are legendary and his legacy of outspoken advocacy, compassion, and respect for human dignity will endure. He will be remembered as a great American.
We send our deepest condolences to his family and legions of admirers across the country and the world.”
Harry Belafonte was one of our favorite guest stars on The Muppet Show and a great friend to The Muppets. In his work on and off the stage, he helped us all to see one another clearly and truly turned the world around. We will never forget you, Harry! pic.twitter.com/euMQFDpvJj
— The Muppets (@TheMuppets) April 25, 2023
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Additional research and materials from the U.S. Department of Defense, The Kennedy Center Honors, UNICEF, the John F. Kennedy Library, the George Bush Library, the William J. Clinton Library, the George W. Bush Library, the Barack Obama Library, RCA Records, AFI, and The Recording Academy.
Features
“We deserve to have a future here”: How we can support queer AAPI communities in 2026
This week, the Blade sat down with AAPI Queer Joy’s leader Jeff Deguia to reflect on his activism goals in the new year.
AAPI Queer Joy is a queer-led and focused coalition formed by Asian Americans Advancing Justice Southern California (AJSOCAL) policy advocate Jeff Deguia. In a previous feature, the Blade learned more about Deguia’s activism journey, from his Filipino American upbringing in Chicago to his exuberant, inclusive leadership in Los Angeles. We also interviewed Lan Le, a fellow AJSOCAL policy advocate and AAPI Queer Joy leader who is passionate about supporting other queer refugees and domestic violence survivors.
The coalition currently includes six grassroots civil rights organizations, including: AJSOCAL, Viet Rainbow of Orange County (VROC), the Bay-Area based Lavender Phoenix, Search to Involve Pilipino Americans (SIPA), Moonbow, and Hmong Innovating Politics (HIP).
AAPI Queer Joy formed in 2024, and that initial year was focused on increasing visibility and establishing the coalition’s existence. Last year, in 2025, AAPI Queer Joy began to amp up advocacy efforts, and each organization involved worked together to put together the coalition’s first-ever bill package.
This package included three bills: AB 1487, AB 678, and SB 418, focusing on expanding funding opportunities for two-spirit community members, creating an LGBTQ+ inclusive council on homelessness, and building stronger access to gender affirming care, respectively. The Blade reported on these bills in October.
Deguia found it fulfilling to dive into LGBTQ+ focused legislation and support his coalition members in bringing their advocacy work to the state level. Most of these partner organizations, like Viet Rainbow of Orange County, are hyper-local, aiming their on-the-ground efforts to specific regions.
They’re also small, with teams that often cap out at around 10 staff members. “They’re wearing a lot of hats,” Deguia told the Blade. “So for them to add to their capacity to do advocacy work and understand the importance: I’m grateful to them.”
This week, the Blade sat down with Deguia to reflect on AAPI Queer Joy’s growth in 2025, the challenges they faced, and how he hopes to grow the coalition in 2026.
Challenges AAPI Queer Joy faced in 2025
Deguia explained to the Blade that language access and cultural bridging can be difficult within the AAPI community, especially when it comes to having conversations around being queer with immigrant family members. “[For] certain LGBTQ+ vocabulary, there are no translations in AAPI languages sometimes,” Deguia said.
Tools like Google Translate have their limitations and don’t include the necessary cultural context needed to have sensitive discussions about identity and relationship-building. This often means staff members have to do additional work to translate certain terms and then ask their partner organizations for further support.
“We want to make sure that the LGBTQ+ community will feel understood, but also that their loved ones, their allies, parents, grandparents, and other folks will be like: Oh, this helps me understand what this word would be in language,” Deguia said. “So that’s definitely tough.”
Deguia and this reporter also discussed the concept of being “out” and how that experience is complicated for diasporic people who both live in the West and also belong to a different culture. In some Asian countries, where communal unity is valued over individualistic pride, being “out” should be treated with contextual nuance. Whether or not someone feels comfortable being out, Deguia hopes that community members make their choice through empowerment rather than shame or pressure.
“For AAPI people who are born here or raised here when they’re really young, [the question can be]: How do we make our own way and make sure that we’re living on our terms?,” said Deguia.
“Being out [can be a] proud moment, but understanding the cultural parts of being AAPI and not necessarily being out also has its own importance in the community. And saying that not being out is wrong, or having these really strong opinions on it, is unfair. That’s nuance and lived experience. It’s about cultural balance.”
How does AAPI Queer Joy hope to grow in 2026?
Deguia points to three main goals in this new year: seeking stories and inspiration from community elders, expanding the coalition, and organizing an AAPI Queer Joy event in L.A.
He hopes to lean on elders to better understand the lineage of activism before him, and to carve out a path built on history and imagination. While these elders had no “blueprint” of their own, Deguia hopes to hear their stories as they move towards a shared, intergenerational goal together.
“I’m building upon what has been done before me,” Deguia said. “I think about the folks who had everything set up against them, who believed: ‘I’m trying to get easier for someone after me.’ I’ve gotta understand my history so I can make a better path forward for [those] after me.”
When it comes to growing the coalition, Deguia has inclusivity at the forefront of his mind. He wants to include more partner organizations from the South Asian and Pacific Islander communities, which are often underrepresented in broader conversations around being AAPI.
“I don’t think I can call it AAPI Queer Joy without having reps from every part of that beautiful community,” Deguia said. “I [also] want to make sure that the whole state’s being represented well, like central California, SoCal, NorCal. There are communities that have a voice and want to show up and be in these kinds of conversations.”
To activate these communities, AAPI Queer Joy puts on their annual Jade Jubilee: an event that is both celebratory and productive when it comes to what the coalition has achieved and how they hope to strengthen its advocacy work. Jade Jubilee was organized in Sacramento last year, and Deguia wants to bring something on this scale to L.A. too.
“The QTAPI community in L.A. and Orange County is really rich and diverse,” Deguia said. “I want to showcase that there’s an organization based in L.A. here that is doing this work. I want to engage the community here more.” When thinking about accessibility and engagement, Deguia sees these potential local events as a chance to give friends and community members the tools, knowledge, and joy needed to move forward together.
How can we support AAPI Queer Joy?
Small actions can have large impacts. Deguia mentions the power of sharing the coalition’s social media posts, which often highlight their legislative campaigns and efforts, as well as supporting its partner organizations. There are grassroots groups out there who are connecting like-minded people: seek them out as a first step.
From there, you can learn about attending events and rallies, and understand the importance of individual efforts like calling representatives (which can also be done in community!) to voice your concerns and perspectives. Many of these local organizations provide scripts and workshops to ease fears and anxieties around these actions.
And, whenever possible, don’t turn away. It is demoralizing to see the constant threats to LGBTQ+ safety and rights, and the constant attempts to self-soothe are exhausting. But now, more than ever, it is necessary to understand what is happening around us and how we can empower one another with support, knowledge, and resistance. “If we turn our backs completely, forget and just live in our privilege, one day we’re gonna wake up, and things will be gone,” Deguia said.
Deguia: Being resilient and brave is something I wish we didn’t have to do all the time as queer folks, but [this moment] is asking for that. In a country and administration that’s telling us that we don’t have a right to exist, we have to be brave and tell them and show them that we deserve to be here like everybody else.
At the core of all the pain and all the fear, the core in our heart [has to be]: “I deserve to be here. I deserve to have a future here. My friends deserve to be here. Trans women deserve to be here. I will do what I can in my power to make sure that we exist and we can live lives that are full of thriving and opportunity. Fighting and believing in our existence and our futures have to be at the core of how we live every day.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Features
Legendary organizing activist Dolores Huerta, 95, rides in AHF’s ‘Food for Health’ Rose Parade float
This year’s float honors AHF’s food banks, free farmers’ markets, veterans’ food programs, and massive SoCal wildfire food relief efforts for evacuees and first responders
Need some inspiration for 2026? Fix your gaze on the Pasadena Tournament of Roses this Jan.1 to find the amazing, legendary civil rights and union activist Dolores Huerta riding on AIDS Healthcare Foundation’s “Food for Health” float in the Rose Parade – an incredibly fitting community tribute to the 95-year-old co-founder of the National Farm Workers Association (now United Farm Workers) with the late Cesar Chavez.

The AHF float spotlights the organization’s national initiative to combat hunger and food insecurity by providing nutritious groceries – including produce, bread, dairy, and other staples– to families and individuals in need. Their program is illustrated through “a vibrant ‘Jack and the Beanstalk’ motif, symbolizing growth, nourishment, and the power of community collaboration,” with oversized pumpkins, carrots, eggplants, and strawberries “representing the abundance that can bloom when people work together,” KTLA noted in a recent story. An overflowing farmer’s market truck is a tribute to “AHF’s volunteers and partners who served more than 75,000 meals to wildfire evacuees and first responders earlier this year.” (Click here to see KTLA’s report on the AHF float.) AHF reports that by the end of 2025, its Food for Health program “will have served over half a million people across the country with weekly groceries.”

While AHF has a reputation for illustrating significant issues through the Rose Parade – starting in 2012 with their float tribute to “Elizabeth Taylor: Our AIDS Champion” – this year’s focus on food insecurity and the possibility of hope through community collaboration is particularly significant.
While Donald Trump calls today’s affordability crisis a Democratic “hoax,” many Americans believe their own eyes. “Roughly 9 in 10 U.S. adults, 87%, say they’ve noticed higher than usual prices for groceries in the past few months, while about two-thirds say they’ve experienced higher prices than usual for electricity and holiday gifts. About half say they’ve seen higher than normal prices for gas recently,” according to a Dec. 12 AP-NORC poll.
Meanwhile, while Congress may have temporarily saved Supplemental Nutrition Assistance Program (SNAP) from major drastic One Big Beautiful Bill funding cuts – SNAP helps approximately 1 in 8 Americans afford groceries – the bill added confusing new restrictions on who could receive food aid based on employment and immigration status, according to The Hill.
“The battle over SNAP isn’t over yet, either. States are still on the hook to rein in their error rates or face further funding cuts,” The Hill reports. “The Trump administration is also threatening to withhold benefits from states that don’t hand over data on participants, including their immigration statuses.”
Dolores Huerta personifies that intersectionality of people, of issues, and “the power of community collaboration.”

“AHF celebrates Dolores Huerta as a national treasure supreme. Dolores represents our unsung farm workers who, regardless of their status, toil so hard to put food on our tables. Yet, millions of people go hungry in the richest country in the world. The mission of AHF’s Food for Health could have no better representative than Dolores,” says AHF Co-Founder and President Michael Weinstein. “Dolores has also been a steadfast comrade in arms on LGBT and renters’ issues.”

That Huerta advocates on renters’ issues is a natural extension of the mentoring she received from her independent mother, Alicia, who owned a 70-room hotel in Stockton, California, with affordable rates and breaks for low-wage workers. She was civically active and encouraged her daughter to appreciate cultural diversity in their agricultural community of Mexican, Filipino, African-American, Japanese, and Chinese working families.
Huerta got involved with the community, too, as well as earning a provisional teaching credential at the University of Pacific’s Delta College and getting married, and having two daughters. According to her foundation, “While teaching, she could no longer bear to see her students come to school with empty stomachs and bare feet, and thus began her lifelong journey of working to correct economic injustice.”
Her experience in leadership at the Stockton Community Service Organization led to her founding the Agricultural Workers Association, where she started a voter registration drive. In 1955, she married Ventura Huerta (with whom she had four more children), worked with Fred Ross to start the Community Service Organization, and met César E. Chávez. The two shared a vision to organize farm workers, and in 1962, they launched the National Farm Workers Association (NFWA). Huerta’s skills in lobbying, negotiating, and organizing led in 1963 to her securing the then-unimaginable Aid for Dependent Families and disability insurance for farm workers in California.

Huerta and Chavez saw NFWA as part of the larger civil rights movement and decided to back the Filipino-led Agricultural Workers Organizing Committee, an AFL-CIO labor union led by Filipino American organizer Larry Itliong, in what became the historic national 1965 Delano Grape Strike and boycott. Their coalition with the Student Nonviolent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), as well as other union organizers and student activists, drew parallels between the Jim Crow South and rural California in the struggle for racial, social, and economic justice. By April 1966, the national boycott against Schenley Industries, the second largest grape grower in Delano, California, was so successful, Schenley agreed to sign a labor agreement with the NFWA, the union’s first, negotiated by Dolores Huerta.
In 1966, NFWA merged with the Filipino Agricultural Workers Organizing Committee to become the United Farm Workers Organizing Committee – later pared down to the United Farm Workers. Coalition building continued, including with prominent civil rights leaders and politicians, such as Martin Luther King Jr. and Robert Kennedy.

On May 29, 2012, President Barack Obama presented Dolores Huerta with the Presidential Medal of Freedom, saying she and the other honorees had “marked my life in profound ways.”
Obama also injected some humor into the ceremony in the East Room of the White House.
“Dolores was very gracious when I told her I had stolen her slogan, ‘Sí, se puede.’ Yes, we can,” Obama said, referring to his familiar 2008 campaign slogan. “Knowing her, I’m pleased that she let me off easy, because Dolores does not play.”
“Without any negotiating experience, Dolores helped lead a worldwide grape boycott that forced growers to agree to some of the country’s first farm worker contracts. And ever since, she has fought to give more people a seat at the table,” Obama said. She is one of those individuals who says, ’Don’t wait to be invited. … Step in there.’”
Huerta is a woman of action, including standing up for the freedom to marry for same sex couples, even though the fundamental right was disparaged by some in her Latino community.
“Our relationships with the ones we love and our Latino identities are two of the biggest reasons why we should care about equality for lesbian, gay, bisexual, and transgender people in America. When we see our Latino hermanos y hermanas harassed and held back simply for being who they are; when we can’t come together to celebrate a wedding for our gay friends; and when we know they don’t have the same opportunities we take for granted, it affects us personally,” Huerta wrote in a widely distributed June 14, 2013 essay for NBCLatino.
“I’ve spent my life championing both labor and civil rights causes and getting to know diverse perspectives; I’ve come to see that the struggles gay people face are intertwined with my own struggles,” she continued. “Let’s each do our part by being open about who we are, by accepting one another without shame or judgment, and by sharing our stories in every way possible. Whether it’s our hijos or hijas, hermanos or hermanas, or tíos and tías, we believe in the same freedoms for everybody, no matter who you are or whom you love.”
AHF launched in 1987 as AIDS Hospice Foundation with Michael Weinstein and a handful of friends trying to provide hospice care and advocacy for people with HIV/AIDS – “fighting for the living and caring for the dying” – during the Second Wave of AIDS when “freedom” often felt meaningless. The Chris Brownlie Hospice provided the last light of nurturing dignity.
Today, AHF is the world’s largest HIV/AIDS healthcare organization serving more than 2.8 million individuals across 50 countries, including the U.S. Recently, the nonprofit opened a new AHF Healthcare Center in Memphis, Tennessee, and another in Detroit, Michigan, bringing the total to 19 states, Washington, DC, and Puerto Rico. AHF services have also expanded to include food, shelter, disaster relief, and wellness services.“The responsibility of bringing as many people as possible into the lifeboat of care remains staggering, but is a challenge AHF will continue to take on,” Weinstein said on World AIDS Day.

As the AHF “Food for Health” float steers down Colorado Boulevard in Pasadena on New Year’s Day, think of what “affordability” and “being of service” mean to you. Perhaps you, too, may be inspired by United Farm Workers Dolores Huerta or any of the other local heroes, or AHF staff and volunteers waving back at you, and join “the power of community collaboration.”
Karen Ocamb is a veteran LGBTQ+ journalist. This essay is cross-posted from her LGBTQ+ Freedom Fighters Substack.
Features
Where craft meets community: Inside Zion Liu’s and Christian Leon’s small biz ‘Here & Always’
In a season dominated by Black Friday frenzy and mass production, Here & Always rises above as a purpose-driven & queer-founded marketplace born from a desire to share beautifully crafted & deeply meaningful objects rooted in community
As Black Friday nudges consumers toward the trenches of Amazon, Here & Always stands in warm contrast – a slow, intentional marketplace built from heritage and heart. Founded by Zion Liu and Christian Leon, two queer, first-gen creators who couldn’t find a place that reflected their own identities or the makers that they admire, the brand was birthed from a simple desire: to gift beautifully wrapped, meaningful objects made by real hands and rooted in real stories. What began Liu and Leon’s love of gifting and design quickly evolved into a purpose-driven platform that uplifts queer, immigrant, independent, and allied artisans while reimagining what modern, values-led commerce looks like.
What ignited your inspiration to start an artisan marketplace, and when did you first realize it could grow into a business?
We built Here & Always because we could not find a place where we could gift beautifully wrapped, intentional pieces made by hands and hearts that reflected our own. Queer, first-gen, immigrant, independent, and allied makers all in one place, in one easy experience. So we set out to build it.
The funny part is that it did not start as “let’s build a marketplace.” Zion has always dreamed of a Candy Spelling–level gift-wrapping room, and I am the person who goes way too hard for holidays and gifting. We are both obsessed with home, renovation, and timeless design, so we knew whatever we did together would live in that world of objects and beauty.
Last year we left corporate life to build something with purpose. The first idea was simple: wrapping paper and packaging that reflected the diaspora of LGBTQ+ life, chosen family, and our family roots. The plan was to sell on an existing marketplace and keep it moving.
Then we saw how those platforms actually work, how they profit even when small brands do not, and how quickly major retailers were rolling back DEI and treating “support” as seasonal marketing. That was the turning point. Here & Always stopped being a single product and became a home: a marketplace built by us, for us, where value flows back to makers and the communities they come from, and where the person behind the work is never erased. That is when we knew it could and should be a real business.
Eighty percent of your founding brands are LGBTQ+-owned. Why was queer representation essential to the DNA of Here & Always?
Queer representation is essential because it is our reality. We are queer, and the people who shaped our taste, our sense of home, and our idea of beauty have always been queer, too. For decades, queer makers have set the tone for culture, but they are rarely the ones who benefit when their ideas go mainstream.
At Here & Always, that had to change. Most of our founding brands are LGBTQ+-owned, and alongside them are our allies from immigrant, Black, Brown, and Asian communities who share these same values. Representation is not a seasonal campaign for us; it is the foundation of our marketplace. Diversity is not the side story; it is the core. Structuring the business this way lets us redirect money, visibility, and long-term opportunity back to the communities that have always been quietly leading the way.
Your brand is rooted in heritage, queerness, and community. How have your personal identities influenced the aesthetic or themes of your brand?
Our aesthetic really started at home. Long before Here & Always, we were renovating and restoring homes after we’d worked our day jobs. Our last project before this brand came to life was a midcentury house we restored stud by stud, doing a lot of the work ourselves. We’ve also never been fast-commerce consumers; we would rather save for one beautiful object than buy five disposable ones. Everything we brought home had to feel timeless, well-made, and built to last for years. That lens is baked into the brand.
Layered on top of that is who we are: queer, children of immigrants, raised in Los Angeles. We grew up around altars, candles, plastic-covered sofas, crowded tables, and objects that carried huge emotional weight. Those memories show up in Here & Always as “everyday luxuries” that feel a little sacred: candles, matchboxes, keepsakes, and home pieces that are meant to anchor a space, not just decorate it. The result is an aesthetic that feels like a lived-in shrine, clean and design-forward, but full of story, heritage, and a sense of community you can actually feel when you hold the objects.
Let’s talk challenges. What are some of the biggest obstacles you’ve faced as a small business owner, and how did you come out the other side?
Taste vs Values. We refused to choose between design and thoughtful sourcing. That meant more research, more conversations with artisans, and saying “not yet” to products that were almost right.
Craft vs Margin. Reusable keepsake packaging, recycled materials, and small-batch production don’t automatically play nice with startup math. We quickly learned to redesign, simplify where needed, and remove anything that didn’t add meaning along the way.
Infrastructure vs Story. We’re a marketplace, not a single-SKU brand. That meant building all the tech/ops (Shopify stack, fulfillment logic, product data, reviews) while writing a story that could hold many voices and still sound uniquely like us.
If you could collaborate with any artist, company, or creative, who would it be and why?
Because Here & Always is built around multiple brands, it never feels quite right to single out a “dream” collaborator without making others feel lesser by omission. In many ways, we are already collaborating with our dream partners: the artisans and studios who trusted us early and whose work shapes the soul of the marketplace.
More broadly, our ideal collaborators are people and institutions who treat objects as portals, not just products, and anyone who cares as much about story and community impact as they do about design. If a collaboration helps us pour more resources back into makers and the communities we love, then that is the kind of “dream project” we are excited to say yes to.
How has the cultural and political climate around queer and immigrant communities shaped your mission?
Being queer-founded and LA-based is our foundation. Our identities and origins inform everything we do. We have learned that visibility matters, that luxury does not have to exclude queer, BIPOC, immigrant, or allied communities, and that home can be a sanctuary of authenticity instead of a place where you shrink yourself.
Los Angeles is a city of reinvention and layers. It reminds us daily that culture is not homogeneous, that style and substance can coexist. Against a backdrop where social and political pressure on marginalized identities is very real, we are not interested in building only as a reaction to harm. We are building for what is possible: a marketplace where queerness or diversity is not a search filter but part of the fabric, where the makers we uplift reflect a wide spectrum of identities and experiences, and where “good taste” is not coded for a select few.
That climate also makes the work feel like a responsibility. Being rooted in LA means engaging with community, supporting local artisans while holding a global perspective, and aiming for a ripple effect—job creation, visibility, and a more inclusive idea of luxury. For us, it means every object that ships from Here & Always carries the imprint of someone who did not have to leave their identity behind to make something beautiful. That matters now more than ever.
Do you feel small businesses have a responsibility to take a stand on social issues, or is it best to stay neutral?
We do not believe there is a single rule every small business has to follow. Safety, resources, and context all matter. But we also know that for many of us, especially queer- and immigrant-founded brands, “neutrality” is not really neutral; it often defaults to the status quo.
For Here & Always, our fight is the same fight as the communities we come from, so we chose to build our values into the structure of the business instead of only into statements. We take an activism through craft approach: beauty and design come first, and then there is this “nice surprise” that your purchase is supporting small-batch artisans, queer and BIPOC makers, and giveback initiatives.
We would rather invite people in than lecture them. A lot of our customers are still learning how predatory big marketplaces and mass retail can be; we were too, until we started building our own. So our role is less about telling everyone what to think and more about creating a different model in practice, and letting people discover that they are part of something bigger than just the object in their cart.
Growing up in Los Angeles as children of immigrants is central to The Purpose Candle Collection. What childhood moment or memory most encapsulates that sentiment or experience for you?
The Purpose Collection is really three chapters from our lives and our co-creator Earthy Corazón’s life. We are all children of Latino immigrants, and you can feel that most clearly in the scent we now call Mezcal Moon. In testing, its working name was “Sunday Cooking With Family,” which is really the core memory.
For us, Sundays in Los Angeles meant gathering with the family for the carne asada. There is a fire growing in the grill, tías and tíos dropping by, cousins running through a too-small apartment or backyard, someone putting on music while the TV hums in the next room. You smell food being prepared, share old stories and make new ones.
Mezcal Moon was built to smell like that, like being held by family, by food, by memory. It is our way of bottling that specific experience of growing up as children of immigrants in LA and turning it into something you can light, wherever you are, when you need to feel that kind of home again.
What does it feel like to see customers resonate with products grounded in queer and immigrant narratives?
We are still at the very beginning, so every order feels personal. Any time someone chooses to spend their money with us, especially in a crowded market, it lands as a real act of trust.
When that choice is for a product rooted in queer and immigrant stories, it feels like a double affirmation: that our communities deserve to be centered, and that there is room in “luxury” for narratives like ours. It is validating and humbling at the same time.
We built Here & Always so people could see themselves, their families, or the people they love reflected back in what they gift and keep. To watch even the first wave of customers respond to that makes all the risk and work of starting feel worth it.
You describe your approach as “regenerative commerce.” In your experience, what does giving back more than you take look like in practice?
For us, “regenerative commerce” is a simple test we put against every decision: does this give back more than it takes, from people, from community, from culture?
In practice, that looks like a few things. On the product side, it means prioritizing small-batch, thoughtfully made objects over disposable trends, and working with artisans who are already trying to tread lighter in terms of materials and waste. On the people side, it means structuring our marketplace so makers can actually thrive, respecting their pricing, not squeezing margins to the breaking point, and centering queer, BIPOC, and our allies’ brands instead of treating them as a seasonal feature.
And on the community side, it means building giveback into the model, not just into marketing. A portion of what we do is always pointed back toward impact partners and on-the-ground work. The aspiration is that every product gives back, every purchase uplifts, and every story matters, not just in theory, but in the way money, visibility, and opportunity move through the business.
Why was it important to you that 100% of profits from The Purpose Candle Collection support community partners like Make Good, Inc.?
The Purpose Collection was born to be a proof point of that philosophy. We did not want a “greenwashing” donation model; we wanted a line where the primary job is to fund impact.
Giving 100% of profits from this collection to community partners like Make Good, Inc. was our way of saying: this is what a for-purpose business can look like. We want our entire marketplace, over time, to be using profit for good, not for greed or distant shareholders, and the Purpose Collection is the start of that, a clear line connecting beauty, story, and real-world impact.
Here & Always is described as a movement. Five years from now, what impact do you hope this movement will have on makers, customers, and culture?
We call it a movement because when you shop with Here & Always, you’re not just choosing something beautiful. You’re helping small businesses grow, redistributing economic power, and building a more equitable supply chain one gift at a time. Every product is made by real hands, real people.
Five years from now, we hope that shows up clearly. We want our communities to be thriving, hiring teams, raising their prices with confidence, and feeling supported by a marketplace that protects their value instead of eroding it. We want our customers to expect that the most beautiful objects in their homes can also be the most ethical and story-rich, and to see their purchases as a quiet way of voting for the world they want.
Culturally, the goal is for this model to feel less radical and more like the norm. If in five years it is completely unremarkable that a “luxury” marketplace is queer-founded, values-led, and transparently supporting small-batch artisans, then we will have done our job. Here & Always is our way of redefining commerce as something sustainable and regenerative, where every story and every purchase can move things a little closer to the world we want to live in.
Visit HereandAlways.com
Features
Trump’s shocking White House East Wing amputation — and the painful fallout Americans won’t ignore
Gay Social Secretary Jeremy Bernard on the importance of civility
Since Jan. 20, 2025, life in Donald Trump’s divided America has been a series of jaw-dropping split-screen scenarios, flashing at an even faster pace since the resounding anti-Trump, pro-affordability Democratic electoral victories on Nov. 4. But while the weeks before Thanksgiving have injected hope that the No Kings marches, the rule of law, and the 2026 midterms will uphold democracy, Trump’s violently oriented MAGA and Christian National base and his committed Project 2025 backers continue remaking the federal government and fighting the culture wars.

Luxuriating in his own narcissism, Trump ordered the clandestine demolition of the East Wing on Oct. 23 to make way for his 90,000 square foot ballroom. He apparently didn’t care about the national shock at the brutal amputation of America’s beloved cultural arm that balanced the hard political arm of the People’s House.
“This isn’t a real estate deal. This is a living, breathing building. It actually hurts, as a citizen. It’s us. It’s our home. This doesn’t belong to anybody except the blood, the sweat and the tears of every president,” new Washington, DC resident Roseanne Siegel told NPR.
“For historians and for Americans who love their history, this is a big blow,” said ABC News presidential historian Mark Updegrove.

According to an Oct. 30 poll from the Washington Post, ABC News, and Ipsos, 56% of respondents disagreed with Trump’s move while 28% favored it. An earlier Yahoo/YouGov poll found 61% of respondents rejected Trump’s ballroom plan while 25% supported it.
Trump lied. “It won’t interfere with the current building,” Trump said last July about his ballroom plans. “It will be near it, but not touching it. And pays total respect to the existing building, which I’m the biggest fan of. It’s my favorite,” “He was dishonest about his intent in terms of we’re not going to touch anything, like it’s going to be close, but not touching,” Kevin Wade, a 52-year-old tech tourist from Texas, told Reuters. “And then now we’re completely demolishing it.”

The East Wing emptiness is now a tourist attraction, a PTSD imprint that – with the rapid developments leading up to Thanksgiving – may inspire a turning point in Trump’s presidency.
On Tuesday, Nov. 18, after a 43-day government shutdown to avoid this moment, the House of Representatives voted 471-1 to compel the Justice Department to release all files on convicted child sex offender Jeffrey Epstein.

Meanwhile at the White House, Trump gleefully hosted Saudi Arabia’s crown prince Mohammed bin Salman (MBS) – who US intelligence believes approved the gruesome 2018 murder of Washington Post columnist Jamal Khashoggi. The president scolded ABC News journalist Mary Bruce for embarrassing “guest” MBS with “a horrible, insubordinate” question about Khashoggi’s murder. “Whether you like [Khashoggi] or didn’t like him, things happen.”
In Bob Woodward’s 2020 book, Rage, Trump reportedly bragged about shielding MBS: “I saved his ass,” getting Congress “to leave him alone.”
Meanwhile, after the House vote, Epstein survivors huddled at a news conference, holding up photos of themselves as teenagers and young women, asking if Trump is innocent, what is he hiding? Why won’t he release the files now? Suddenly, thrilled survivors learned that the Senate had unanimously passed the Epstein Files Transparency Act and sent it to Trump for his signature.

Cut to Trump hosting a black-tie dinner for MBS with lots of rich men who do business with the Saudis. The next morning, he announced that he had signed the Epstein bill, with a 30-day deadline.
“It was a remarkable turn of events for what was once a far-fetched effort,” AP reported. “Trump did a sharp U-turn on the files once it became clear that congressional action was inevitable.”
Trump needed a distraction.

Early Tuesday morning, Nov. 18, Democratic Sen. Elissa Slotkin posted a 90-second video on her X account calling on U.S. servicemembers to not obey unlawful orders.
“The American people need you to stand up for our laws and our Constitution,” said Slotkin with five other fellow military veterans – Arizona Sen. Mark Kelly, and Reps. Jason Crow, Chris Deluzio, Maggie Goodlander, and Chrissy Houlahan. “Don’t give up the ship.”
The Uniform Code of Military Justice says troops who disobey a direct order will be punished. But servicemembers and officers also have an obligation to reject any order they deem is unlawful, a reference to the “I was only following orders” Nazi defense during the Nuremberg trials.
There is cause for concern. In his first term, Trump asked about shooting unarmed civilians protesting the murder of George Floyd. In his second term, Trump has threatened to use the Insurrection Act to deploy troops, “unleashed” police, federalized National Guard, and masked and violent ICE and Border Patrol agents in American cities.
“The president was enraged,” Trump’s 1st term Defense Secretary Mark T. Esper told NPR. “We reached that point in the conversation where he looked frankly at [Joint Chiefs of Staff] Gen. [Mark] Milley and said, ‘Can’t you just shoot them, just shoot them in the legs or something?’ … It was a suggestion and a formal question. And we were just all taken aback at that moment as this issue just hung very heavily in the air.”
Trump found his distraction on Thursday, Nov. 20, reposting a Washington Examiner story about the Democratic lawmakers’ video, adding that it was “really bad, and Dangerous to our Country. Their words cannot be allowed to stand. SEDITIOUS BEHAVIOR FROM TRAITORS!!! LOCK THEM UP???” In another post he said it was “SEDITIOUS BEHAVIOR, punishable by DEATH.”
Trump also reposted a @P78 comment: “HANG THEM GEORGE WASHINGTON WOULD !!” Bomb and death threats against the Democratic vets “surged”. Senate Democratic Leader Chuck Schumer said Trump was ‘lighting a match in a country soaked with political gasoline.’”

Cut to Friday. 34-year-old New York Mayor-elect Zohran Mamdani met with Trump, who had vilified the Democratic Socialist. But inexplicably, the meeting turned into an Oval Office lovefest, with an almost giddy Trump, 79, saying it was “OK” that Mamdani had called him a fascist. He promised to help the city.
That night, longtime Trump and MAGA loyalist Rep. Marjorie Taylor Greene announced she’s resigning from Congress, effective Jan. 5, 2026.
Greene criticized Trump over “America First” and health insurance policies but a major split occurred when she sided with Epstein survivors over him. Trump called her a “traitor” and vowed to back a primary challenger.
“Loyalty should be a two-way street,” Greene said in her 10-minute video. “I refuse to be a battered wife hoping it all goes away and gets better.”
No one knows what’s coming next.

But for the LGBTQ+ community, there are other important split screens amid Project 2025 erasure – such as out California Rep. Robert Garcia’s key role as ranking member of the House Oversight Committee focused on transparency and justice for Epstein survivors.

And while Trump was threatening Democratic lawmakers with death on Thursday, Pete Williams, a former NBC News correspondent and press secretary for Vice President Dick Cheney, spoke at Cheney’s funeral at the National Cathedral. Williams told the mostly old-fashioned Republicans how he offered to resign in 1991 when The Advocate was about to out him as gay. Cheney – who loved his semi-out lesbian daughter Mary – said no and checked on him after the story was published. During the horrific AIDS crisis in the early 1990s, ANGLE (Access Now for Lesbian and Gay Equality) fundraised and worked to elect pro-gay politicians. In 1991, longtime gay politico David Mixner introduced ANGLE to his friend, Arkansas Gov. Bill Clinton, whom the group helped elect as president.

Gay people were not welcome at the White House until Clinton, other than one historic visit on March 26, 1977. Decades later, when ANGLE’s Jeremy Bernard was being interviewed by First Lady Michelle Obama for the job of Social Secretary, he recalled how difficult it was to get through the East Wing visitors’ entrance during Clinton’s administration.

“I said to Mrs. Obama, ‘It takes a lot to get in these doors. And I think it’s very important for people to feel very welcomed,’” Jeremy says during a recent conversation.
The First Lady agreed and “wanted to make sure as many people that never had been to the White House and never thought they would be, got the experience to do it.”

Jeremy worked for Obama’s presidential campaign in 2008, then as White House Liaison to the National Endowment for the Humanities before serving as Senior Advisor to the US Ambassador to France. On Feb. 25, 2011, he became the first male and first openly gay person to serve as Social Secretary.

“Jeremy shares our vision for the White House as the People’s House, one that celebrates our history and culture in dynamic and inclusive ways. We look forward to Jeremy continuing to showcase America’s arts and culture to our nation and the world through the many events at the White House,” President Obama said in a press release.
“My office was in the East Wing, and I had what I thought was the best office. I looked over toward the South Lawn, but I also had the roof of the East Colonnade below me. I had a window that actually would open like a door, and you could walk out onto the roof as if it was a patio,” Jeremy recalls, noting that he was warned to call the Secret Service before going out to avoid getting shot.
“I was so shocked,” Jeremy says about the East Wing being demolished. “When I first heard there were bulldozers, I was like, well, what is it they’re knocking down from it?” – finding out later, “the whole thing” was gone.
He felt “some self-sorrow” and “numb” remembering his office. “It really is a part of history, not just for those of us that worked there, but for virtually everyone – whether you were there for a state dinner, a holiday party, or a reception for St. Patrick’s Day, LGBT celebration – whatever it was, everyone came through the East Wing.”
California Gov. Gavin Newsom said it well, Jeremy says. “Compared to what ICE is doing and all that, it may not rank up there, but it’s symbolic of what’s happened in our country.”

First Lady Michelle Obama said it well, too. “We always felt it was the people’s house,” she told CBS “The Late Show” host Stephen Colbert. “I am confused by what are our norms? What are our standards? What are our traditions? I just feel like, what is important to us as a nation anymore? Because I’m lost.”
And, Obama continued, “I hope that more Americans feel lost in a way that they want to be found again, because it’s up to us to find what we’re losing.”
“The West Wing was work — sometimes it was sadness, it was problems. It was the guts of the White House,” she said. “The East Wing was where you felt light.”

Jeremy and Lea Berman, Social Secretary in the George W. Bush White House, have some suggestions in their book “Treating People Well,” subtitled “How to Master Social Skills and Thrive in Everything You Do.”
“It was important to us to see that despite our differences in how we viewed policy, Lea and I and Lea’s husband – who is an operative in the Republican Party – were very close,” Jeremy says.
“I think about what this must be like for kids,” Jeremy says. “We always looked at these presidents as a certain type of person.”
But now people hear Trump say, “’I hate my enemies. I want revenge.’ What is that teaching kids?” Jeremy asks. “The President of the United States is saying that. I think it’s really frightening. We can’t let that stand.
“I think we’ve got to go back to the way we were brought up about how you treat other people,” Jeremy says. “It’s really important that we focus on the more positive characteristics of human beings…. Most communities are very different and we celebrate that. But you can only celebrate it with civility.”
Karen Ocamb is a veteran LGBTQ+ journalist and former news editor for the Los Angeles Blade. This article was originally posted on her Substack LGBTQ+ Freedom Fighters. Her extended conversation with Jeremy Bernard – who talks more about the East Wing, ANGLE and the Obamas – is embedded in the post.
Features
A blazing champion: Los Angeles LGBT Center’s Terra Russell-Slavin is leading this generation of queer activism
Russell-Slavin grew up advocating for domestic violence survivors as a teen in Texas. Today, they continue to empower the LGBTQ+ lens in their social justice work.
At 16, Terra Russell-Slavin began doing volunteer work around domestic violence when they met someone whose silhouette still lingers in their memory. It was a woman whose abusive husband was held in high esteem in their Texan town, and this sense of helplessness they felt — and the helplessness they imagined this woman was experiencing — continues to impact them. “It was a reminder of how we don’t know what’s happening behind closed doors,” Russell-Slavin told the Blade. “That has always stuck with me.”
Throughout college and eventually law school, they became a fierce advocate regarding domestic violence and campus-related sexual violence. Having grown up with that searing vision and with the politics of their hometown, they were aware of the importance of reproductive freedom and gender-based violence from an early age. “I think just growing up in Texas, there was such an assault on bodily autonomy,” said Russell-Slavin, detailing a pervasive cycle of harm that also intersected with racism and anti-LGBTQ+ beliefs.
Today, Russell-Slavin serves as the Los Angeles LGBT Center’s chief strategy officer, developing models for action and plans of response against federal attacks on LGBTQ+ rights. Even as a young college student, they honed in on the power of their voice and their ability to fight back. At Pitzer College, they worked to rewrite the campus’s sexual assault policy. At law school, they stood in defiance to the threat of military presence at school and stood up proudly as an LGBTQ+ person for the first time.
Over the years, they’ve fought for the safety of domestic violence survivors, namely victims of LGBTQ+ partner violence. In 2013, they were a leading voice in securing federal non-discrimination provisions based on sexual orientation and gender identity. They’ve written extensively about the intersections of domestic violence and queerness, and continue to advocate for resources and protections for LGBTQ+ community members.
Earlier this month, Russell-Slavin was awarded the Triumph Award from the California Partnership to End Domestic Violence, honoring their work in building a “blueprint” of advocacy for LGBTQ+ survivors of domestic violence. The Blade sat down with Russell-Slavin to discuss the metamorphosis of their advocacy through the years, and how this is shaping a hard but hopeful path forward in the fight for LGBTQ+ rights.
Can you tell me more about how your advocacy took shape during college and law school? How did this all intertwine with your own coming out journey?
Law school was the first time I really was able to be my full self and embrace myself as a queer person. It made my life so much richer and full, and I think I was able to become such a better advocate.
In college, I had done all this work around campus sexual violence, and that had led to the rewriting of the sexual assault policy. But I kind of came out towards the end of that, and it was hard. College was hard. I was kind of constantly challenging the systems. And I think by the time I got to law school, I felt more affirmed in my identity, and just more clear on my purpose.
Once I came out, it was like, “Oh, of course.” People just assumed I’d been out for like a decade [when] really I came out the year before.
I remember actually standing up in a governance meeting of faculty, staff, and students at the law school, and it was about the Solomon Amendment. It was back in 2002 when the U.S., under the Bush administration, was requiring schools to allow the military to recruit on campus. It’s actually very symbiotic with what is going on right now.
Law schools folded, and so we were having this meeting. I got up to talk about it, and it was this moment of being like: Oh my god. I just got in front of all these people self-identifying as queer. [It was also the] moment where my advocacy shifted from not just gender-based violence work, but also the intersection with LGBTQ advocacy. I started really integrating the LGBTQ lens into my broader social justice work.
Was speaking up and self-identifying as queer at that meeting a moment of fear? Were you overwhelmed? What were you feeling?
I remember being really nervous and just afterwards, being like: “Did I just do that?” Because it wasn’t necessarily pre-planned, but more responding to that conversation and the moment and the sense of urgency, and needing the people who were to understand the sense of urgency. Afterwards, it was a little bit freeing, because once I’d had that, there was no going back in. It reaffirmed [and] re-solidified my social justice legal track and fighting for our rights. It helped propel that path.
To bounce back a bit, can you tell me more about what rewriting your college’s sexual assault policy was like?
It was really hard. I was fighting the administration, and I was also on the student governance committee. As part of that, I really led an effort to rewrite the policy at an early age. We weren’t the first. But [it was about] this active consent model and that silence is not consent. I was having so many people come to me on a very progressive, privileged college campus to tell me about a sexual assault that had happened on campus, and their [own] sexual assault. I was that person that people came to.
There were some pretty big incidents on the campus, and there was a lot of contention. There were lots of student body, school administrator meetings, and I was one of the main leaders who [were] spearheading the change. There were [also] a lot of students on campus who weren’t happy with the change. It was a really hard time. It was one where I got to grow a lot, and I’m deeply appreciative of having that opportunity.
[In] 2013, I got very involved in federal policy around the Violence Against Women Act. I got invited to the White House for the “Not Alone” report, which was about campus sexual violence. It was so full circle to be at the White House a decade after rewriting our policy, which, at the time, they were still using. I was proud of the fact that we were ahead of the curve for the change. [It’s also] cyclical: so many of the things that we were hearing in the news at that time were things we dealt with 15 years earlier.
Where are you currently in terms of your work, your activism and your advocacy? What are the projects that you’re really passionate about these days?
2025 has been a hard year. We lost our house in the fire in Altadena, and I came directly from that into an executive leadership role in the Center. I was out on sabbatical when that happened. When I came back in early February, my main job [was] protecting our organization against federal threats. We’re the largest LGBTQ organization in the country, and it has been an onslaught of federal attacks. So it has been very intense. That’s where I’ve been spending a lot of my time, is [questioning]: how do we respond to federal threats? How do we mobilize locally and at the state level to fill the gaps caused by these federal attacks? How do we stand in coalition as a progressive movement to not lose the country we fought to create?
How are you managing with dealing with the various crises that are happening federally and also having to personally rebuild and take care of yourself and your family in the aftermath of the fire and losing your home?
I will say I’m very fortunate, and that I have an amazing wife who has really held down so much of the rebuilding of our life. There is [also] something about this moment that I think, if you have been embedded in activism, feels like a moment we train for. I think I had early on, a realization that other people weren’t going to be coming in to save us, and that we were those people. So I think that has really created a sense of both responsibility [and[ an understanding that this isn’t a one month fight, but a longterm kind of ground game.
With this long fight ahead, what is the best way for people to join and mobilize together with the Center and with the work that you’re doing?
One aspect of my portfolio is overseeing our policy and community mobilization teams, and we have an amazing mobilization effort. We ask people to join our policy newsletter, and we’ve rallied people to do phone banks to save Medicaid. We’ve rallied people to show up at CHLA and fight the closure of transgender affirming clinics for adolescents.
We had more than 150,000 emails sent to state legislators to support [our] pro-trans advocacy package. So, I think that is the way we are really hoping people will engage, and we really want more people to engage leading up to 2026. Because this next election is going to be incredibly important to ensure that LGBTQ voices are visible, are seen, are heard and responded to.
You’ve taken on so many different roles within the Center. Through those shifts and transformations, have you seen a personal impact in terms of your approach towards activism and advocacy? How is that shaping where you’re heading in the years ahead?
I started my career working with hundreds of LGBTQ survivors. To this day, [that] informs my work. And I work closely with the teams that still do that work directly. I also am one of those people who always gets calls from the community, and I’m like: “Here’s how you’re connected to services. I got you.”
It’s interesting because I think I’ve gone from doing very direct work to doing policy work to kind of doing everything. And I think I’ve actually been able to come back and think more clearly about where I am best used. Because we need all of us in the fight. And we need to maximize people. I needed to really hone in on what [it is] that I can contribute. Right now, for me, it is bigger picture strategy, policy, advocacy response, and helping us fight back in this moment of real, intense vitriol.
Kristie Song is a California Local News Fellow placed with the Los Angeles Blade. The California Local News Fellowship is a state-funded initiative to support and strengthen local news reporting. Learn more about it at fellowships.journalism.berkeley.edu/cafellows.
Features
Baring it all: Andrew Christian signs off the only way he knows how… in style
Andrew Christian, the underwear visionary who made boldness sexy and visibility stylish, is closing his legendary brand—but his creativity is just getting started
Andrew Christian – the man, the myth, the underwear legend. Over the past 25 years, Christian’s made briefs tighter, bodies tauter , and gay visibility a little more… stimulating. From a little ol’ garage in Los Angeles to an international brand that rewrote the definition of sexy, Christian’s man-panties weren’t just gay lingerie but a full-blown statement on what it means to be young, hot, and gay. And now, after more than two decades of shaking up drawers from sea to shining sea, he’s ready to close up shop on his eponymous line. Let’s talk about why, and what comes next for a designer who’s never been afraid to bare it all, literally and literally.
After more than 25 years in business, you recently made the unexpected announcement that you will be closing the Andrew Christian brand. Can you share with us what ultimately brought you to this weighty decision?
After more than two decades, I realized I had told the story I needed to tell through fashion. The brand was born from my own struggles and identity — it was my way of finding power and visibility as a gay man when the world didn’t always make space for that. But as I grew, so did my perspective. I felt it was time to close this chapter with intention and gratitude, rather than wait for the fire to fade. Creativity doesn’t retire — it just finds new ways to express itself.
Looking back to your early days in Fresno and then moving to Los Angeles, what was your initial inspiration to create an underwear line?
Honestly, it came from necessity and curiosity. I was broke, living in a converted garage in L.A., and I wanted to make clothes that made me feel confident — things I couldn’t find anywhere else. Underwear became this powerful little canvas for self-expression. It was about turning something hidden into a statement.
How did being a young gay designer at that time influence and impact your vision and voice as a creator?
It shaped everything. Being gay in the late ’90s and early 2000s meant fighting to be seen — so I made visibility my mission. My designs were unapologetic, bold, and playful because that’s what I wanted to feel in my own skin. I wanted every gay man who wore my underwear to feel seen, sexy, and celebrated.
What were some of the biggest hurdles you had to jump while building a gay-geared brand in an industry that usually takes the more mainstream route?
The biggest challenge was being taken seriously. Early on, major stores wouldn’t carry a gay brand, especially one with such provocative imagery. But that also gave me freedom — I didn’t have to play by their rules. I could speak directly to my community, which was way more rewarding than trying to fit into the mainstream mold.
Producing ethically can be tough in an industry that often rewards cutting corners. How did you stay true to your values around fair production and quality while growing the Andrew Christian brand?
I’ve always believed that every garment carries meaning. Cutting corners was never an option. We prioritized fair production, quality materials, and ethical labor practices—even when it was harder or more expensive. Beyond that, I wanted every piece to have an amazing fit, so I spent countless hours making sure each garment fit as perfectly as possible. Every piece had to honor both the wearer and the people who made it.
Looking back, do you have a favorite collection or specific piece that, to this day, feels like the essence of Andrew Christian?
I’d have to say my final collection, Bespoke. It’s deeply personal — inspired by the clothes I actually wear. They’re timeless, classic pieces with subtle details that make them special. Bespoke feels like my love letter to everyone who’s supported me — one last chance to wrap them in the love they’ve given me all these years.
What advice would you give to a young gay designer who wants to build something authentic yet sustainable in today’s oh-so-very competitive world?
Start with truth. Don’t chase trends or algorithms — chase what you need to say. Authenticity will outlast everything else. And be patient — the fashion world moves fast, but real creativity takes time. Protect your vision, and never forget who you’re creating for.
How have social media and influencer culture affected fashion brands?
It’s been a double-edged sword. Social media gave independent brands like mine a voice when traditional media ignored us. But it also created a culture of constant comparison and short attention spans. The trick is to use it as a tool, not a measure of worth.
Your imagery helped define a generation’s idea of what “sexy” looked like in gay culture. Do you ever think about how the Andrew Christian aesthetic influenced and impacted perceptions of desirability in the queer community?
All the time. It’s something I take seriously. My imagery was meant to celebrate confidence, not conformity — to say, “This is who we are, and we’re proud of it.” Over the years, I’ve seen how beauty standards have evolved, and I hope my work played some part in opening that conversation.
When people look back at the Andrew Christian brand, what do you hope they remember most?
That it made them feel something — seen, sexy, confident, part of something bigger. I want people to remember the joy, the audacity, and the freedom of expression the brand represented.
What’s next for you personally and creatively after closing this chapter? Are there any new projects you are interested in exploring?
I’m giving myself the space to breathe and explore without a deadline attached. I’m drawn to storytelling — maybe film, maybe writing — and I want to keep creating in ways that feel personal and meaningful. I don’t know exactly what it will look like yet, but I’m excited to find out.
What do you think the future of queer fashion looks like in the next… let’s say 5 to 10 years?
Honestly, I’m a little concerned. I don’t think queer fashion will thrive the way it once did. Just like gay bars are slowly fading out, I see our visibility retreating in some ways. The decade of the “gay” is over, and unfortunately, our community seems to be retreating back into the closet, so to speak. That doesn’t mean the spirit of queer expression will disappear—but the platforms and spaces where it once thrived are definitely shrinking.
I’d like to close with the most important question of all — what underwear are you wearing right now?
(Laughs) Bespoke, of course. Gotta go out in style.
Features
From the GOP to West Hollywood: How one young political advocate found his voice
Joshua Marin-Mora champions LGBTQ+ rights. For years, he worked in spaces that shunned them.
El Que dirán. What would they say?
These words emanated through Joshua Marin-Mora’s mind as a child, serving as a backdrop for a personal shame that would steep in his body and mind for years. At 14, he was the golden child: he soared academically. He shone on stage in theatre productions. He attended church with his parents, who had instilled in him a deep sense of faith.
Internally, he was struggling. He had discovered at this point that he was attracted to men. “I didn’t really know what that meant, but I knew it was bad…It was crushing. I found myself in an extremely dark and scary place. Honestly, I did not know if I would make it out of it,” Marin-Mora told the Blade.
Bright and eager, he felt his successes shadowed by this self-knowledge: this part of himself he couldn’t share with anyone else. “The Church tells me I’m supposed to marry a woman and have children. My family wants grandkids,” said Marin-Mora. “It was an inconvenience for me. It was an inconvenience for the people around me. I wanted it gone…I really thought that I could be over with it, and I really thought that God would take it away. I prayed about this.”
At 15, he discovered a new sense of purpose: one that allowed him to throw himself into public service that felt meaningful and nourishing — and one that allowed him to continue to hide his queer identity. He attended his first city council meeting in Reno, his childhood home, and witnessed for the first time conversations between residents and local legislators. He experienced people bringing their grievances to the table and saw the ways that city council members tried to form solutions.

Soon after, he was elected to the youth city council, where he actively took part in community events like food, clothing, and supply drives while learning the ins and outs of local government. “I was on cloud nine,” Marin-Mora said. He actively served in the council throughout high school, and by the time it came for college, a path presented itself: one that would have him wading deeply into conservative political spaces for years to come.
“I’d basically been put into the GOP lane…it made sense for me at the time. I didn’t want people thinking I was gay. ‘Let me go for the anti-gay party’,” Marin-Mora explained. “The loud parts of conservatism in the Catholic Church seemed to fit just right with what that political party was doing.”
While studying international politics at Georgetown University, he continued to develop a deep love for politics and figuring out how “the system” worked. In his junior year, the COVID-19 pandemic began, and, like many other LGBTQ+ folks during the following period of isolation, he was beginning to engage more with queer media as he contended with the shame he had grown to hold around being gay.
In this conversation with the Blade, Marin-Mora discussed the breaking point that led to his coming out, the viral online backlash he faced for being out in politics, and his journey of queer self-acceptance and transformation that led him to sell all his things, move to California, and abandon his previous work to fight for queer liberty.
When was the first time you opened up to someone about being gay, and what led up to that moment?
It was the second half of my junior year [in college]. I go home, and I’m watching the show Love, Victor. The lead was a gay Latino kid who had to navigate what it meant to be that. I still haven’t ever related so much to a story on television. I saw me, and the floodgates just broke open. My whole life flashed before my eyes because I actually gave myself permission to even entertain the idea, which was radical at the time for me.
I thought about the priest who discouraged me from going to Pride. I thought about El Que dirán. What would the family say? I [had] been doing all this professional work for the GOP. Could this derail that? But at the end of it, I was just so touched. I went to my best friends. We went to the National Mall. And I remember thinking, “Look, you have to buckle up.” Because the way I saw it: once you say it, there is no going back.
I never felt such a weight off my shoulders, and I underestimated how ready I actually was to do this. Within the next couple of days, I’m getting my ears pierced. I’m dyeing my hair. I was on top of the world, and nothing else mattered to me. I had my support system. They cared [for] and loved me — my chosen family. And that was what mattered. You know what I believed? Maybe this could work. Maybe I can carve out a place for me…But life got real, and then there came the point when it was time to wake up.
What do you mean by that?
I worked on a very high-profile campaign [for Virginia governor Glenn Youngkin] right out of college. And while I was on the campaign, I went to my first Pride. It was so amazing. I went with my support system. But I was at a campaign stop in rural Virginia, and my phone blew up.
I had posted a photo of myself at Pride in a skirt. It felt like the right thing for me to do at the time. I loved it. I have no regrets, but there were a lot of people who didn’t like that. It became this entire thing. I was reading the nastiest comments online. My photo is getting blasted everywhere, and my blood went cold because I was afraid. I don’t know how big this was going to get. And this is a high-profile campaign — this was one of two special elections in the entire country that the whole nation is watching.
After the shock had settled down, I remember feeling angry. I was mad at myself, and I was mad because I wasn’t surprised. By this point, the GOP had already started this ugly culture war that had taken place that was gaining traction around the country. They were smearing trans people. They were enacting policies to out LGBTQ+ students. They were cracking down on schools and banning books. I’m ashamed to admit that I looked away and that it took me getting burned to realize sort of the extent of truly what was happening. I had to grapple with myself.
I thought there could still be a place [for me]. Now I’m wondering: Is politics even for me? Can I even handle this anymore? I moved to Colorado…I couldn’t even imagine starting from zero, every connection I’d made, all the experiences that I gained, to just start over. It was nerve-wracking. So I worked on moderate campaigns, and I ended up finding that the culture war wasn’t going away. Mass shootings were still happening. This is 2022, by the way. Roe v. Wade was overturned. Only Democrats were talking about health care reform and actually doing something about it.
My role was to listen to the other side on these campaigns, and…I realized that my views, my values — they were just pulling me in a whole different direction. So now I’m experiencing an identity crisis, the voice that I thought I had found…I didn’t know where that was anymore.
In 2023, I’m living in Denver, and by a miracle, I worked for my first Democratic campaign. It didn’t last long, but it felt better. It felt right. But by that point in my life…I really didn’t think that I’d done enough. I [kept] looking at everything happening nationwide. I’m not the kid getting outed. I’m not the trans person whose dignity is being stripped away. It’s all ramping up even further, and I had played some role in all. I felt terrible. I felt awful. I didn’t know who I was. And so I realized, I couldn’t stay in Colorado. I was desperate for a fresh start.
So [in the] summer [of] 2023, I sold what I could. I had no job lined up because the other campaign had just ended, and I came and I moved to LA.
How did you make it work?
I was directing traffic at SoFi stadium. I was helping out with check-in and giving out bobble heads at Dodger Stadium. I was like, I’m gonna make it work. This is the dream. Then, a couple of months later, I saw that my assemblymember was hiring, and Rick Chavez Zbur literally gave me the shot of a lifetime, and it changed everything.
How has this experience working with Assemblymember Zbur been pivotal for you?
Being gay had been the source of so much pain for me up until this point, and I was able to flip that whole thing on its head…Growing up, I was very cognizant of the tightrope that I was on. I knew in my truest, deepest self, that if I veered too much off the tightrope, I had to do everything to correct.
I am [now] working for a gay elected official who is unabashedly a champion for progressive points. I am working out of one of the gay meccas in the world, West Hollywood. I didn’t feel like I was on that tightrope anymore. I had actually found my voice. In addition to that, going to this idea of penance, now I get to be on the front lines and fight for all those people that had been further marginalized.
I was thinking about this little kid in me that had it really hard. [He’s] a community leader who had been on the front lines. He lived through the AIDS crisis. He led Equality California. He saw that I was trying to come home. He gave me that chance, and I will always be grateful for that.
I go home, I go to sleep at night proud of what I’d done that day. I’m back in the community, just like I’d always wanted to be. I’m helping people. I’m trying to make their lives even a little bit better, just like that lifeline that has really driven me throughout my entire life.
Can you tell me more about your belief in the political system? How do you empower yourself and others to keep going, especially when faith in that system can be really difficult for queer people and other marginalized communities?
Decisions are being made every day that will impact our livelihoods and will impact our futures. And if we don’t get involved, if we don’t fight — if you’re not at the table, you’re on the menu. I personally feel like there is so much at stake that it takes all of us. We’re all on the same ship, one way or another, and that’s why I believe in the system.
Losing faith in the system is exactly what they want. They don’t want us involved. They don’t want us making noise. They want to run the whole thing. When you realize that, when you wake up to that, when you think about your neighbors, when you think about your communities, I’ve experienced how easy it is to look away or not care until you’re at the end of the brunt. It changes your whole worldview.
No system is perfect. I remember that city council meeting that I went to: all those neighbors who were coming up to speak and ask for change. They were the ones the decision makers were listening to. And if the decision makers aren’t making the right changes, then you try to become the decision maker. It’s very easy to get overwhelmed and over consumed, but I think about the bigger picture. What can I do? What part can I play?

Follow Joshua on IG: @Joshua_MarinMora
Features
Nancy Pelosi: an LGBTQ+ appreciation of the retiring House Speaker Emeritus
Pelosi on her Catholic faith and the impact of AIDS
It was not unexpected. House Speaker Emeritus Nancy Pelosi, 85, is retiring after serving 39 years in Congress. Her announcement video, released Thursday, is an ode to her beloved San Francisco, brimming with images of people, landmarks, and the proud liberal story that quickened her heart and stiffened her spine as she fought for progress in making America a more perfect union.
“My message to the city I love is this: San Francisco, know your power,” Pelosi said. “We have always led the way, and now we must continue to do so by remaining full participants in our democracy and fighting for the American ideals we hold dear.”
Pelosi’s legacy as the country’s powerful first and, so far, only female House speaker – serving twice in that role, 2007-2011 and 2019-2023 — is replete with examples of how she smartly and bravely stood up to bullies, including Republican President Donald Trump and his violence-prone cult followers who demonize her, and sought her out during the Jan. 6, 2021 insurrection at the Capitol as she led the certification of Joe Biden as President. Roughly three years later, her husband Paul was seriously attacked in their San Francisco home by an intruder intent on kidnapping her.
As House Speaker, Pelosi presided over Trump’s two impeachment votes in his first term. And while she might not reach those heights again while she serves until January 2027, she was a visible force in passing California’s Proposition 50, working behind the scenes, helping Gov. Gavin Newsom raise money and construct the state’s reapportionment initiative in response to Trump’s attempts to rig the 2026 midterms.
Prop 50 – the only thing on the ballot in this special election – won handily with almost 64% of the vote to 36% percent. Los Angeles County voted “Yes” 73% to 27%.
“Some people go off and they talk about the way the world should be, but they don’t do anything to damn manifest it,” Newsom said on election night, per the New York Times. “Nancy Pelosi doesn’t go out to try to make points. She makes a difference.”
Two of her most memorable achievements as Speaker were her deft political strategy, vote counting and arm-twisting to pass extremely difficult legislation such as the new Obama administration’s American Recovery and Reinvestment Act after President George W. Bush’s “too big to fail” Great Recession and the Affordable Care Act (Obamacare) – after which she proclaimed that “being a woman is no longer a pre-existing condition.”

During her decades in Congress and before, Pelosi has been a towering hero. “She’s just always been there,” longtime AIDS and gay activist Cleve Jones, who at first didn’t take her seriously, told the New York Times. “She’s more than an ally. She’s family.”
In May 2018, I interviewed Nancy Pelosi, then the House Minority Leader, in advance of the important midterm elections – the success of which resulted in her historic election as Speaker for a second time.
With Trump and Project 2025 erasing our rights and our history with their version of Christianity and with the new AIDS Monument opening on Nov. 16 in West Hollywood, I think Nancy Pelosi illustrates how one can be religious, progressive, and decent, such as her expression of gratitude to President Bush for his PepFAR AIDS program.
Nancy Pelosi: The famous Leader you may not know (Excerpts)
House Minority Leader Nancy Pelosi is the embodiment of the feminist adage “the personal is political.” She celebrated part of her 78th birthday at an LGBT equality weekend in Palm Springs, which she declared a “fabulous” fundraiser for the Democratic effort to “take away” the House from the Republicans in the November midterm elections.
Pelosi is so confident of victory, she told the Los Angeles Blade that out Rep. Mark Takano will be the next chair of the House Veterans Affairs Committee come Jan. 2019.
“‘We will win. I will run for speaker. I feel confident about it. And my members do, too,” the Boston Globe reported May 1 on Pelosi’s meeting with the Globe’s editorial staff. “It’s important that it not be five white guys at the table, no offense,” referring to Trump’s meeting with the top two leaders from the House and Senate. “I have no intention of walking away from that table.”…

Many of the darts thrown at Pelosi over the years have been acid-tipped with LGBT-hatred. “One of the things the Republicans like to do around the country is to represent me as a LGBTQ-first-and-foremost supporter. I represent San Francisco, which they caricaturize as being a gay haven and capitol. And that’s something we’re very proud of,” Pelosi [said]. “But the fact is, the country is going to leave them behind because people have a different level of respect because of the work the LGBTQ community has done in many areas to end discrimination and in the fight against HIV/AIDS.”
Pelosi says HIV/AIDS and passage of the Equality Act are top priorities. “The Equality Act is something that really should be appreciated in a very special way because it really is transformative,” Pelosi says. “It just changes everything. It says whether it’s credit or housing or job discrimination, or you name it—you can no longer discriminate. Well, you shouldn’t discriminate to begin with. But it makes it a part of the Civil Rights Act to protect [LGBT] people.”…
To be sure, enshrining discrimination into law seems to be a subtextual plan of the Trump/Pence administration, with more information leaking out about Pence’s behind-the-scenes machinations involving the ban on transgender service members serving openly in the military….
Pelosi’s focus is on winning the House. “We are going to be focusing on the economy in our debate,” she says….“What we have to do is focus on the economic insecurity of American families and people. It’s about their apprehensions and their aspirations. And that’s what we need to be talking about….”
Pelosi also shares the concern of Rep. Adam Schiff, her appointee to the House Intelligence Committee, about the “dismantling of our democratic institutions that President Trump is so set upon, whether it is dismantling and discrediting the press, which I think is the greatest guardian of our freedom—freedom of press, dismantling of our Justice Department and law enforcement, in terms of the FBI, ignoring the system of checks and balances that exists in our Constitution, which is the strength of our country.”…

“The president is anti-governance. He doesn’t really believe in the role of government in improving people’s situations,” Pelosi says. “So it’s a comprehensive approach to dismantling democratic institutions….One of the reasons people should be very concerned is because the president is doing nothing to protect our electoral system, our democracy.”…

While young people at the #ResistMarch in West Hollywood last year were stirred up by Leader Pelosi’s rhetoric, it was clear they knew she was important—but not really who she was and why she was so passionate about LGBT equality.
Some of it is centered in Pelosi’s Catholicism, which is not the set of beliefs the Catholic Church espoused during Prop 8 and other political-religious battles.
“As a Catholic, I was raised to respect every person. We’re all God’s children. In my family, there was never any question about that,” she says. “In Baltimore, we did have a growing LGBT community—we didn’t call it that then, but it was part of our lives, and it was not any question that we would be any more respectful of one person than another. It wasn’t even an issue with me, and I didn’t ever even describe it or associate it with Catholicism because Catholicism taught me something different. It didn’t teach me discrimination. It taught me respect. And so it prepared me very well, my Catholicism, for being a representative in San Francisco.”
During the 1980s, with the unchecked rise of AIDS, the Vatican came under intense criticism for sticking to its absolute prohibition against using condoms, coupled with Pope John Paul calling homosexuality “intrinsically evil.”
Pelosi seems momentarily speechless. “I think the Church’s position that people could not use condoms—it’s so hypocritical, I can’t even go to that place,” she says. “The Church may make a proclamation, but they make a proclamation that people should not be using any contraception or birth control at all—it’s all about having a child. So while people are faithful to their religion, they are certain practicing what they need for the size and timing of their family, according to meeting their responsibility to the free will that God has given all of us.”
Ironically, because San Francisco “took a very big bite of that wormy apple called AIDS,” the Church “was more sympathetic to people when they had HIV/AIDS because they needed help then they were to people who weren’t infected. It was the strangest, strangest thing,” Pelosi says.
“It’s a funny thing. The Catholics—and I’m surrounded by Catholics—but the Catholics that I grew up with and I lived with in California were always respectful of the Church, of the Pope, of our faith, and never thought it was in any way a barrier to us doing what we believed. And sometimes that was diametrically opposed to what their public statements were.”
Not that she thinks the Church is immune to criticism. “There’s no question the Catholic Church in California was a participant in Prop 8 in a negative way,” Pelosi says. “We were on the other side of that. But to me, it was their problem. It wasn’t anything that was any moral imperative to me for me to follow the Church in enshrining discrimination in the law in California.”
Pelosi also does not concur with churches that pontificate about the “non-negotiable” – being gay, marriage equality, euthanasia, birth control, all generally lumped together. The commonality is the certainty that “all interactions between people are about producing a child. Then you cannot have birth control, family planning, or any of that, and you cannot have homosexual relations,” she says.
“I view that as kind of their problem. It’s not the reality of life, and it’s not about respecting the dignity and worth of every person.”
But, Pelosi adds, “I’m not making any judgments about how each of us honors our free will and our sense of responsibility that goes with it.”

Pelosi is also guided by a moral imperative that young people may not understand today—the deep, personal impact of AIDS.
“Some people criticized me for talking about AIDS on my first day in Congress and I realized that it was not just about getting funding for AIDS research and prevention and care but it was about ending discrimination against people with HIV and AIDS,” adding that California has been a “tremendous resource” throughout the years for intellectual, political and economic response to the disease.

Pelosi responds viscerally when asked about losing friends.
“Oh, my gosh. Oh, my gosh. A little flower girl in my wedding. My dear, dear friends in the community in San Francisco. We were going to two funerals a day. I was visiting people in the hospital all the time, and quite frankly, when I say losing people,” Pelosi says, “I lost friends because I just walked away from them because they were not treating people with HIV and AIDS with respect. They would say to me, ‘I don’t know why you hire that caterer – don’t you know that everybody there has HIV?’ And I’d say, ‘Don’t bother to come to my house anymore if that’s your attitude.’ It just changed my whole view of them.”
Within the span of her life and political career, Pelosi has personally experienced the heartbreak of HIV/AIDS and the political battles to fund and find a cure.
“I’ll never stop missing some of my dearest dear friends from then,” she says. “Of course, we went from funerals to people saying help me make out my will because this is going to end soon, to those very same people looking for a job and then wanting to get married. So everything has improved but I would never have thought 30 years ago when I started all this in Congress that we still wouldn’t have a cure for AIDS. We’ve improved the quality of life, we’ve sustained life. Everything is better but it’s not over, not finished.”
Karen Ocamb is a longtime LGBTQ+ journalist and former news editor for the Los Angeles Blade. This essay is cross-posted from her Substack LGBTQ+ Freedom Fighters.
Features
Harnessing identity: Mr. CMEN Leather 2025 bares his heart and soul
From naturist retreats in Big Bear to soap opera drama, Mr. CMEN Leather 2025 opens up about community, creativity, and why every good party should start at 2PM.
California Men Enjoying Naturism (CMEN) is an international social organization for gay and bisexual men who enjoy naturism. West Coast Gatherings were first held in Malibu in 1999 and have grown to draw over 500 male naturists from throughout North America, the Pacific Islands, and Europe. CMEN has been holding a Mr. CMEN Leather contest each year since 2000, and in 2003 it became an official International Mr. Leather (IML) Pre-Event.
The Mr. CMEN Leather title honors a member who embodies leadership, community spirit, and a commitment to bridging naturist and leather values.
Winning Mr. CMEN Leather 2025 isn’t just about strutting your stuff in a corset and boots – though this year’s titleholder rocked this look effortlessly. Equal parts storyteller, naturist, and leather-clad Babe with a capital B, Paul Gosselin brings poise and panache to everything he takes on, whether he’s producing a melodramatic dramedy, baring it all in the name of authenticity, or bridging communities that are often stigmatized or misconceived. With sharp wit, an XXL heart, and just enough fringe to keep things interesting, he’s proving that vulnerability, visibility, and a bulldog harness can go a long way.

We snatched a second of his time to talk leather, naturism, and the pleasure of finding power in your own body.
What was your motivation to run for Mr. CMEN Leather 2025, and what was the most meaningful part of the experience for you?
I actually ran for the first time back in 2019 after attending the camp for a few years. I’ve always felt a pull toward leadership. I was class president in high school, so there’s this part of me that thrives in those kinds of roles. The idea of holding a title like Mr. CMEN Leather felt like a continuation of that energy. It felt like a way to have a seat at the table, to be more involved and respected within the community.
The most meaningful part of the experience has definitely been the personal growth I’ve gone through since that first run. In 2019, I was really cocky. I genuinely thought I was going to win <laugh>. But I had a lot of growing to do, and I wasn’t aware of that at the time. I ran again last year and was first runner-up, and then this year, I won. And I believe that growth – working on myself, learning more about the leather community, and about CMEN – really shaped who I am now and how I represent the title.
How do you plan to use your title over the next year? Are there any causes or initiatives you’re passionate about?
I’ve been talking with a lot of other titleholders, and it’s interesting. Each title has different expectations. Some are required to fundraise for their bar or organization. But with CMEN, there are no strict requirements. It’s actually really open-ended, which gives me the freedom to shape the year how I want. So, while I don’t have one specific cause locked in just yet, there are a few I’m exploring. I want to wait until things are finalized before speaking on them publicly.
That said, I do joke that my platform is going to be moving all events to the daytime. I’m too old for a 10 PM party! I’d love events that start at 2 or 3 PM and wrap by 8. That might sound like a joke, but I’m very serious about making that a reality for my fundraisers and events <laugh>.
You represent both the leather and naturist communities, which can seem quite different. How do they intersect for you?
It really comes down to showing up as your authentic self. One of the questions asked during the Mr. CMEN interview was how to bridge the gap between the naturist and leather communities. That question forced me to reflect on both the differences and similarities, and there are more similarities than people think.
Both communities are rooted in self-expression, individuality, and strong senses of community. I love being naked, but I also love throwing a leather piece on my naked body. For the competition, I didn’t wear full formal leather. I wore a corset, a little leather hat, arm sleeves with fringe, and leather boots. It was a mix of both worlds, and it felt really authentic to me.
That blend of values and aesthetics is what I want to bring to my title year – showing how these communities can coexist, support each other, and grow together.
You’ve said that the naturist and leather communities aren’t separate chapters, but part of the same book. Can you expand on what that means to you?
We’re all made up of different parts, different experiences, interests, and identities. For me, naturism and leather are just two parts of the same story. They’re not mutually exclusive. I don’t have to pick a lane. I get to live in this hybrid space where both of those identities thrive together.
It’s exciting to represent both communities because I can speak to both audiences from a place of genuine lived experience. It makes the title even more meaningful to me.
What are some things the naturist and leather communities could improve upon or work toward together?
<Laugh> There’s always room for growth. That’s something I’ve learned these past few years. CMEN, for example, is run by an older generation, and I’m part of a younger wave that’s helping to shape its future. The same is true for the leather community.
We need to stay open to change, to evolving how we do things, and to embracing new perspectives. As long as we move forward with open minds and the belief that growth is always possible, I think both communities can thrive.
Let’s talk about Misguided, your dramedy inspired by soap operas. How does that kind of storytelling reflect your own journey and identities?
It’s been interesting trying to incorporate my leather identity into Misguided, especially since I started the show in 2014, before I really became part of the leather community. So now, rather than drastically changing the storyline, I’ve found small ways to bring in that part of me, like wearing more leather pieces, even if it’s just a bracelet.
Looking ahead, I’m excited to create new work that reflects more of who I am now. Future stories will definitely weave in more of the communities I belong to.
Do you have a blooper or funny anecdote from working on Misguided?
<Laugh> I don’t know if “blooper” is the right word, but getting this latest season off the ground has been a journey. I wrote the last season in 2018 and released it in 2019. Then, of course, 2020 happened. When I started writing again, I had no idea what the world would look like post-pandemic.
Then came the Hollywood strikes. And then, tragically, Jackie Zeman, who played my mom in the series and had been on General Hospital for 45 years, passed away. So this final season has been an emotional ride, but in many ways, all those obstacles shaped a really meaningful conclusion.
You’ve also performed in Mortified, where people share cringeworthy and vulnerable stories from their youth. What was that experience like?
It’s kind of like The Moth but focused on teenage angst. It’s vulnerable, hilarious, and deeply healing. One story I shared involved me asking a man online for tips on, uh, giving a blowjob <laugh>. And I documented the entire conversation in an online blog. Reading that aloud to an audience was terrifying but also kind of wonderful.
Another story was about the fan letters I wrote to the producers of Guiding Light. Telling those stories allows me to embrace my inner soap opera enthusiast and remind younger Paul that he was always on the right path, even when it didn’t feel like it.
Speaking of younger Paul, if you told him that he’d become Mr. Leather, how do you think he’d respond?
<Laugh> He’d be so confused. Like, “You don’t own a single piece of leather, what are you talking about?” But I think that’s the beauty of growth. Life takes us in unexpected directions. And now, I’m part of two incredible communities that I never could’ve imagined back then.
Do you remember your first taste of the leather scene? What was your first leather purchase?
After moving to LA, I went to The Bullet Bar in the Valley. It’s a fantastic dive bar and the first place I heard about the International Mr. Leather competition. That’s where the idea first hit me – maybe I could do that one day.
The first leather piece I bought was a burnt brown bulldog harness from Rough Trade. I didn’t want a basic black harness. Though, in hindsight, black really does go with everything <laugh>. But I loved how that harness was made. The staff helped fit me, showed me how to adjust it—it felt like being fitted for a wedding dress, though I’ve never had that experience! But it was personal and welcoming. It really made me feel like I was stepping into something special.
Do your artistic and community work influence each other?
Absolutely. The naturist community especially influences my everyday life. When I’m at CMEN’s West Coast Gathering in Big Bear, surrounded by nature, stripped of all distractions, it reminds me to live without judgment and to bring that presence into my life beyond camp.
The leather community, on the other hand, gives me a sense of strength and power. It affects my posture, literally and metaphorically. Both communities give me different but equally meaningful tools to show up as my best self.
How does today’s political climate affect your work and the stories you tell?
It’s more important than ever to tell stories, especially those from underrepresented communities. Representation really does matter. Even if a show like Misguided isn’t groundbreaking, it’s still showing queer relationships, soap opera melodrama, and real slices of life. Sometimes that visibility is just as important as revolution.
What’s one misconception about the naturist community you’d like to clear up?
That it’s all about sex. It’s not. Is sex a part of life? Sure. But naturism isn’t centered around that. It’s about presence, authenticity, and community. Are there spaces where sexuality and nudity intersect? Of course. But that’s not the core of naturism.
Rough Trade filled you with the glee of a bride-to-be. Paying that sentiment forward, how would you go about welcoming in someone who might be curious about the leather scene but hesitant to explore it?
That’s a great question. I think it kind of already happened in a way. We had two younger guys – well, younger than me – participate in the competition this year. They both had harnesses, so they were somewhat involved in the leather scene already, but it was still their first time running and their first time at CMEN.
I spent some time talking with them about the leather community – what’s out there, what they can get involved in, where they can go to learn more and grow. Whether it’s local meetups, bars, events, or different organizations, I think just knowing those spaces exist makes a huge difference. Especially for someone new, it’s about discovering the community and realizing there’s room for you in it.
So, regardless of who they are or where they’re coming from, I’d try to point them toward those welcoming spaces, places where they can start building their own path.
Final question: If there were a poster for the leather scene, what would be the motto or catchphrase?
Oh my God, I feel like whatever I say is going to get me in trouble—no matter what I pick, I’m going to piss somebody off.
If you’re not pissing somebody off, are you even living?
Exactly! Maybe that’s it! I love it. But, no, what can I say…
There are three core principles that were drilled into my head during the competition: trust, honor, and respect. I think whatever the poster ends up looking like—whether it’s a boot, a pair of chaps, or a Burnt Brown bulldog harness, those three words should be front and center. They’re the foundation of what the leather community stands for.
Features
“Small is all”: L.A. Councilmember Ysabel Jurado discusses “small” but impactful moments of queer joy and political victory
The Blade sits down with Ysabel Jurado, the first queer Filipina woman to serve on Los Angeles’s city council
When Councilmember Ysabel Jurado was elected to the city council at the end of 2024, she was navigating a seat embroiled in mistrust. She beat out the incumbent of Council District (CD) 14, Kevin De León, who had been ensnared in a scandal after an audio recording of him making racist remarks was leaked in 2022.
Suddenly, Jurado was having to navigate complex bureaucratic systems as she tried to regain constituent support and spark positive, tangible change. A first-time elected official, Jurado had previously worked as a tenants’ rights attorney and housing advocate. While equipped with legal expertise, she was embarking on this foray into governance from scratch.
Her approach is informed by her organizing background, as well as the intersections of her core identities: a single working mother, a child of immigrants, and a newly out queer woman.
Jurado sits down with The Los Angeles Blade to discuss how she is navigating her political journey, as well as her personal queer journey as she tries to create a more equitable environment for her district’s residents.
It’s been about a year since you were first elected to the city council. How has it been for you so far as a first-time political official, and what have some of your challenges and wins been so far?
Being a beginner is something that is always a very humbling process: navigating the bureaucracy while trying to deliver immediate results for working families, especially while governing during multiple crises. I think figuring out the bureaucracy was something I expected to be challenging, but the crises that unfolded: wildfire recovery, the ICE raids, the budget shortage, all of those things just really compounded on one another. That made it hard to learn straightforwardly, and it was like fits and starts and fits and starts.
I think balancing the urgency of addressing systemic issues and the slow pace of government processes doesn’t always make sense, so that is definitely challenging. You know, wanting to meet the moment and then the bureaucracy just being so elaborate, and being unable to do it quickly, is always something that frustrates me.
Victories — we’ve been a nimble team for a while at City Hall and in the field, and now that we’ve grown, I think that’s something that is exciting on its own, and allowed us to immediately respond to the wildfires because we were in such close proximity to Eaton. We got through our first budget cycle, and we definitely had a bunch of wins, even as a first-year council member. We gave people an opportunity to ride the bus to give public comment at Van Nuys City Hall through a budget bus, we secured funding for long-term solutions to the construction and lighting up of the Sixth Street Bridge, and we also secured funding for public restrooms in Skid Row through that process.
A couple of other victories were passing fair wage ordinances for fast food workers and tourism workers. [There’s also] the reopening of The Pantry as a champion for the district and for workers, and guaranteeing that the city incentives made it so that the new owner would commit to allowing the workers to unionize, which was why they closed in the first place. So, I think that was super important.
And then, of course, our immediate response to the ICE raids, connecting local business owners and workers to resources, and last but not least, the renovation of the Convention Center. That is definitely something we worked hard on for the Downtown revitalization.
It’s coming. The Renaissance is coming back to Downtown, and we’re working hard for that.
It feels like most of your efforts are really concentrated on helping the everyday people: those who are most marginalized and those belonging to working-class communities. You were just saying there’s this pacing issue in terms of bureaucracy. How do you reconcile that mismatch in pacing when I’m sure you’re getting a lot of community response where they’re telling you their most urgent needs?
I think that’s something that we as a team are continually trying to grapple with: understanding that our role is different from where we were before. Now, we are actually part of the government. Now, I have to restart and begin again as an organizer in a different landscape. So, learning who those players are to make the work easier — in the city hall family and bureaucracy — to know who we are supposed to roll with to make these things go faster, is something that our team is trying to quickly learn to be more agile.
It’s learning the acronym soup and learning who the people are that we call and that we trust in the city family to make sure we can do these things quicker. That’s really what our job is: to learn the landscape and the tools that are at our disposal that weren’t available to us before, so that we can add value to movements or organizations, instead of duplicating what’s already been done.
That’s really what the focus is: to make sure, as part of our community ecosystem, we’re adding value. We are in this space for a reason, and we’re here to advocate for these marginalized communities: people of color, people who have been policed, people who are LGBTQIA. And so, in this position, how can we intervene?
You say your organizing has gone through an evolution, and you’ve been through several personal evolutions of your own that have led you to your current political service. How do all of those different transformations or life experiences; like being a former tenants rights attorney and advocate, a single mother, a queer Filipina person; how does that all inform your approach towards your political work and really being in the community?
I appreciate that question a lot. You know, it’s like, I live my life. And how I live and who I am is at the intersections of all of these identities: daughter of immigrants, queer, woman of color, working single mom. And it’s at these intersections where a lot of these issues converge and compound. And because of, not despite those experiences, it has made me be resilient and overcome certain things, or surpass the stigma to do the thing that I want to do — and continue to keep doing it.
So in that regard, the identity of being the “other” has made me so resilient. That has actually given me the life experience to be able to survive and do well in this political atmosphere, and even in a bureaucracy. Because in this political atmosphere, it’s like, “Well, you don’t deserve to be here.” And in the bureaucracy, it’s like, “Well, this is not how things are done.” And it was like: Well, me being here is a testament that I don’t take “no” for an answer, and that even if you do say that to me and my community, we still somehow exist anyways. So, my philosophy that I gained from my experiences working in these communities is that people already live the way that they live, right? And it’s really our government and the social systems that we as humans have designed that have made it harder for other people to live.
The government has all the resources and stewards them — how do we make that distribution more equitable, whether it means there’s more Rec and Parks services in certain communities or lighting and trash pickup to make it feel safe, and whether there’s a need for less policing in certain communities? That’s where I think the rubber hits the road for me in terms of how my life experiences and my identity as the “other” really imbue my philosophy with how I intend to govern.
You’re new to governance and political work, but also new to being an out queer person. In a different interview, you mentioned that you felt like an “impostor” during your campaign for city council. How did you navigate that as someone new to both political spaces and queer spaces?
I won an award from an identity group, the Asian Democrats, and when I got up there, I was like, “Why me?” I was just putting my head down and doing my work, and I don’t think that’s worth applause. Then, I took a step back and I thought: Wow, even my reaction to that is very Asian. My dad was a hardworking dad, but whenever Father’s Day came around, you’d ask him, “What do you want?” and he’d be like, “I don’t need anything, and you don’t need to celebrate me, because I’m just doing what I’m supposed to do as a father, which is provide. And that’s how I show you my love.” So, a little bit of that is kind of where I’m at when people are like, “Well, you’re the first, and this is your identity group.”
When I take an additional step back from my AAPI upbringing, and I think about it in this moment, this is a big responsibility, especially now, not to cower and hide. Even if I may be scared, I still have to lead and not just for myself, right? For all the others around me to make sure that our existence is validated and that we are not going to give up. That’s a real responsibility I have now as the only out council member in the city of L.A. This year and the backdrop of this administration have brought a lot of duality, a lot of yin and yang to some moments that have really brought me a lot of joy.
We got to host our first Pride at City Hall, which was so amazing. I had so much fun. We hosted two drag performances at City Hall for the first time ever. And, our drag performer, Simply Cebuana, was like, “I got my citizenship.” They had immigrated here. They got their citizenship, and that was the first time they’d ever been at City Hall. They felt welcomed, and they got to be their whole self there, and they were crying. It was the intersection of gender, sexuality, immigration, and it was like: This is why I do it, right? It felt so powerful because we get to create these spaces where, before then, we hadn’t been in. It inspires me to take up more space.
But later that day was also really sad, because that was the first terrible day of the ICE raids. Then, it felt like this day of joy was robbed of us, and the rest of the month, and maybe the rest of the term, because of this administration, because of the terrorism that they’re now putting upon us. So I think it’s been definitely yin and yang, but still trying to remain hopeful and continue to be a leader in these tough times and continue to not cower. As people who have had to concede so much, I don’t want to concede anything — and definitely not easily, right?
I was interviewing two AJSOCAL policy advocates recently, and they’ve been spearheading this new initiative that champions LGBTQ+ civil rights for AAPI communities. They shared similar sentiments of how there’s just so much despair with the current administration, but it’s the intertwining of queer joy with their work that propels them forward. Could you share a story of your own, about a personal moment of queer joy or revelation?
I’m a queer mom of queer kids, and I remember going to Children’s Hospital Los Angeles (CHLA) for a protest because they were deciding to pause gender-affirming care while caving to the federal government. One of the folks there, I believe it was a doctor, was talking about how important it was for them to provide this work because it was just so fundamental to freedom, to choice, and to making sure that the joy people felt was equitable. It really just hit close to home for me.
Maybe folks conflate that Pride is just a party, but really, it’s a celebration of our wholeness and the humanity that we all deserve. And so being there with one of the kids and with the TGI community at CHLA and fighting for it — even though it feels like losses — was a reminder. I just saw them and other kids, too, how important it was for them to feel seen at that age. Me coming out later in life, [I thought] Oh, if I had been seen earlier in life for who I was, how much of an impact that would have made on me. I think it’s like moments like that: for them to know that they are so supported. Even though it’s a struggle, it’s very enriching to my life and my work, because the struggle is, unfortunately, something we know that’s familiar to us. So, we know how to fight through it, even in the most hostile of circumstances.
And yet, that event was a reminder of the community that we’ve created for ourselves that can keep us safe, and reminds me of why I must keep going, which is for the multigenerational, multi-ethnic coalition of people to keep going forward. I usually enjoy these events when I don’t speak, because I get to hear others and be inspired. But that was one of the moments that I was just like, from parents to providers to the children themselves and just the folks that were out there: those everyday people and those conversations are really the ones that stick with me the most and remind me when I have to make some tough decisions of why I gotta keep going.
Could you speak more on the importance of encouraging youth or younger people to take part in civic action and embrace visibility, whether as queer people, people of color, or people of other marginalized communities?
Visibility looks different for people in different ways, right? It doesn’t always mean showing up at the rally. It may be in those small moments, or it may mean having those difficult conversations with your family — which I’ve had over and over again, and which I’m sure any queer person can attest to.
I’m a big believer in that “small is all.” I like small moments, believe it or not. I’m an elected official. We’re supposed to be doing big, flashy things, but it’s really those small moments that, when you look back at the end of your life, actually make up most of it. You’re just chipping away, even in your relationships that mean the most to you, to change minds or engage, to expand your mindset, to have those conversations.
But I think making sure that when it’s safe for you, you do stay true to who you are. Stay weird. I have decided to just be myself. And apparently, that was something that was relatable enough that people elected me to be a council member. But the more I became myself, the happier I was, and I became visible in ways that I never thought I would.
What is pushing you forward now into this end of the year and into the next year? What are your priorities, personally and professionally?
I think personally, it’s to find some sort of balance with my professional and personal life. I’m still a mom. I’m still a daughter. I’m still a partner — and I’m still me! I’m trying to return to those simple moments where I’m walking my dog, listening to nothing, without any phones, where nobody can find me for 30 minutes.
Returning to making sure I have that and the time with my family just being sacrosanct, I think. And my chosen family, which are my friends from before I was an elected official — who will be there even after — I think a goal of mine is to make sure that I show up for them.
Professionally, we’ve gotten almost one year under our belt, and I feel like we’ve figured some things out, and there’s so much more to go. But I’m excited for the next year in really delivering on our priorities and making sure that we can execute and have more results. And, meeting more people. This year has been a lot of internal building. We made the building, and now we can go back out there to meet other folks.
I want to make sure that the city, or at least CD 14, is a place where people can live, age well, raise a family, feel safe in their professional and personal time, protest in peace, and go to the park and still feel safe. I like to say: CD 14 is where everything happens. And I want to make sure that everyone, whatever identity group you come from or intersect at, can feel safe in all of these spaces.
Jurado will be presented with the 2025 Trailblazer in Justice Award, celebrating those who break barriers, open doors, and pave new paths, by the Los Angeles Blade and Asian Americans Advancing Justice SoCal at the Justice organization’s 42nd Anniversary Gala on October 16th at the Westin Bonaventure Hotel in Downtown Los Angeles, starting at 6:30 pm. Click here for more info.
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